Burnin’ (deluxe edition)

~ Veröffentlichung von The Wailers (alle Versionen dieser Veröffentlichung ansehen, 29 vorhanden)

Anmerkung

Matrix / Runout (CD 1): 982 333 8 00 PTA
Matrix / Runout (CD 2): 982 333 9 00 PTA
Mastering SID Code (CD 1 / CD 2): IFPI L389
Mould SID Code (CD 1): IFPI 02B4
Mould SID Code (CD 2): IFPI 02F6
Other: Cinram Logo
Other: Universal Logo

Anmerkung zuletzt geändert am 2017-05-01 11:18 UTC.

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Get Up, Stand Up
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
Bass:
Aston “Family Man” Barrett (in 1973-04)
Gitarre und Sologesang:
Bob Marley (Jamaican reggae artist) (in 1973-04) und Peter Tosh (in 1973-04)
Keyboard:
Earl “Wya” Lindo (in 1973-04)
Perkussion:
Alvin “Seeco” Patterson (in 1973-04) und Bunny Wailer (in 1973-04)
Schlagzeug:
Carlton “Carly” Barrett (in 1973-04)
Tenor-Gesang [harmony vocals]:
Peter Tosh (in 1973-04) und Bunny Wailer (in 1973-04)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973, von 1973 bis 1983)
aufgenommen bei:
Harry J’s Recording Studio in Kingston (Kingston Parish), Jamaika (in 1973-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 260) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 296)
recording of:
Get Up, Stand Up (in 1973-04)
Verfasser(in):
Bob Marley (Jamaican reggae artist) und Peter Tosh
publisher:
Because Éditions, Campbell Connelly France, Cayman Music, Odnil Music, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) und Stuck On Music (in 1974)
3.853:17
2Hallelujah Time
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
recording of:
Hallelujah Time
Komponist(in):
Neville Livingston
33:28
3I Shot the Sheriff
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 443)
recording of:
I Shot the Sheriff
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3.754:39
4Burnin’ and Lootin’
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
recording of:
Burnin’ and Lootin’
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
3.354:13
5Put It On
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
Bass:
Aston “Family Man” Barrett (in 1973-04)
Gitarre:
Bob Marley (Jamaican reggae artist) (in 1973-04) und Peter Tosh (in 1973-04)
Keyboard:
Earl “Wya” Lindo (in 1973-04)
Perkussion:
Alvin “Seeco” Patterson (in 1973-04) und Bunny Wailer (in 1973-04)
Schlagzeug:
Carlton “Carly” Barrett (in 1973-04)
Sologesang:
Bob Marley (Jamaican reggae artist) (in 1973-04)
Tenor-Gesang [harmony vocals]:
Peter Tosh (in 1973-04) und Bunny Wailer (in 1973-04)
aufgenommen bei:
Harry J’s Recording Studio in Kingston (Kingston Parish), Jamaika (in 1973-04)
recording of:
Put It On (in 1973-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
Verfasser(in):
Mr C.S. Dodd und R.Marley
publisher:
Bronjo Music
33:58
6Small Axe
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
aufgenommen bei:
Harry J’s Recording Studio in Kingston (Kingston Parish), Jamaika (in 1973-04)
recording of:
Small Axe (in 1973-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road
3.73:59
7Pass It On
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
recording of:
Pass It On
Komponist(in):
Bob Marley (Jamaican reggae artist)
33:33
8Duppy Conqueror
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
Bass:
Aston “Family Man” Barrett (in 1973-04)
Gitarre:
Bob Marley (Jamaican reggae artist) (in 1973-04) und Peter Tosh (in 1973-04)
Keyboard:
Earl “Wya” Lindo (in 1973-04)
Perkussion:
Alvin “Seeco” Patterson (in 1973-04) und Bunny Wailer (in 1973-04)
Schlagzeug:
Carlton “Carly” Barrett (in 1973-04)
Sologesang:
Bob Marley (Jamaican reggae artist) (in 1973-04)
Tenor-Gesang [harmony vocals]:
Peter Tosh (in 1973-04) und Bunny Wailer (in 1973-04)
Herausgeber:
Trojan Records
aufgenommen bei:
Harry J’s Recording Studio in Kingston (Kingston Parish), Jamaika (in 1973-04)
recording of:
Duppy Conqueror (in 1973-04)
Verfasser(in):
Bob Marley (Jamaican reggae artist) und Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music, Cayman Music Inc und Rondor Music (London) Ltd.
3.353:44
9One Foundation
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
recording of:
One Foundation
Komponist(in):
Peter Tosh
2.53:42
10Rasta Man Chant
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
recording of:
Rasta Man Chant (in 1973-04)
Komponist(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
33:45
11Reincarnated Souls
recording engineer:
Sylvan Morris
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
recording of:
Reincarnated Souls
Komponist(in):
Neville Livingston
3:43
12No Sympathy
recording engineer:
Sylvan Morris
Produzent(in):
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
Bass:
Aston “Family Man” Barrett (in 1973-04)
Gitarre und Sologesang:
Peter Tosh (in 1973-04)
Keyboard:
Earl “Wya” Lindo (in 1973-04) und Peter Tosh (in 1973-04)
Perkussion:
Alvin “Seeco” Patterson (in 1973-04) und Bunny Wailer (in 1973-04)
Schlagzeug:
Carlton “Carly” Barrett (in 1973-04)
Tenor-Gesang [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1973-04) und Bunny Wailer (in 1973-04)
aufgenommen bei:
Harry J’s Recording Studio in Kingston (Kingston Parish), Jamaika (in 1973-04)
recording of:
No Sympathy (in 1973-04)
Texter und Komponist(in):
Peter Tosh
publisher:
Jamrec Music und Rondor Music (London) Ltd.
13:08
13The Oppressed Song
recording engineer:
Sylvan Morris
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
recording of:
The Oppressed Song
Komponist(in):
Neville Livingston
13:14
14Get Up, Stand Up (alternate take)
recording of:
Get Up, Stand Up
Verfasser(in):
Bob Marley (Jamaican reggae artist) und Peter Tosh
publisher:
Because Éditions, Campbell Connelly France, Cayman Music, Odnil Music, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) und Stuck On Music (in 1974)
33:41
15Get Up, Stand Up (single version)
recording of:
Get Up, Stand Up (in 1973-07)
Verfasser(in):
Bob Marley (Jamaican reggae artist) und Peter Tosh
publisher:
Because Éditions, Campbell Connelly France, Cayman Music, Odnil Music, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) und Stuck On Music (in 1974)
13:10
2▼CD
Nr.TitelBewertungLänge
1Duppy Conqueror (live at Leeds 1973)
aufgenommen bei:
Leeds Polytechnic in Leeds, Leeds, West Yorkshire, England, Vereinigtes Königreich (am 1973-11-23)
live recording of:
Duppy Conqueror (am 1973-11-23)
Verfasser(in):
Bob Marley (Jamaican reggae artist) und Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music, Cayman Music Inc und Rondor Music (London) Ltd.
26:02
2Slave Driver (live at Leeds 1973)
aufgenommen bei:
Leeds Polytechnic in Leeds, Leeds, West Yorkshire, England, Vereinigtes Königreich (am 1973-11-23)
Bearbeitung von:
Slave Driver (live, 1973-11-23: Leeds Polytechnic, Leeds, UK; includes intro to next song) von The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
live recording of:
Slave Driver (am 1973-11-23)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
14:59
3Burnin’ and Lootin’ (live at Leeds 1973)
aufgenommen bei:
Leeds Polytechnic in Leeds, Leeds, West Yorkshire, England, Vereinigtes Königreich (am 1973-11-23)
live recording of:
Burnin’ and Lootin’ (am 1973-11-23)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
38:29
4Can’t Blame the Youth (live at Leeds 1973)
aufgenommen bei:
Leeds Polytechnic in Leeds, Leeds, West Yorkshire, England, Vereinigtes Königreich (am 1973-11-23)
live recording of:
Can’t Blame the Youth (am 1973-11-23)
Texter:
Peter Tosh
15:08
5Stop That Train (live at Leeds 1973)
aufgenommen bei:
Leeds Polytechnic in Leeds, Leeds, West Yorkshire, England, Vereinigtes Königreich (am 1973-11-23)
live recording of:
Stop That Train (am 1973-11-23)
Texter, Verfasser(in) und Komponist(in):
Peter Tosh
publisher:
Axum Zion Music Limited, B & C Music Publishing Ltd., Blue Mountain Music Ltd, Iron Zion Music Limited, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
13:56
6Midnight Ravers (live at Leeds 1973)
aufgenommen bei:
Leeds Polytechnic in Leeds, Leeds, West Yorkshire, England, Vereinigtes Königreich (am 1973-11-23)
live recording of:
Midnight Ravers (am 1973-11-23)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
16:28
7No More Trouble (live at Leeds 1973)
aufgenommen bei:
Leeds Polytechnic in Leeds, Leeds, West Yorkshire, England, Vereinigtes Königreich (am 1973-11-23)
live recording of:
No More Trouble (am 1973-11-23)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
16:59
8Kinky Reggae (live at Leeds 1973)
aufgenommen bei:
Leeds Polytechnic in Leeds, Leeds, West Yorkshire, England, Vereinigtes Königreich (am 1973-11-23)
live recording of:
Kinky Reggae (am 1973-11-23)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
15:56
9Get Up, Stand Up (live at Leeds 1973)
aufgenommen bei:
Leeds Polytechnic in Leeds, Leeds, West Yorkshire, England, Vereinigtes Königreich (am 1973-11-23)
live recording of:
Get Up, Stand Up (am 1973-11-23)
Verfasser(in):
Bob Marley (Jamaican reggae artist) und Peter Tosh
publisher:
Because Éditions, Campbell Connelly France, Cayman Music, Odnil Music, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) und Stuck On Music (in 1974)
36:15
10Stir It Up (live at Leeds 1973)
aufgenommen bei:
Leeds Polytechnic in Leeds, Leeds, West Yorkshire, England, Vereinigtes Königreich (am 1973-11-23)
live recording of:
Stir It Up (am 1973-11-23)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Cayman Music, Odnil Music, PolyGram, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972) und Odnil Music Ltd. (in 1972)
17:25
11Put It On (live at Leeds 1973)
aufgenommen bei:
Leeds Polytechnic in Leeds, Leeds, West Yorkshire, England, Vereinigtes Königreich (am 1973-11-23)
live recording of:
Put It On (am 1973-11-23)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
Verfasser(in):
Mr C.S. Dodd und R.Marley
publisher:
Bronjo Music
24:28
12Lively Up Yourself (live at Leeds 1973)
aufgenommen bei:
Leeds Polytechnic in Leeds, Leeds, West Yorkshire, England, Vereinigtes Königreich (am 1973-11-23)
live recording of:
Lively Up Yourself (am 1973-11-23)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Odnil Music Ltd. (vom 1974 bis heute), Blue Mountain Music (in 1974) und Fifty Six Hope Road Music Limited (in 1974)
113:35