Motown Classics, Volume 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Despite best efforts, it has been impossible to turn up any indication that this title exists with this track listing (other than as the other release in this group).

See notes on my merge that put these five "volumes" (yes, that release title should only read "Motown Classics" by now, the 5 volumes are the 5 discs) together. Please shed light if you can!

Anmerkung zuletzt geändert am 2023-09-22 13:53 UTC.

Titelliste

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1▼Medium
Nr.TitelKünstlerBewertungLänge
1Money (That’s What I Want)
Produzent(in):
Berry Gordy
Klavier:
Barrett Strong
Schlagzeug:
Benny Benjamin (US drummer)
Tamburin:
Brian Holland (Motown producer & songwriter)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 3) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 288)
recording of:
Money (That’s What I Want)
Verfasser(in):
Janie Bradford und Berry Gordy
publisher:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
Barrett Strong3.852:37
2Shop Around
Gitarre:
Marvin Tarplin (in 1960)
Instrumente:
The Funk Brothers (in 1960)
Hintergrundgesang:
Claudette Rogers Robinson (in 1960), Warren “Pete” Moore (in 1960), Bobby Rogers (in 1960) und Ronnie White (soul singer, founding member of The Miracles) (in 1960)
Sologesang:
Smokey Robinson (in 1960)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1960)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 15), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 495)
recording of:
Shop Around (in 1960)
Verfasser(in):
Berry Gordy und Smokey Robinson
The Miracles feat. Bill ‘Smokey’ Robinson2.752:49
3Jamie
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 26)
recording of:
Jamie
Verfasser(in):
William Stevenson (Motown songwriter) und Barrett Strong
Edward Holland, Jr.2:23
4Please Mr. Postman
Produzent(in):
Robert Bateman (R&B singer/songwriter/record producer) und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (in 1961-04)
Gitarre:
Eddie Willis (in 1961-04)
Händeklatschen:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Georgeanna Tillman (in 1961-04) und Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
Instrumente:
The Funk Brothers (in 1961-04)
Klavier:
Richard ‘Popcorn’ Wylie (Pianist, singer, producer, band director and songwriter) (in 1961-04)
Perkussion:
Eddie “Bongo” Brown (in 1961-04)
Schlagzeug:
Benny Benjamin (US drummer) (in 1961-04) und Marvin Gaye (in 1961-04)
Hintergrundgesang:
Katherine Anderson (United States motown singer) (in 1961-04), Wyanetta “Juanita” Cowart (in 1961-04), Gladys Horton (in 1961-04), Georgeanna Tillman (in 1961-04) und Wanda Young (aka Wanda Young, singer in The Marvelettes) (in 1961-04)
Sologesang:
Gladys Horton (in 1961-04)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1961-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 10), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 331) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 410)
recording of:
Please Mr. Postman (in 1961-04)
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer) (in 1961), Georgia Dobbins (in 1961), William Garrett (in 1961), Freddie Gorman (in 1961) und Brian Holland (Motown producer & songwriter) (in 1961)
publisher:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division und United Partnership Ltd.
The Marvelettes4.62:30
5Stubborn Kind of Fellow
recording of:
Stubborn Kind of Fellow
Komponist(in):
Marvin Gaye, George Gordy und William Stevenson (Motown songwriter)
publisher:
Jobete Music (appears also as: Jobete Msc.)
Marvin Gaye & The Vells2:44
6Two Lovers
Produzent(in):
Smokey Robinson
recording of:
Two Lovers (am 1962-08-06)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobete Music Co., Inc. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Mary Wells2:47
7Do You Love Me
Produzent(in):
Berry Gordy Jr.
Gitarre:
Huey Davis (guitarist) (am 1962-06-03)
Instrumente:
The Funk Brothers (am 1962-06-03)
Hintergrundgesang:
Billy Hoggs (in 1962), Joe Billingslea (soul vocalist, songwriter) (am 1962-06-03), Hubert Johnson (singer) (am 1962-06-03) und Sylvester Potts (am 1962-06-03)
Sologesang:
Billy Gordon (The Contours) (am 1962-06-03)
zusätzlich Sologesang:
Billy Hoggs (am 1962-06-03)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1962-06-03)
Musikvideos:
Do You Love Me (music video) von The Contours (60s soul)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 9)
recording of:
Do You Love Me (am 1962-06-03)
Texter und Komponist(in):
Berry Gordy
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
The Contours4.352:54
8You’ve Really Got a Hold on Me
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 10) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
You’ve Really Got a Hold on Me
Texter und Komponist(in):
Smokey Robinson (in 1962-10)
publisher:
Dominion Music, Jobete Music (UK), Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Miracles4.52:59
9(Love Is Like a) Heat Wave
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 154) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 257)
recording of:
(Love Is Like a) Heat Wave
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music und Stone Agate Music Division
Martha and the Vandellas42:47
10Every Little Bit Hurts
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 16)
recording of:
Every Little Bit Hurts
Texter und Komponist(in):
Ed Cobb
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music
Brenda Holloway42:56
11Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-08-13)
Bass:
James Jamerson (am 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (am 1964-08-13)
Gitarre:
Eddie Willis (am 1964-08-13)
Instrumente:
The Funk Brothers (am 1964-08-13)
Klavier:
Earl Van Dyke (am 1964-08-13)
Schlagzeug:
Richard "Pistol" Allen (am 1964-08-13)
Tenorsaxophon:
Henry Cosby (am 1964-08-13)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-08-13)
Hintergrundgesang:
Florence Ballard (am 1964-08-13) und Mary Wilson (am 1964-08-13)
Sologesang:
Diana Ross (am 1964-08-13)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-08-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 324) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 499)
recording of:
Baby Love (am 1964-08-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes4.352:36
12Baby I Need Your Loving
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 32) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 390)
recording of:
Baby I Need Your Loving
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Australia, Jobete Music Co., Inc., Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Four Tops4.52:45
13Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
andere Instrumente [tire iron]:
Ivy Jo Hunter (am 1964-06-29)
baritone saxophone:
Thomas Bowles (am 1964-06-29)
Bassgitarre:
James Jamerson (am 1964-06-29)
Gitarre:
Joe Messina (am 1964-06-29), Robert White (US funk/soul guitarist) (am 1964-06-29) und Eddie Willis (am 1964-06-29)
Perkussion, Tamburin und Vibraphon [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-06-29)
Posaune:
George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
Schlagzeug:
Marvin Gaye (am 1964-06-29)
Tenorsaxophon:
Henry Cosby (am 1964-06-29)
Trompete:
Russell Conway (trumpet player) (am 1964-06-29) und Herbert Williams (trumpet player) (am 1964-06-29)
Hintergrundgesang:
Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (Motown songwriter) (am 1964-06-29)
Sologesang:
Martha Reeves (am 1964-06-29)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 403)
recording of:
Dancing in the Street (am 1964-06-29)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha and the Vandellas3.552:40
14How Sweet It Is (to Be Loved by You)
Produzent(in):
Lamont Dozier, Berry Gordy, Brian Holland (Motown producer & songwriter) und William Stevenson (Motown songwriter)
recording of:
How Sweet It Is (to Be Loved by You) (am 1964-07-10)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye33:00
15My Girl
Produzent(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
Bass:
James Jamerson (von 1964-09-25 bis 1964-11-17)
Gitarre:
Robert White (US funk/soul guitarist) (von 1964-09-25 bis 1964-11-17)
Instrumente:
The Funk Brothers (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente:
Detroit Symphony Orchestra (von 1964-09-25 bis 1964-11-17)
Schlagzeug:
Benny Benjamin (US drummer) (von 1964-09-25 bis 1964-11-17)
Hintergrundgesang:
Eddie Kendricks (von 1964-09-25 bis 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1964-09-25 bis 1964-11-17) und Paul Williams (member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Interpret(in):
The Temptations (Motown soul vocal group) (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1964-09-25 bis 1964-11-17)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 43) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 88)
recording of:
My Girl (von 1964-09-25 bis 1964-11-17)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations4.452:57
16My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:48
17The Way You Do the Things You Do
Produzent(in):
Smokey Robinson
Instrumente:
The Funk Brothers (am 1964-01-23)
Hintergrundgesang:
Melvin Franklin (am 1964-01-23), David Ruffin (soul singer, member of The Temptations) (am 1964-01-23), Otis Williams (US baritone singer, member of The Temptations & The Distants) (am 1964-01-23) und Paul Williams (member of The Temptations) (am 1964-01-23)
Sologesang:
Eddie Kendricks (am 1964-01-23)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-01-23)
recording of:
The Way You Do the Things You Do
Verfasser(in):
Smokey Robinson und Bobby Rogers
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations2.52:40
18Come See About Me
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
recording of:
Come See About Me
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
The Supremes2:42
19I Can’t Help Myself (Sugar Pie, Honey Bunch)
recording engineer:
Russ Terrana
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (in 1965)
Bass [1962 Fender Precision Bass]:
James Jamerson
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (in 1965)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (in 1965)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (in 1965)
Instrumente:
The Funk Brothers (in 1965)
Klavier:
Earl Van Dyke (in 1965)
Saiteninstrumente:
Detroit Symphony Orchestra (in 1965)
Schlagzeug:
Richard "Pistol" Allen (in 1965)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1965)
Vibraphon:
Jack Brokensha (in 1965)
Hintergrundgesang:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul “Duke” Fakir (in 1965), Jackie Hicks (in 1965) und Lawrence Payton (in 1965)
Sologesang:
Levi Stubbs (in 1965)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 415) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
Texter:
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops3.62:45
20Shotgun
recording engineer:
Lawrence T. Horn
Produzent(in):
Berry Gordy und Lawrence T. Horn
Bass:
James Jamerson (in 1964)
Gitarre:
Eddie Willis (in 1964) und Willie Woods (US guitarist & songwriter) (in 1964)
Hammond-Orgel [B-3]:
Johnny Griffith
membranophone:
Benny Benjamin (US drummer) (in 1964)
Orgel:
Vic Thomas (keyboard) und Victor Thomas (keyboardist) (in 1964)
Schlagzeug:
Benny Benjamin (US drummer)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1964)
Tenorsaxophon und Sologesang:
Junior Walker (in 1964)
Hintergrundgesang:
Willie Woods (US guitarist & songwriter) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 27)
recording of:
Shotgun (in 1964)
Verfasser(in):
Autry De Walt
Komponist(in):
Autry De Walt und Junior Walker
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK), Jobete Music Co. und What Does It Take Publishing (BMI-affiliated)
Jr. Walker & the All Stars2:59
21Take Me in Your Arms (Rock Me a Little While)
recording of:
Take Me in Your Arms (Rock Me a Little While) (am 1965-07-18)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Kim Weston52:57
22Stop! In the Name of Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (von 1965-01-05 bis 1965-01-11)
Hintergrundgesang:
The Andantes (von 1965-01-05 bis 1965-01-11), Florence Ballard (von 1965-01-05 bis 1965-01-11) und Mary Wilson (von 1965-01-05 bis 1965-01-11)
Sologesang:
Diana Ross (von 1965-01-05 bis 1965-01-11)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1965-01-05 bis 1965-01-11)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 13) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 254)
recording of:
Stop! In the Name of Love (von 1965-01-05 bis 1965-01-11)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes4.152:50
2▼Medium
Nr.TitelKünstlerBewertungLänge
1Uptight (Everything Allright)
Produzent(in):
Henry Cosby und William Stevenson (Motown songwriter)
Sologesang:
Stevie Wonder (in 1965)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1965)
recording of:
Uptight (Everything’s Alright) (in 1965)
Texter und Komponist(in):
Henry Cosby, Sylvia Moy und Stevie Wonder
publisher:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music und Stone Agate Music
Stevie Wonder4.72:54
2It’s the Same Old Song
recording engineer:
Lawrence T. Horn
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Mix:
Robert L. Gordy (music publishing executive)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor)
Bass [1962 Fender Precision Bass]:
James Jamerson
Gitarre [1964 Gibson Firebird III]:
Eddie Willis
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist)
Klavier:
Earl Van Dyke
Saiteninstrumente:
Detroit Symphony Orchestra
Schlagzeug:
Benny Benjamin (US drummer)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
Vibraphon:
Jack Brokensha
Hintergrundgesang:
Marlene Barrow, Renaldo Benson, Louvain Demps, Abdul “Duke” Fakir, Jackie Hicks und Lawrence Payton
Sologesang:
Levi Stubbs
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten
recording of:
It’s the Same Old Song (am 1965-07-07)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Australia
Four Tops42:45
3Nowhere to Run
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 359)
recording of:
Nowhere to Run
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland–Dozier–Holland
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha and the Vandellas4.652:57
4The Tracks of My Tears
Produzent(in):
Bill “Smokey” Robinson
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 50) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 54)
recording of:
The Tracks of My Tears (am 1965-05-19)
Verfasser(in):
Warren “Pete” Moore, Smokey Robinson und Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
recording of:
The Tracks of My Tears (am 1971-05-06)
Verfasser(in):
Warren “Pete” Moore, Smokey Robinson und Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
The Miracles4.252:55
5You Can’t Hurry Love
recording engineer:
Russ Terrana
Techniker(in):
Lamont Dozier
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (am 1966-06-11)
Blechblasinstrumente [horns]:
Detroit Symphony Orchestra (am 1966-06-11)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (am 1966-06-11)
Instrumente:
The Funk Brothers (am 1966-06-11)
Klavier:
Earl Van Dyke (am 1966-06-11)
Schlagzeug:
Benny Benjamin (US drummer) (am 1966-06-11)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1966-06-11)
Hintergrundgesang:
Florence Ballard (am 1966-07-05) und Mary Wilson (am 1966-07-05)
Sologesang:
Diana Ross (am 1966-07-05)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966) und Motown Records (not for label use; use “Motown” instead) (in 2015, in 2017)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1966-06-11 bis 1966-07-05)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 280)
recording of:
You Can’t Hurry Love (von 1966-06-11 bis 1966-07-05)
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music (UK) Ltd. (in 1965) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Supremes4.752:45
6Reach Out I’ll Be There
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (in 1966)
Hintergrundgesang:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) und Lawrence Payton (in 1966)
Sologesang:
Levi Stubbs (in 1966)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 78) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Four Tops43:01
7You Keep Me Hangin’ On
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
cover recording of:
You Keep Me Hangin’ On (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
recording of:
You Keep Me Hangin’ On
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Supremes3.42:40
8Standing in the Shadows of Love
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 464)
recording of:
Standing in the Shadows of Love
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music Ltd
Four Tops2:37
9What Becomes of the Brokenhearted
Produzent(in):
William "Mickey" Stevenson (Motown songwriter)
recording of:
What Becomes of the Brokenhearted
Verfasser(in):
James Dean (US soul songwriter), Paul Riser und William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (UK)
Jimmy Ruffin4.653:02
10(I’m a) Road Runner
Mix:
Suha Gur
Bass:
James Jamerson
Gitarre:
Willie Woods (US guitarist & songwriter)
Keyboard:
Vic Thomas (keyboard)
membranophone:
James Graves
Saxophon:
Junior Walker
recording of:
(I’m a) Road Runner
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music, Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Jr. Walker & the All Stars22:46
11It Takes Two
vocals:
Kim Weston
recording of:
It Takes Two
Verfasser(in):
Sylvia Moy und William Stevenson (Motown songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music
Marvin Gaye & Kim Weston32:59
12Heaven Must Have Sent You
recording of:
Heaven Must Have Sent You (am 1966-06-02)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobette-Carlin Music Ltd.
The Elgins22:32
13This Old Heart of Mine (Is Weak for You)
Produzent(in):
Lamont Dozier, Holland–Dozier (with Brian Holland) und Brian Holland (Motown producer & songwriter)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966)
recording of:
This Old Heart of Mine (Is Weak for You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland–Dozier–Holland
Komponist(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Sylvia Moy
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) und Stone Agate Music Division
The Isley Brothers4.252:47
14The Hunter Gets Captured by the Game
recording of:
The Hunter Gets Captured by the Game
Texter, Verfasser(in) und Komponist(in):
Smokey Robinson
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc. (in 1966)
The Marvelettes2:50
15Ain’t Too Proud to Beg
Produzent(in):
Norman Whitfield
Instrumente:
The Funk Brothers (von 1966-01-04 bis 1966-01-11)
Hintergrundgesang:
Melvin Franklin (von 1966-01-04 bis 1966-01-11), Eddie Kendricks (von 1966-01-04 bis 1966-01-11), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1966-01-04 bis 1966-01-11) und Paul Williams (member of The Temptations) (von 1966-01-04 bis 1966-01-11)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1966-01-04 bis 1966-01-11)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1966-01-04 bis 1966-01-11)
recording of:
Ain’t Too Proud to Beg (von 1966-01-04 bis 1966-01-11)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) und Norman Whitfield
Komponist(in):
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music und Stone Agate Music Division
cover recording of:
Ain’t Too Proud to Beg
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) und Norman Whitfield
Komponist(in):
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music und Stone Agate Music Division
The Temptations4.352:33
16The Happening
recording engineer:
Russ Terrana
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Bass:
James Jamerson (am 1967-03-02)
Instrumente:
The Funk Brothers (am 1967-03-02)
Hintergrundgesang:
Florence Ballard (am 1967-03-02) und Mary Wilson (am 1967-03-02)
Sologesang:
Diana Ross (am 1967-03-02)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1967-03-02)
recording of:
The Happening (am 1967-03-08)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Frank De Vol, Lamont Dozier und Brian Holland (Motown producer & songwriter)
The Supremes52:46
17Bernadette
recording of:
Bernadette
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Four Tops3:00
18Ain’t No Mountain High Enough
vocals:
Marvin Gaye und Tammi Terrell
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 37)
recording of:
Ain’t No Mountain High Enough
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell4.72:28
19I Second That Emtion
recording of:
I Second That Emotion
Verfasser(in):
Al Cleveland (songwriter 1930-1996) und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Smokey Robinson & The Miracles2:41
20For Once in My Life
Produzent(in):
Henry Cosby
Sologesang:
Stevie Wonder (in 1967)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1968)
cover recording of:
For Once in My Life (in 1967)
Texter:
Ronald Miller (Motown songwriter Ronald Norman Miller)
Komponist(in):
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Stevie Wonder4.12:50
21Cloud Nine
Produzent(in):
Norman Whitfield
Sologesang:
Dennis Edwards (US soul & R’n’B singer), Eddie Kendricks und Paul Williams (member of The Temptations)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1968)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1968-10-02)
recording of:
Cloud Nine (am 1968-10-02)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music und Stone Agate Music Division
The Temptations3.63:37
22I Want You Back
Produzent(in):
The Corporation (Motown songwriters)
Bassgitarre:
Wilton Felder (in 1969-07)
Gitarre:
Donald Peake, David T. Walker und Tito Jackson (in 1969-07)
Gitarre [lead guitar]:
Louis Shelton (in 1969-07)
Keyboard:
Clarence McDonald und Ronnie Rancifer (in 1969-07)
Klavier:
Fonce Mizell, Freddie Perren, Joe Sample und Ronnie Rancifer (in 1969-07)
Perkussion:
Sandra Crouch und Marlon Jackson (in 1969-07)
Schlagzeug:
Gene Pello und Johnny Jackson (drummer for Jackson 5) (in 1969-07)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) und Tito Jackson (in 1969-07)
Sologesang:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
The Sound Factory West in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1969-07, von 1969-07 bis 1969-09)
Musikvideos:
I Want You Back von The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 23), Billboard Year-End Hot 100 singles of 1970 (Nummer: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 104) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 120)
recording of:
I Want You Back (in 1969-07)
Texter und Komponist(in):
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc. und Jobete Music Co., Inc.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
The Jackson 54.152:58
3▼Medium
Nr.TitelKünstlerBewertungLänge
1I Heard It Through the Grapevine
Produzent(in):
Norman Whitfield
Bass [1962 Fender Precision Bass]:
James Jamerson (von 1967-02-03 bis 1967-04-10)
Conga und Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (von 1967-02-03 bis 1967-04-10)
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (von 1967-02-03 bis 1967-04-10)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (von 1967-02-03 bis 1967-04-10)
Hammond-Orgel [B-3]:
Earl Van Dyke (von 1967-02-03 bis 1967-04-10)
Instrumente:
The Funk Brothers (von 1967-02-03 bis 1967-04-10)
Schlagzeug:
Uriel Jones (von 1967-02-03 bis 1967-04-10)
Tom Tom:
Richard "Pistol" Allen (von 1967-02-03 bis 1967-04-10)
Waldhorn:
Don Ozga (von 1967-02-03 bis 1967-04-10) und Edwin Jones (von 1967-02-03 bis 1967-04-10)
Wurlitzer Electric Piano:
Johnny Griffith (von 1967-02-03 bis 1967-04-10)
Hintergrundgesang:
The Andantes (von 1967-02-03 bis 1967-04-10), Marlene Barrow (von 1967-02-03 bis 1967-04-10), Louvain Demps (von 1967-02-03 bis 1967-04-10) und Jackie Hicks (von 1967-02-03 bis 1967-04-10)
Sologesang:
Marvin Gaye (von 1967-02-03 bis 1967-04-10)
Orchester:
Detroit Symphony Orchestra (von 1967-02-03 bis 1967-04-10)
Saiteninstrumente arranger:
Paul Riser (von 1967-02-03 bis 1967-04-10)
Orchestrator(in):
Paul Riser (von 1967-02-03 bis 1967-04-10)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967-02-03 bis 1967-04-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 80), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 119) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 307)
cover recording of:
I Heard It Through the Grapevine (von 1967-02-03 bis 1967-04-10)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.7?:??
2Get Ready
Produzent(in):
Rare Earth (Detroit band)
Bearbeitung von:
Get Ready von Rare Earth (Detroit band)
cover recording of:
Get Ready
Texter und Komponist(in):
William “Smokey” Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
recording of:
Get Ready
Texter und Komponist(in):
William “Smokey” Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Rare Earth?:??
3I Can’t Get Next to You
Produzent(in):
Norman Whitfield
Instrumente:
The Funk Brothers (von 1969-06-23 bis 1969-07-03)
Sologesang:
Dennis Edwards (US soul & R’n’B singer) (von 1969-06-23 bis 1969-07-03), Eddie Kendricks (von 1969-06-23 bis 1969-07-03) und Paul Williams (member of The Temptations) (von 1969-06-23 bis 1969-07-03)
vocals:
Melvin Franklin (von 1969-06-23 bis 1969-07-03) und Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1969-06-23 bis 1969-07-03)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1969-06-23 bis 1969-07-03)
recording of:
I Can’t Get Next to You (von 1969-06-23 bis 1969-07-03)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd. und Stone Agate Music
The Temptations2.5?:??
4ABC
Produzent(in):
The Corporation (Motown songwriters)
E-Bass:
Wilton Felder (in 1970-01) und Bob West (US session bassist, producer & songwriter) (in 1970-01)
Gitarre:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) und David T. Walker (in 1970-01)
Keyboard:
Freddie Perren (in 1970-01)
Schlagzeug:
Gene Pello (in 1970-01)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) und Tito Jackson (in 1970-01)
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”) (in 1970-01)
Sologesang:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) und Tito Jackson (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970-01)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 174)
recording of:
ABC (in 1970-01)
Verfasser(in):
Berry Gordy, Fonce Mizell, Freddie Perren und Deke Richards (American songwriter and record producer)
Komponist(in):
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc.
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Teil von:
MJ: The Musical
The Jackson 54.1?:??
5Ain’t No Mountain High Enough
Produzent(in):
Nickolas Ashford, Henry Cosby und Valerie Simpson
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 6)
cover recording of:
Ain’t No Mountain High Enough
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4.15?:??
6War
Interpret(in):
Edwin Starr
cover recording of:
War (am 1970-05-15)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
Edwin Starr4.25?:??
7If I Were Your Woman
Produzent(in):
Clay McMurray (producer, songwriter, engineer)
arranger:
Paul Riser
recording of:
If I Were Your Woman
Verfasser(in):
Clarence McMurray (producer, songwriter, engineer), Gloria Jones (US singer/songwriter, known for “Tainted Love”) und Pam Sawyer (British‐born American lyricist and songwriter)
Gladys Knight & the Pips3.5?:??
8The Tears of a Clown
recording of:
The Tears of a Clown
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles?:??
9I’ll Be There
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 7)
recording of:
I’ll Be There
Verfasser(in):
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy und Willie Hutch
publisher:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. und Stone Diamond Music Corporation
Teil von:
MJ: The Musical
The Jackson 55?:??
10It’s a Shame
Produzent(in):
Stevie Wonder
recording of:
It’s a Shame (am 1970-04-29)
Texter und Komponist(in):
Lee Garrett, Syreeta (US singer‐songwriter active 1970s–80s) und Stevie Wonder
publisher:
Black Bull Music und Jobete Music (appears also as: Jobete Msc.)
The Spinners3.65?:??
11Stoned Love
Produzent(in):
Frank Wilson (Motown singer/songwriter)
Sologesang:
Jean Terrell
arranger:
David Van dePitte
recording of:
Stoned Love
Texter und Komponist(in):
Ken Thomas (British producer and engineer) und Frank Wilson (Motown singer/songwriter)
Verfasser(in):
Yennek Samoht und Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music (UK) Ltd.
The Supremes?:??
12Signed, Sealed, Delivered, I’m Yours
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 203)
recording of:
Signed, Sealed, Delivered I’m Yours
Verfasser(in):
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) und Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder?:??
13What’s Going On
Produzent(in):
Marvin Gaye
Mix:
Lawrence Miles (am 1971-05-06)
Instrumente:
Detroit Symphony Orchestra (am 1971-05-06) und The Funk Brothers (am 1971-05-06)
Klavier, Perkussion [box drum] und Sologesang:
Marvin Gaye (am 1971-05-06)
Hintergrundgesang:
Lem Barney (am 1971-05-06), Mel Farr (am 1971-05-06) und Marvin Gaye (am 1971-05-06)
conductor:
David Van dePitte (am 1971-05-06)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1971)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1971-05-06)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 102) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
What’s Going On (am 1971-05-06)
Texter und Komponist(in):
Renaldo Benson, Al Cleveland (songwriter 1930-1996) und Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. und Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Marvin Gaye4.2?:??
14Never Can Say Goodbye
Produzent(in):
Hal Davis
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Never Can Say Goodbye
Texter und Komponist(in):
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. und Portable Music Co., Inc.
The Jackson 54.5?:??
15Just My Imagination (Running Away With Me)
Produzent(in):
Norman Whitfield
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1971)
recording of:
Just My Imagination (Running Away With Me)
Texter:
Barrett Strong
Komponist(in):
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Stone Agate Music
The Temptations?:??
16Smiling Faces Sometimes
Produzent(in):
Norman Whitfield
Orchestrator(in):
Jerry Long (Motown songwriter Jerry Long, Sr.)
cover recording of:
Smiling Faces Sometimes
Verfasser(in):
Barrett Strong und Norman Whitfield
recording of:
Smiling Faces Sometimes
Verfasser(in):
Barrett Strong und Norman Whitfield
The Undisputed Truth4.5?:??
17I Just Want to Celebrate
recording of:
I Just Want to Celebrate
Verfasser(in):
Dino Fekaris und Nick Zesses
publisher:
Jobete Music Co., Inc.
Rare Earth?:??
18Keep On Truckin’, Part 1
Produzent(in):
Leonard Caston (son of Leonard Caston) und Frank Wilson (Motown singer/songwriter)
arranger:
James Carmichael und Jerry Long (Motown songwriter Jerry Long, Sr.)
recording of:
Keep On Truckin’
Verfasser(in):
Lenny Caston (son of Leonard Caston), Anita Porée und Frank Wilson (Motown singer/songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Diamond Music Corporation
Eddie Kendricks?:??
19Ben
Produzent(in):
The Corporation (Motown songwriters)
Sologesang:
Michael Jackson (“King of Pop”) (in 1972)
arranger:
The Corporation (Motown songwriters)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label)
recording of:
Ben (in 1972)
Texter:
Don Black (English lyricist)
Komponist(in):
Walter Scharf
publisher:
Jobette Music (in 1972)
Teil von:
The 45th Academy Award for Best Original Song (Nummer: 2)
Michael Jackson3.85?:??
4▼Medium
Nr.TitelKünstlerBewertungLänge
1Papa Was a Rollin’ Stone
Produzent(in):
Norman Whitfield
Sologesang:
Dennis Edwards (US soul & R’n’B singer) (in 1972), Damon Harris (in 1972) und Richard Street (in 1972)
conductor:
Paul Riser (in 1972)
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) und Motown Record Corporation (company credits only; do NOT use as release label) (in 1972)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 333)
cover recording of:
Papa Was a Rollin’ Stone (in 1972)
Texter und Komponist(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations3.46:55
2Got to Be There
Produzent(in):
Hal Davis
Sologesang:
Michael Jackson (“King of Pop”) (von 1970-06 bis 1970-07)
arranger:
Dave Blumberg
recording of:
Got to Be There (von 1971-06 bis 1971-07)
Texter und Komponist(in):
Elliot Willensky
vocals arranger:
Willie Hutch
Michael Jackson33:23
3Let’s Get It On
Produzent(in):
Marvin Gaye und Ed Townsend
Perkussion:
Emil Richards
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
Remix von:
Let’s Get It On (album version) von Marvin Gaye
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 46)
recording of:
Let’s Get It On
Verfasser(in):
Marvin Gaye und Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und Stone Diamond Music Corporation
Marvin Gaye3.54:02
4Dancing Machine
Produzent(in):
Hal Davis
arranger:
Arthur Wright (guitar)
recording of:
Dancing Machine (in 1974)
Verfasser(in):
Hal Davis, Donald E. Fletcher und Dean Parks (American session guitarist)
Teil von:
MJ: The Musical
The Jackson 53.252:42
5Theme From Mahogany (Do You Know Where You’re Going To?)
Produzent(in):
Michael Masser
E-Bass:
Leland Sklar (bassist, session musician)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
vocals:
Diana Ross
conductor:
Lee Holdridge
arranger:
Lee Holdridge und Michael Masser
recording of:
Theme From Mahogany (Do You Know Where You’re Going To?)
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Jobete Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 48th Academy Award for Best Original Song (Nummer: 2)
Diana Ross53:23
6One Day in Your Life
recording of:
One Day in Your Life
Texter:
Samuel F. Brown III
Komponist(in):
Renée Armand
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music Co., Inc. (vom 1974 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Michael Jackson4:06
7Love Machine, Part 1
recording of:
Love Machine
Texter und Komponist(in):
Billy Griffin und Warren Moore
Horn und Saiteninstrumente arranger:
Wade Marcus
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
The Miracles2:58
8Love Power
recording of:
Love Power
Verfasser(in):
Frank Hutch
Willie Hutch3:33
9Love Hangover
Produzent(in):
Hal Davis
arranger:
Dave Blumberg und Clay Drayton
recording of:
Love Hangover
Verfasser(in):
Marilyn McLeod (soul/jazz singer and songwriter) und Pam Sawyer (British‐born American lyricist and songwriter)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Diana Ross3.253:47
10I Want You
leitende(r) Produzent(in):
Berry Gordy, Jr. und Marvin Gaye
Produzent(in):
T-Boy Ross und Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
vocals:
Marvin Gaye (in 1975)
arranger:
Coleridge-Taylor Perkinson
aufgenommen bei:
Marvin’s Room in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1975)
recording of:
I Want You (in 1975)
Texter:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
Komponist(in):
Arthur “T‐Boy” Ross und Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jobete Music Co., Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Marvin Gaye13:56
11Don’t Leave Me This Way
Produzent(in):
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976)
Bearbeitung von:
Don’t Leave Me This Way von Thelma Houston
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 355) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.53:40
12Easy
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977), Motown Record Corporation (company credits only; do NOT use as release label) (in 1977), Motown Records (not for label use; use “Motown” instead) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2009)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 93)
recording of:
Easy
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Commodores3.754:20
13Heaven Must Have Sent You
cover recording of:
Heaven Must Have Sent You
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobette-Carlin Music Ltd.
Bonnie Pointer53:34
14Three Times a Lady
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
Sologesang:
Lionel Richie
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 10)
recording of:
Three Times a Lady
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Commodores3.653:38
15With You I’m Born Again
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1979)
recording of:
With You I’m Born Again
Texter:
Carol Connors
Komponist(in):
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) und Jobete Music (UK) Ltd.
Billy Preston & Syreeta43:40
16I’m Coming Out
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980) und Motown Records (not for label use; use “Motown” instead) (in 1980)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 385) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 436)
recording of:
I’m Coming Out
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Diana Ross3.95:22
17I Need Your Lovin’
recording of:
I Need Your Lovin’
Texter und Komponist(in):
Teena Marie
publisher:
Jobete Music Co., Inc.
Teena Marie3:50
18Let’s Get Serious
recording of:
Let’s Get Serious
Verfasser(in):
Lee Garrett und Stevie Wonder
Jermaine Jackson3:35
19Give It to Me Baby
Produzent(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
Give It To Me Baby
Texter und Komponist(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. und Stone City Music Co.
Rick James3:49
5▼Medium
Nr.TitelKünstlerBewertungLänge
1Upside Down
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross4?:??
2Super Freak, Part 1
recording of:
Super Freak
Texter und Komponist(in):
Alonzo Miller (Singer-songwriter, producer) und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. und Stone Diamond Music Corporation
Rick James?:??
3Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Diana Ross & Lionel Richie3.5?:??
4Let It Whip
recording of:
Let It Whip
Verfasser(in) und Komponist(in):
Reggie Andrews und Leon Ndugu Chancler
Dazz Band?:??
5All Night Long
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) und Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music und Rondor Music (Australia) Pty Ltd
Lionel Richie3.4?:??
6Don’t Look Any Further
recording engineer:
Jeremy Smith (producer/engineer)
drum machine-Programmierung und Partner-Koproduzent(in):
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Produzent(in):
Dennis Lambert
Bass-Synthesizer und E-Gitarre [Valley Arts Stratocaster]:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Bassgitarre:
Nathan East
cabasa, shakers, Tama / Dundun / Talking Drum, Tamburin und Timbales:
Paulinho da Costa (Brazilian percussionist)
Synthesizer:
Dennis Lambert
Gast vocals:
Siedah Garrett
Interpret(in):
Siedah Garrett
arranger:
Dennis Lambert und Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
aufgenommen bei:
Soundcastle Studios (former LA location) in Silver Lake, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Look Any Further
Verfasser(in):
Franne Golde, Duane Hitchings und Dennis Lambert
publisher:
BMG Platinum Songs US, Universal Music Careers und VMG Worldwide
Dennis Edwards & Siedah Garrett4?:??
7Somebody’s Watching Me
Produzent(in):
Curtis Anthony Nolen und Rockwell (R & B – “Somebody’s Watching Me”)
Gast vocals:
Michael Jackson (“King of Pop”)
Hintergrundgesang:
Jermaine Jackson (soul/pop singer, of Jackson 5)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 20)
recording of:
Somebody’s Watching Me
Texter und Komponist(in):
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Rockwell3.85?:??
8Rhythm of the Night
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Musikvideos:
Rhythm of the Night von DeBarge
recording of:
Rhythm of the Night
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. und Realsongs
DeBarge3.6?:??
9Say You, Say Me
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Say You, Say Me
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1985 winner)
Lionel Richie4.15?:??
10In My House
recording of:
In My House
Texter und Komponist(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 13)
Mary Jane Girls?:??
11Nightshift
Partner-Produzent(in):
Peter Wolfe (Austrian classical/jazz composer/producer, keyboards for Zappa) und Jeremy Smith (producer/engineer)
Produzent(in):
Dennis Lambert
arranger:
Peter Wolfe (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1984)
Bearbeitung von:
Nightshift von Commodores (US funk/soul band with Lionel Richie)
recording of:
Nightshift
Verfasser(in):
Franne Golde, Dennis Lambert und Walter Orange
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zomba Enterprises, Inc.
Commodores4.35?:??
12Who’s Johnny
Produzent(in):
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
recording of:
Who’s Johnny
Verfasser(in):
Peter & Ina Wolf, Ina Wolf und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
El DeBarge?:??
13Him or Me
recording of:
Him or me (Today song)
Verfasser(in):
Wesley Adams, Lee Drakeford, Gene Griffin, Larry Mc Caine und Harry Singletarry
Today?:??
14Motownphilly
recording of:
Motownphilly
Verfasser(in):
Dallas Austin, Michael Bivins, Nathan Morris (Boyz II Men) und Shawn Stockman
publisher:
Biv Ten Publishing, Diva One Music und Mike Ten Publishing
Boyz II Men?:??
15Rub You the Right Way
recording of:
Rub You the Right Way
Verfasser(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Johnny Gill?:??
16I Love Your Smile
Produzent(in):
Narada Michael Walden
arranger:
Narada Michael Walden
produced for:
Perfection Light Productions
recording of:
I Love Your Smile
Verfasser(in):
Jarvis Baker, Sylvester Jackson, Shanice Lorraine Wilson-Knox und Narada Michael Walden
publisher:
Carlin Music Corporation, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Gratitude Sky Music, Inc., Shanice 4 U Music und WB Music Corp. (1929–2019)
Shanice4?:??
17I’ll Make Love to You
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 24)
recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
cover recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men?:??
18On and On
Assistent recording engineer:
Charles McCrorey
recording engineer, Programmierung und Mix:
Bob Power
zusätzliche(r) Techniker(in) und assistierende(r) Mix:
Tim Donovan
Produzent(in):
JaBorn Jamal und Bob Power
Hintergrundgesang und Sologesang:
Erykah Badu
Interpret(in):
Bob Power
Musikvideos:
On & On von Erykah Badu
a cappella versions:
On & On (L∆VINCi Remix) von L∆VINCi (LAVINCi) feat. Erykah Badu
recording of:
On & On
Verfasser(in):
Erykah Badu und JaBorn Jamal
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und MCA Music Ltd
Erykah Badu3.75?:??

Nennungen

Veröffentlichungsgruppe

Teil von:Motown Classics (Nummer: 1) (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/1334186 [Info]