NOW That’s What I Call 80s: Dancefloor

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1Flashdance… What a Feeling
produttore:
Giorgio Moroder
voce:
Irene Cara
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (nel 1983) e Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 1995)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 38) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 492)
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3.653:54
2I Wanna Dance With Somebody (Who Loves Me)
tecnico di registrazione e tecnico di missaggio:
David Frazer (engineer)
programmazione degli strumenti:
Preston Glass
assistente tecnico:
Dana Jon Chappelle
assistente tecnico aggiunto:
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) e Ross Williams (engineer)
tecnico aggiunto:
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon e Jay Rifkin
produttore:
Narada Michael Walden
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
batteria :
Narada Michael Walden
batteria elettronica [Simmons] :
Greg “Gigi” Gonaway
chitarra synth [Charvel GTM6 midi guitar synth] :
Corrado Rustici
sassofono contralto :
Marc Russo
sintetizzatore [synth horns] :
Sterling Smith
sintetizzatore [synths] :
Walter Afanasieff
sintetizzatore basso [bass synth] :
Randy Jackson (former bassist with Journey and American Idol judge)
voce di accompagnamento:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) e Myrna Matthews
voce di accompagnamento e voce principale:
Whitney Houston
arrangiatore:
Narada Michael Walden
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1987)
è stato produttore per:
Perfection Light Productions
registrata presso:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Stati Uniti, Right Track Recording in Manhattan, New York, New York, Stati Uniti, Tarpan Studios in San Rafael, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 231)
registrazione di:
I Wanna Dance With Somebody (Who Loves Me)
autore:
George Merrill e Shannon Rubicam
editore:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. e Rondor Music (London) Ltd.
Whitney Houston4.254:49
3All Night Long (All Night)
produttore:
James Anthony Carmichael e Lionel Richie
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1983) e Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
All Night Long (All Night)
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Music e Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:16
4Teardrops
produttore:
Chris Blackwell (Island Records), Lee Hamblin e The Gypsy Wave Power Co.
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1988)
registrazione di:
Teardrops
autore:
Cecil Womack e Linda Womack
editore:
Zomba Music Publishing Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988)
Womack & Womack33:48
5A Night to RememberShalamar3.53:30
6Can You Handle It
Sharon Redd3:50
7Fake
registrazione di:
Fake
autore:
James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Alexander O’Neal3:56
8Who’s Zoomin’ Who?Aretha Franklin4:07
9Somebody Else’s Guy
registrazione di:
Somebody Else’s Guy
autore:
Annette E. Brown e Jocelyn Brown
editore:
Jocelyn Brown's Music, SM Publishing (UK) Limited (Sony Music, 2009–2020), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Jocelyn Brown53:47
10Ain’t Nothin’ Goin’ on but the Rent
registrazione di:
Ain’t Nothin’ Goin’ On but the Rent
paroliere e compositore:
Gwen Guthrie (US singer, songwriter & pianist)
Gwen Guthrie3:32
11Come Into My LifeJoyce Sims33:43
12Say I’m Your Number One
registrazione di:
Say I’m Your Number One
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music
Princess33:38
13Respectable
produttore:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mark McGuire (UK producer/engineer) e Stock Aitken Waterman
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (nel 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987) e The Supreme Record Company Ltd. (nel 1987)
video musicali:
Respectable di Mel & Kim (Appleby sisters)
registrazione di:
Respectable
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:21
14Jive Talkin’
Boogie Box High4:37
15Last Night a D.J. Saved My Life
registrazione di:
Last Night a D.J. Saved My Life
paroliere e compositore:
Mike Cleveland (80's dance)
editore:
Windswept Pacific Music Ltd.
Indeep44:38
16Give It Up
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982, nel 1983)
registrazione di:
Give It Up
autore:
Deborah Carter (writer, backing vocalist) e Harry Wayne Casey
editore:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.254:09
17Girlfriend
registrazione di:
Girlfriend
autore:
Antonio M. Reid e Kenneth Edmonds (R&B musician Kenny Edmonds)
editore:
ECAF Music, Epic Solar Songs Inc., Kear Music (publisher), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Pebbles4:14
18Straight Up
produttore:
Keith Cohen e Elliot Wolff
registrazione di:
Straight Up
paroliere e compositore:
Elliot Wolff
editore:
Elliot Wolff Music e Virgin Music, Inc. (US arm of Virgin’s publishing company)
Paula Abdul43:48
19A Love Supreme
registrazione di:
A Love Supreme
paroliere:
David Cole (US musician/producer, member of C+C Music Factory) e Will Downing (American soul, house singer, songwriter and producer)
compositore:
John Coltrane
si basa su:
A Love Supreme (entire suite)
Will Downing3:48
20Hangin’ on a String (Contemplating)
registrazione di:
Hangin' on a String (Contemplating)
paroliere e compositore:
Carl McIntosh, Jane Eugene e Steve Nichol (songwriter, producer)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Brampton Music Ltd. (publisher), SM Publishing (UK) Limited (Sony Music, 2009–2020) e Virgin Music (Publishers) Ltd.
Loose Ends3:33
2▼CD
#TitoloArtistaValutazioneDurata
1I.O.U.
registrazione di:
I.O.U.
autore:
Arthur Baker (American record producer and DJ) e John Robie
editore:
Shakin’ Baker Music
Freeez3:48
2Walking on Sunshine
registrazione cover di:
Walking on Sunshine
paroliere e compositore:
Eddy Grant
editore:
Greenheart Music
Rockers Revenge feat. Donnie Calvin3:42
3Buffalo Gals
registrazione di:
Buffalo Gals
compositore:
Anne Dudley (English score composer), Trevor Horn e Malcolm McLaren
editore:
Buffalo Music, Ltd., By Bug House Music, Unforgettable Music, Ltd., Universal Music Publishing, Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal-Polygram International, Inc.
Malcolm McLaren, The World’s Famous Supreme Team3:41
4(Hey You) The Rock Steady CrewThe Rock Steady Crew3.53:47
5Street Dance
Break Machine3:42
6Hey DJ
The World’s Famous Supreme Team3:26
7White Lines (Don’t Do It)
produttore:
J. Chase e Sylvia Robinson
tecnico di missaggio:
Shameek
edit di:
White Lines (Don’t Do It) di Grandmaster & Melle Mel (Melvin Glover aka Melle Mel)
registrazione di:
White Lines (Don’t Don’t Do It)
autore:
Melvin Glover (Melvin Glover aka Melle Mel) e Sylvia Robinson
editore:
Four Hills Music Ltd e IQ Music Ltd.
si basa su:
Cavern
Grandmaster Flash & Grandmaster Melle Mel34:27
8I Feel for You
registrazione cover di:
I Feel for You
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Controversy Music
Chaka Khan34:05
9Let the Music Play
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 417)
registrazione di:
Let the Music Play
autore:
Chris Barbosa (Rhythm Method) e Ed Chisolm
editore:
Emergency Music (ASCAP-affiliated), Heath Levy Music Co. Ltd. e Shapiro, Bernstein & Co., Inc.
Shannon3.653:28
10Point of No Return
registrazione di:
Point of No Return (Exposé song)
paroliere e compositore:
Lewis A. Martineé
Exposé3:28
11Just a Mirage
Jellybean4:46
12Tell It to My Heart
produttore:
Ric Wake
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e Arista Records, LLC (holding company - file NO releases here!) (nel 1987)
registrazione di:
Tell It to My Heart
autore:
Ernie Gold e Seth Swirsky
editore:
Chappell Music, Inc. (publisher), Goldpoint e Intersong Music
Taylor Dayne3.753:38
13Jump (for My Love)
tecnico:
Gary Skardina
produttore:
Richard Perry (producer)
produttore associato:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) e Gary Skardina
tecnico di missaggio:
Michael Brooks (mixer) e James C. Tract
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982)
registrazione di:
Jump (for My Love)
autore:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron e Gary Skardina
editore:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Songs LLC
The Pointer Sisters43:58
14Body Rock
diritti fonografici (℗) detenuti da:
Capitol Records Ltd. (not for release label use; UK company)
registrazione di:
Body Rock
autore:
John Bettis e Sylvester Levay
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Maria Vidal23:40
15Just Be Good to Me
registrazione di:
Just Be Good to Me
compositore:
James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
The S.O.S. Band4:09
16I Can’t Wait
produttore:
John Smith (Nu Shooz) e Rick Waritz (producer)
diritti fonografici (℗) detenuti da:
Injection (Netherlands) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 60)
registrazione di:
I Can’t Wait
paroliere e compositore:
John Smith (Nu Shooz)
editore:
Poolside Music
Nu Shooz43:40
17Trapped
registrazione di:
Trapped
autore:
Don Abrams e Marston Freeman (songwriter)
editore:
Moonwalk Music (publisher)
Colonel Abrams3:40
18(Nothing Serious) Just Buggin’Whistle3:28
19I Wonder If I Take You Home
produttore:
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam)
registrazione di:
I Wonder If I Take You Home
autore:
Curtis Bedeau, Gerard Charles, Hugh Clarke (bass guitar player, member of Full Force), Brian George (US funk/hip-hop musician aka B-Fine), Lucien George e Paul George (American)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Careers-BMG Music, Mokojumbi Music e Zomba Songs Inc.
Lisa Lisa & Cult Jam with Full Force3:26
20Waiting for a Train
registrazione di:
Waiting for a Train
paroliere e compositore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
Flash and the Pan3:43
2119
produttore:
Paul Hardcastle
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1985)
video musicali:
19 (music video) di Paul Hardcastle
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 73)
registrazione di:
19
paroliere:
Bill Couturié, Paul Hardcastle e Jonas McCord
compositore:
Paul Hardcastle
editore:
Oval Music e Virgin Music (Publishing) Ltd.
Paul Hardcastle3.63:31
3▼CD
#TitoloArtistaValutazioneDurata
1Lost in Music (1984 Bernard Edwards & Nile Rodgers remix)
registrazione di:
Lost in Music
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge36:35
2Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:55
3Don’t Leave Me This Way
produttore:
Mike Thorne (UK producer & keyboardist)
voce:
Sarah Jane Morris
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:29
4You Spin Me Round (Like a Record)
produttore:
Pete Waterman
esecutore:
Dead or Alive (UK new wave band) (nel 1984)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
video musicali:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) di Dead or Alive (UK new wave band)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 52)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive4.153:11
5You Think You’re a Man
Divine3:28
6Whatever I Do (Wherever I Go)
Hazell Dean3:43
7High Energy
diritti fonografici (℗) detenuti da:
Record Shack (nel 1984)
registrazione di:
High Energy
autore:
Ian Levine (Hi-NRG music songwriter and producer) e Fiachra Trench
editore:
EMI Tunes Ltd e Filmtracks Picture
Evelyn Thomas33:39
8So Many Men, So Little Time
registrazione di:
So Many Men, So Little Time
autore:
Ian Levine (Hi-NRG music songwriter and producer) e Fiachra Trench
editore:
ATV Music Ltd. (nel 1983)
Miquel Brown3:25
9Male Stripper
Man 2 Man5:00
10Do You Wanna Funk
Patrick Cowley feat. Sylvester3:29
11Can’t Take My Eyes Off You
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Boys Town Gang3:32
12In the Evening
Sheryl Lee Ralph3:49
13All American Boy
Barbara Pennington3:38
14It’s Raining Men
tecnico di missaggio:
Randy Tominaga
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 36)
registrazione di:
It’s Raining Men
autore:
Paul Jabara e Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
editore:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:31
15So Macho
registrazione di:
So Macho
paroliere e compositore:
James George Hargreaves
Sinitta3:24
16Boys (Summertime Love)
produttore:
Claudio Cecchetto (Italian record producer & talent scout)
è stato produttore per:
Five Record (Italian label owned by Fininvest)
registrazione di:
Boys (Summertime Love)
paroliere:
Claudio Cecchetto (Italian record producer & talent scout) e Malcolm Charlton
compositore:
Matteo Bonsanto e Roberto Rossi (composer)
editore:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina3.63:48
17Requiem
produttore:
R. R. Maué
diritti fonografici (℗) detenuti da:
EastWest Records GmbH (not for release label use!) (nel 1988) e TELDEC Record Service GmbH (not for release label use! manufacturing and distribution company) (nel 1988)
è stato produttore per:
TELDEC
registrazione di:
Requiem
paroliere e compositore:
Ralf-Rene Maue
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
London Boys4:15
18This Time I Know It’s for Real
registrazione di:
This Time I Know It's for Real
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman), Donna Summer (soul/disco diva) e Pete Waterman
Donna Summer3.353:34
19Gloria
registrazione di:
Gloria (English version)
paroliere e compositore:
Giancarlo Bigazzi, Umberto Tozzi e Trevor Veitch
editore:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) e Sugar Song Publications, Inc.
versione tradotta di:
Gloria (original Italian version)
Laura Branigan4:49
20Losing My Mind
assistente tecnico:
Danton Supple
tecnico:
Renny Hill (engineer) e Julian Mendelsohn (Australian record producer and engineer)
produttore:
Julian Mendelsohn (Australian record producer and engineer) e Pet Shop Boys
voce aggiuntiva:
Neil Tennant
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (dal 1989 a oggi)
parte di:
Cachitos Nochevieja 2022 (numero: 109)
registrazione cover di:
Follies: Losing My Mind (Follies)
paroliere e compositore:
Stephen Sondheim
editore:
Carlin Music Corporation (conclusa) e Herald Square Music, Inc.
parte di:
Follies
Liza Minnelli3.654:13
4▼CD
#TitoloArtistaValutazioneDurata
1Ride on Time
Black Box4:13
2Theme From “S’Express”
produttore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) e Mark Moore (DJ, producer, member of S’Express)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1988)
campionamenti:
Is It Love You’re After di Rose Royce, Stacey’s Dream (a cappella) di Stacey Q e The Bottle di Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
registrazione di:
Theme From S’Express
paroliere e compositore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) e Mark Moore (DJ, producer, member of S’Express)
autore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory e Mark Moore (DJ, producer, member of S’Express)
editore:
Edition Intro (publisher) e Rhythm King Music (Publishing arm of Rhythm King Records)
si basa su:
Is It Love You’re After
S’Express43:52
3Pump Up the Volume
tecnico:
John Fryer (British producer and engineer)
produttore:
Martyn Young
campionatore :
John Fryer (British producer and engineer)
chitarra :
A.R. Kane (British dreampop duo)
piatto (giradischi) :
Dave Dorrell e C.J. Mackintosh
registrazione di:
Pump Up the Volume
compositore:
Martyn Young e Steven Young (UK musician, member of Colourbox & MARRS)
parte di:
American Psycho
M/A/R/R/S3.84:06
4Beat Dis
produttore:
Bomb the Bass
diritti fonografici (℗) detenuti da:
Rhythm King (nel 1987)
registrazione di:
Beat Dis
autore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) e Tim Simenon
editore:
Angel and Maverick LLP, Copyright Control Shares (not for release label use! this is only for copyrights and publishing relationships) e Rhythm King Music (Publishing arm of Rhythm King Records)
Bomb the Bass23:22
5Back to Life
tecnico:
Arabella Rodriguez
produttore e tecnico di missaggio:
Nellee Hooper e Jazzie B
voce e esecutore:
Caron Wheeler (English singer, songwriter, and record producer)
voce principale ospite:
Caron Wheeler (English singer, songwriter, and record producer)
diritti fonografici (℗) detenuti da:
10 Records (nel 1989)
registrata presso e mixata presso:
Brittania Row (first location, 1975–1995 Islington) in Islington, London (Greater London), England, Regno Unito
registrazione di:
Back to Life
autore:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo e Caron Wheeler (English singer, songwriter, and record producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul & Caron Wheeler4.23:48
6Buffalo Stance
registrazione di:
Buffalo Stance
autore:
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) e Phil Ramacon (soul/R&B/reggae songwriter)
editore:
April Music Ltd., BMG VM Music Ltd. e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), EMI Songs France (27, rue de Berri) e Warner Chappell Music France
si basa su:
Looking Good Diving With The Wild Bunch
Neneh Cherry44:03
7Good Life
tecnico:
Ben Grosse (American producer and engineer)
produttore:
Kevin Saunderson
tecnico di missaggio:
Ben Grosse (American producer and engineer) e Kevin "Master Reese" Saunderson
diritti fonografici (℗) detenuti da:
10 Records Ltd. (company and copyright holder for 10 Records) (nel 1989)
registrazione di:
Good Life
autore:
Paris Grey, Roy Holmon, Jackson, Ann Saunderson e Kevin Saunderson
editore:
Drive On Music e Virgin Songs
Inner City34:02
8Wait
Kym Mazelle and Robert Howard3:09
9The Only Way Is Up
produttore:
Coldcut (Matt Black & Jonathan More)
diritti fonografici (℗) detenuti da:
Big Life (UK indie/dance) (nel 1988)
è stato produttore per:
Ahead Of Our Time Productions
registrazione cover di:
The Only Way Is Up
autore:
Johnny Henderson (southern soul songwriter) e George Jackson (US soul songwriter/vocalist)
editore:
Big Life Music (nel 1988) e Malaco Music (publisher related to Malaco Records) (nel 1988)
Yazz & The Plastic Population2.653:57
10Touch Me
49ers3:45
11People Hold On
produttore:
Coldcut (Matt Black & Jonathan More)
tecnico di missaggio:
Mark Saunders (UK record producer)
pianoforte :
Ian Devaney
voce:
Lisa Stansfield
voce di accompagnamento:
Cleveland Watkiss
voce ospite e voce principale ospite:
Lisa Stansfield
esecutore:
Coldcut (Matt Black & Jonathan More) e Lisa Stansfield
registrazione di:
People Hold On
autore:
Matthew Cohn (British DJ and one half of Coldcut), Jonathan More (of Coldcut) e Lisa Stansfield
editore:
Big Life Music Ltd e BMG Publishing Ltd
Coldcut feat. Lisa Stansfield3.753:57
12Dirty Cash
registrazione di:
Dirty Cash (Money Talks)
autore:
Stevie Vincent e Mick Walsh (UK vocalist)
Adventures of Stevie V4:01
13Jack Your Body
produttore:
Steve “Silk” Hurley (Chicago house DJ/producer)
registrazione di:
Jack Your Body
paroliere e compositore:
Steve “Silk” Hurley (Chicago house DJ/producer)
Steve “Silk” Hurley23:13
14Jack Le Freak
Chic34:36
15Street Tuff
Double Trouble feat. Rebel MC3:27
16Rok da HouseThe Beatmasters feat. The Cookie Crew33:10
17Got to Get
esecutore:
Leila K (Swedish Eurodance singer)
registrazione di:
Got to Get
paroliere:
Leila El Khalifi (Swedish Eurodance singer) e Martin Carboo
compositore:
Rasmus Lindwall, Martin Carboo e Robert Waatz
Rob ’n’ Raz feat. Leila K2.53:21
18Blue Monday ’88
produttore:
Quincy Jones e New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order44:07
19Pacific - 707
tecnico:
Graham Massey
produttore:
808 State
registrazione di:
Pacific 707
compositore:
Graham Massey, Martin Price e Gerald Simpson
arrangiamento di:
Pacific State
808 State4.63:53
20The Sun Rising
produttore:
Martyn Phillips (producer, engineer, multi-instrumentalist)
registrazione di:
The Sun Rising
autore:
Jon Marsh e Steve Waddington
The Beloved45:04

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Gruppo di pubblicazioni

parte di:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (ordine: 114)