Undercurrent

~ Veröffentlichung von Bill Evans, Jim Hall (alle Versionen dieser Veröffentlichung ansehen, 18 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1My Funny Valentine
Techniker(in):
Bill Schwartau
Produzent(in):
Alan Douglas (American record producer)
E-Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-05-14)
Klavier:
Bill Evans (pianist) (am 1962-05-14)
remixer:
Malcolm Addey
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-05-14)
instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1962-05-14)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
5:24
2I Hear a Rhapsody
Techniker(in):
Bill Schwartau
Produzent(in):
Alan Douglas (American record producer)
E-Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-04-24)
Klavier:
Bill Evans (pianist) (am 1962-04-24)
remixer:
Malcolm Addey
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-04-24)
instrumental cover recording of:
I Hear a Rhapsody (am 1962-04-24)
Texter und Komponist(in):
Jack Baker (US songwriter "I Hear a Rhapsody"), George Fragos und Dick Gasparre
publisher:
Broadcast Music Inc.
4:40
3Dream Gypsy
Techniker(in):
Bill Schwartau
Produzent(in):
Alan Douglas (American record producer)
E-Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-05-14)
Klavier:
Bill Evans (pianist) (am 1962-05-14)
remixer:
Malcolm Addey
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-05-14)
instrumental cover recording of:
Dream Gypsy (am 1962-05-14)
Komponist(in):
Judith Veevers
recording of:
Dream Gypsy
Komponist(in):
Judith Veevers
4:35
4Romain
Techniker(in):
Bill Schwartau
Produzent(in):
Alan Douglas (American record producer)
E-Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-05-14)
Klavier:
Bill Evans (pianist) (am 1962-05-14)
remixer:
Malcolm Addey
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-05-14)
instrumental recording of:
Romain (am 1962-05-14)
Komponist(in):
Jim Hall (US jazz guitarist, composer & arranger)
5:24
5Skating in Central Park
recording engineer:
Bill Schwartau (am 1962-05-14)
Produzent(in):
Alan Douglas (American record producer)
E-Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-05-14)
Klavier:
Bill Evans (pianist) (am 1962-05-14)
remixer:
Malcolm Addey
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-05-14)
instrumental cover recording of:
Skating in Central Park (am 1962-05-14)
Komponist(in) und arranger:
John Lewis (pianist, member of Modern Jazz Quartet)
5:24
6Darn That Dream
recording engineer:
Bill Schwartau (am 1962-05-14)
Produzent(in):
Alan Douglas (American record producer)
E-Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-05-14)
Klavier:
Bill Evans (pianist) (am 1962-05-14)
remixer:
Malcolm Addey
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-05-14)
instrumental cover recording of:
Darn That Dream (am 1962-05-14)
Texter:
Eddie DeLange (in 1939)
Komponist(in):
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
Teil von:
Swingin’ the Dream
5:10
7Stairway to the Stars
Techniker(in):
Bill Schwartau
Produzent(in):
Alan Douglas (American record producer)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-05-14)
Klavier:
Bill Evans (pianist) (am 1962-05-14)
remixer:
Malcolm Addey
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-04-24)
instrumental cover recording of:
Stairway to the Stars (am 1962-04-24)
Texter:
Mitchell Parish
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI United Partnership Ltd. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
5:41
8I'm Getting Sentimental Over You
Techniker(in):
Bill Schwartau
Produzent(in):
Alan Douglas (American record producer)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-05-14)
Klavier:
Bill Evans (pianist) (am 1962-05-14)
remixer:
Malcolm Addey
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-04-24)
instrumental cover recording of:
I’m Getting Sentimental Over You (am 1962-04-24)
Texter:
Ned Washington
Komponist(in):
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
4:17
9My Funny Valentino (Alt take)
Techniker(in):
Bill Schwartau
Produzent(in):
Alan Douglas (American record producer)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-05-14)
Klavier:
Bill Evans (pianist) (am 1962-05-14)
remixer:
Malcolm Addey
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-05-14)
instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1962-05-14)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
6:57
10Romain (Alt take)
Techniker(in):
Bill Schwartau
Produzent(in):
Alan Douglas (American record producer)
Gitarre:
Jim Hall (US jazz guitarist, composer & arranger) (am 1962-05-14)
Klavier:
Bill Evans (pianist) (am 1962-05-14)
remixer:
Malcolm Addey
phonographisches Urheberrecht (℗) von:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2002) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-05-14)
recording of:
Romain (am 1962-05-14)
Komponist(in):
Jim Hall (US jazz guitarist, composer & arranger)
5:25
11Danny Boy
recording engineer:
Ray Fowler (US recording engineer) (am 1962-04-04, am 1962-04-10)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1962-04-04, am 1962-04-10)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (am 1962-04-04, am 1962-04-10)
instrumental cover recording of:
Danny Boy (am 1962-04-04)
publisher:
Alfred Music (publisher of sheet music for music education)
Texter:
Frederick Edward Weatherly (von 1910 bis 1913)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) und Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
basiert auf:
Londonderry Air
instrumental recording of:
Danny Boy (am 1962-04-10)
publisher:
Alfred Music (publisher of sheet music for music education)
Texter:
Frederick Edward Weatherly (von 1910 bis 1913)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) und Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
basiert auf:
Londonderry Air
10:41
12Like Someone in Love
recording engineer:
Ray Fowler (US recording engineer) (am 1962-04-04, am 1962-04-10)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1962-04-04, am 1962-04-10)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (am 1962-04-04, am 1962-04-10)
instrumental cover recording of:
Like Someone in Love (am 1962-04-04)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
instrumental cover recording of:
Like Someone in Love (am 1962-04-10)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:28
13In Your Own Sweet Way
recording engineer:
Ray Fowler (US recording engineer) (am 1962-04-04, am 1962-04-10)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1962-04-04, am 1962-04-10)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (am 1962-04-04, am 1962-04-10)
cover recording of:
In Your Own Sweet Way (original instrumental composition) (am 1962-04-04)
Komponist(in):
Dave Brubeck (in 1952)
publisher:
Derry Music
instrumental recording of:
In Your Own Sweet Way (original instrumental composition) (am 1962-04-10)
Komponist(in):
Dave Brubeck (in 1952)
publisher:
Derry Music
2:58
14Easy to Love
recording engineer:
Ray Fowler (US recording engineer) (am 1962-04-04, am 1962-04-10)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1962-04-04, am 1962-04-10)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (am 1962-04-04, am 1962-04-10)
instrumental cover recording of:
Easy to Love (am 1962-04-04)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
instrumental recording of:
Easy to Love (am 1962-04-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
4:39