Summer of Love: The Spirit of Flower Power, Set II

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Unsure if this is a standalone release or part of a 2-set box release (with "Set I"). In any case, these discs were reissued in 2002.

Annotazione modificata l'ultima volta il 2025-06-18 23:57 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1San Francisco (Be Sure to Wear Some Flowers in Your Hair)
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:55
2I Can Hear Music
tecnico:
Stephen W. Desper
produttore:
Carl Wilson (Beach Boys)
voce principale:
Carl Wilson (Beach Boys)
registrazione cover di:
I Can Hear Music
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO MUSIC INC (A) 301 (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Beach Boys3.32:36
3Daydream
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) e Kama Sutra (nel 1966)
registrazione di:
Daydream (nel 1966-02)
paroliere e compositore:
John B. Sebastian
editore:
Robbins Music Corp. Ltd.
The Lovin’ Spoonful3.752:19
4In the Year 2525
produttore:
Zager & Evans
registrazione di:
In the Year 2525 (Exordium and Terminus) (nel 1968)
paroliere e compositore:
Rick Evans (US singer, songwriter and guitarist)
editore:
ATV Music, Chelsea Music Publishing, Zelad Music e Zerlad Music Enterprises Ltd.
Zager & Evans43:15
5Time of the Season
tecnico:
Geoff Emerick (British recording engineer) e Peter Vince (engineer, producer)
produttore:
Rod Argent e Chris White (UK bassist for The Zombies)
batteria :
Hugh Grundy (nel 1967-08)
chitarra :
Paul Atkinson (nel 1967-08)
chitarra basso :
Chris White (UK bassist for The Zombies) (nel 1967-08)
mellotron, organo e pianoforte :
Rod Argent (nel 1967-08)
voce:
Colin Blunstone (nel 1967-08)
voce di accompagnamento:
Rod Argent (nel 1967-08) e Chris White (UK bassist for The Zombies) (nel 1967-08)
diritti fonografici (℗) detenuti da:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1968)
registrata presso:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1967-08)
lavorazione tecnica effettuata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 349)
registrazione di:
Time of the Season (nel 1967-08)
paroliere e compositore:
Rod Argent
editore:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. e Mainstay Music, Inc. (nel 1968)
The Zombies4.53:31
6House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.24:29
7Universal Soldier
produttore:
Peter Eden (British record producer, jazz/rock), Terry Kennedy e Geoff Stephens
arpa e chitarra acustica :
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1964)
voce:
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1964)
registrazione cover di:
The Universal Soldier (nel 1964)
paroliere e compositore:
Buffy Sainte‐Marie
editore:
Peermusic (UK) Limited
Donovan4.52:12
8Lover Lover Lover
assistente tecnico:
Leanne Ungar
tecnico:
Frank Laico e Rick Rowe
produttore:
Leonard Cohen (Canadian singer‐songwriter and poet) e John Lissauer
tecnico di missaggio:
Rick Rowe
voce principale:
Leonard Cohen (Canadian singer‐songwriter and poet)
arrangiatore:
John Lissauer
mixata presso:
Sound Ideas in New York, New York, Stati Uniti
registrazione di:
Lover Lover Lover (nel 1974)
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Sony/ATV Songs LLC e Stranger Music Inc.
registrazione di:
Lover, Lover, Lover (french lyrics)
paroliere e compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
traduttore:
Graeme Allwright
versione tradotta di:
Lover Lover Lover
Leonard Cohen43:18
9Samba pa ti
tecnico:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) e John Fiore (engineer)
produttore:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) e Carlos Santana
batteria :
Michael Shrieve (drummer) (il 1970-07-19)
chitarra :
Carlos Santana (il 1970-07-19)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1970-07-19)
congas e percussione :
Michael Carabello (percussionist) (il 1970-07-19)
congas, percussione e timbales :
José “Chepito” Áreas (il 1970-07-19)
percussione :
Rico Reyes (il 1970-07-19)
tabla :
Steven Saphore (il 1970-07-19)
tastiera :
Gregg Rolie (keyboardist and vocalist) (il 1970-07-19)
arrangiatore:
Gregg Rolie (keyboardist and vocalist) e Carlos Santana
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (il 1970-07-19)
registrazione di:
Samba pa ti (il 1970-07-19)
compositore:
Carlos Santana
editore:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) e Universal Music Careers
Santana3.754:32
10Nights in White Satin
produttore:
Tony Clark (engineer, Abbey Road)
produttore esecutivo:
Hugh Mendl
diritti fonografici (℗) detenuti da:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (nel 1967)
registrazione di:
Nights in White Satin (nel 1967)
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4.44:25
11Jessica
registrazione di:
Jessica
compositore:
Dickey Betts
editore:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music, Inc.
The Allman Brothers Band37:05
12Turn! Turn! Turn! (To Everything There Is a Season)
produttore:
Terry Melcher
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 95)
registrazione cover di:
Turn! Turn! Turn! (To Everything There Is a Season)
paroliere:
[traditional] (special purpose artist)
compositore:
Pete Seeger (nel 1959)
editore:
Melody Trails e TRO Essex Music Ltd.
The Byrds4.853:42
13I Shall Be Released
tecnico:
Don Hahn (engineer) e Tony May (engineer)
produttore:
The Band (Canadian-American rock band) e John Simon (US producer, arranger, composer, songwriter and musician)
basso :
Rick Danko (nel 1968-02)
batteria :
Levon Helm (nel 1968-02)
chitarra :
Robbie Robertson (nel 1968-02)
organo :
Garth Hudson (nel 1968-02)
pianoforte :
Richard Manuel (nel 1968-02)
voce:
Rick Danko (nel 1968-02), Levon Helm (nel 1968-02) e Richard Manuel (nel 1968-02)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968, nel 2005)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1968-02)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 67)
registrazione di:
I Shall Be Released (original lyrics) (nel 1968-02)
paroliere e compositore:
Bob Dylan (nel 1967)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Dwarf Music (dal 1967 a oggi)
The Band3.53:12
14I Will Return
registrazione di:
I Will Return (nel 1971)
paroliere e compositore:
Phil Cordell
Springwater43:00
15All Kinds of Everything
parte di:
Ireland in the Eurovision Song Contest (Irlanda all'Eurovision Song Contest) (numero: 1970) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1970)
registrazione di:
All Kinds of Everything (1970 eurovision song)
autore:
Derry Lindsay (Songwriter) e Jackie Smith (Songwriter)
Dana23:02
16The Fish Cheer & I‐Feel‐Like‐I’m Fixin’‐to‐Die Rag
Country Joe and the Fish3:45
17Ticket to Paradise
The Savage Rose14:01
18Ruby Tuesday
voce:
Melanie (US singer‐songwriter Melanie Safka) (nel 1970)
registrazione cover di:
Ruby Tuesday (nel 1970)
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie44:35
2▼CD
#TitoloArtistaValutazioneDurata
1California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:40
2It Never Rains in Southern California
registrazione di:
It Never Rains in Southern California (nel 1972)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc. (conclusa), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI April Music Inc.
Albert Hammond3.83:52
3American Pie, Part 1
tecnico:
Tom Flye
banjo e chitarra acustica :
Don McLean (il 1971-05-26)
basso :
Bob Rothstein (il 1971-05-26)
batteria e percussione :
Roy Markowitz (il 1971-05-26)
chitarra elettrica :
David Spinozza (il 1971-05-26)
marimba e vibrafono :
Mike Mainieri (il 1971-05-26)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1971-05-26)
pianoforte elettrico :
Ray Colcord (il 1971-05-26)
cori:
West 44th Street Rhythm and Noise Choir (il 1971-05-26)
voce:
Bob Rothstein (il 1971-05-26) e Don McLean (il 1971-05-26)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1971) e United Artists Records (for bootlegs and counterfeit) (nel 1971)
registrazione parziale di:
American Pie (il 1971-05-26)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:06
4Atlantis
produttore:
Mickie Most (English record producer)
basso :
Bobby Ray (60s/70s US folk artist/bassist) (nel 1968-11)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (nel 1968-11)
chitarra acustica :
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1968-11)
chitarra elettrica :
Ricki (nel 1968-11)
tastiera :
Gabriel Mekler (nel 1968-11)
voce:
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1968-11)
voce di accompagnamento:
Donovan's fans ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (nel 1968-11)
arrangiatore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1968)
registrata presso:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, Stati Uniti (nel 1968-11)
registrazione di:
Atlantis (Donovan song) (nel 1968-11)
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan (Music) Ltd., Peer International Corporation (BMI), Peer Musikverlag, peermusic (“Peermusic—the global independent”) e Peer Southern Music (publisher, affiliated to BMI in the US) (nel 1968)
Donovan3.755:00
5Time in a Bottle
produttore:
Terry Cashman e Tommy West
voce:
Jim Croce (il 1971-10-11)
diritti fonografici (℗) detenuti da:
R2M Music (BMI) (nel 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (nel 1973), Lastrada Entertainment Co., Ltd. (nel 1973) e LeFrak-Moelis Records (nel 1973)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1971-10-11)
registrazione di:
Time in a Bottle (il 1971-10-11)
paroliere e compositore:
Jim Croce
editore:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.52:25
6If I Were a Carpenter
tecnico:
Doc Siegel e Val Valentin (incarico: director of engineering)
produttore:
Charles Koppelman (American businessman and musician) e Don Rubin
arrangiatore:
Donald Peake
registrazione di:
If I Were a Carpenter (nel 1967)
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Faithful Virtue Music
registrazione dal vivo di:
If I Were a Carpenter
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Faithful Virtue Music
Tim Hardin12:41
7Here’s to You
cori:
I cantori moderni di Alessandroni
voce:
I cantori moderni di Alessandroni e Joan Baez (US folk singer)
direttore d'orchestra:
Ennio Morricone (Italian classical and score composer)
arrangiatore:
Ennio Morricone (Italian classical and score composer)
diritti fonografici (℗) detenuti da:
Universal Music Publishing Ricordi srl
raccolta di:
Here's to You: Introduction (organ intro) di Ennio Morricone (Italian classical and score composer) e Here's to You (sans organ intro) di Ennio Morricone (Italian classical and score composer) & Joan Baez (US folk singer)
registrazione di:
Here’s to You (Here’s to you, Nicola and Bart…)
paroliere:
Joan Baez (US folk singer)
compositore:
Ennio Morricone (Italian classical and score composer)
editore:
Universal Music Publishing France (not for release label use!) e Universal Music Publishing Ricordi srl
Joan Baez4.53:08
8Spirit in the Sky
produttore:
Erik Jacobsen
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1969), Seven Arts Records, Inc. (not a label) (nel 1969), Transtone Productions (nel 1970) e Craft Recordings (US jazz label; reissue division of Concord) (nel 2023)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 5), Billboard Year-End Hot 100 singles of 1970 (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 333)
registrazione di:
Spirit in the Sky (nel 1969)
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Norman Greenbaum4.053:52
9From the Underworld
esecutore:
Peter Frampton
registrazione di:
From the Underworld
paroliere e compositore:
Alan Blaikley
The Herd43:16
10Light My Fire
produttore:
Rick Jarrard
arrangiatore archi :
George Tipton (American composer, musical arranger and conductor, born 1932)
registrazione cover di:
Light My Fire (il 1968-01-06)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:33
11Put Your Hand in the Hand
registrazione cover di:
Put Your Hand in the Hand
paroliere e compositore:
Gene MacLellan
editore:
Ardmore and Beechwood Ltd., Beechwood Music Canada e EMI Blackwood Music Inc.
Ocean32:53
12If You Could Read My Mind
registrazione cover di:
If You Could Read My Mind
paroliere e compositore:
Gordon Lightfoot
editore:
ATV Kirshner (publisher) (conclusa), Early Morning Music (conclusa), Laetrec Music (conclusa), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
The Spotnicks33:16
13Hair
registrazione dal vivo di:
Hair (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
parte di:
Hair (1967 musical)
The Cowsills33:26
14Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:28
15With a Little Help From My Friends
produttore:
Denny Cordell
tecnico di missaggio:
Tony Visconti
batteria :
Barrie James Wilson
chitarra :
Jimmy Page
chitarra basso :
Chris Stainton (keyboard player, session musician and songwriter)
organo :
Tommy Eyre
voce di accompagnamento:
Madeline Bell, Rosetta Hightower e Sunny Weetman
diritti fonografici (℗) detenuti da:
Straight Ahead Productions Ltd. (nel 1968)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 86)
registrazione cover di:
With a Little Help From My Friends
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, nel 1967), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP) (dal 1967 a oggi)
Joe Cocker3.85:03
16Eve of Destruction
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965)
registrazione di:
Eve of Destruction (nel 1965)
paroliere e compositore:
P.F. Sloan
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:34
17A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:02
18Where Have All the Flowers Gone
registrazione di:
Where Have All the Flowers Gone
paroliere e compositore:
Pete Seeger (nel 1955-10)
paroliere aggiunto:
Joe Hickerson (nel 1960-05)
editore:
Sanga Music, Inc. e The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (nel 1961)
Pete Seeger31:55