Just the Hits: 80s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Cheap Wine
Techniker(in):
Mark Opitz und Neil Rawle
Produzent(in):
Cold Chisel
Bass:
Phil Small
Gitarre:
Ian Moss
Klavier:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
Schlagzeug:
Steve Prestwich
vocals:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) und Ian Moss
phonographisches Urheberrecht (℗) von:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (in 1999) und Cold Chisel Pty Ltd (in 2011)
recording of:
Cheap Wine
Texter und Komponist(in):
Don Walker (Australian musician and songwriter, member of Cold Chisel)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor und Rondor Music (Australia) Pty Ltd
Cold Chisel33:25
2Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:32
3White Wedding, Pt. 1
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
recording of:
White Wedding
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol4.154:14
4Me Myself I
assistierende(r) Techniker(in):
Gregg Caruso
Techniker(in):
Thom Panunzio
Produzent(in):
Richard Gottehrer (American songwriter and music executive)
Bass:
Marcus Miller (jazz musician) (in 1980-03)
Gitarre:
Hiram Bullock (in 1980-03) und Chris Spedding (in 1980-03)
Klavier:
Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick) (in 1980-03)
Orgel:
Danny Federici (in 1980-03)
Saxophon:
Clarence Clemons (in 1980-03)
Schlagzeug:
Anton Fig (in 1980-03)
vocals:
Joan Armatrading (in 1980-03)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1980)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1980-03)
recording of:
Me Myself I (in 1980-03)
Texter und Komponist(in):
Joan Armatrading
publisher:
Irving Music, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Rondor Music (London) Ltd. (in 1980)
Joan Armatrading3.653:18
5Boys Light Up
Techniker(in):
Ross Cockle
Produzent(in):
David Briggs (producer, guitarist of Little River Band)
Gitarre und Slide-Gitarre:
Simon Binks (von 1981-03 bis 1981-04)
Keyboard:
Peter Jones (Australian pianist/composer) (von 1981-03 bis 1981-04), Mal Logan (von 1981-03 bis 1981-04), Keith McKay (von 1981-03 bis 1981-04) und Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer) (von 1981-03 bis 1981-04)
Mundharmonika:
James Reyne (von 1981-03 bis 1981-04)
Perkussion:
Bill McDonough (von 1981-03 bis 1981-04) und Derek Pellicci (von 1981-03 bis 1981-04)
Saxophon:
Bill Harrower (von 1981-03 bis 1981-04)
Schlagzeug:
Bill McDonough (von 1981-03 bis 1981-04)
vocals:
Bill McDonough (von 1981-03 bis 1981-04), James Reyne (von 1981-03 bis 1981-04), Brad Robinson (von 1981-03 bis 1981-04), Mal Stainton (von 1981-03 bis 1981-04) und Paul Williams (bassist in 'Australian Crawl') (von 1981-03 bis 1981-04)
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) und EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 2002)
aufgenommen bei:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australien (von 1981-03 bis 1981-04)
mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australien
recording of:
Boys Light Up (von 1981-03 bis 1981-04)
Verfasser(in):
James Reyne
publisher:
Warner/Chappell Music Ltd. (1996–2019)
recording of:
The Boys Light Up (von 1981-03 bis 1981-04)
Verfasser(in):
James Reyne
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner/Chappell Pty. Ltd.
Australian Crawl34:41
6Our Lips Are Sealed
Assistent recording engineer:
Ted Blechta und John Terelle
recording engineer und Mix:
Rob Freeman (engineer)
zusätzlich Assistent recording engineer:
James Ball, Eric Kortee und Darroll Gustamachio
Produzent(in):
Rob Freeman (engineer) und Richard Gottehrer (American songwriter and music executive)
assistierende(r) Mix:
Gray Russell
Bassgitarre und Gitarre:
Kathy Valentine
Gitarre [lead guitar] und Keyboard:
Charlotte Caffey
Gitarre [rhythm guitar]:
Jane Wiedlin
Perkussion und Schlagzeug:
Gina Schock
Sologesang:
Belinda Carlisle
vocals:
Charlotte Caffey und Jane Wiedlin
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) und I.R.S., Inc. (in 1981)
aufgenommen bei:
Pennylane Studios in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Sound Mixers Studio in New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Sound Mixers Studio in New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 25), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 317) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 477)
recording of:
Our Lips Are Sealed
Verfasser(in):
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall und Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music und Plangent Visions Music
The Go-Go's4.52:47
7Better Be Home Soon
recording engineer:
Tchad Blake
Produzent(in):
Mitchell Froom
Mix:
Bob Clearmountain
E-Bass [bass]:
Nick Seymour (Nicholas More Seymour)
Gitarre und Sologesang:
Neil Finn
Schlagzeug:
Paul Hester (Australian drummer for Crowded House/Split Enz)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1988)
gemixt für:
Fast Forward Productions, Ltd.
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 38)
recording of:
Better Be Home Soon
Texter und Komponist(in):
Neil Finn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia P/L, Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing, Mushroom Publishing und Roundhead Music (BMI) (Neil Finn)
Crowded House3.53:09
8Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker feat. Jennifer Warnes3.53:54
9Flashdance… What a Feeling
Produzent(in):
Giorgio Moroder
vocals:
Irene Cara
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) und Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 38) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 492)
recording of:
Flashdance… What a Feeling
Texter:
Irene Cara und Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1983 winner)
Irene Cara3.653:53
10Human
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986, in 2003)
Musikvideos:
Human von The Human League
recording of:
Human
Verfasser(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Flyte Tyme Tunes
The Human League3.53:48
11Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:45
12Shout to the Top!
Produzent(in):
Paul Weller (English singer‐songwriter and musician) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1984)
recording of:
Shout to the Top
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council34:15
13Walking on Sunshine
recorded in:
England, Vereinigtes Königreich
assistierende(r) Techniker(in):
Jon Goldberger (engineer)
Techniker(in) und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Pat Collier und Katrina and the Waves (British‐American rock band)
zusätzliche(r) Produzent(in):
Scott Litt (producer and engineer)
Bassgitarre:
Vince de la Cruz
Gast-Blechblasinstrumente [Rumour Brass Section]:
Ray Beavis, Dick Hanson und John "Irish" Earl (Irish saxophonist)
Gast-Orgel:
Nick Glennie‐Smith
Gitarre [lead guitar]:
Kimberley Rew
Gitarre [rhythm guitar] und Sologesang:
Katrina Leskanich
Perkussion und Schlagzeug:
Alex Cooper (drummer, member of “Katrina and the Waves”)
Hintergrundgesang:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz und Kimberley Rew
Blechblasinstrumente arranger:
Eamon Fitzpatrick
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
aufgenommen bei:
Alaska Studios in London (Greater London), England, Vereinigtes Königreich und Greenhouse Studio (London) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1984-12 bis 1985-03)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 378)
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:55
14Opposites Attract
Produzent(in):
Oliver Leiber
arranger:
Oliver Leiber
Teil von:
The Downloader’s Music Source Book (Nummer: 87)
recording of:
Opposites Attract
Texter und Komponist(in):
Oliver Leiber
Paula Abdul2.54:25
15Love Is a Battlefield
recording of:
Love Is a Battlefield
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing Ltd.
Pat Benatar5:15
16I Think We’re Alone Now
zusätzlich recording engineer:
John Kerns (US engineer)
drum machine [drum]-Programmierung:
John Duarte
Techniker(in):
Bill Smith (US recording engineer)
Produzent(in):
George E. Tobin
Gitarre:
Chuck Yamek
Synthesizer:
John Duarte
Hintergrundgesang und Sologesang:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin und Bill Smith (US recording engineer)
arranger:
John Duarte
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 7)
cover recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:47
17Bring Me Some Water
recording of:
Bring Me Some Water
Texter und Komponist(in):
Melissa Etheridge
publisher:
Rondor Music (London) Ltd.
Melissa Etheridge4.653:54
18The Stroke
Assistent recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Billy Squier
Gitarre und Sologesang:
Billy Squier
Schlagzeug:
Bobby Chouinard
Hintergrundgesang:
Mark Clarke (Rock, UK) und Alan St. Jon
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 59)
recording of:
The Stroke
Texter und Komponist(in):
Billy Squier
publisher:
Songs of the Knight
Billy Squier3.753:38
19Tempted
Produzent(in):
Roger Bechirian und Elvis Costello
Bass:
John Bentley (UK bassist, member of Squeeze)
Gitarre:
Chris Difford und Glenn Tilbrook
Keyboard und Sologesang:
Paul Carrack
Schlagzeug:
Gilson Lavis
Hintergrundgesang:
Elvis Costello und Glenn Tilbrook
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 82)
recording of:
Tempted
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Illegal Songs Inc.
Squeeze4.153:58
20Solid
Ashford & Simpson3:47
2▼CD
Nr.TitelKünstlerBewertungLänge
1With or Without You
recording engineer:
Flood (British producer Mark Ellis)
Synthesizer [DX7]-Programmierung:
Brian Eno
zusätzliche(r) Techniker(in):
Pat McCarthy und Dave Meegan (producer)
Produzent(in):
Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
assistierende(r) Mix:
Mary Kettle
Mix:
Steve Lillywhite und Mark Wallis
Bassgitarre:
Adam Clayton
Gitarre:
The Edge (U2 guitarist David Evans)
Keyboard:
Brian Eno
Mundharmonika und Sologesang:
Bono (singer of U2)
Omnichord, Tamburin und zusätzlich Gitarre:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Perkussion und Schlagzeug:
Larry Mullen, Jr.
Hintergrundgesang:
The Edge (U2 guitarist David Evans), Brian Eno und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1987), Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1987, in 2007, in 2017), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1987) und Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2007)
aufgenommen bei und mixed at:
Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irland
Musikvideos:
With or Without You von U2 (Irish rock band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 13), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 131) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 211)
recording of:
With or Without You
Texter:
Bono (singer of U2)
Komponist(in):
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. und The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., U2 Music, Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International B.V. (Global Licensing & Royalty Review division, Universal Music Publishing Group) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
U24.254:56
2The Power of Love
recording engineer:
Jim Gaines und Robert Missbach
assistierende(r) Techniker(in):
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) und Jim “Watts” Vereecke
zusätzliche(r) Techniker(in):
Michael Christopher (engineer), Phil Kaffel und Malcolm Pollack
Produzent(in):
Bob Clearmountain, Jellybean (US producer John Benitez) und Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
Bassgitarre:
Mario Cipollina
Gitarre:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Mundharmonika:
Huey Lewis
Perkussion und Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Saxophon:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) und Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Studio D Recording in Sausalito, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
The Power of Love (full length) von Huey Lewis and the News (American pop rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 108)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Huey Lewis and the News43:45
3Addicted to Love
Produzent(in):
Bernard Edwards (American bassist and record producer)
Musikvideos:
Addicted to Love von Robert Palmer (English singer‐songwriter)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 85)
recording of:
Addicted to Love
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) und WC Music Corp.
Robert Palmer4.755:53
4Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:37
5What’s My Scene?
Bass:
Clyde Bramley
Gitarre:
Dave Faulkner (David Faulkner) und Brad Shepherd
Keyboard:
Dave Faulkner (David Faulkner)
Mundharmonika:
Brad Shepherd
Schlagzeug:
Mark Kingsmill
vocals:
Dave Faulkner (David Faulkner)
phonographisches Urheberrecht (℗) von:
Hoodoo Gurus Pty Ltd (in 1987)
recording of:
What’s My Scene?
Verfasser(in):
Dave Faulkner (David Faulkner)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Mushroom Music (Mushroom label’s publishing company) und Sony/ATV Music Publishing
Hoodoo Gurus3.353:48
6Real Men
Techniker(in):
Michael Ewasko
Koproduzent(in) und Ko-Mix:
Joe Jackson (English musician) und David Kershenbaum
Gast-Geigenfamilie:
Ed Roynesdal
Sologesang:
Joe Jackson (English musician)
arranger:
Joe Jackson (English musician)
aufgenommen bei:
Blue Rock Studio in New York, New York, Vereinigte Staaten (von 1982-03 bis 1982-06)
recording of:
Real Men
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Albion Music, Pokazuka Limited und Universal/MCA Music (music publisher; do not use as release label!)
Joe Jackson34:05
7Every Rose Has Its Thorn
Techniker(in):
Duane Baron
Produzent(in):
Tom Werman
Mix:
Duane Baron, John Purdell und Tom Werman
Bassgitarre:
Bobby Dall
Gitarre:
C.C. DeVille
Schlagzeug:
Rikki Rockett
Sologesang:
Bret Michaels
Interpret(in):
Poison (US glam metal band)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1988), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988), Enigma (1980s US rock & alternative) (in 1988) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 34)
recording of:
Every Rose Has Its Thorn
Verfasser(in):
Bobby Dall, C.C. DeVille, Bret Michaels und Rikki Rockett
Komponist(in):
Siddhartha Khosla (American singer and score composer)
publisher:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Songs Inc.
Poison44:19
8Show Me Heaven
phonographisches Urheberrecht (℗) von:
MCA (1967–2003; name as in imprint during 1972–1990) (in 1990) und The David Geffen Company (legal rights relating to Geffen Records) (in 1990)
recording of:
Show Me Heaven
Verfasser(in):
Eric Rackin (Production music composer), Maria McKee und Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:46
9Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:41
10Karma Chameleon
Techniker(in):
Simon Frith, Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Gast-Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2002, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club44:08
11Funkytown
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
Bearbeitung von:
Funkytown (12″ version) von Lipps, Inc.
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 37)
recording of:
Funkytown
Texter und Komponist(in):
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.13:59
12Higher Love
recording of:
Higher Love
Verfasser(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America und Willin' David Music
Steve Winwood54:07
13Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:06
14Rain
phonographisches Urheberrecht (℗) von:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 1984)
recording of:
Rain (Dragon song)
Verfasser(in):
Marc Hunter, Todd Hunter (Todd Stuart Hunter of Dragon) und Johanna Pigott
publisher:
Essex Music of Australia Pty. Ltd.
Dragon3:40
15Heat of the Moment
Techniker(in) und Produzent(in):
Mike Stone (producer and engineer, 1960s–80s)
E-Bass:
John Wetton
Gitarre:
Steve Howe
Keyboard:
Geoff Downes (English keyboardist)
Schlagzeug und Perkussion:
Carl Palmer
vocals:
Geoff Downes (English keyboardist), Steve Howe und John Wetton
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1982), The David Geffen Company (legal rights relating to Geffen Records) (in 1982) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1982)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Heat of the Moment (music video) von Asia (UK progressive rock band)
recording of:
Heat of the Moment
Verfasser(in):
Geoff Downes (English keyboardist) und John Wetton
publisher:
BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Palan Music Publishing Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music Co., Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music, Inc., Ackee Music Inc. (vom 1982 bis heute), Almond Legg Music Corp. (vom 1982 bis heute), WB Music Corp. (1929–2019) (von 1982 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Asia4.53:50
16Lessons in Love
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
Gast-Saxophon:
Gary Barnacle
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1986) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
Texter:
Boon Gould
Verfasser(in):
Wally Badarou und Mark King (bass guitarist and vocalist)
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Level 423.64:03
17Stop
Sam Brown4:00
18I Should Have Known Better
Jim Diamond3:41
19Luka
Sound-Engineering:
Robin Danar
Techniker(in):
Steve Addabbo und Rod O’Brien
Produzent(in):
Steve Addabbo und Lenny Kaye
Mix:
Shelly Yakus
Solo-Gitarre:
Jon Gordon (guitarist, music director, producer, composer)
Hintergrundgesang:
Shawn Colvin
vocals:
Suzanne Vega (American singer-songwriter)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1987)
aufgenommen bei:
duo Music Exchange in Dōgenzaka, Shibuya (Shibuya-ku), Tokyo, Japan
recording of:
Luka
Texter und Komponist(in):
Suzanne Vega (American singer-songwriter)
publisher:
WB Music Corp. (1929–2019)
Suzanne Vega4.353:53
20Axel Foley
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:03
3▼CD
Nr.TitelKünstlerBewertungLänge
1All Night Long (All Night)
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) und Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music und Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:21
2The Lady in Red
Produzent(in):
Paul Hardiman
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1986)
aufgenommen bei:
RDS Arena in Dublin, County Dublin, Leinster, Irland (am 1988-12-07) und Westfalenhalle in Dortmund, Nordrhein-Westfalen, Deutschland (am 2004-11-06)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 54)
recording of:
The Lady in Red (in 1986)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 1988-12-07)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 2004-11-06)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:17
3If I Could Turn Back Time
recording engineer und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierende(r) Techniker(in):
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) und Duane Seykora
zusätzliche(r) Techniker(in):
Guy Roche
Produzent(in):
Guy Roche und Diane Warren (US songwriter)
Bassgitarre:
John Pierce (US session bassist)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
Alan Pasqua und Guy Roche
Schlagzeug und Tamburin:
Mark T. Williams
zusätzlich Gitarre:
Gene Black und Glenn Sciurba
Hintergrundgesang:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain und Maria Vidal (American singer-songwriter)
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1989), The David Geffen Company (legal rights relating to Geffen Records) (in 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Criterion Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 386)
recording of:
If I Could Turn Back Time
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) und Realsongs (in 1989)
Cher3.754:01
4Real Wild Child (Wild One)
drum machine [Linn drum]-Programmierung:
David Richards (Swiss-based producer and engineer) (von 1986-04 bis 1986-05)
Techniker(in):
David Richards (Swiss-based producer and engineer)
Produzent(in) und Mix:
David Bowie (English singer‐songwriter) und David Richards (Swiss-based producer and engineer)
Bass, Schlagzeug, Orgel, Sampler [Akai S900], Synthesizer [Yamaha DX7] und Geige / Violine:
Erdal Kızılçay (von 1986-04 bis 1986-05)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05) und Steve Jones (Sex Pistols member) (von 1986-04 bis 1986-05)
Hintergrundgesang:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05), David Bowie (English singer‐songwriter) (von 1986-04 bis 1986-05) und Erdal Kızılçay (von 1986-04 bis 1986-05)
Sologesang:
Iggy Pop (von 1986-04 bis 1986-05)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1986)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1986-04 bis 1986-05)
cover recording of:
Wild One (Real Wild Child) (von 1986-04 bis 1986-05)
Verfasser(in):
Johnny Greenan, Johnny O’Keefe und Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Southern Music (publisher)
Iggy Pop3.853:35
5Pleasure and Pain
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985) und Chrysalis Records, Inc. (not for release label use!) (in 1985)
recording of:
Pleasure and Pain
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Holly Knight
publisher:
Hebbes Music Group Pty. Ltd., Warner Chappell und Warner/Chappell Music Ltd. (1996–2019)
Divinyls3.353:49
6(I Just) Died in Your Arms
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:33
7The Winner Takes It All
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bassgitarre:
Mike Watson (English‐Swedish rock musician) (am 1980-06-06)
Bratsche / Viola:
Nils Heie (am 1980-06-16), Håkan Roos (Swedish violist) (am 1980-06-16) und Bo Söderström (Swedish violinist) (am 1980-06-16)
Cello:
Olle Gustafsson (cellist) (am 1980-06-16) und Åke Olofsson (Swedish cellist) (am 1980-06-16)
Geige / Violine:
Martin Bylund (Swedish violinist) (am 1980-06-16), Anders Dahl (Swedish violinist) (am 1980-06-16), Lars Stegenberg (Swedish violinist) (am 1980-06-16), Gunnar Michols (Swedish violinist) (am 1980-06-16), Bernt Nylund (Swedish violinist) (am 1980-06-16), Bertil Orsin (Swedish violinist) (am 1980-06-16), Sixten Strömvall (Swedish violinist) (am 1980-06-16) und Harry Teike (am 1980-06-16)
Gitarre:
Lasse Wellander (am 1980-06-06)
Keyboard und Synthesizer:
Benny Andersson (ABBA) (am 1980-06-06)
Perkussion:
Åke Sundqvist (am 1980-06-06)
Schlagzeug:
Ola Brunkert (am 1980-06-06)
Hintergrundgesang:
Frida (Swedish singer and member of ABBA) (am 1980-06-06)
Sologesang:
Agnetha Fältskog (am 1980-06-06)
Cello, Bratsche / Viola und Geige / Violine arranger:
Rutger Gunnarsson (in 1980)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1980)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-06-06, am 1980-06-16)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-06-18)
Teil von:
The Downloader’s Music Source Book (Nummer: 66)
recording of:
The Winner Takes It All (in 1980-06)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!) (beendet), Universal Music Publishing Group (beendet), Universal/Union Songs Musikförlag AB (beendet), Bocu Music, EMI Waterford Music, Union Songs AB (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Artwork Music Co., Inc. (vom 1980 bis ????) und Countless Songs, Ltd. (vom 1980 bis ????)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.94:57
8Dance Hall Days
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Geffen Records und The David Geffen Company (legal rights relating to Geffen Records) (in 1984)
recording of:
Dance Hall Days
Verfasser(in):
Darren Costin, Nick Feldman und Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.23:55
9I Got You Babe
Produzent(in):
Ray “Pablo” Falconer und UB40
Gast vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Interpret(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und UB40
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 2000)
produced at:
The Abattoir in Birmingham, West Midlands, England, Vereinigtes Königreich
cover recording of:
I Got You Babe
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
UB40 feat. Chrissie Hynde2.753:08
10Push It
recording of:
Push It
Verfasser(in):
Hurby Azor und Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Next Plateau Music Inc. und Turn Out Brothers Publishing
Salt‐N‐Pepa4:30
11Upside Down
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980) und Motown Records (not for label use; use “Motown” instead) (in 1980)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 89)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:05
12Rhythm of the Night
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Musikvideos:
Rhythm of the Night von DeBarge
recording of:
Rhythm of the Night
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. und Realsongs
DeBarge3.63:50
13Outstanding
recording of:
Outstanding
Texter und Komponist(in):
Raymond Calhoun
publisher:
Minder Music Ltd.
The Gap Band3:20
14Word Up
recording of:
Word Up!
Verfasser(in):
Larry Blackmon und Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo45:58
15Get Down on It
recording of:
Get Down on It
Verfasser(in):
Ronald Bell, Kool & the Gang und James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
publisher:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
Kool & the Gang43:30
16Let It Whip
Dazz Band4:06
17She’s a Bad Mama Jama
Carl Carlton5:03
18C’est la Vie
recording of:
C’est la vie
Verfasser(in):
Mark Holding, Robbie Nevil und Duncan Pain (songwriter)
publisher:
AFG House Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dresden China Music (A), EMI Music Publishing (do not use as a release label!), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing, Universal‐MCA Music Publishing (US), Warner/Chappell Music Ltd. (1996–2019) und WC Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Robbie Nevil53:27
19Do That to Me One More Time
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979)
recording of:
Do That to Me One More Time
Texter und Komponist(in):
Toni Tennille
publisher:
Fujipacific Music, Inc. und Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille4.653:50
4▼CD
Nr.TitelKünstlerBewertungLänge
1Don’t You (Forget About Me)
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Jez Coad
Interpret(in):
Simple Minds (Scottish rock band) (am 1984-07-10)
phonographisches Urheberrecht (℗) von:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 25) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 340)
recording of:
Don’t You (Forget About Me) (am 1984-07-10)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
2Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.954:09
3More Than This
recording of:
More Than This
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4:23
4There She Goes
Techniker(in):
Dave Charles (British drummer as well as producer & engineer)
Produzent(in):
Bob Andrews (keyboardist and producer)
Mix:
Steve Lillywhite
Bassgitarre und Hintergrundgesang:
John Power (of The La’s and Cast)
E-Gitarre:
John Byrne (John 'Boo' Byrne, electric guitarist)
Schlagzeug:
Chris Sharrock
Sologesang:
Lee Mavers
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 45), TV Cream: Real 100 Best Singles Ever (Nummer: 62) und Indie 88: Top 500 Indie Rock Songs (Nummer: 418)
recording of:
There She Goes (The La’s)
Texter und Komponist(in):
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:43
5Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:55
6China in Your Hand
T’Pau4:03
7I Want Your Love
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 99)
recording of:
I Want Your Love
Texter und Komponist(in):
Nick Christian Sayer
publisher:
Notting Hill Music (UK) Ltd.
sub-publisher:
Kobalt Music Publishing France
Transvision Vamp2.53:31
8Right Here Waiting
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recording of:
Right Here Waiting
Texter:
Richard Marx
Komponist(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger) und Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. und EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx4:05
9Sweet Surrender
recording of:
Sweet Surrender
Verfasser(in):
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell und Marti Pellow
publisher:
The Precious Music Company Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS) (in 1989) und Precious Music Ltd. (publisher) (in 1989)
Wet Wet Wet4:24
10Teardrops
Produzent(in):
Chris Blackwell (Island Records), Lee Hamblin und The Gypsy Wave Power Co.
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:50
11Back to Life (However Do You Want Me)
recording of:
Back to Life
Verfasser(in):
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo und Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul3:47
12The Only Way Is Up
Techniker(in):
George Shilling
Produzent(in):
Coldcut (Matt Black & Jonathan More)
Mix:
Felix Kendall (UK recording engineer)
Hintergrundgesang:
Andy Caine, Lisa 'J', Cathi Ogden (UK jazz singer and theatre actress) und Linda Taylor (UK pop, disco, funk singer)
aufgenommen bei und mixed at:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, Vereinigtes Königreich
recording of:
The Only Way Is Up
Verfasser(in):
Johnny Henderson (southern soul songwriter) und George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) und Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz44:26
13Every Little Step
Bobby Brown3:57
14Superfreak
recording engineer und Mix:
Tom "Super" Flye
assistierende(r) Techniker(in):
Rick "Port Hole" Sanchez
Techniker(in):
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez und Tom "Super" Flye
leitende(r) Produzent(in):
Alonzo Miller (Singer-songwriter, producer)
Produzent(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
andere Instrumente [flexatone] und Vibraslap:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Bass:
Oscar Alston
Gitarre:
Tom McDermott (guitarist)
Händeklatschen und Perkussion:
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) und Tom McDermott (guitarist)
Hybrid-Piano und Synthesizer [Crumar]:
Levi Ruffin, Jr.
Schlagzeug:
Lanise Hughes
Tenorsaxophon:
Daniel LeMelle
Hintergrundgesang:
Dennis Edwards (US soul & R’n’B singer), Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street und Otis Williams (US baritone singer, member of The Temptations & The Distants)
Horn arranger:
Daniel LeMelle und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (Hintergrundgesang) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 153) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 477)
recording of:
Super Freak
Texter und Komponist(in):
Alonzo Miller (Singer-songwriter, producer) und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. und Stone Diamond Music Corporation
Rick James4.153:20
15Don’t Stop the Music
Yarbrough & Peoples3:33
16Don’t Push It Don’t Force It
Leon Haywood3:27
17I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
zusätzlich Bass:
Paul Westwood (bassist) (in 1983)
Sologesang:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal und Rondor Music (London) Ltd.
Nik Kershaw3.53:22
18Missing You
assistierende(r) Techniker(in):
Ken Stiger (engineer)
Techniker(in):
Gary Hellman
Produzent(in):
Gary Gersh, David Thoener und John Waite
Mix und Editing:
John Luongo
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite53:49
19Oh Yeah
Produzent(in):
Yello (Swiss electronica duo)
Gast-Gitarre:
Chico Hablas
Gast-Schlagzeug:
Beat Ash
phonographisches Urheberrecht (℗) von:
Phonogram GmbH (in 1985)
aufgenommen bei:
Yello Studio in Zurich (Zürich), Zürich (Kanton Zürich), Schweiz
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 48)
recording of:
Oh Yeah
Texter:
Dieter Meier (member of Yello)
Komponist(in):
Boris Blank
publisher:
Datasound AG, TBU Music, Warner/Chappell Music, Inc. und Neue Welt (in 1985)
Yello43:07

Nennungen

Veröffentlichung

Discogs:https://www.discogs.com/release/11789272 [Info]
bestellen:https://www.jbhifi.com.au/products/cd-various-just-the-hits-80s-4cd [Info] (beendet)