Down the Line: Rarities

~ Veröffentlichung von Buddy Holly (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1My Two-Timin’ Woman
recorded in:
Lubbock, Texas, Vereinigte Staaten (in 1949)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1949)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1949)
cover recording of:
My Two Timin’ Woman (in 1949)
Texter und Komponist(in):
Hank Snow
publisher:
Unichappell Music, Inc.
Buddy Holly2:15
2Footprints in the Snow
recorded in:
Lubbock, Texas, Vereinigte Staaten (in 1953)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1953) und Bob Montgomery (USA) (in 1953)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1953) und Bob Montgomery (USA) (in 1953)
cover recording of:
Footprints in the Snow (in 1953)
Komponist(in):
Rupert Jones (“The Father of Bluegrass”)
basiert auf:
I Traced Her Little Footmarks in the Snow
Buddy and Bob1:20
3Flower of My Heart
recorded in:
Wichita Falls, Texas, Vereinigte Staaten (von 1954 bis 1955)
Bass:
Larry Welborn (von 1954 bis 1955)
Fiddle:
Sonny Curtis (von 1954 bis 1955)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1954 bis 1955) und Bob Montgomery (USA) (von 1954 bis 1955)
Steel-Gitarre:
Don Guess (best known for his association with Buddy Holly) (von 1954 bis 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1954 bis 1955) und Bob Montgomery (USA) (von 1954 bis 1955)
recording of:
Flower of My Heart (von 1954 bis 1955)
Verfasser(in):
Don Guess (best known for his association with Buddy Holly) und Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy and Bob42:36
4Door to My Heart
recorded in:
Wichita Falls, Texas, Vereinigte Staaten (von 1954 bis 1955)
Bass:
Larry Welborn (von 1954 bis 1955)
Fiddle:
Sonny Curtis (von 1954 bis 1955)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1954 bis 1955) und Bob Montgomery (USA) (von 1954 bis 1955)
Steel-Gitarre:
Don Guess (best known for his association with Buddy Holly) (von 1954 bis 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1954 bis 1955) und Bob Montgomery (USA) (von 1954 bis 1955)
recording of:
Door to My Heart (von 1954 bis 1955)
Verfasser(in):
Bob Montgomery (USA)
publisher:
Wren Music Co.
Buddy and Bob32:23
5Soft Place in My Heart
recorded in:
Wichita Falls, Texas, Vereinigte Staaten (von 1954 bis 1955)
Bass:
Don Guess (best known for his association with Buddy Holly) (von 1954 bis 1955)
Fiddle:
Sonny Curtis (von 1954 bis 1955)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1954 bis 1955) und Bob Montgomery (USA) (von 1954 bis 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1954 bis 1955) und Bob Montgomery (USA) (von 1954 bis 1955)
recording of:
Soft Place in My Heart (von 1954 bis 1955)
Texter und Komponist(in):
Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy and Bob42:16
6Gotta Get You Near Me Blues
recorded in:
Wichita Falls, Texas, Vereinigte Staaten (von 1954 bis 1955)
Bass:
Don Guess (best known for his association with Buddy Holly) (von 1954 bis 1955)
Fiddle:
Sonny Curtis (von 1954 bis 1955)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1954 bis 1955) und Bob Montgomery (USA) (von 1954 bis 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1954 bis 1955) und Bob Montgomery (USA) (von 1954 bis 1955)
recording of:
Gotta Get You Near Me Blues (von 1954 bis 1955)
Verfasser(in):
Bob Montgomery (USA)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Buddy and Bob31:53
7I Gambled My Heart
recorded in:
Wichita Falls, Texas, Vereinigte Staaten (von 1954 bis 1955)
Bass:
Don Guess (best known for his association with Buddy Holly) (von 1954 bis 1955)
Fiddle:
Sonny Curtis (von 1954 bis 1955)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1954 bis 1955) und Bob Montgomery (USA) (von 1954 bis 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1954 bis 1955) und Bob Montgomery (USA) (von 1954 bis 1955)
recording of:
I Gambled My Heart (von 1954 bis 1955)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy and Bob42:43
8You and I Are Through
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1963-10 bis 1964-12)
Produzent(in):
Norman Petty
Bass:
Larry Welborn (am 1955-06-07)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1955-06-07), Bob Montgomery (USA) (am 1955-06-07), Keith McCormack (von 1963-10 bis 1964-12) und George Tomsco (von 1963-10 bis 1964-12)
Schlagzeug:
Jerry Allison (am 1955-06-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1955-06-07) und Bob Montgomery (USA) (am 1955-06-07)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
You and I Are Through (von 1955-06-07 bis 1964-12)
Texter und Komponist(in):
Bob Montgomery (USA)
publisher:
Peermusic Ltd. (BMI)
Buddy Holly2:05
9Down the Line
recording of:
Down the Line
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter), Bob Montgomery (USA) und Norman Petty
publisher:
Wren Music Co.
Buddy and Bob32:03
10Baby, Let’s Play House
recorded in:
Wichita Falls, Texas, Vereinigte Staaten (in 1955)
Bass:
Larry Welborn (in 1955)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1955)
Schlagzeug:
Jerry Allison (in 1955)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1955)
cover recording of:
Baby Let’s Play House (in 1955)
Texter und Komponist(in):
Arthur Gunter
publisher:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. und LPGV Music (BMI)
Buddy Holly2:28
11Moonlight Baby
recording of:
Baby, Won't You Come Out Tonight
Texter und Komponist(in):
Don Guess (best known for his association with Buddy Holly)
publisher:
Universal Cedarwood Publishing
Buddy Holly1:58
12I Guess I Was Just a Fool
recording of:
I Guess I Was Just a Fool
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Peermusic Ltd. (BMI)
Buddy Holly2:19
13Don’t Come Back Knockin’
recorded in:
Wichita Falls, Texas, Vereinigte Staaten (am 1955-12-07)
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1955-12-07)
Gitarre:
Sonny Curtis (am 1955-12-07) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1955-12-07)
Schlagzeug:
Jerry Allison (am 1955-12-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1955-12-07)
recording of:
Don’t Come Back Knockin’ (am 1955-12-07)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Sue Parrish
publisher:
BMG Platinum Songs US, Palace Music, Unichappell Music, Inc. und Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
Buddy Holly2:00
14Love Me
The Crickets1:53
15Gone
cover recording of:
Gone
Texter und Komponist(in):
Smokey Rogers
Buddy Holly41:12
16Gone (alternate take)
cover recording of:
Gone
Texter und Komponist(in):
Smokey Rogers
Buddy Holly1:16
17Have You Ever Been Lonely (alternate take)
recorded in:
Lubbock, Texas, Vereinigte Staaten (von 1956-11 bis 1956-12)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-11 bis 1956-12)
Schlagzeug:
Jerry Allison (von 1956-11 bis 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-11 bis 1956-12)
teilweise cover recording of:
Have You Ever Been Lonely? (von 1956-11 bis 1956-12)
Texter:
George Brown (aka Billy Hill) (US songwriter)
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
Buddy Holly0:53
18Have You Ever Been Lonely
cover recording of:
Have You Ever Been Lonely?
Texter:
George Brown (aka Billy Hill) (US songwriter)
Komponist(in):
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
Buddy Holly1:18
19Brown-Eyed Handsome Man
cover recording of:
Brown Eyed Handsome Man
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly2:08
20Good Rockin’ TonightBuddy Holly1:57
21Rip It Up
recorded in:
Clovis, New Mexico, Vereinigte Staaten und Lubbock, Texas, Vereinigte Staaten (von 1956-11 bis 1956-12)
Produzent(in):
Norman Petty
Bass:
Stan Lark
Gitarre:
Keith McCormack, George Tomsco und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-11 bis 1956-12)
Klavier:
Vi Petty
Schlagzeug:
Doug Roberts (drummer) und Jerry Allison (von 1956-11 bis 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-11 bis 1956-12)
zusätzlich vocals:
Jerry Allison (von 1956-11 bis 1956-12)
cover recording of:
Rip It Up (vom 1956-11 bis ????)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
Buddy Holly1:25
22Blue Monday
cover recording of:
Blue Monday
Verfasser(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
Chappell Music (UK) und Chappell Music Ltd.
Buddy Holly1:57
23Honky Tonk
recorded in:
Clovis, New Mexico, Vereinigte Staaten und Lubbock, Texas, Vereinigte Staaten (von 1956-11 bis 1956-12)
Produzent(in):
Norman Petty
Bass:
Stan Lark
Gitarre:
Keith McCormack, George Tomsco und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-11 bis 1956-12)
Klavier:
Vi Petty
Schlagzeug:
Doug Roberts (drummer) und Jerry Allison (von 1956-11 bis 1956-12)
cover recording of:
Honky Tonk (jazz instrumental) (vom 1956-11 bis ????)
Komponist(in):
Billy Butler (jazz guitarist), Bill Doggett, Clifford Scott und Berisford “Shep” Shepherd
Buddy Holly3:26
24Blue Suede Shoes
recorded in:
Lubbock, Texas, Vereinigte Staaten (von 1956-11 bis 1956-12)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-11 bis 1956-12)
Schlagzeug:
Jerry Allison (von 1956-11 bis 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-11 bis 1956-12)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1964) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Blue Suede Shoes (von 1956-11 bis 1956-12)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Buddy Holly41:53
25Shake Rattle and Roll (partial)Buddy Holly1:21
26Bo Diddley
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1956-12 bis 1957-01)
Produzent(in):
Norman Petty
Bass:
Larry Welborn (von 1956-12 bis 1957-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
Schlagzeug:
Jerry Allison (von 1956-12 bis 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
cover recording of:
Bo Diddley (von 1956-12 bis 1957-01)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
Buddy Holly2:20
27Ain’t Got No Home
recorded in:
Lubbock, Texas, Vereinigte Staaten (von 1956-11 bis 1956-12)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-11 bis 1956-12)
Schlagzeug:
Jerry Allison (von 1956-11 bis 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-11 bis 1956-12)
cover recording of:
Ain’t Got No Home (von 1956-11 bis 1956-12)
Texter und Komponist(in):
Clarence “Frogman” Henry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Buddy Holly42:01
28Holly Hop
recording of:
Holly Hop
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications, Inc. (ASCAP, not to get confused with Sir Paul McCartney’s company or the company that goes by the name MPL Communications)
Buddy Holly1:36
2▼CD
Nr.TitelBewertungLänge
1Last Night (undubbed)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-03-01)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-03-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-03-01)
Schlagzeug:
Jerry Allison (am 1957-03-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-03-01)
recording of:
Last Night (am 1957-03-01)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) und Norman Petty
publisher:
Wren Music Co.
1:56
2Not Fade Away (partial alternate overdub)
recording of:
Not Fade Away
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
2:23
3Peggy Sue (alternate take)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
recording of:
Peggy Sue (am 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
2:33
4Oh Boy! (undubbed)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
recording of:
Oh, Boy! (am 1957-07-01)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
2:09
5That’s My Desire (two false starts plus undubbed master)
cover recording of:
That’s My Desire
Texter:
Carroll Loveday
Komponist(in):
Helmy Kresa
publisher:
Mills Music, Inc.
4:11
6Take Your Time (false start & partially undubbed take)
recording of:
Take Your Time
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3:32
7Fool’s Paradise (alternate take undubbed)2:30
8Fool’s Paradise (undubbed master)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1958-02-13)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-02-13)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-13)
Orgel:
Norman Petty (am 1958-02-13)
Perkussion [cardboard box]:
Jerry Allison (am 1958-02-13)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-13)
recording of:
Fool’s Paradise (am 1958-02-13)
Verfasser(in):
Sonny LeGlaire, Horace Linsley (songwriter) und Norman Petty
publisher:
McCartney Music, Inc. und Southern Music Publ. Co. Ltd.
2:32
9Fool’s Paradise (alternate #2, undubbed)2:33
10Think It Over (false start & rehearsal take, take 1)
recording of:
Think It Over
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
2:13
11Think It Over (undubbed alternate, take 2)
recording of:
Think It Over
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
1:51
12Think It Over (undubbed master, take 3)
recording of:
Think It Over
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
1:51
13Love’s Made a Fool of You (undubbed)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1958-06-02)
Produzent(in):
Norman Petty
Bass:
George Atwood (am 1958-06-02)
Gitarre:
Tommy Allsup (am 1958-06-02) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-06-02)
Schlagzeug:
Bo Clarke (am 1958-06-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-06-02)
recording of:
Love’s Made a Fool of You (am 1958-06-02)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Bob Montgomery (USA)
publisher:
Southern Music Ltd. (publisher) (in 1981)
2:04
14That’ll Be the Day (greetings to Bob Thiele)
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1957-06-29 bis 1957-06-30)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-06-29 bis 1957-06-30)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-06-30) und Niki Sullivan (von 1957-06-29 bis 1957-06-30)
Schlagzeug:
Jerry Allison (von 1957-06-29 bis 1957-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-06-30)
teilweise recording of:
That’ll Be the Day (von 1957-06-29 bis 1957-06-30)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
0:35
15That’ll Be the Day (greetings to Murray Deutsch)
recording of:
That’ll Be the Day
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
0:32
16That’s What They Say (with fragment)
recording of:
That’s What They Say
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
1:52
17What to Do
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-03)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-03)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-03)
recording of:
What to Do (am 1958-12-03)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
1:54
18Peggy Sue Got Married
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-05)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-05)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-05)
recording of:
Peggy Sue Got Married (am 1958-12-05)
Komponist(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
1:50
19That Makes It Tough
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-08)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-08)
recording of:
That Makes It Tough (am 1958-12-08)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
2:17
20Crying, Waiting, Hoping
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-14)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-14)
recording of:
Crying, Waiting, Hoping (am 1958-12-14)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Peermusic (UK) Limited und Southern Music Pub. Co. Ltd.
1:52
21Learning the Game
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-17)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-17)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-17)
recording of:
Learning the Game (am 1958-12-17)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Southern Music Pub. Co. Ltd.
1:34
22Wait Till the Sun Shines Nellie
recorded in:
New York, New York, Vereinigte Staaten (von 1959-01-01 bis 1959-01-20)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
cover recording of:
Wait ’till the Sun Shines, Nellie (von 1959-01-01 bis 1959-01-20)
Texter:
Andrew B. Sterling (American lyricist)
Komponist(in):
Harry Von Tilzer
1:14
23Slippin’ and Slidin’ (slow version #1)
recorded in:
New York, New York, Vereinigte Staaten (von 1959-01-01 bis 1959-01-20)
E-Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
cover recording of:
Slippin’ and Slidin’ (von 1959-01-01 bis 1959-01-20)
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
3:11
24Slippin’ and Slidin’ (slow version #2)
recorded in:
New York, New York, Vereinigte Staaten (von 1959-01-01 bis 1959-01-20)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
cover recording of:
Slippin’ and Slidin’ (von 1959-01-01 bis 1959-01-20)
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
3:35
25Slippin’ and Slidin’ (fast version)
recorded in:
New York, New York, Vereinigte Staaten (von 1959-01-01 bis 1959-01-20)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
cover recording of:
Slippin’ and Slidin’ (von 1959-01-01 bis 1959-01-20)
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
1:27
26[Buddy & Maria Elena Talking in Apartment]
3:28
27Dearest (fragment)
recording of:
Dearest
Verfasser(in):
Mickey Baker, Ellas McDaniel (American singer, guitarist, songwriter and music producer) und Prentice Polk
publisher:
Ben-Ghazi Enterprises, Inc. (BMI) und Twenty Nine Black Music (BMI)
1:13
28Dearest
recorded in:
New York, New York, Vereinigte Staaten (von 1959-01-01 bis 1959-01-20)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
cover recording of:
Dearest (von 1959-01-01 bis 1959-01-20)
Verfasser(in):
Mickey Baker, Ellas McDaniel (American singer, guitarist, songwriter and music producer) und Prentice Polk
publisher:
Ben-Ghazi Enterprises, Inc. (BMI) und Twenty Nine Black Music (BMI)
1:53
29[untitled instrumental]
recorded in:
New York, New York, Vereinigte Staaten (von 1959-01-01 bis 1959-01-20)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
1:20
30Love Is Strange
cover recording of:
Love Is Strange
Texter:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) und Sylvia Robinson
Verfasser(in):
Ethel Smith
Komponist(in):
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. und Ben Ghazi Music, Inc. (publisher) (in 1956)
1:43
31Smokey Joe’s Café
recorded in:
New York, New York, Vereinigte Staaten (von 1959-01-01 bis 1959-01-20)
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1959-01-01 bis 1959-01-20)
cover recording of:
Smokey Joe’s Cafe (von 1959-01-01 bis 1959-01-20)
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Sony/ATV Songs LLC
2:14

Nennungen