Puccini Gold

~ Veröffentlichung von Giacomo Puccini (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

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1▼CD: CD 1
Nr.TitelBewertungLänge
1Turandot: Act III. "Nessun dorma" (Calaf)
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25) und Wandsworth School Boys’ Choir (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
53:06
2Tosca: Act II. "Vissi d'arte" (Tosca)
Produzent(in):
Eric Smith (classical music producer)
Soprangesang [Tosca]:
Montserrat Caballé (soprano) (in 1976-07)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (in 1976-07)
conductor:
Sir Colin Davis (English conductor) (in 1976-07)
Tonmeister(in):
Hans Lauterslager
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1976)
aufgenommen bei:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1976-07)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1976-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
3:43
3Manon Lescaut: Act I. "Donna non vidi mai" (Des Grieux)
Tenor-Gesang [Des Grieux]:
Carlo Bergonzi (tenor) (in 1957)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1957)
conductor:
Gianandrea Gavazzeni (conductor) (in 1957)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1957)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1893)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto I
2:38
4Madama Butterfly: Act II. "Un bel dì" (Butterfly)
recording engineer:
Jack Law (engineer) (am 1974-01-31), James Lock (James Locke, engineer) (am 1974-01-31) und Gordon Parry (engineer) (am 1974-01-31)
assistierende(r) Produzent(in):
Michael Woolcock (producer)
Produzent(in):
Christopher Raeburn (producer)
Soprangesang [Butterfly]:
Mirella Freni (soprano) (am 1974-01-31)
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker) (am 1974-01-31)
conductor:
Herbert von Karajan (conductor) (am 1974-01-31)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (am 1974-01-31)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (am 1974-01-31)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
4:39
5Gianni Schicchi: "O mio babbino caro" (Lauretta)
Produzent(in):
Michael Haas (classical music producer)
Soprangesang [Lauretta]:
Renée Fleming (soprano) (in 1999-07)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1999-07)
conductor:
Charles Mackerras (Australian conductor) (in 1999-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2000)
aufgenommen bei:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1999-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1999-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
4.52:55
6Tosca: Act I. "Recondita armonia" (Cavaradossi)
Produzent(in):
Eric Smith (classical music producer)
Baritongesang [Il Sagrestano]:
Domenico Trimarchi (bass-baritone) (in 1976-07)
Tenor-Gesang [Cavaradossi]:
José Carreras (Spanish tenor) (in 1976-07)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (in 1976-07)
conductor:
Sir Colin Davis (English conductor) (in 1976-07)
Tonmeister(in):
Hans Lauterslager
aufgenommen bei:
Watford Town Hall (municipal building, ordinarily should not be used as a concert or recording venue; please refer to Watford Colosseum instead) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1976-07)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1976-07)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto I (Tosca: Act 1)
3:48
7Madama Butterfly: Act I. Duettino "Vogliatemi bene" (Butterfly, Pinkerton)
recorded in:
Roma (Rom), Roma, Lazio, Italien (in 1958-07)
Chorgesang:
Coro dell’Accademia di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
Soprangesang [Butterfly]:
Renata Tebaldi (soprano) (in 1958-07)
Tenor-Gesang [Pinkerton]:
Carlo Bergonzi (tenor) (in 1958-07)
Orchester:
Orchestra dell’Accademia di Santa Cecilia, Roma (Orchestra of the National Academy of Santa Cecilia) (in 1958-07)
conductor:
Tullio Serafin (conductor) (in 1958-07)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1958) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1958)
aufgenommen bei:
Accademia nazionale di Santa Cecilia in Roma (Rom), Roma, Lazio, Italien (in 1958-07)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1958-07)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
8:04
8Madama Butterfly: Act II. Chorus "Coro a bocca chiusa" (Butterfly, Dolore, Suzuki)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) und Gordon Parry (engineer) (in 1974-01)
assistierende(r) Produzent(in):
Michael Woolcock (producer) (in 1974-01)
Produzent(in):
Christopher Raeburn (producer) (in 1974-01)
Chorgesang:
Chor der Wiener Staatsoper (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
3:05
9Gianni Schicchi: "Firenze è come un albero fiorito" (Rinuccio)
Tenor-Gesang [Rinuccio]:
Roberto Alagna (tenor) (in 1991)
Orchester:
Orchestra del Maggio Musicale Fiorentino (in 1991)
conductor:
Bruno Bartoletti (conductor) (in 1991)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
Teatro Verdi in Firenze (Florence), Firenze, Toscana (Tuscany), Italien (in 1991)
recording of:
Gianni Schicchi: Aria “Firenze è come un albero fiorito” (Rinuccio) (in 1991)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
Teil von:
Gianni Schicchi
2:35
10Manon Lescaut: Act I. "Ma se vi talenta... tra voi, belle" (Des Grieux)
Tenor-Gesang und Tenor-Gesang [Des Grieux]:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer)
recording of:
Manon Lescaut: Atto I. “Tra voi, belle, brune e bionde” (Des Grieux, Edmondo, coro)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto I
2:07
11La bohème: Act IV. Duettino "In un coupe?... O Mimì, tu più non torni" (Marcello, Rodolfo)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
recording of:
La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
4:48
12Tosca: Act III. "E lucevan le stelle" (Cavaradossi)
Produzent(in):
Wolfgang Stengel
Tenor-Gesang [Cavaradossi]:
Plácido Domingo (tenor) (in 1990-05)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05)
Tonmeister(in):
Klaus Hiemann (engineer/producer) (in 1990-05)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1992)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1990-05)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1990-05)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
4:39
13La rondine: Act I. Aria "Chi il bel sogno di Doretta" (Magda)
Soprangesang und Soprangesang [Magda]:
Renée Fleming (soprano)
Orchester:
English Chamber Orchestra
conductor:
Jeffrey Tate (conductor)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami
Teil von:
La rondine: Atto I
3:43
14Suor Angelica: "Senza mamma" (Suor Angelica)
Soprangesang [Suor Angelica]:
Joan Sutherland (soprano) (in 1978-11)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1978-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1978-11)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-11)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica) (in 1978-11)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Suor Angelica
4:53
15La bohème: Act I. Duettino "O soave fanciulla" (Mimi, Rodolfo)
Soprangesang [Mimì]:
Anna Netrebko (soprano) (in 2006-08)
Tenor-Gesang [Rodolfo]:
Rolando Villazón (tenor) (in 2006-08)
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-08)
conductor:
Nicola Luisotti (conductor) (in 2006-08)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2007)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (in 2006-08)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 2006-08)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:08
2▼CD: CD 2
Nr.TitelBewertungLänge
1La bohème: Act I. "Che gelida manina" (Rodolfo)
Techniker(in):
Oldřich Slezák (engineer) und Ivan Zbíral
Produzent(in):
Christopher Alder (editor/engineer/producer)
Tenor-Gesang:
Jonas Kaufmann (tenor) (von 2007-08-05 bis 2007-08-15)
Orchester:
Prague Philharmonic Orchestra (von 2007-08-05 bis 2007-08-15)
conductor:
Marco Armiliato (conductor) (von 2007-08-05 bis 2007-08-15)
Tonmeister(in):
Philip Siney (sound engineer)
aufgenommen bei:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Tschechien (von 2007-08-05 bis 2007-08-15)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (von 2007-08-05 bis 2007-08-15)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
5:10
2La bohème: Act I. "Sì, mi chiamano Mimì" (Mimi, Rodolfo, Schaunard, Colline, Marcello)
Baritongesang:
Roberto de Candia (baritone) und Simon Keenlyside (baritone)
Bass-Gesang:
Ildebrando d’Arcangelo (operatic bass)
Soprangesang:
Angela Gheorghiu (Romanian soprano)
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Chailly (conductor)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
5:44
3La fanciulla del West: Act III. Chorus "Ch'ella mì creda libero" (Johnson, Runce)
Baritongesang:
Sherrill Milnes (baritone)
Chorgesang:
Chorus of the Royal Opera House, Covent Garden
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Zubin Mehta (conductor)
chorus master:
Robin Stapleton (conductor)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1910)
Librettist:
Guelfo Civinini (Italian librettist) und Carlo Zangarini
Teil von:
La fanciulla del West: Atto III
2:57
4Madama Butterfly: Act II. "Or vienmi ad adornar" (Butterfly, Suzuki)
Soprangesang:
Mirella Freni (soprano)
Orchester:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto II. “Or vienmi ad adornar” (Butterfly, Suzuki)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
5:50
5La bohème: Act II. "Quando me n’vò" (Musetta)
Soprangesang:
Anna Netrebko (soprano) (in 2003-03)
Orchester:
Wiener Philharmoniker (in 2003-03)
conductor:
Gianandrea Noseda (conductor) (in 2003-03)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (in 2003-03)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
2:42
6Manon Lescaut: Intermezzo
recording engineer:
James Lock (James Locke, engineer) (in 1982-09)
Produzent(in):
James Mallinson (producer)
Orchester:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1982-09)
conductor:
Riccardo Chailly (conductor) (in 1982-09)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1982-09)
recording of:
Manon Lescaut: Atto III. Intermezzo (Intermezzo between Acts II and III) (in 1982-09)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut
5:26
7Manon Lescaut: Act II. "In quelle trine morbide" (Manon)
Techniker(in):
Simon Eadon (classical music engineer) und James Lock (James Locke, engineer)
Produzent(in):
Chris Hazell und Christopher Raeburn (producer)
Soprangesang:
Kiri Te Kanawa (soprano) (von 1987-05 bis 1987-06)
Orchester:
Orchestra del Teatro Comunale di Bologna (von 1987-05 bis 1987-06)
conductor:
Riccardo Chailly (conductor) (von 1987-05 bis 1987-06)
aufgenommen bei:
Chiesa di San Giorgio Poggiale (Palazzo in Bologna) (von 1987-05 bis 1987-06)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon) (von 1987-05 bis 1987-06)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
2:19
8Madama Butterfly: Act III. "Addio, fiorito asil" (Pinkerton)
Tenor-Gesang:
Andrea Bocelli (tenor)
Orchester:
Orchestra del Maggio Musicale Fiorentino
conductor:
Gianandrea Noseda (conductor)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
1:55
9Turandot: Act I. "Signore, ascolta!" (Liù)
Soprangesang [Liù]:
Montserrat Caballé (soprano) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
2:48
10Turandot: Act I. "Non piangere" (Liù)
Tenor-Gesang:
Giuseppe Di Stefano (tenor)
Orchester:
Orchestra of the Academy of St Cecilia, Rome (Orchestra of the National Academy of Santa Cecilia)
conductor:
Franco Patanè (conductor)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
2:51
11Manon Lescaut: Act III. "Ah! Non v'avvicinate!... No! Pazzo son!" (Des Grieux, Comandante)
Baritongesang:
Neil Howlett (English operatic baritone)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Manon Lescaut: Atto III. “Ah, non v’avvicinate!” … “Come io piango ed imploro” (Des Grieux, Comandante, Manon)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto III
3:28
12Crisantemi
Orchester:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Riccardo Chailly (conductor)
recording of:
I Crisantemi, SC 65 (for string orchestra)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1890)
Orchestrierung von:
Crisantemi (for string quartet)
7:15
13Madama Butterfly: Act I. "Dovunque al mondo" (Pinkerton, Sharpless)
Baritongesang [Sharpless]:
Robert Kerns (baritone)
Tenor-Gesang [Pinkerton]:
Luciano Pavarotti (tenor)
Orchester:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
3:33
14Turandot: Act III. "Tu che di gel sei cinta" (Liù)
Chorgesang:
The John Alldis Choir
Soprangesang [Liù]:
Montserrat Caballé (soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Zubin Mehta (conductor)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
2:31
15Turandot: Act III. "Nessun dorma" (Calaf)
Tenor-Gesang:
José Carreras (Spanish tenor), Plácido Domingo (tenor) und Luciano Pavarotti (tenor)
Orchester:
Orchestra del Maggio Musicale Fiorentino und Orchestra del Teatro dell’Opera di Roma
conductor:
Zubin Mehta (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
3:08