The Jazz Singers

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1West End Blues
Eva Taylor3:13
2In the House Blues
Bessie Smith3:03
32:19 Blues
recording of:
2.19 Blues
Verfasser(in):
Mamie Desdume
Louis Armstrong2:55
4I Left My Baby
Jimmy Rushing3:13
5’Tain’t Nobody’s Business If I Do
alto saxophone:
George Dorsey (am 1949-08-17) und Rudy Powell (am 1949-08-17)
baritone saxophone:
Sol Moore (am 1949-08-17)
Gitarre:
Mundell Lowe (am 1949-08-17)
Klavier:
Horace Henderson (am 1949-08-17)
Kontrabass:
George Duvivier (am 1949-08-17)
Posaune:
George Matthews (trombone) (am 1949-08-17) und Dicky Wells (am 1949-08-17)
Schlagzeug:
Shadow Wilson (am 1949-08-17)
Tenorsaxophon:
Joe Thomas (US jazz tenor saxophone player) (am 1949-08-17) und Lester Young (saxophonist) (am 1949-08-17)
Trompete:
Emmett Berry (am 1949-08-17), Buck Clayton (am 1949-08-17) und Jimmy Nottingham (am 1949-08-17)
vocals:
Billie Holiday (am 1949-08-17)
conductor:
Buster Harding (am 1949-08-17)
aufgenommen bei:
Decca Studios (New York) in New York, New York, Vereinigte Staaten
cover recording of:
T’ain’t Nobody’s Bizness If I Do (am 1949-08-17)
Texter:
Porter Grainger
Komponist(in):
Porter Grainger und Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Teil von:
American Splendor
recording of:
T’ain’t Nobody’s Bizness If I Do (am 1949-08-17)
Texter:
Porter Grainger
Komponist(in):
Porter Grainger und Everett Robbins
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Teil von:
American Splendor
recording of:
Ain't Nobody's Business
Verfasser(in):
William York
Billie Holiday3:22
6Blues With Helen
Helen Humes4:11
7I Won’t Be Here Long
Hot Lips Page2:43
8Jelly, Jelly
cover recording of:
Jelly, Jelly
Verfasser(in):
Billy Eckstine und Earl Hines (jazz pianist and bandleader)
Billy Eckstine3:29
9Lotus Blossom
Julia Lee3:20
10Goin’ to Kansas City
aufgenommen bei:
The Renaissance Club in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-12-04)
cover recording of:
Kansas City (aka “K.C. Loving”)
Texter:
Jerry Leiber (in 1952)
Komponist(in):
Mike Stoller (in 1952)
publisher:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co., Peter Maurice Music Co. Ltd. und Sony/ATV Songs LLC
Jimmy Witherspoon3:15
11Goin’ to Chicago
Joe Williams; Lambert, Hendricks & Ross4:13
12She’s Got to Go
Ernie Andrews4:05
13Never Make Your Move Too Soon
Ernestine Anderson3:30
14D.B. Blues
Lorez Alexandria2:59
15Come On In My Kitchen
Cassandra Wilson5:00
16Nobody’s Fault but Mine
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1927-12-03)
Gitarre:
Blind Willie Johnson (am 1927-12-03)
vocals:
Blind Willie Johnson (am 1927-12-03)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
It’s Nobody’s Fault but Mine (Blind Willie Johnson song) (am 1927-12-03)
Texter, Komponist(in) und arranger:
Blind Willie Johnson
vorher zugeschrieben zu:
[traditional] (special purpose artist)
publisher:
Filmtrax Mogull (publisher; do NOT use as release label)
Blind Willie Johnson53:12
17One Day
Angelic Gospel Singers; Dixie Hummingbirds2:16
18I’m Going to Live the Life I Sing About in My Song
recording of:
I’m Going to Live the Life I Sing About in My Song
Texter und Komponist(in):
Thomas A. Dorsey (blues and gospel musician aka “Georgia Tom”)
Mahalia Jackson2:41
19Gimme a Pigfoot
Bessie Smith3:31
20Doctor Jazz
Jelly Roll Morton3:24
21Shakin’ the African
Don Redman2:41
22It Don’t Mean a Thing (If It Ain’t Got That Swing)
Ivie Anderson3:10
2▼CD
Nr.TitelKünstlerBewertungLänge
1The Man From Harlem
Gitarre:
Morris White (jazz guitarist) (am 1932-11-30)
Holzblasinstrumente:
Walter Thomas (am 1932-11-30)
Klavier:
Benny Payne (jazz pianist and vocalist) (am 1932-11-30)
Kontrabass:
Al Morgan (jazz double-bassist) (am 1932-11-30)
Posaune:
DePriest Wheeler (am 1932-11-30) und Harry White (jazz trombonist) (am 1932-11-30)
Rohrblattinstrumente:
Eddie Barefield (am 1932-11-30) und Arville Harris (am 1932-11-30)
Saxophon:
Andrew Brown (jazz saxophonist) (am 1932-11-30)
Schlagzeug:
Leroy Maxey (jazz drummer) (am 1932-11-30)
Trompete:
Doc Cheatham (am 1932-11-30), Edwin Swayze (am 1932-11-30) und Lammar Wright (am 1932-11-30)
vocals:
Cab Calloway (am 1932-11-30)
recording of:
The Man From Harlem (am 1932-11-30)
Verfasser(in):
Will Hudson
Cab Calloway3:09
2Let Me Off Uptown
Anita O’Day3:05
3Saturday Night Fish Fry
Pearl Bailey; Moms Mabley2:55
4Hogwash
Louis Jordan3:00
5Good Rockin’ Tonight
Wynonie Harris2:53
6All of Me
cover recording of:
All of Me
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
Louis Armstrong2:58
7Top Hat, White Tie, and Tails
recording of:
Top Hat, White Tie and Tails (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
Louis Armstrong4:11
8I Can’t Give You Anything but Love
Ethel Waters3:10
9I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Verfasser(in):
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Billie Holiday3:29
10These Foolish Things
Billie Holiday3:19
11Me, Myself, and I
recording of:
Me, Myself and I
Texter:
Allan Roberts (songwriter) und Alvin S. Kaufman
Komponist(in):
Irving Gordon (US songwriter)
Billie Holiday2:38
12Lover, Come Back to Me
recording of:
Lover, Come Back to Me (from "The New Moon")
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
Mildred Bailey3:12
13Don’t Get Around Much Anymore
Al Hibbler3:05
14You’re Driving Me Crazy
Joe Turner4:15
15Don’t Be That Way
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
vocals:
Louis Armstrong (am 1957-08-13) und Ella Fitzgerald (American jazz singer) (am 1957-08-13)
cover recording of:
Don’t Be That Way (am 1957-08-13)
Texter:
Mitchell Parish
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation und The Songwriters Guild
Teil von:
New York, New York (1977 musical film soundtrack)
Ella Fitzgerald; Louis Armstrong5:02
16Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Frank Sinatra4:00
17Some of These Days
Jimmy Rushing4:49
18Wrap Your Troubles in Dreams
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1960-10-19)
vocals:
Sarah Vaughan
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1960-10-19)
cover recording of:
Wrap Your Troubles in Dreams (am 1960-10-19)
Texter:
Ted Koehler (in 1931) und Billy Moll (songwriter) (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Ted Koehler Music Co.
Sarah Vaughan2:33
19I Get a Kick Out of You
Produzent(in):
Bob Shad
baritone saxophone:
Cecil Payne (am 1955-03-15)
Bass:
Keter Betts (am 1955-03-15)
Gitarre:
Barry Galbraith (am 1955-03-15)
Klavier:
Wynton Kelly (am 1955-03-15)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1955-03-15)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1955-03-15)
Tenorsaxophon:
Paul Quinichette (am 1955-03-15)
Trompete:
Clark Terry (American swing trumpeter) (am 1955-03-15)
Sologesang:
Dinah Washington (am 1955-03-15)
arranger:
Quincy Jones (am 1955-03-15)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1955-03-15)
cover recording of:
I Get a Kick Out of You (am 1955-03-15)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Dinah Washington26:20
20There’s a Small Hotel
Joe Williams2:18
21Just You, Just Me
Gast-alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1956-09-14)
Gitarre:
John Collins (US jazz guitarist) (am 1956-09-14)
Klavier:
Nat King Cole (am 1956-09-14)
Kontrabass:
Charlie Harris (jazz bassist) (am 1956-09-14)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1956-09-14)
vocals:
Nat King Cole (am 1956-09-14)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1956-08 bis 1956-09) und Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-14)
cover recording of:
Just You, Just Me (am 1956-09-14)
Texter:
Raymond Klages (in 1929)
Komponist(in):
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) und Robbins Music Corporation
Teil von:
New York, New York (1977 musical film soundtrack)
Nat “King” Cole3:01
3▼CD
Nr.TitelKünstlerBewertungLänge
1Give Me the Simple Life
vocals:
Dakota Staton (von 1957-02-28 bis 1957-03-02)
conductor:
Van Alexander (aka Al Feldman) (von 1957-02-28 bis 1957-03-02)
arranger:
Van Alexander (aka Al Feldman)
cover recording of:
Give Me the Simple Life (von 1957-02-28 bis 1957-03-02)
Texter:
Harry Ruby
Verfasser(in):
Rube Bloom (American songwriter, pianist and vocalist) und Harry Ruby
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
WC Music Corp.
Dakota Staton2:16
2Love Me or Leave Me
Bassgitarre und Perkussion:
Lisle Atkinson (am 1965-10-01)
flute und Gitarre:
Rudy Stevenson (am 1965-10-01)
Klavier:
Nina Simone (am 1965-10-01)
Mundharmonika:
Al Schackman (am 1965-10-01)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1965-10-01)
cover recording of:
Love Me or Leave Me (am 1965-10-01)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Nina Simone44:07
3You Are My Sunshine
recording engineer:
Tom Dowd (am 1967-06-20) und Arif Mardin (am 1967-06-20)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-06-20)
Bass:
Tommy Cogbill (am 1967-06-20)
E-Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-20) und Joe South (am 1967-06-20)
Klavier und Sologesang:
Aretha Franklin (am 1967-06-20)
Orgel:
Spooner Oldham (am 1967-06-20)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-20)
Hintergrundgesang:
Aretha Franklin (am 1967-06-20), Carolyn Franklin (am 1967-06-20) und Erma Franklin (am 1967-06-20)
arranger:
Tom Dowd und Arif Mardin
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-20)
cover recording of:
You Are My Sunshine (am 1967-06-20)
Nationalhymne von:
Louisiana, Vereinigte Staaten
Verfasser(in):
Jimmie Davis (American politician, singer and songwriter) und Charles Mitchell (1940s songwriter and steel guitarist)
publisher:
Peer International (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (am 1940-01-30)
Aretha Franklin4:21
4What’s Going On
recording of:
What’s Going On
Texter und Komponist(in):
Renaldo Benson, Al Cleveland (songwriter 1930-1996) und Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. und Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Marvin Gaye3:54
5I’m Gonna Lock My Heart
cover recording of:
I’m Gonna Lock My Heart (and Throw Away the Key)
Komponist(in):
Jimmy Eaton (songwriter) und Terry Shand (jazz pianist/composer)
Etta Jones3:17
6Yesterdays
recording of:
Yesterdays
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Billie Holiday3:26
7Strange Fruit
recording of:
Strange Fruit
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
Billie Holiday3:09
8You’ve Changed
recording of:
You’ve Changed
Texter:
Bill Carey (US songwriter)
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Peer International (BMI; Peer Int'l or Peer-International) und Southern Music Publishing Company
Billie Holiday3:21
9Someone to Watch Over Me
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1950-09-12)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
Ella Fitzgerald3:16
10Until the Real Thing Comes Along
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-29)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-29)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
cover recording of:
Until the Real Thing Comes Along (am 1954-03-29)
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
Ella Fitzgerald2:59
11Until the Real Thing Comes Along
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-08-01)
Klavier:
Fats Waller (am 1936-08-01)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-08-01)
Rohrblattinstrumente:
Gene Sedric (am 1936-08-01)
Schlagzeug:
Slick Jones (am 1936-08-01)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-08-01)
vocals:
Fats Waller (am 1936-08-01)
recording of:
Until the Real Thing Comes Along (am 1936-08-01)
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
Fats Waller3:26
12You Don’t Know What Love Is
cover recording of:
You Don’t Know What Love Is
Texter:
Don Raye
Komponist(in):
Gene de Paul
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dinah Washington4:03
13For All We Know
recording of:
For All We Know (1934 song)
Texter:
Sam M. Lewis (1930s lyricist) (in 1934)
Komponist(in):
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (beendet), Cromwell Music, Inc. (beendet), EMI Feist Catalog Inc. (beendet), Leo Feist, Inc. (beendet), Redwood Music Ltd. (Carlin) (beendet), Tro-Cromwell Music, Inc. (beendet), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company und Toy Town Tunes, Inc.
June Christy2:49
14Angel Eyes
cover recording of:
Angel Eyes (1946 jazz standard)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) und Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Chris Connor3:44
15In the Still of the Night
Billy Eckstine3:43
16Save Your Love for Me
cover recording of:
Save Your Love for Me
Texter:
Buddy Johnson
Komponist(in):
Woodrow Buddy Johnson
publisher:
Embassy Music Corporation und Lou Levy Music Co.
Nancy Wilson2:45
17Travelin’ Light
Shirley Horn2:48
18Prelude to a Kiss
cover recording of:
Prelude to a Kiss
Texter:
Irving Gordon (US songwriter) (in 1938) und Irving Mills (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
Sarah Vaughan2:47
19My Little Brown Book
Gloria Lynne2:32
20Lush Life
recording engineer:
Rudy van Gelder (am 1963-03-07)
Produzent(in):
Bob Thiele (producer & songwriter)
Klavier:
McCoy Tyner (jazz pianist) (am 1963-03-07)
Kontrabass:
Jimmy Garrison (am 1963-03-07)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1963-03-07)
Tenorsaxophon:
John Coltrane (am 1963-03-07)
vocals:
Johnny Hartman (jazz singer) (am 1963-03-07)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1963-03-07)
cover recording of:
Lush Life (am 1963-03-07)
Texter und Komponist(in):
Billy Strayhorn (von 1933 bis 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und Tempo Music, Inc. (Duke Ellington’s music publishing company) (vom 1949 bis heute)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Johnny Hartman5:29
21I Got It Bad (and That Ain’t Good)
recording engineer und Techniker(in):
Andy Richardson (engineer)
Produzent(in):
Nesuhi Ertegun
Bass:
Joe Comfort (am 1968-06-26)
Gitarre:
Francois Vaz (am 1968-06-26)
Klavier:
Norman Simmons (am 1968-06-26)
Perkussion:
Larry Bunker (am 1968-06-26)
Saiteninstrumente:
unidentified 16 strings ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1968-06-26)
Saxophon:
Gene Cipriano (am 1968-06-26)
Schlagzeug:
John Collins (drums) (am 1968-06-26)
Waldhorn:
Vincent DeRosa (am 1968-06-26)
vocals:
Carmen McRae (am 1968-06-26)
conductor:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1968-06-26)
arranger:
Jimmy Jones (jazz pianist, active years 1936-1975) und Shorty Rogers (trumpet)
concertmaster:
Lou Raderman (am 1968-06-26)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-06-26)
recording of:
I Got It Bad (and That Ain’t Good) (am 1968-06-26)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Carmen McRae3:27
4▼CD
Nr.TitelKünstlerBewertungLänge
1This Is Always
recording engineer:
Bill Schwartau (in 1964-04)
Produzent(in):
Alan Douglas (American record producer)
Klavier:
Harold Mabern (American jazz pianist) (in 1964-04)
Kontrabass [bass]:
Bob Cranshaw (in 1964-04)
Schlagzeug:
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1964-04)
vocals:
Betty Carter (in 1964-04)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (in 1964-04)
recording of:
This Is Always (in 1964-04)
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
Betty Carter3:13
2All of Me
Jimmy Scott3:00
3What Are You Doing the Rest of Your Life?
Earl Coleman5:50
4You’re My Thrill
cover recording of:
You’re My Thrill
Texter:
Sidney Clare
Komponist(in):
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Helen Merrill3:19
5Could I Be the One?
Al Green4:12
6Jazz Me Blues
Lucille Hegamin2:36
7The Mooche
Baby Cox3:15
8Parker’s Mood
King Pleasure3:02
9Lullaby of Birdland
recorded in:
New York, New York, Vereinigte Staaten (am 1954-12-16)
flute:
Herbie Mann (am 1954-12-16)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1954-12-16)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1954-12-16)
Saxophon und Tenorsaxophon:
Paul Quinichette (am 1954-12-16)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-12-16)
Trompete:
Clifford Brown (trumpet) (am 1954-12-16)
Sologesang:
Sarah Vaughan
vocals:
Sarah Vaughan (am 1954-12-16)
conductor:
Ernie Wilkins (am 1954-12-16)
arranger:
Ernie Wilkins
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (am 1954-12-16)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Sarah Vaughan34:02
10Down for Double
Mel Tormé2:34
11Jumpin’ at the Woodside
Lambert, Hendricks & Ross3:20
12Left Alone
Produzent(in):
Nat Hentoff
Bassklarinette:
Eric Dolphy (am 1961-02-22)
Klavier:
Mal Waldron (American jazz pianist) (am 1961-02-22)
Kontrabass:
Art Davis (US jazz double bassist) (am 1961-02-22)
Posaune:
Julian Priester (am 1961-02-22)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1961-02-22)
Tenorsaxophon:
Coleman Hawkins (am 1961-02-22)
Trompete:
Booker Little (am 1961-02-22)
vocals:
Abbey Lincoln (am 1961-02-22)
arranger:
Julian Priester
aufgenommen bei:
Nola Penthouse Sound Studios (Nola's Penthouse, NYC) in New York, New York, Vereinigte Staaten (am 1961-02-22)
cover recording of:
Left Alone (am 1961-02-22)
Texter:
Billie Holiday
Komponist(in):
Mal Waldron (American jazz pianist)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Abbey Lincoln6:48
13Stolen Moments
recording of:
Stolen Moments (adaptation w/ English lyrics by Mark Murphy)
Texter:
Mark Murphy (US jazz singer)
Komponist(in):
Oliver Nelson (saxophone, arranger, composer)
Version von:
Stolen Moments (original instrumental version)
Mark Murphy5:46
14Worry Now Later
Jeanne Lee1:29
15Get It Straight
Carmen McRae3:58
16’Round Midnight
Bobby McFerrin5:36
17Doodlin’
Dee Dee Bridgewater6:11
18Improvised Scat Song
Jelly Roll Morton1:49
19Hotter Than That
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-12-13)
Banjo:
Johnny St. Cyr (am 1927-12-13)
Gitarre:
Lonnie Johnson (American blues and jazz musician) (am 1927-12-13)
Klarinette:
Johnny Dodds (am 1927-12-13)
Klavier:
Lil Armstrong (am 1927-12-13)
Kornett:
Louis Armstrong (am 1927-12-13)
Posaune:
Kid Ory (am 1927-12-13)
vocals:
Louis Armstrong (am 1927-12-13)
recording of:
Hotter Than That (am 1927-12-13)
Komponist(in):
Lil Hardin Armstrong
Louis Armstrong2:59
5▶CD

Nennungen

Veröffentlichungsgruppe

Wikidata:Q7743048 [Info]