Rock: The Train Kept A Rollin’

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Track 10 is actually 5:56 long, as the DiscID says.

Label: Sony - Catalog #: 65797

Track 10 is actually 5:56 long, as the DiscID says.

Anmerkung zuletzt geändert am 2016-04-25 12:00 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Subterranean Homesick Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
Bassgitarre:
John Sebastian (am 1965-01-15)
Gitarre:
Bob Dylan (am 1965-01-15), Al Gorgoni (guitarist, composer, arranger, and producer) (am 1965-01-15), John Hammond (blues singer and guitarist) (am 1965-01-15), Bruce Langhorne (am 1965-01-15) und Kenny Rankin (am 1965-01-15)
Keyboard:
Bob Dylan (am 1965-01-15) und Paul Griffin (American pianist, session musician) (am 1965-01-15)
Klavier:
Paul Griffin (American pianist, session musician) (am 1965-01-15) und Frank Owens (American pianist) (am 1965-01-15)
Mundharmonika:
Bob Dylan (am 1965-01-15)
Schlagzeug:
Bobby Gregg (am 1965-01-15)
vocals:
Bob Dylan (am 1965-01-15)
remixer:
Michael Brauer (engineer)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 187) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 332)
recording of:
Subterranean Homesick Blues (am 1965-01-15)
Texter:
Bob Dylan (von 1964-12 bis 1965-01)
Komponist(in):
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) (von 1965 bis 1993), Warner Bros. Music (publisher; do NOT use as release label) (in 1974) und Special Rider Music (vom 1993 bis heute)
Bob Dylan4.152:20
2Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-01-20)
Produzent(in):
Terry Melcher
Bassgitarre:
Chris Hillman (am 1965-01-20)
Gitarre:
David Crosby (am 1965-01-20)
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds) (am 1965-01-20)
Tamburin:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20)
zwölfsaitige Gitarre:
Jim McGuinn (am 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20), David Crosby (am 1965-01-20), Chris Hillman (am 1965-01-20) und Jim McGuinn (am 1965-01-20)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 79) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
cover recording of:
Mr. Tambourine Man (am 1965-01-20)
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
adaptations:
Setä pelimanni
The Byrds4.152:22
3Why Do I Cry
recording of:
Why Do I Cry?
Texter und Komponist(in):
Barry Tashian
The Remains2:51
4Over Under Sideways Down
Techniker(in):
Roger Cameron
Produzent(in):
Simon Napier-Bell und Paul Samwell-Smith
Bass und Gitarre:
Jeff Beck (English rock guitarist) (von 1966-04-19 bis 1966-04-20)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich (von 1966-04-19 bis 1966-04-20)
recording of:
Over Under Sideways Down (von 1966-04-19 bis 1966-04-20)
Verfasser(in):
Jeff Beck (English rock guitarist), Chris Dreja, Jim McCarty (UK drummer, Yardbirds member), Keith Relf und Paul Samwell-Smith
publisher:
Glenwood Music Corp. und Henrees Music co.
The Yardbirds52:23
5Omaha
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1967-04)
Produzent(in):
David Rubinson
Bass:
Bob Mosley (bass player from Moby Grape) (in 1967-04)
Gitarre:
Peter Lewis (member of The Cornells and Moby Grape) (in 1967-04), Jerry Miller (US songwriter, guitarist & vocalist) (in 1967-04) und Alexander “Skip” Spence (in 1967-04)
Schlagzeug:
Don Stevenson (Drummer, Moby Grape) (in 1967-04)
vocals:
Peter Lewis (member of The Cornells and Moby Grape) (in 1967-04), Jerry Miller (US songwriter, guitarist & vocalist) (in 1967-04), Bob Mosley (bass player from Moby Grape) (in 1967-04), Alexander “Skip” Spence (in 1967-04) und Don Stevenson (Drummer, Moby Grape) (in 1967-04)
recording of:
Omaha (in 1967-04)
Texter und Komponist(in):
Alexander “Skip” Spence
Moby Grape2:24
6Down on Me
Produzent(in):
Bob Shad
E-Bass:
Peter Albin (am 1966-12-14)
E-Gitarre:
Sam Andrew (am 1966-12-14) und James Gurley (am 1966-12-14)
Schlagzeug:
Dave Getz (drummer and songwriter) (am 1966-12-14)
Sologesang:
Janis Joplin (am 1966-12-14)
recording of:
Down on Me (am 1966-12-14)
Texter und arranger:
Janis Joplin
Komponist(in):
[traditional] (special purpose artist)
Version von:
Down on Me
Big Brother & the Holding Company42:07
7Time Has Come Today
Bearbeitung von:
Time Has Come Today (original unedited studio mix) von The Chambers Brothers
recording of:
Time Has Come Today
Verfasser(in):
Joseph Chambers (The Chambers Brothers) und Willie Chambers
The Chambers Brothers3:33
8I Ain’t Superstitious
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Mickie Most (English record producer)
Bass:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Gitarre:
Jeff Beck (English rock guitarist)
membranophone:
Micky Waller
Sologesang:
Rod Stewart
vocals und Interpret(in):
Rod Stewart
cover recording of:
I Ain’t Superstitious (von 1968-05-14 bis 1968-05-26)
Texter und Komponist(in):
Willie Dixon
publisher:
Bug Music Ltd. und Hoochie Coochie Music
Jeff Beck3.54:55
9Albatross
Produzent(in):
Mike Vernon
E-Bass:
John McVie (am 1968-10-06)
Gitarre:
Peter Green (former member of Fleetwood Mac) (am 1968-10-06) und Danny Kirwan (Fleetwood Mac) (am 1968-10-06)
Schlagzeug:
Mick Fleetwood (am 1968-10-06)
phonographisches Urheberrecht (℗) von:
Blue Horizon Records (in 1968) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 52)
recording of:
Albatross (am 1968-10-06)
Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited und Palan Music Publishing Ltd.
Fleetwood Mac43:11
10I Got a Line on You
recording of:
I Got a Line on You
Texter und Komponist(in):
Randy California
publisher:
Hollenbeck Music und Rondor Music (London) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!)
Spirit32:41
11I Want to Take You Higher
Bassgitarre:
Larry Graham (US bassist & singer)
Gitarre:
Freddie Stone
Gitarre und Keyboard:
Sly Stone
Keyboard:
Rose Stone
membranophone:
Greg Errico
Saxophon:
Jerry Martini
Trompete:
Cynthia Robinson
vocals:
Larry Graham (US bassist & singer), Jerry Martini, Freddie Stone, Rose Stone und Sly Stone
recording of:
I Want to Take You Higher (in 1969)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Daly City Music und Mijac Music
basiert auf:
Higher
Sly & the Family Stone4.53:05
12Black Magic Woman
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-04)
Conga:
Michael Carabello (percussionist) (am 1970-07-04) und Jose Chepito Áreas (am 1970-07-04)
Gitarre:
Carlos Santana (am 1970-07-04)
Keyboard:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-04)
membranophone:
Michael Shrieve (drummer) (am 1970-07-04)
Timbales:
Jose Chepito Áreas (am 1970-07-04)
vocals:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-04) und Carlos Santana (am 1970-07-04)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-04)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 28)
cover recording of:
Black Magic Woman (am 1970-07-04)
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
Carlos Santana3.83:18
13All the Young Dudes
Produzent(in):
David Bowie (English singer‐songwriter)
Sologesang:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
Teil von:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 166) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 253)
recording of:
All the Young Dudes
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Mott the Hoople4.23:33
14Raw Power
recording of:
Raw Power
Verfasser(in) und Komponist(in):
Iggy Pop und James Williamson (Iggy and The Stooges guitarist)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music Publishing Ltd. (PRS‐affiliated), Mainman Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Strait James Music (Publisher associated with James Williamson of The Stooges), Bug Music (music publishing) (bis 2011) und BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) (vom 2011 bis heute)
The Stooges4:18
15Frankenstein
Produzent(in):
Rick Derringer
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
Bearbeitung von:
Frankenstein von The Edgar Winter Group
recording of:
Frankenstein
Komponist(in):
Edgar Winter
publisher:
Longitude Music (beendet), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Edgar Winter3:27
16Born to Run
Techniker(in) und Mix:
Louis Lahav
Produzent(in):
Mike Appel und Bruce Springsteen
Bassgitarre:
Garry Tallent (von 1974-01 bis 1974-08-06)
Gitarre:
Bruce Springsteen (von 1974-01 bis 1974-08-06)
Keyboard:
David Sancious (von 1974-01 bis 1974-08-06)
Orgel:
Danny Federici (von 1974-01 bis 1974-08-06)
Saxophon:
Clarence Clemons (von 1974-01 bis 1974-08-06)
Schlagzeug:
Ernest Carter (von 1974-01 bis 1974-08-06)
vocals:
Bruce Springsteen (von 1974-01 bis 1974-08-06)
phonographisches Urheberrecht (℗) von:
Bruce Springsteen (in 1975)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
aufgenommen bei:
914 Sound Studios in New York, Vereinigte Staaten (von 1974-01 bis 1974-08-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 21), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 27) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 70)
recording of:
Born to Run (von 1974-01 bis 1974-08-06)
publisher:
Bruce Springsteen (in 1975, in 1988, in 2003)
Texter und Komponist(in):
Bruce Springsteen (in 1974)
publisher:
Bruce Springsteen Music, Intersong Music Ltd., Penjane, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing France (not for release label use!), Universal Music Works (GMR affiliated) und Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (in 1974)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bruce Springsteen4.354:31
17Carry On Wayward Son
recording of:
Carry On Wayward Son
Texter und Komponist(in):
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (vom 1976 bis heute) und EMI Blackwood Music Inc. (vom 1976 bis heute)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas53:39
18More Than a Feeling
Produzent(in):
John Boylan und Tom Scholz
Akustikgitarre, Bass und E-Gitarre:
Tom Scholz (von 1975-10 bis 1976-04)
Schlagzeug:
Sib Hashian (von 1975-10 bis 1976-04)
vocals:
Brad Delp (von 1975-10 bis 1976-04)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
recording of:
More Than a Feeling (von 1975-10 bis 1976-04)
Texter und Komponist(in):
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Pure Songs (in 1976)
Boston4.83:29
19(Don’t Fear) The Reaper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 1978)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 397) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 449)
recording of:
(Don’t Fear) The Reaper
Texter und Komponist(in):
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:52
20Walk This Way
Techniker(in):
Jay Messina
Produzent(in):
Jack Douglas
arranger:
Aerosmith (American hard rock band) und Jack Douglas
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 239)
recording of:
Walk This Way
Verfasser(in):
Joe Perry (guitarist for Aerosmith) und Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited und Vindaloo Productions, Inc.
Aerosmith4.253:32
21Cat Scratch Fever
recording of:
Cat Scratch Fever
Texter und Komponist(in):
Ted Nugent
publisher:
IQ Music Ltd., Magicland Music und Round Hill Works
Ted Nugent3:07
22Barracuda
Produzent(in):
Mike Flicker
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977)
recording of:
Barracuda
Verfasser(in):
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) und Nancy Wilson (guitarist/singer of “Heart”)
publisher:
BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. (not for release label use!) und Wilsongs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Heart3:30
23Surrender
assistierende(r) Techniker(in):
Mike Beiriger
Techniker(in):
Gary Ladinsky (engineer)
Produzent(in):
Tom Werman
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 356) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 465)
recording of:
Surrender (von 1978-04-30 bis 1978-05-03)
Texter und Komponist(in):
Rick Nielsen
publisher:
Adult Music (in 1978) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
sub-publisher:
イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Cheap Trick3.854:14
2▼CD
Nr.TitelKünstlerBewertungLänge
1Paradise by the Dashboard Light
recording of:
Paradise by the Dashboard Light
Texter und Komponist(in):
Jim Steinman
Meat Loaf5:58
2Pump It Up
recording of:
Pump It Up
Texter und Komponist(in):
Elvis Costello
publisher:
BMG Music Publishing Ltd. und Universal Music Publishing MGB Australia
Elvis Costello3:16
3London Calling
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Guy Stevens
Bassgitarre:
Paul Simonon (von 1979-01 bis 1979-03)
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) (von 1979-01 bis 1979-03) und Joe Strummer (von 1979-01 bis 1979-03)
Schlagzeug und Perkussion:
Topper Headon (von 1979-01 bis 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) (von 1979-01 bis 1979-03) und Joe Strummer (von 1979-01 bis 1979-03)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (von 1979-01 bis 1979-03)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 15), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 42), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 63), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 143)
recording of:
London Calling (von 1979-01 bis 1979-03)
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd., Nineden Music (publisher) und Virgin Music (Publishers) Ltd.
The Clash4.13:20
4Breaking the Law
Techniker(in):
Lou Austin (engineering)
Produzent(in):
Tom Allom
E-Bass:
Ian Hill (UK bassist for Judas Priest) (von 1980-01 bis 1980-02)
E-Gitarre:
Kenneth Downing (von 1980-01 bis 1980-02) und Glenn Tipton (von 1980-01 bis 1980-02)
Schlagzeug:
Dave Holland (British rock drummer) (von 1980-01 bis 1980-02)
Sologesang:
Rob Halford (von 1980-01 bis 1980-02)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1980), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1980), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1980) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2026)
aufgenommen bei:
Startling Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, Vereinigtes Königreich (von 1980-01 bis 1980-02)
Musikvideos:
Breaking the Law (music video) von Judas Priest
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 4), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 12) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Breaking the Law (von 1980-01 bis 1980-02)
Verfasser(in):
Kenneth Downing, Rob Halford und Glenn Tipton
publisher:
Crewglen Ltd., Ebonytree Ltd, EMI April Music Inc., EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Geargate Ltd. (publishing for K. K. Downing), Reach Global (UK) Limited, Reach Music Publishing, Inc., Round Hill Songs II und Warner Chappell Music France
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Judas Priest4.152:35
5Pretty in Pink
Techniker(in):
Will Gosling und Phil Thornalley
Produzent(in):
Steve Lillywhite
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981, in 1986)
recording of:
Pretty in Pink
Verfasser(in):
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn und Roger Morris (UK guitarist for The Psychedelic Furs)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) und EMI Songs Ltd.
The Psychedelic Furs4.654:00
6Don’t Stop Believin’
assistierende(r) Techniker(in):
Wally Buck
Techniker(in):
Kevin Elson
Produzent(in):
Kevin Elson und Mike Stone (producer and engineer, 1960s–80s)
Bassgitarre:
Ross Valory (von 1981-04 bis 1981-06)
Gitarre:
Neal Schon (von 1981-04 bis 1981-06)
Keyboard und Klavier:
Jonathan Cain (von 1981-04 bis 1981-06)
Schlagzeug und Perkussion:
Steve Smith (US drummer most associated with Journey) (von 1981-04 bis 1981-06)
Hintergrundgesang:
Jonathan Cain (von 1981-04 bis 1981-06), Neal Schon (von 1981-04 bis 1981-06) und Ross Valory (von 1981-04 bis 1981-06)
Sologesang:
Steve Perry (former lead singer of Journey) (von 1981-04 bis 1981-06)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1981-04 bis 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
Teil von:
SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 51) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 133)
recording of:
Don’t Stop Believin’ (Journey song) (von 1981-04 bis 1981-06)
Verfasser(in):
Jonathan Cain, Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) und Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Journey4.34:10
7Beds Are Burning
A&R-Management:
S. Ralbovsky
assistierende(r) Techniker(in):
Kathy Naunton (editor)
Techniker(in):
Guy Gray
Produzent(in):
Warne Livesey und Midnight Oil (Australian rock band)
Bass:
Peter Gifford
Cello:
John Ockwell (Cello Artist)
Gitarre:
Jim Moginie und Martin Rotsey
Keyboard:
Warne Livesey und Jim Moginie
Posaune:
Glad Reed
Schlagzeug [drums]:
Rob Hirst
Waldhorn:
Jeremy Smith (Horns)
phonographisches Urheberrecht (℗) von:
Midnight Oil (Australian rock band) (in 1987)
phonographisches Urheberrecht (℗) von:
Midnight Oil Ents Pty Ltd (in 1987) und Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1987)
aufgenommen bei:
Alberts Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 18) und VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 95)
recording of:
Beds Are Burning
Verfasser(in):
Peter Garrett, Rob Hirst und Jim Moginie
publisher:
Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sprint Music Pty. Ltd.
Midnight Oil4.54:16
8Learning to Fly
recording engineer und Mix:
Andrew Jackson (UK recording engineer/prog musician)
andere Instrumente [sequencer]-Programmierung:
Bob Ezrin und David Gilmour (Pink Floyd)
assistierende(r) Techniker(in):
Jeff DeMorris, Marc DeSisto, Stan Katayama und Robert (Ringo) Hrycyna
Produzent(in):
Bob Ezrin und David Gilmour (Pink Floyd)
Bassgitarre:
Tony Levin (US rock bassist/Chapman stick player)
Gitarre und Sologesang:
David Gilmour (Pink Floyd)
Keyboard:
Jon Carin und Richard Wright (Pink Floyd keyboardist)
Perkussion:
Bob Ezrin und Steve Forman (US percussionist)
Schlagzeug und Effektgerät [sound effects] und Sprecher:
Nick Mason (of Pink Floyd)
Hintergrundgesang:
Darlene Koldenhaven, Donnie Gerrard, Phyllis St. James, Carmen Twillie und Richard Wright (Pink Floyd keyboardist)
phonographisches Urheberrecht (℗) von:
Pink Floyd (1987) Ltd. (in 2011, in 2016) und Pink Floyd Music Ltd. (in 2011)
recording of:
Learning to Fly
Verfasser(in):
Jon Carin, Bob Ezrin, David Gilmour (Pink Floyd) und Anthony Moore (UK experimental musician, aka Anthony More)
publisher:
Pink Floyd Music Publishers, Pink Floyd Music Publishers Inc. und Pink Floyd Music Publishers Ltd.
Pink Floyd3.34:54
9Cult of Personality
Techniker(in):
Paul Hamingson
Produzent(in) und Mix:
Ed Stasium (US record producer & audio engineer)
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 12) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 69)
recording of:
Cult of Personality
Verfasser(in):
Will Calhoun, Corey Glover, Vernon Reid (English-born US guitarist and songwriter) und Muzz Skillings
Living Colour4.254:55
10No More Tears
assistierende(r) Techniker(in):
John Bleich (engineer), Matt Curry (engineer), Chris Laidlaw, Joe Pirrera und Rodolphe Sanguinetti
Techniker(in):
Paul Northfield und Brian Sperber
Produzent(in):
Michael Beinhorn
Mix:
David Bianco (American engineer and record producer)
Bassgitarre:
Geezer Butler (in 1991)
Gitarre:
Zakk Wylde (in 1991)
Keyboard:
Rick Wakeman (in 1991)
Schlagzeug:
Deen Castronovo (in 1991)
Sologesang:
Ozzy Osbourne (in 1991)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (in 1991), Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1991), Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten (in 1991) und Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Frankreich (in 1991)
recording of:
No More Tears (in 1991)
Verfasser(in):
Randy Castillo, Mike Inez, Ozzy Osbourne, John Purdell und Zakk Wylde
publisher:
BMG VM Music Ltd., EMI Virgin Music, Inc., EMI Virgin Songs, Inc., Virgin Music, Inc. (US arm of Virgin’s publishing company), EMI Virgin Music Ltd. (do not use this as a release label!) (in 1991), Monowise Ltd. (in 1991), Purdell Music (in 1991) und Virgin Music (Publishers) Ltd. (in 1991)
Ozzy Osbourne45:57
11Runaway Train
assistierende(r) Techniker(in):
David Michael Dill (engineer) und Dan Gellert (sound engineer)
Produzent(in):
Michael Beinhorn
assistierende(r) Mix:
Craig Doubet (recording engineer) und Steve Sisco
Mix:
Andy Wallace (engineer)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
Texter und Komponist(in):
Dave Pirner
publisher:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
Soul Asylum4.44:27
12Black
zusätzliche(r) Techniker(in):
Don Gilmore (American rock/nu metal music producer), Dave Hillis und Adrian Moore (recording engineer)
Produzent(in):
Rick Parashar und Pearl Jam
Mix:
Tim Palmer (British producer/mixer)
Bassgitarre:
Jeff Ament (von 1991-03 bis 1991-04)
Gitarre:
Stone Gossard (von 1991-03 bis 1991-04) und Mike McCready (von 1991-03 bis 1991-04)
Schlagzeug:
Dave Krusen (von 1991-03 bis 1991-04)
Sologesang:
Eddie Vedder (von 1991-03 bis 1991-04)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
aufgenommen bei:
London Bridge Studios in Seattle, Washington, Vereinigte Staaten (von 1991-03 bis 1991-04)
mixed at:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich (in 1991-06)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 351)
recording of:
Black (von 1991-03 bis 1991-04)
Texter:
Eddie Vedder
Komponist(in):
Stone Gossard
Pearl Jam4.455:45
13Would?
recording engineer und Mix:
Rick Parashar
A&R-Management:
Nick Terzo
Produzent(in):
Alice in Chains und Rick Parashar
Bassgitarre:
Mike Starr (Alice in Chains)
Gitarre und Hintergrundgesang:
Jerry Cantrell
Schlagzeug:
Sean Kinney
Sologesang:
Jerry Cantrell und Layne Staley
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
Musikvideos:
Would? von Alice in Chains
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 88) und The Downloader’s Music Source Book (Nummer: 353)
recording of:
Would?
Texter und Komponist(in):
Jerry Cantrell
publisher:
Buttnugget Publishing und Sony/ATV Music Publishing LLC (1995–2020)
Alice in Chains4.253:28
14Killing in the Name
Assistent recording engineer:
Jeff Sheehan
recording engineer:
GGGarth (Canadian music producer and engineer) und Stan Katayama
zusätzlich Assistent recording engineer:
Craig Doubet (recording engineer)
Produzent(in):
GGGarth (Canadian music producer and engineer) und Rage Against the Machine
Mix:
Andy Wallace (engineer)
E-Bass:
Tim Commerford
E-Gitarre:
Tom Morello
Schlagzeug:
Brad Wilk
Sologesang:
Zack de la Rocha
arranger:
Rage Against the Machine
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1992) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
aufgenommen bei:
Scream Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
mixed at:
Quantum Sound Studios in Jersey City, New Jersey, Vereinigte Staaten
Musikvideos:
Killing in the Name (music video) von Rage Against the Machine
Teil von:
Fuck tha Police: 20 Songs Against Police Brutality (Nummer: 8), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 32), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 38), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 44) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 207)
recording of:
Killing in the Name
Texter:
Zack de la Rocha
Komponist(in):
Tim Commerford, Tom Morello, Zack de la Rocha und Brad Wilk
publisher:
Retribution Music und Wixen Music Publishing (American music publishing company, affiliated to BMI)
Rage Against the Machine4.255:16
15Wonderwall
recording engineer:
Owen Morris
Produzent(in):
Noel Gallagher und Owen Morris
Akustikgitarre [rhythm guitar]:
Paul Arthurs ("Bonehead", Oasis)
Bassgitarre, E-Bow, E-Gitarre [lead guitar], Klavier, mellotron und Hintergrundgesang:
Noel Gallagher
Perkussion und Schlagzeug:
Alan White (Oasis drummer)
Tamburin und Sologesang:
Liam Gallagher (English musician, lead singer of Oasis)
phonographisches Urheberrecht (℗) von:
Big Brother Recordings, Ltd. (not for release label use! use “BIg Brother” instead) (in 1995)
aufgenommen bei:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich
Musikvideos:
Wonderwall von Oasis (Noel & Liam Gallagher)
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1995), Indie 88: Top 500 Indie Rock Songs (Nummer: 12), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 27), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2013 (Twenty Years)), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 48) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 95)
recording of:
Wonderwall
Texter und Komponist(in):
Noel Gallagher
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Creation Songs Ltd, Dead Leg Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV, Sony/ATV Music Publishing und Sony/ATV Music Publishing Ltd.
Oasis4.24:20
16Got the Life
recording engineer:
Toby Wright (producer & engineer)
zusätzlich recording engineer:
John Ewing, Jr. (engineer)
Produzent(in):
Korn (US nu metal band), Steve Thompson (producer) und Toby Wright (producer & engineer)
Mix:
Brendan O’Brien (engineer)
Editing:
Don C. Tyler (mastering engineer, electronic music producer, graphic designer)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1998)
recording of:
Got the Life
Verfasser(in):
Brian Welch (Brian Phillip Welch, member of Korn), Jonathan Davis (vocalist for Korn), James Shaffer, Reginald Arvizu und David Silveria
Korn3.63:48
17Love Sick
assistierende(r) Techniker(in):
Chris Carrol
Techniker(in):
Mark Howard (producer/recording engineer, New Orleans/Los Angeles based)
Produzent(in):
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Schlagzeug:
Brian Blade (US jazz drummer, composer, and session musician) und Jim Keltner
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten
mixed at:
El Teatro Studio in Oxnard, California (Kalifornien), Vereinigte Staaten
recording of:
Love Sick
Texter und Komponist(in):
Bob Dylan (in 1997-01)
publisher:
Sony/ATV Music Publishing France und Special Rider Music (vom 1997 bis heute)
Bob Dylan4.655:21

Nennungen

Veröffentlichung

liner notes:Bruce Dickinson (engineer and producer)
Parke Puterbaugh
Produzent(in):Bruce Dickinson (engineer and producer)
Jeff Jones (CEO of Apple Corps)
mastering:Darcy Proper
mastered at:Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Teil von:Sony Music 100 Years: Soundtrack for a Century (Reihenfolge: 5)
Discogs:https://www.discogs.com/release/1372957 [Info]
ASIN:US: B00001SIF8 [Info]

Veröffentlichungsgruppe

enthalten in:Sony Music 100 Years: Soundtrack for a Century