Five Classic Albums Plus Bonus Singles

~ Veröffentlichung von Shirley Bassey (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD: Born to Sing the Blues / The Bewitching Shirley Bassey / The Fabulous Shirley Bassey
Nr.TitelBewertungLänge
1Born to Sing the Blues
2:52
2Beale Street Blues
cover recording of:
Beale Street Blues
Texter und Komponist(in):
William Christopher Handy
publisher:
Handy Bros. Music
3:06
3Wabash Blues
cover recording of:
Wabash Blues
Texter:
Dave Ringle
Komponist(in):
Fred Meinken
publisher:
Leo Feist, Inc. (am 1921-09-16)
2:32
4Basin Street Blues
cover recording of:
Basin Street Blues
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
2:40
5The Birth of the Blues
cover recording of:
Birth of the Blues
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
4:08
6Careless Love Blues
cover recording of:
Careless Love
Verfasser(in):
[traditional] (special purpose artist), William Christopher Handy, Martha Koenig und Spencer Williams (US jazz composer, pianist & singer)
Version von:
Careless Love
2:39
7Blues in the Night (My Mama Done Told Me)
cover recording of:
Blues in the Night (My Mama Done Tol’ Me)
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
3:59
8St Louis Blues
cover recording of:
St. Louis Blues
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:34
9Burn My Candle
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Wally Stott & His Orchestra & Chorus
recording of:
Burn My Candle
Verfasser(in):
Ross Parker
3:27
10Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
2:58
11Crazy Rhythm
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Wally Stott & His Orchestra & Chorus
cover recording of:
Crazy Rhythm
Texter:
Irving Caesar
Komponist(in):
Roger Wolfe Kahn und Joseph Meyer (US songwriter)
2:30
12The Wall
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Jimmy Carroll & His Orchestra (Orchester Jimmy Carroll)
recording of:
The Wall
Verfasser(in):
Ora Mae Diamond, Dave Dreyer und Cliff Owens
2:27
13The Banana Boat Song
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Wally Stott & His Orchestra & Chorus
cover recording of:
The Banana Boat Song (The Tarriers version, also sung by Shirley Bassey)
Verfasser(in):
Alan Arkin, Bob Carey (The Tarriers) und Erik Darling
Komponist(in):
[traditional] (special purpose artist)
Version von:
Day‐O (The Banana Boat Song) (original folk song)
2:48
14The Gypsy in My Soul
2:53
15Love for Sale
3:54
16From This Moment On
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Wally Stott & His Orchestra & Chorus
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
Texter und Komponist(in):
Cole Porter (composer) (in 1950)
Teil von:
Kiss Me, Kate (musical)
1:45
17Kiss Me Honey Honey Kiss Me
vocals:
Shirley Bassey (Welsh singer) (in 1958)
Orchester:
Wally Stott & His Orchestra & Chorus (in 1958)
recording of:
Kiss Me, Honey Honey, Kiss Me (in 1958)
Verfasser(in):
Michael Julien (British songwriter) und Albon Timothy (jazz and calypso musician and songwriter)
2:27
18You, You Romeo
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Wally Stott & His Orchestra & Chorus
recording of:
You, You Romeo
Verfasser(in):
Fred Elton
2:44
19My Funny Valentine
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Wally Stott & His Orchestra & Chorus
cover recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
3:14
20How About You
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Wally Stott & His Orchestra & Chorus
recording of:
How About You?
Texter:
Ralph Freed
Komponist(in):
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
cover recording of:
How About You?
Texter:
Ralph Freed
Komponist(in):
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
2:24
21Fire Down Below
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Wally Stott & His Orchestra & Chorus
cover recording of:
Fire Down Below
Verfasser(in):
Lee Lester (in 1957-08) und Ned Washington (in 1957-08)
2:49
22As I Love You
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Wally Stott & His Orchestra & Chorus
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1958)
recording of:
As I Love You (1958 song from the film "The Big Beat")
Verfasser(in):
Ray Evans (American songwriter) und Jay Livingston
publisher:
Larry Shayne Enterprises und Warner Chappell Music, Inc.
32:54
23A Foggy Day in London Town
cover recording of:
A Foggy Day (in London Town)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
3:11
24I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
43:32
2▼CD: The Fabulous Shirley Bassey / Shirley
Nr.TitelBewertungLänge
1Cry Me a River
recording of:
Cry Me a River
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
cover recording of:
Cry Me a River
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
43:29
2April in Paris
cover recording of:
April in Paris
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:56
3I’ve Never Been in Love Before
cover recording of:
I’ve Never Been in Love Before
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
3:41
4The Man That Got Away
cover recording of:
The Man That Got Away (A Star Is Born)
Texter:
Ira Gershwin (in 1953)
Komponist(in):
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 2)
44:04
5S’ Wonderful
cover recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:16
6I’ll Remember April
cover recording of:
I’ll Remember April
Texter:
Patricia Johnston und Don Raye
Komponist(in):
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
4:09
7Easy to Love
recording of:
Easy to Love (in 1959)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
3:05
8No One Ever Tells You
recording of:
No One Ever Tells You
Verfasser(in):
Hub Atwood und Carroll Coates
2:55
9They Can’t Take That Away From Me
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
3:12
10The Party’s Over
Produzent(in):
Norman Newell
vocals:
Shirley Bassey (Welsh singer)
conductor:
Geoff Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
cover recording of:
The Party’s Over (Bells Are Ringing)
Texter:
Betty Comden und Adolph Green
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Bells Are Ringing (stage musical)
3:30
11In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
3:24
12Let There Be Love
recording of:
Let There Be Love
Texter:
Ian Grant (lyricist)
Komponist(in):
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
3:15
13All at Once
3:33
14For Every Man There’s a Woman
3:54
15I’m in the Mood for Love
Produzent(in):
Norman Newell
Orchester:
Geoff Love and His Orchestra
cover recording of:
I’m in the Mood for Love
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
3:24
16So in Love
Produzent(in):
Norman Newell
Orchester:
Geoff Love and His Orchestra
cover recording of:
So in Love (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
3:05
17If I Were a Bell
2:55
18There Will Never Be Another You
Produzent(in):
Norman Newell
vocals:
Shirley Bassey (Welsh singer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
4:24
19Hooray for Love
3:13
20Too Late Now
3:41
21I’m Shooting Now
2:22
22Ev’ry Time We Say Goodbye
Produzent(in):
Norman Newell
Orchester:
Geoff Love and His Orchestra
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:16
3▼CD: Shirley Bassey / Showboat
Nr.TitelBewertungLänge
1Love Is a Many Splendored Thing
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Love Is a Many‐Splendored Thing
Texter:
Paul Francis Webster
Komponist(in):
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1955 winner)
2:56
2The Nearness of You
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
The Nearness of You
Texter:
Ned Washington (in 1938)
Komponist(in):
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
4:23
3Fools Rush In
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Fools Rush In (Where Angels Fear to Tread)
Texter:
Johnny Mercer
Verfasser(in):
Johnny Mercer
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
2:55
4Who Are We
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Who Are We?
Verfasser(in):
Jerry Livingston (songwriter) und Paul Francis Webster
4:16
5Angel Eyes
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Angel Eyes (1946 jazz standard)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) und Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:07
6Till
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
conductor:
Geoff Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Till
Texter:
Pierre Buisson
Komponist(in):
Charles Danvers
Übersetzer:
Carl Sigman
übersetzte Version von:
Prière sans espoir
cover recording of:
Till
Texter:
Pierre Buisson
Komponist(in):
Charles Danvers
Übersetzer:
Carl Sigman
übersetzte Version von:
Prière sans espoir
4:02
7A Lonely Way to Spend an Evening
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
A Lovely Way to Spend an Evening
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Chappell Music (UK), Memory Lane Music Ltd. und Victoria Music Publishing Co. Ltd.
3:24
8This Love of Mine
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Rita Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
This Love of Mine
Texter:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Komponist(in):
Sol Parker (songwriter) und Henry Sanicola
publisher:
Embassy Music Corporation und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:09
9You’re Nearer
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
You’re Nearer
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
2:42
10Goodbye Love - Hello Friend
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Goodbye Lover, Hello Friend
Texter:
Norman Newell
Komponist(in):
Michael Carr (songwriter)
3:55
11Where or When
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Where or When (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
3:28
12Where Are You
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Rita Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Where Are You?
Texter:
Harold Adamson
Verfasser(in):
Harold Adamson und Jimmy McHugh (songwriter)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, Harold Adamson Music und Leo Feist, Inc.
3:19
13Climb Ev’ry Mountain
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
conductor:
Geoff Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Climb Ev’ry Mountain (The Sound of Music)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., The Rodgers & Hammerstein Organization und Williamson Music Company
Teil von:
MJ: The Musical
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
3:10
14Can’t Help Lovin’ Dat Man
recording of:
Can’t Help Lovin’ Dat Man (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
Medley von:
Selections from "Show boat"
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:19
15Bill
3:23
4▼CD: At the Cafe de Paris, London / Singles
Nr.TitelBewertungLänge
1Born to Sing the Blues
0:58
2Somebody Loves Me
3:14
3My Body’s More Important Than My Mind
3:40
4Sex
3:47
5I’ve Got You Under My Skin
vocals:
Shirley Bassey (Welsh singer)
recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
4:25
6Stormy Weather
cover recording of:
Stormy Weather
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
3:17
7The Wayward Wind
2:56
8After the Lights Go Down
3:03
9If You Don’t Love Me
2:26
10Tra La La
2:00
11If I Had a Needle and Thread
2:20
12Tonight My Heart Is Crying
2:21
13Puh-Leeze! Mister Brown
2:18
14Take My Love, Take My Love
2:22
15There’s Never Been a Night
2:11
16Hands Across the Sea
2:18
17If You Love Me (Really Love Me)
cover recording of:
If You Love Me (Really Love Me)
Texter:
Édith Piaf
Komponist(in):
Marguerite Monnot
Übersetzer:
Geoffrey Parsons (lyricist)
publisher:
Editions Edimarton, Pompidou Music und Raoul Breton Editions
übersetzte Version von:
Hymne à l’amour
3:06
18Count on Me
2:28
19With These Hands
Produzent(in):
Norman Newell
vocals:
Shirley Bassey (Welsh singer)
conductor:
Alyn Ainsworth
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
recording of:
With These Hands
Texter und Komponist(in):
Benny Davis (US vaudeville performer and songwriter) und Abner Silver
publisher:
Tro-Cromwell Music, Inc.
Teil von:
Edward Scissorhands (1990)
3:17
20As Long as He Needs Me
cover recording of:
As Long as He Needs Me (Oliver!)
Texter und Komponist(in):
Lionel Bart
publisher:
Lakeview Music Publishing Company Ltd. und TRO-Hollis, Inc.
Teil von:
Oliver! (Lionel Bart musical)
3:00
21So in Love
Produzent(in):
Norman Newell
Orchester:
Geoff Love and His Orchestra
cover recording of:
So in Love (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
3:03
22You’ll Never Know
Produzent(in):
Norman Newell
Hintergrundgesang:
The Rita Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love and His Orchestra
conductor:
Geoff Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
You’ll Never Know
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (beendet), EMI Blackwood Music Inc. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1943 winner)
3:06
23Hold Me Tight
Hintergrundgesang:
The Rita Williams Singers
vocals:
Shirley Bassey (Welsh singer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
2:07
24Reach for the Stars
Produzent(in):
Norman Newell
Hintergrundgesang:
The Rita Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love and His Orchestra
conductor:
Geoff Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Reach for the Stars (in 1961-09)
Texter:
David West
Komponist(in):
Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
publisher:
Schaeffers‐Kassner Music Ltd.
übersetzte Version von:
Woher ich auch komm', wohin ich auch geh'
2:57
25I’ll Get By
Produzent(in):
Norman Newell
Orchester:
Geoff Love and His Orchestra
recording of:
I’ll Get by (as Long as I Have You)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
2:50

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Veröffentlichung

ASIN:UK: B0089PWT20 [Info]