The Very Best of Sarah Vaughan

~ Veröffentlichung von Sarah Vaughan (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Danny Boy
cover recording of:
Danny Boy
publisher:
Alfred Music (publisher of sheet music for music education)
Texter:
Frederick Edward Weatherly (von 1910 bis 1913)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) und Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
basiert auf:
Londonderry Air
4:40
2A Lover's Concerto
cover recording of:
A Lover’s Concerto
Verfasser(in):
Sandy Linzer und Denny Randell
publisher:
EMI Music Publishing (do not use as a release label!)
basiert auf:
Minuet in G major, BWV Anh. 114 (for keyboard)
2:50
3Waltz for Debbie
cover recording of:
Waltz for Debby (instrumental)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. und Kensington Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:06
4Lullaby of Birdland
Produzent(in):
Bob Shad
Bass:
Joe Benjamin (US jazz bassist)
flute:
Herbie Mann
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader)
Tenorsaxophon:
Paul Quinichette
Trompete:
Clifford Brown (trumpet)
arranger:
Ernie Wilkins
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1954-12-16)
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
4:02
5Michelle
cover recording of:
Michelle
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
3:25
6The Shadow of Your Smile
cover recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”)
Texter:
Paul Francis Webster
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 38th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1965 winner)
3:59
7The Boy From Ipanema
cover recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:29
8C'est la Vie
cover recording of:
C’est la vie
Verfasser(in):
Edward White (British composer) und Mack Wolfson
publisher:
Planetary Music
2:33
9Yesterday
cover recording of:
Yesterday (original by The Beatles)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (vom 1965 bis heute)
2:16
10Fly Me to the Moon
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
4:37
11I Left My Heart in San Francisco
cover recording of:
I Left My Heart in San Francisco
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. und EMI April Music Inc.
4:11
12Moon River
Audio-Engineering:
James Lockert
Produzent(in):
Quincy Jones
vocals:
Sarah Vaughan
arranger:
Bob James (US jazz keyboardist, arranger and producer)
cover recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
2:53
13Stardust
recorded in:
New York, New York, Vereinigte Staaten (am 1958-01-05)
alto saxophone:
Marshall Royal (am 1958-01-05) und Frank Wess (am 1958-01-05)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1958-01-05)
flute und Holzblasinstrumente:
Frank Wess (am 1958-01-05)
Gitarre:
Freddie Green (am 1958-01-05)
Klarinette und Rohrblattinstrumente:
Marshall Royal (am 1958-01-05)
Klavier:
Ronnell Bright (am 1958-01-05)
Kontrabass und Kontrabass [bass]:
Richard Davis (American jazz bassist) (am 1958-01-05)
Posaune:
Henry Coker (jazz trombonist) (am 1958-01-05), Al Grey (trombone) (am 1958-01-05) und Benny Powell (jazz trombonist) (am 1958-01-05)
Schlagzeug:
Sonny Payne (am 1958-01-05)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1958-01-05), Billy Mitchell (US jazz saxophonist) (am 1958-01-05) und Frank Wess (am 1958-01-05)
Trompete:
Wendell Culley (jazz trumpeter) (am 1958-01-05), Eugene Young (am 1958-01-05), Thad Jones (American jazz trumpeter) (am 1958-01-05) und Joe Newman (US jazz trumpeter) (am 1958-01-05)
vocals:
Sarah Vaughan (am 1958-01-05)
cover recording of:
Stardust (the jazz standard) (am 1958-01-05)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
3:19
14Summertime
vocals:
Sarah Vaughan
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:54
15My Funny Valentine
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1954-02-10)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
3:01
16Over the Rainbow
cover recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
3:32
17The Days of Wine and Roses
cover recording of:
Days of Wine and Roses
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Teil von:
The 35th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1964 winner) und Academy Award for Best Original Song (Nummer: 1962 winner)
2:42
18Let's Call the Whole Thing Off
vocals:
Sarah Vaughan
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
2:27
19Close to You
cover recording of:
Close to You
Verfasser(in):
Al Hoffman, Carl Lampl und Jerry Livingston (songwriter)
publisher:
Barton Music Corp., Casa David und Feadbach Music (am 1970-10-29)
3:09
20Someone to Watch Over Me
vocals:
Sarah Vaughan
cover recording of:
Someone to Watch Over Me (Oh, Kay!)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
4:02
2▼CD
Nr.TitelBewertungLänge
1Misty
cover recording of:
Misty
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
5:57
2Quiet Night (Corcovado)
cover recording of:
Quiet Nights of Quiet Stars (lyric version #2, with "Corcovado" included in the lyric)
Texter:
Gene Lees
Komponist(in):
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
übersetzte Version von:
Corcovado (original Portuguese version)
3:25
3Smoke Gets in Your Eyes
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1958-12-15)
Gitarre:
Freddie Green (am 1958-12-15)
Holzblasinstrumente:
Frank Wess (am 1958-12-15)
Klavier:
Ronnell Bright (am 1958-12-15)
Kontrabass:
Richard Davis (American jazz bassist) (am 1958-12-15)
Posaune:
Henry Coker (jazz trombonist) (am 1958-12-15), Benny Powell (jazz trombonist) (am 1958-12-15) und Al Grey (trombone) (am 1958-12-23)
Rohrblattinstrumente:
Marshall Royal (am 1958-12-15)
Schlagzeug:
Sonny Payne (am 1958-12-15)
Tenorsaxophon:
Frank Foster (saxophonist) (von 1958-12-01 bis 1958-12-15) und Billy Mitchell (US jazz saxophonist) (am 1958-12-15)
Trompete:
Wendell Culley (jazz trumpeter) (am 1958-12-15), Eugene Young (am 1958-12-15) und Thad Jones (American jazz trumpeter) (am 1958-12-23)
vocals:
Sarah Vaughan (am 1958-12-15)
cover recording of:
Smoke Gets in Your Eyes (am 1958-12-15)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
4:01
4It Never Entered My Mind
cover recording of:
It Never Entered My Mind
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:39
5Prelude to a Kiss
cover recording of:
Prelude to a Kiss
Texter:
Irving Gordon (US songwriter) (in 1938) und Irving Mills (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
2:48
6Autumn in New York
cover recording of:
Autumn in New York (1934)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
3:23
7Jive Samba
cover recording of:
The Jive Samba
Komponist(in):
Nat Adderley
2:54
8Bewitched
vocals:
Sarah Vaughan
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
3:33
9April in Paris
recorded in:
New York, New York, Vereinigte Staaten (am 1954-12-18)
flute:
Herbie Mann (am 1954-12-18)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1954-12-18)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-12-18)
Tenorsaxophon:
Paul Quinichette (am 1954-12-18)
Trompete:
Clifford Brown (trumpet) (am 1954-12-18)
vocals:
Sarah Vaughan (am 1954-12-18)
conductor:
Ernie Wilkins (am 1954-12-18)
arranger:
Ernie Wilkins
cover recording of:
April in Paris (am 1954-12-18)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
26:22
10How High the Moon
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1957-08-06)
Kontrabass:
Richard Davis (American jazz bassist) (am 1957-08-06)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1957-08-06)
vocals:
Sarah Vaughan (am 1957-08-06)
Orchester:
The Ernie Wilkins Orchestra
live cover recording of:
How High the Moon (am 1957-08-06)
Texter:
Nancy Hamilton (in 1940)
Komponist(in):
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:38
11Lover Man
Klavier:
John Malachi (am 1957-02-14)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1957-02-14)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1957-02-14)
vocals:
Sarah Vaughan (am 1957-02-14)
recording of:
Lover Man (am 1957-02-14)
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
3:19
12Night Song From 'Golden Boy'
3:16
13A Foggy Day
vocals:
Sarah Vaughan
cover recording of:
A Foggy Day (in London Town)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
3:51
14Body and Soul
recorded in:
New York, New York, Vereinigte Staaten (am 1954-04-02)
Klavier:
John Malachi (am 1954-04-02)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1954-04-02)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-04-02)
vocals:
Sarah Vaughan (am 1954-04-02)
cover recording of:
Body and Soul (am 1954-04-02)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:15
15Embraceable You
recorded in:
New York, New York, Vereinigte Staaten (am 1954-12-18)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1954-12-18)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-12-18)
vocals:
Sarah Vaughan (am 1954-12-18)
conductor:
Ernie Wilkins (am 1954-12-18)
arranger:
Ernie Wilkins
cover recording of:
Embraceable You (am 1954-12-18)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
4:49
16September Song
flute:
Herbie Mann (am 1954-12-16)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1954-12-16)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1954-12-16)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-12-16)
Tenorsaxophon:
Paul Quinichette (am 1954-12-16)
Trompete:
Clifford Brown (trumpet) (am 1954-12-16)
vocals:
Sarah Vaughan (am 1954-12-16)
conductor:
Ernie Wilkins (am 1954-12-16)
arranger:
Ernie Wilkins
aufgenommen bei:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Vereinigte Staaten (am 1954-12-16)
recording of:
Knickerbocker Holiday: September Song (am 1954-12-16)
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) und Crawford Music Corp. (am 1938-09-24)
Teil von:
Knickerbocker Holiday (Kurt Weill musical)
5:47
17How Long Has This Been Going On?
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Rosalie
54:03
18Dancing in the Dark
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1957-08-08)
Kontrabass:
Richard Davis (American jazz bassist) (am 1957-08-08)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1957-08-08)
vocals:
Sarah Vaughan (am 1957-08-08)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1957-08-08)
live cover recording of:
Dancing in the Dark (am 1957-08-08)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
2:39
19Eternally
vocals:
Sarah Vaughan (am 1959-09-02)
cover recording of:
Eternally (am 1959-09-02)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
Version von:
Limelight: Theme (Terry's Theme, original instrumental version)
2:26
20Just One of Those Things
alto saxophone, flute und Holzblasinstrumente:
Frank Wess (am 1958-12-23)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (am 1958-12-23)
Gitarre:
Freddie Green (am 1958-12-23)
Klarinette und Rohrblattinstrumente:
Marshall Royal (am 1958-12-23)
Klavier:
Ronnell Bright (am 1958-12-23)
Kontrabass:
Richard Davis (American jazz bassist) (am 1958-12-23)
Posaune:
Henry Coker (jazz trombonist) (am 1958-12-23), Al Grey (trombone) (am 1958-12-23) und Benny Powell (jazz trombonist) (am 1958-12-23)
Schlagzeug:
Sonny Payne (am 1958-12-23)
Tenorsaxophon:
Frank Foster (saxophonist) (am 1958-12-23) und Billy Mitchell (US jazz saxophonist) (am 1958-12-23)
Trompete:
Wendell Culley (jazz trumpeter) (am 1958-12-23), Eugene Young (am 1958-12-23) und Thad Jones (American jazz trumpeter) (am 1958-12-23)
vocals:
Sarah Vaughan (am 1958-12-23)
cover recording of:
Just One of Those Things (am 1958-12-23)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
2:33

Nennungen

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0000738391 [Info]