Saturday Night, Sunday Morning

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Promotional CDs given away with the Daily Mail and The Mail on Sunday UK newspapers.

Despite what the cover says this is not a double album. The two discs were released on different days. This entry should be split into two releases.

Anmerkung zuletzt geändert am 2021-12-11 14:33 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Dance the Night Away
Produzent(in):
Don Cook (US country producer/songwriter) und Raul Malo (The Mavericks lead singer, country music)
phonographisches Urheberrecht (℗) von:
MCA Records Nashville (a division of MCA Records Inc.) (in 1997)
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1999)
recording of:
Dance the Night Away
Texter und Komponist(in):
Raul Malo (The Mavericks lead singer, country music)
publisher:
EMI Blackwood Music Inc. und Rumbalo Music
The Mavericks3.44:23
2Sign Your Name
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Saiteninstrumente arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), CBS Records (2006–2021) (in 1987) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1987)
recording of:
Sign Your Name
Texter:
Terence Trent D’Arby (now known as Sananda Maitreya)
Komponist(in):
Chris Cameron (British pianist, singer-songwriter, arranger and producer) und Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. und Young Terrence Music (Publisher)
Terence Trent D’Arby3.54:35
3Back for Good
Programmierung:
Gary Barlow und Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistierende(r) Techniker(in):
Steve McNichol
Produzent(in):
Gary Barlow und Chris Porter (engineer and producer)
Gitarre:
Phil Palmer (guitarist)
Sologesang:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) und Robbie Williams
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1995) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1995)
recording of:
Back for Good
Texter und Komponist(in):
Gary Barlow
publisher:
EMI Virgin Music Australia Pty Ltd und EMI Virgin Music Ltd. (do not use this as a release label!)
Take That34:01
4I Will Survive
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor7:57
5You Don't Have to Say You Love Me
Produzent(in):
John Franz
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 491)
recording of:
You Don’t Have to Say You Love Me
Texter:
Simon Napier-Bell, Vito Pallavicini (Lyricist) und Vicki Wickham
Komponist(in):
Pino Donaggio (Italian singer‐songwriter and score composer)
publisher:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. und Miller Music Corp.
übersetzte Version von:
Io che non vivo (senza te)
Dusty Springfield3.72:48
6Say Hello Wave Goodbye
Techniker(in):
Don Wershba (engineer)
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
aufgenommen bei:
Camden Cell Studios
recording of:
Say Hello, Wave Goodbye
Texter:
Marc Almond (English pop singer and songwriter)
Komponist(in):
Dave Ball (UK electronic musician, part of Soft Cell)
publisher:
Metropolis Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und WB Music Corp. (1929–2019)
Soft Cell55:24
7Reach Out I'll Be There
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (in 1966)
Hintergrundgesang:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) und Lawrence Payton (in 1966)
Sologesang:
Levi Stubbs (in 1966)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 78) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Four Tops42:55
8Night Shift
Partner-Produzent(in):
Peter Wolfe (Austrian classical/jazz composer/producer, keyboards for Zappa) und Jeremy Smith (producer/engineer)
Produzent(in):
Dennis Lambert
arranger:
Peter Wolfe (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1984)
Bearbeitung von:
Nightshift von Commodores (US funk/soul band with Lionel Richie)
recording of:
Nightshift
Verfasser(in):
Franne Golde, Dennis Lambert und Walter Orange
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zomba Enterprises, Inc.
Commodores4.354:21
9I'll Make Love to You
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 24)
recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
cover recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men3:56
10Tired of Being Alone
aufgenommen bei:
Royal Studios in Memphis, Tennessee, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 293)
recording of:
Tired of Being Alone
Texter und Komponist(in):
Al Green (US soul singer, songwriter, pastor and record producer)
publisher:
Burlington Music Ltd., Irving Music, Inc. und Universal Music Publishing Group
Al Green4.452:49
11Harlem Shuffle
recording of:
Harlem Shuffle
Verfasser(in):
Earl Nelson und Bob Relf
publisher:
Bug Music Ltd., Bug Music (music publishing) (in 1988), Keyman Music (publisher) (in 1988) und Marc-Jean Music (publisher) (in 1988)
Bob & Earl3:04
12Downtown
vocals:
Petula Clark (English singer & actress) (in 1964)
arranger:
Tony Hatch
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1964)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 227)
recording of:
Downtown (in 1964)
Texter und Komponist(in):
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.43:06
13I Get the Sweetest Feeling
recording of:
I Get the Sweetest Feeling
Verfasser(in):
Alicia Evelyn (songwriter and performer) und Van McCoy
publisher:
Alley Music, TM Music Ltd., Trio Music (publisher) und Van McCoy Music
Jackie Wilson2:53
14All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers52:19
15Will You Love Me Tomorrow?
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:42
2▼CD
Nr.TitelKünstlerBewertungLänge
1Handbags and Gladrags
Koproduzent(in):
Lou Reizner und Rod Stewart
Klavier:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann)
Klavier arranger:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann)
arranger:
Rod Stewart
cover recording of:
Handbags and Gladrags
Texter, Verfasser(in) und Komponist(in):
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann)
publisher:
D'Abo Songs Ltd und Immediate Music Ltd.
Rod Stewart44:28
2High
phonographisches Urheberrecht (℗) von:
The Wild Card Label Ltd (in 1997)
recording of:
High
Texter:
Paul Tucker
Komponist(in):
Tunde Baiyewu und Paul Tucker
publisher:
Polygram Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family5:15
3Crawling Up a Hill
Techniker(in):
Steve Sale
Produzent(in):
Mike Batt
Sologesang:
Katie Melua
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
Dramatico Entertainment Ltd. (not release label) (in 2003) und BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 2023)
cover recording of:
Crawling Up a Hill
Texter und Komponist(in):
John Mayall
publisher:
TRO Essex Music Ltd.
Katie Melua43:26
4I Got You (I Feel Good)
recorded in:
Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Produzent(in):
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (am 1965-05-06) und Maceo Parker (US funk/jazz saxophonist) (am 1965-05-06)
Bass:
Bernard Odum (am 1965-05-06)
Gitarre:
Alphonso "Country" Kellum (am 1965-05-06) und Jimmy Nolen (am 1965-05-06)
Orgel:
Nat Jones (Saxophonist and organist, worked with James Brown) (am 1965-05-06)
Posaune:
Levi Rasbury (am 1965-05-06)
Schlagzeug:
Melvin Parker (am 1965-05-06)
Tenorsaxophon:
Al "Brisco" Clark (am 1965-05-06), St. Clair Pinckney (am 1965-05-06) und Eldee Williams (am 1965-05-06)
Trompete:
Joe Dupars (am 1965-05-06), Mike Ridley (am 1965-05-06) und Ron Tooley (American trumpeter) (am 1965-05-06)
Sologesang:
James Brown (The Godfather of Soul) (am 1965-05-06)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) und PolyGram Inc. (1978–1990) (in 1988)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1965-05-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (am 1965-05-06)
Texter und Komponist(in):
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. und Try Me Inc.
James Brown4.552:51
5Give It Up
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
recording of:
Give It Up
Verfasser(in):
Deborah Carter (writer, backing vocalist) und Harry Wayne Casey
publisher:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.254:11
6No More the Fool
recording of:
No More the Fool
Texter und Komponist(in):
Russ Ballard
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Russell Ballard Ltd und Virgin Music (Publishers) Ltd.
Elkie Brooks5:01
7Love Hangover
Produzent(in):
Hal Davis
arranger:
Dave Blumberg und Clay Drayton
recording of:
Love Hangover
Verfasser(in):
Marilyn McLeod (soul/jazz singer and songwriter) und Pam Sawyer (British‐born American lyricist and songwriter)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Diana Ross3.253:47
8Finally Found
recording of:
Finally Found
Verfasser(in):
Naima Belkhiati, Henry Binns, Célena Cherry, Heavenly Abdi und Yoyo Olugbo
Honeyz4:50
9Sunday Morning Coming Down
cover recording of:
Sunday Mornin’ Comin’ Down
Texter und Komponist(in):
Kris Kristofferson
Johnny Cash4:12
10Spirit in the Sky
Produzent(in):
Erik Jacobsen
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969), Transtone Productions (in 1970) und Craft Recordings (US jazz label; reissue division of Concord) (in 2023)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 5), Billboard Year-End Hot 100 singles of 1970 (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 333)
recording of:
Spirit in the Sky (in 1969)
Texter und Komponist(in):
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) und Westminster Music Ltd.
Norman Greenbaum4.054:02
11September
Produzent(in):
Maurice White (Earth, Wind & Fire)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 16) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 65)
recording of:
September
Verfasser(in):
Al McKay, Maurice White (Earth, Wind & Fire) und Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:38
12Have You Seen Her?
phonographisches Urheberrecht (℗) von:
Brunswick Recording Corporation (in 1971)
recording of:
Have You Seen Her
Verfasser(in):
Barbara Acklin (singer and songwriter) und Eugene Record
publisher:
Intersong Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites5:12
13Give Me Just a Little More Time
phonographisches Urheberrecht (℗) von:
Invictus (American record label founded by Holland–Dozier–Holland, based in Detroit, Michigan) (in 1970)
recording of:
Give Me Just a Little More Time (Dunbar/Wayne)
Verfasser(in):
Lamont Dozier, Ronald Dunbar (Songwriter, A&R director and record producer), Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Holland Group Productions Inc. und Universal/MCA Music Ltd. (not for release label use!)
Chairmen of the Board4.652:45
14Break Out
Produzent(in):
Paul Staveley O’Duffy
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1986) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 72)
recording of:
Breakout (in 1986)
Verfasser(in):
Andy Connell (in 1986), Corinne Drewery (in 1986) und Martin Jackson (in 1986)
publisher:
10 Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishers, Sony Music Publishing (worldwide except Japan, ended 1995) und Virgin 10 Music Ltd.
Swing Out Sister3.83:49
15It's All Over Now Baby Blue
phonographisches Urheberrecht (℗) von:
Laurence Myers Ltd. (in 1984)
cover recording of:
It’s All Over Now, Baby Blue
Texter und Komponist(in):
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
adaptations:
Kaikki ohi on
Marianne Faithfull33:50