Class Reunion '76 - Greatest Hits of 1976

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Sarah Smile
Produzent(in):
Chris Bond (producer, active circa 1970s) und Daryl Hall & John Oates
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1975)
recording of:
Sara Smile
Texter:
Daryl Hall und John Oates
Komponist(in):
Daryl Hall
publisher:
Unichappell Music, Inc.
Hall & Oates4.253:09
2Love Hurts
recording engineer:
Tony Taverner
zusätzlich recording engineer und zusätzliche(r) Mix:
John Punter
Produzent(in):
Manny Charlton (singer-songwriter and guitarist)
Bassgitarre:
Pete Agnew (singer-songwriter and bassist)
Gitarre und Synthesizer:
Manny Charlton (singer-songwriter and guitarist)
Schlagzeug:
Darrell Sweet (drummer and songwriter)
Hintergrundgesang:
Pete Agnew (singer-songwriter and bassist) und Darrell Sweet (drummer and songwriter)
Sologesang:
Dan McCafferty (singer, songwriter)
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974) und USM Copyrights Ltd. (in 1975)
aufgenommen bei:
Associated Recording Studios in London (Greater London), England, Vereinigtes Königreich und Escape Studios in Kent, England, Vereinigtes Königreich
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 75)
cover recording of:
Love Hurts
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.43:54
3All by Myself
assistierende(r) Techniker(in):
Joey Barbaria
Techniker(in):
Jack Sherdel
Produzent(in):
Jimmy Ienner (producer)
Sologesang:
Eric Carmen (von 1975-08 bis 1975-09)
arranger:
Eric Carmen
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) und Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
aufgenommen bei:
O.D.O. Sound Studios in New York, New York, Vereinigte Staaten (von 1975-08 bis 1975-09)
recording of:
All by Myself (von 1975-08 bis 1975-09)
Texter:
Eric Carmen
Komponist(in):
Eric Carmen und Sergei Rachmaninov (Sergei Rachmaninow, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (beendet), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
Let’s Pretend
basiert auf:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:55
4Fooled Around and Fell in Love
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1975)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 22) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 32)
recording of:
Fooled Around and Fell in Love
Texter und Komponist(in):
Elvin Bishop
Elvin Bishop3.654:37
5Let the Music Play
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
Bearbeitung von:
Let the Music Play (LP version) von Barry White
recording of:
Let the Music Play
Texter und Komponist(in):
Barry White
Barry White43:33
6Just to Be Close to You
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
recording of:
Just to Be Close to You
Verfasser(in):
Lionel Richie
publisher:
Jobete Music Co., Inc. (in 1976) und Libren Music (in 1976)
Commodores53:22
7Love to Love You Baby
Produzent(in):
Pete Bellotte (English lyricist and producer)
recording of:
Love to Love You Baby (in 1975)
Verfasser(in):
Pete Bellotte (English lyricist and producer), Giorgio Moroder und Donna Summer (soul/disco diva)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sweet Summer Night Music, Warner Chappell und WB Music Corp. (1929–2019)
Donna Summer43:23
8Let Your Love Flow
recording of:
Let Your Love Flow (in 1991)
Texter und Komponist(in):
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (in 1975)
The Bellamy Brothers2:48
9Love Hangover
Produzent(in):
Hal Davis
arranger:
Dave Blumberg und Clay Drayton
recording of:
Love Hangover
Verfasser(in):
Marilyn McLeod (soul/jazz singer and songwriter) und Pam Sawyer (British‐born American lyricist and songwriter)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Diana Ross3.253:48
10I'll Be Good to You
recording of:
I’ll Be Good to You
Verfasser(in):
George Johnson (member of Brothers Johnson, guitar) und Louis Johnson (bass, member of Brothers Johnson)
The Brothers Johnson4:46
11Don't Leave Me This Way
Produzent(in):
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976)
Bearbeitung von:
Don’t Leave Me This Way von Thelma Houston
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 355) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.53:40
12Lonely Night (Angel Face)
recording engineer und Mix:
Dennis Dragon
Produzent(in):
Captain & Tennille
E-Bass [Fender Bass], Keyboard [keyboards], Marimba [marimbas], Synthesizer [synthesizers] und Vibraphon [vibes]:
Daryl Dragon
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Bass-Gesang:
Gary Sims (vocalist, guitarist, songwriter)
Hintergrundgesang:
Andy Boettner, Louisa Tennille, Melissa Tennille und Toni Tennille
cover recording of:
Lonely Night (Angel Face)
Komponist(in):
Neil Sedaka
publisher:
Don Kirshner Music Inc. und Neil Sedaka Music (BMI-affiliated)
Captain & Tennille3.53:16

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