Car Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Happy
Assistent recording engineer:
Matthew Desrameaux
recording engineer:
Mike Larson (recording engineer)
Produzent(in):
Pharrell Williams
Mix:
Leslie Brathwaite
Editing:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Mike Larson (recording engineer)
Hintergrundgesang:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray und Terrence Rolle
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Mike Larson (recording engineer)
aufgenommen bei:
Circle House Studios in North Miami, Florida, Vereinigte Staaten
mixed at:
Music Box Studios (Atlanta) in Atlanta, Georgia, Vereinigte Staaten
Musikvideos:
Happy von Pharrell Williams und Happy (from Despicable Me 2) (ballroom version) von Pharrell Williams
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 1), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 20) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 88)
recording of:
Happy
Texter und Komponist(in):
Pharrell Williams
publisher:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. und Universal Pictures Music
Teil von:
The 86th Academy Award for Best Original Song (Nummer: 2)
Pharrell Williams4.33:53
2Sexyback
recording engineer:
Jimmy Douglass (engineer)
Produzent(in):
Nate (Danja) Hills (US producer Nate Hills), Timbaland und Justin Timberlake
Mix:
Jimmy Douglass (engineer) und Timbaland
Bass:
Darryl “Day” Pearson
Gitarre:
Bill Pettaway (R&B songwriter, musician, producer)
Keyboard und Schlagzeug:
Danja (US producer Nate Hills) und Timbaland
vocals:
Timbaland und Justin Timberlake
Interpret(in):
Timbaland
phonographisches Urheberrecht (℗) von:
Zomba Recording LLC (in 2006)
aufgenommen bei und mixed at:
Thomas Crown Studio in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
SexyBack
Texter und Komponist(in):
Floyd Hills (US producer Nate Hills), Justin Timberlake und Timothy Mosley
publisher:
Danjahandz Music, Tennman Tunes, Virginia Beach Music, W.B.M. Music Corp., WB Music Corp. (1929–2019) und Zomba Enterprises, Inc.
Justin Timberlake feat. Timbaland3.54:03
3So What
recording engineer:
Max Martin (Swedish record producer) (in 2008)
assistierende(r) Techniker(in):
Tim Roberts (engineer)
Techniker(in):
John Hanes (audio engineer, mixer)
Produzent(in):
Max Martin (Swedish record producer)
Mix:
Serban Ghenea
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2008)
aufgenommen bei:
House of Blues Studios in Encino, California (Kalifornien), Vereinigte Staaten (in 2008) und Maratone Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 2008)
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
So What (clean) von P!nk (American singer/songwriter)
recording of:
So What (in 2008)
Verfasser(in):
Alecia Moore (American singer/songwriter), Johan Schuster und Max Martin (Swedish record producer)
publisher:
EMI Blackwood Music Inc., Kobalt Music, Maratone AB und P!nk Inside Publishing
P!nk43:35
4Closer
recording engineer, Produzent(in) und Mix:
DJ Swivel (Canadian producer Jordan Young)
Gast vocals:
Halsey (US singer/songwriter Ashley Frangipane)
vocals:
Andrew Taggart
phonographisches Urheberrecht (℗) von:
Disruptor Records
Teil von:
Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 4), Billboard Year-End Hot 100 singles of 2017 (Nummer: 7), Billboard Year-End Hot 100 singles of 2016 (Nummer: 10), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 14), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2017) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 214)
recording of:
Closer (The Chainsmokers)
Verfasser(in):
Shaun Frank, Halsey (US singer/songwriter Ashley Frangipane), Freddy Kennett, Joe King (guitarist and vocalist in The Fray), Isaac Slade und Andrew Taggart
publisher:
17 Black Music, Aaron Edwards Publishing, EMI April Music Inc., Nice Hair Publishing, Regicide Entertainment Inc., Songs of Universal, Inc. (BMI), Sony/ATV Allegro, Sony/ATV Music Publishing Allegro (UK) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Chainsmokers feat. Halsey3.854:06
5Fight Song
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 20) und Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 26)
recording of:
Fight Song
Verfasser(in):
Dave Bassett (songwriter & producer) und Rachel Platten
Rachel Platten3.93:23
6All About That Bass
recording engineer, Techniker(in), Produzent(in), Mix und sound effects:
Kevin Kadish
drum machine [drum]-Programmierung:
Kevin Kadish
baritone saxophone [bari sax], Hammond-Orgel [Hammond B3] und Klavier:
David Baron (electronic musician and producer)
Bass und E-Gitarre:
Kevin Kadish
Händeklatschen und Perkussion:
Meghan Trainor (American singer)
vocals:
Meghan Trainor (American singer)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2014, in 2015, in 2025)
aufgenommen bei, mixed at und engineered at:
The Carriage House in Nolensville, Tennessee, Vereinigte Staaten
Musikvideos:
All About That Bass (music video) von Meghan Trainor (American singer)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 8), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 11), Billboard Year-End Hot 100 singles of 2015 (Nummer: 28) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 74)
recording of:
All About That Bass
Verfasser(in):
Kevin Kadish und Meghan Trainor (American singer)
publisher:
Endurance Alpha, MTrain Music, Over‐Thought Under‐Appreciated Songs, Sony/ATV Allegro, Year of the Dog Music, エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division) und 大洋音楽 (Taiyō Music)
Meghan Trainor3.13:09
7What Makes You Beautiful
Produzent(in):
Carl Falk (Swedish guitarist and songwriter) und Rami Yacoub (Swedish record producer and songwriter)
assistierende(r) Mix:
Phil Seaford
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer) (Aufgabe: mix engineer)
Interpret(in):
Niall Horan, Liam Payne, Harry Styles, Louis Tomlinson und ZAYN (British singer)
phonographisches Urheberrecht (℗) von:
Simco Limited (not for release label use, for copyright/licensor use only) (in 2011) und Simco Limited (not for release label use, for copyright/licensor use only) (in 2012)
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
What Makes You Beautiful von One Direction (English‐Irish pop boy band)
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 10) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 86)
recording of:
What Makes You Beautiful
Verfasser(in):
Carl Falk (Swedish guitarist and songwriter), Savan Kotecha und Rami Yacoub (Swedish record producer and songwriter)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI April Music Inc., Mr. Kanani Songs und Rami Productions AB
One Direction3.153:19
8Black Magic
Programmierung:
Edvard Førre Erfjord, Henrik Michelsen und Matt Rad
Techniker(in):
Chris Bishop (breakbeat, alias of Chris Bishop) und Electric (producer duo)
assistierende(r) Produzent(in):
Sam Ellison
Produzent(in):
Electric (producer duo) und Maegan Cottone
zusätzliche(r) Produzent(in):
Matt Rad
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer)
Instrumente:
Edvard Førre Erfjord, Henrik Michelsen und Matt Rad
Hintergrundgesang:
Camille Purcell (British singer-songwriter and record producer)
vocals:
JADE (UK vocalist, member of Little Mix), Leigh‐Anne, Jesy Nelson und Perrie (English singer‐songwriter)
Interpret(in):
Little Mix (British girl group)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2021) und Warner Music UK Limited (not for release label use!) (in 2021)
recording of:
Black Magic
Verfasser(in):
Camille Purcell (British singer-songwriter and record producer), Ed Drewett, Edvard Førre Erfjord und Henrik Michelsen
publisher:
San Remo Music Limited, Sony/ATV Music Publishing (UK) Ltd. und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Little Mix3:32
9Wake Me Up Before You Go-Go
assistierende(r) Techniker(in):
Paul Gomersau
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Keyboard:
Tommy Eyre
Saxophon:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
Musikvideos:
Wake Me Up Before You Go von Wham! (British pop-duo)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 28) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 269)
recording of:
Wake Me Up Before You Go‐Go
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:52
10You Can Call Me Al
assistierende(r) Techniker(in):
Mark Cobrin
Techniker(in):
Roy Halee
Produzent(in):
Paul Simon (of Simon & Garfunkel)
baritone saxophone und bass saxophone:
Ronald E. Cuber
Bassgitarre:
Baghiti Khumalo
E-Bass [six-string electric bass] und Hintergrundgesang:
Paul Simon (of Simon & Garfunkel)
Gitarre:
Chikapa “Ray” Phiri
Gitarrensynthesizer:
Adrian Belew
Perkussion:
Ralph MacDonald
Posaune:
Kim Allan Cissel und David W. Bargeron (US trombonist & tubist)
Schlagzeug:
Isaac Mtshali
Solo-tin whistle [pennywhistle]:
Morris Goldberg (saxophonist and flutist)
Synthesizer:
Rob Mounsey
Trompete:
Alan Rubin, John Faddis, Lewis Michael Soloff und Ronald E. Brecker
vocals:
Paul Simon (of Simon & Garfunkel)
Horn arranger:
Rob Mounsey
zusätzlich arranger:
Chikapa “Ray” Phiri
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (von 1985-05 bis 1986-04)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (in 1986)
recording of:
You Can Call Me Al
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music (in 1986)
Paul Simon4.34:36
11Girls Just Want to Have Fun
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Bass:
Eric Bazilian
E-Gitarre:
Rick DiFonzo
elektronisches Schlagzeug / E-Drums:
Anton Fig
Keyboard [keyboards] und Synthesizer [synthesizers]:
Rob Hyman
Hintergrundgesang:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson (vocals)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Girls Just Want to Have Fun von Cyndi Lauper
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 63)
recording of:
Girls Just Want to Have Fun
Texter und Komponist(in):
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:50
12Bootylicious
recording engineer:
Dan Workman (Sologesang [vocals])
Produzent(in):
Beyoncé Knowles, Rob Fusari und Falonte Moore
assistierende(r) Mix:
Flip Osman
Mix:
Tony Maserati (engineer / mixer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment, Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2000, in 2001)
produced for:
Lonte Music (Falonte Moore), Music World Productions, Inc. und White Chocolate Productions
Samples:
Edge of Seventeen von Stevie Nicks
Musikvideos:
Bootylicious von Destiny’s Child
recording of:
Bootylicious
Verfasser(in):
Beyoncé Knowles, Rob Fusari, Falonte Moore und Stevie Nicks
basiert auf:
Edge of Seventeen
Destiny’s Child3.43:29
13It Ain't Me
phonographisches Urheberrecht (℗) von:
Kygo (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) (in 2017)
Musikvideos:
It Ain’t Me (music video) von Kygo (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) feat. Selena Gomez
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 27)
recording of:
It Ain’t Me
Verfasser(in):
Andrew Wotman (producer, guitarist, singer, Earthlings, California Breed), Selena Gomez, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※), Brian Lee (Korean American songwriter) und Ali Tamposi (American songwriter and backing vocalist)
Kygo & Selena Gomez2.93:40
14... Baby One More Time
recording engineer, Produzent(in) und Mix:
Max Martin (Swedish record producer) und Rami (Swedish record producer and songwriter)
Bassgitarre:
Tomas Lindberg (Swedish bass player)
Gitarre:
Johan Carlberg
Hintergrundgesang:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) und Britney Spears
Sologesang:
Britney Spears
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998) und Zomba Recording LLC (in 1999)
gemixt für und produced for:
Cheiron Productions
aufgenommen bei und mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
…Baby One More Time von Britney Spears, …Baby One More Time (official music video) von Britney Spears, …Baby One More Time (Angle 1) von Britney Spears und …Baby One More Time (Angle 2) von Britney Spears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 205) und BILLIONS CLUB
recording of:
…Baby One More Time
Texter und Komponist(in):
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Freaky Friday (2003)
Britney Spears3.83:32
15My Way
Sound-Engineering:
Mike Marsh (mastering engineer)
Produzent(in) und Mix:
Calvin Harris (Scottish DJ and producer)
arranger:
Calvin Harris (Scottish DJ and producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
recording of:
My Way
Texter, Komponist(in) und arranger:
Calvin Harris (Scottish DJ and producer)
publisher:
TSJ Merlyn Licensing B.V.
Calvin Harris3.63:40
16Timber
Programmierung und Produzent(in):
Cirkut und Dr. Luke
Techniker(in):
Al Burna (Recording and mixing engineer), Rachael Findlen (engineer), Alana Da Fonseca, Clint Gibbs und Ryan Gladieux
Mix:
John Hanes (audio engineer, mixer)
Instrumente:
Cirkut und Dr. Luke
Mundharmonika:
Paul Harrington (harmonica, blues)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2013)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 11) und Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 42)
recording of:
Timber
Verfasser(in):
Armando C. Perez (American rapper), Steve Arrington, Breyan Stanley Isaac, Charles Carter (American saxophonist, composer, and producer), Greg Errico, Łukasz Gottwald, Waung Hankerson, Henry Walter, Kesha Sebert (Kesha, American singer fka Ke$ha), Keri Oskar, Lee Oskar, Roger Parker (US R&B drummer), Priscilla “Priscilla Renea” Hamilton, Jamie Sanderson (UK songwriter) und Pebe Sebert (American singer-songwriter, mother of Ke$ha)
publisher:
Abuela y Tía Songs, Artist 101 Publishing Group, Artist Publishing Group West, BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint), Dynamite Cop Music, Far Out Music, Far Out Music, Inc., Ikke-Bad Music, Ikke-Bad Music, Inc., Kasz Money Publishing (ASCAP affiliated), Keep It Simple Stupid Publishing, Kesce Rose Music, Oneirology Publishing, Prescription Songs, Radio Active Material Publishing Co., Songs of Lastrada (BMI-affiliated), Sony/ATV Songs LLC, Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) und Where da Kasz At
Pitbull feat. Ke$ha3.73:25
17Shut Up and Dance
Assistent recording engineer:
Andrew "Muffman" Luftman
recording engineer:
Kuk Harrell (Sologesang, Hintergrundgesang), Jarett Holmes, Tim Pagnotta und Marcos Tovar (engineer) (Sologesang, Hintergrundgesang)
Programmierung:
Jarett Holmes, Eli Maiman und Nick Petricca
assistierende(r) Techniker(in):
Blake Mares (engineer) und Robert Cohen (engineer)
Koproduzent(in):
Ben Berger und Ryan McMahon (Canadian singer-songwriter)
Produzent(in):
Ben Berger (Aufgabe: vocal production), Ryan McMahon (Canadian singer-songwriter) (Aufgabe: vocal production) und Tim Pagnotta
assistierende(r) Mix:
Scott Skrzynski
Mix:
Neal Avron (American engineer)
Editing:
Allen Casillas, Ryan Gillmore, Jarett Holmes und Brian Phillips
Bass:
Kevin Ray (bass)
E-Gitarre:
Eli Maiman
Keyboard und Sologesang:
Nick Petricca
Perkussion:
Nick Petricca und Sean Waugaman
Hintergrundgesang:
Eli Maiman, Kevin Ray (bass) und Sean Waugaman
Schlagzeug-Techniker:
Mauro Rubbi
aufgenommen bei:
Rancho Pagzilla in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Casita in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 6), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 21), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 434) und Indie 88: Top 500 Indie Rock Songs (Nummer: 491)
recording of:
Shut Up and Dance
Verfasser(in):
Ben Berger, Eli Maiman, Ryan McMahon (LA-based producer and songwriter), Nicholas Petricca, Kevin Ray (Walk the Moon) und Sean Waugaman
publisher:
Anna Sun Music, Benjamin Berger Publishing, Ryan McMahon Publishing, Sony/ATV Allegro, Treat Me Better Tina, Verb to Be Music, WB Music Corp. (1929–2019), What a Raucous und What a Raucous Music
WALK THE MOON4.23:19
18Hips Don't Lie
Gast vocals und Gast-Interpret(in):
Wyclef Jean (Haitian rapper, musician and actor)
Samples:
Amores como el nuestro von Jerry Rivera (Puerto Rican salsa singer and songwriter) und Dance Like This von Wyclef Jean (Haitian rapper, musician and actor) feat. Claudette Ortiz
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 282)
recording of:
Hips Don’t Lie
Verfasser(in):
Luis Diaz (US freestyle producer aka Funky Luis Diaz), Jerry Duplessis, Wyclef Jean (Haitian rapper, musician and actor), Latavia Parker, Omar Alfano und Shakira Ripoll (Colombian singer-songwriter)
Shakira feat. Wyclef Jean3.153:39
19Waterfalls
recording of:
Waterfalls
Verfasser(in):
Marqueze Ethridge, Lisa “Left Eye” Lopes und Organized Noize (Atlanta hip-hop production group)
publisher:
BELT STAR MUSIC, Hitco Music, Organized Noize Music, Pebbitone Music, Red Light & Incense Music, Stiff Shirt Music, Inc., TIZBIZ Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
TLC53:33
20Hey, Soul Sister
recording engineer:
Amund Bjørklund, Bryan Cook (US engineer), Dyre Gormsen, Espen Lind und Ross Peterson (studio professional)
assistierende(r) Techniker(in):
Ian Hill (UK bassist for Judas Priest)
Produzent(in):
Espionage (NY-based Norwegian songwriting/production team) und Martin Terefe
zusätzliche(r) Produzent(in):
Gregg Wattenberg
zusätzlich Bassgitarre:
Martin Terefe
zusätzlich Hammond-Orgel:
Jerry Becker
zusätzlich Keyboard:
Claes Björklund
zusätzlich Keyboard und Ukulele:
Espen Lind
Teil von:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 3) und Billboard Year-End Hot 100 singles of 2010 (Nummer: 3)
recording of:
Hey, Soul Sister
Verfasser(in):
Amund Bjørklund, Espen Lind und Pat Monahan
Train4.153:38
21Livin' La Vida Loca
recording engineer und Mix:
Charles Dye
zusätzlich recording engineer:
Craig Lozowick und Nathan Malki
Programmierung:
Randy Cantor
assistierende(r) Techniker(in):
Craig Lozowick, Nathan Malki und Germán Ortiz
Koproduzent(in):
Robi Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
Produzent(in):
Desmond Child
zusätzliche(r) Produzent(in):
Iris Aponte und Brian Coleman (Manager/production coordinator)
Akustikgitarre und Hintergrundgesang:
Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
Flügelhorn und Trompete:
Tony Concepción
Gitarre:
Rusty Anderson
Keyboard:
Randy Cantor
Perkussion:
Rafael Solano
vocals:
Ricky Martin (Puerto Rican singer, actor, author & king of Latin pop)
arranger:
Randy Cantor
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999)
aufgenommen bei und mixed at:
The Gentlemen’s Club in Miami Beach, Florida, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 180)
recording of:
Livin’ la Vida Loca (English version) (von 1998-10 bis 1999-03)
Verfasser(in):
Desmond Child und Robi Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
publisher:
PolyGram Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), A Phantom Vox Publishing (vom 1999 bis heute), Desmophobia (vom 1999 bis heute), PolyGram Music Publishing (vom 1999 bis heute) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1999 bis heute)
Ricky Martin4.54:04
22Don't Stop Believin'
assistierende(r) Techniker(in):
Wally Buck
Techniker(in):
Kevin Elson
Produzent(in):
Kevin Elson und Mike Stone (producer and engineer, 1960s–80s)
Bassgitarre:
Ross Valory (von 1981-04 bis 1981-06)
Gitarre:
Neal Schon (von 1981-04 bis 1981-06)
Keyboard und Klavier:
Jonathan Cain (von 1981-04 bis 1981-06)
Schlagzeug und Perkussion:
Steve Smith (US drummer most associated with Journey) (von 1981-04 bis 1981-06)
Hintergrundgesang:
Jonathan Cain (von 1981-04 bis 1981-06), Neal Schon (von 1981-04 bis 1981-06) und Ross Valory (von 1981-04 bis 1981-06)
Sologesang:
Steve Perry (former lead singer of Journey) (von 1981-04 bis 1981-06)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1981-04 bis 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
Teil von:
SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 51) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 133)
recording of:
Don’t Stop Believin’ (Journey song) (von 1981-04 bis 1981-06)
Verfasser(in):
Jonathan Cain, Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) und Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Journey4.34:09
2▼CD
Nr.TitelKünstlerBewertungLänge
1Wanna Dance with Somebody
recording of:
I Wanna Dance With Somebody (Who Loves Me)
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. und Rondor Music (London) Ltd.
Whitney Houston4:41
2Livin' Thing
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) und Duane Scott
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (in 1976-07)
Cello:
Melvyn Gale (in 1976-07) und Hugh McDowell (in 1976-07)
Clavinet, Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
Geige / Violine:
Mik Kaminski (in 1976-07)
Gitarre:
Jeff Lynne (in 1976-07) und Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1976-07)
Hintergrundgesang:
Brie Brandt (in 1976-07), Kelly Groucutt (in 1976-07), Addie Lee (in 1976-07) und Patti Quatro (in 1976-07)
Sologesang:
Jeff Lynne (in 1976-07)
conductor:
Louis Clark (in 1976-07)
Chorgesang arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
Orchestrator(in):
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Jet Records (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1976) und Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1976-07) und Musicland Studios (Munich) in München, Bayern, Deutschland (in 1976-07)
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
edited at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Livin’ Thing (in 1976-07)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.33:31
3It's Still Rock and Roll to Me
assistierende(r) Techniker(in):
Bradshaw Leigh
Techniker(in):
Jim Boyer (producer/engineer)
assistierende(r) Produzent(in):
Michele Slagter
Produzent(in):
Phil Ramone
E-Bass:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1980)
flute, Orgel und Saxophon:
Richie Cannata (in 1980)
Gitarre:
David Brown (guitarist for Billy Joel) (in 1980) und Russell Javors (in 1980)
Schlagzeug:
Liberty DeVitto (US drummer) (in 1980)
Sologesang:
Billy Joel (American singer‐songwriter and pianist) (in 1980)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
Musikvideos:
It’s Still Rock and Roll to Me von Billy Joel (American singer‐songwriter and pianist)
recording of:
It’s Still Rock and Roll to Me (in 1980)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
Joelsongs, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), April Music (in 1980), CBS Songs Ltd. (in 1980) und Impulsive Music (in 1980)
Billy Joel4.252:57
4AfricaToto3:55
5Since U Been Gone
Techniker(in):
Johan Brorsson
zusätzliche(r) Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: pro-tools engineer)
Produzent(in):
Łukasz Gottwald und Max Martin (Swedish record producer)
Mix:
Serban Ghenea
zusätzliche(r) Mix:
Tim Roberts (engineer)
Schlagzeug:
Olle Dahlstedt
Interpret(in):
Łukasz Gottwald und Max Martin (Swedish record producer)
phonographisches Urheberrecht (℗) von:
19 Recordings Ltd. (not for release label use! record company founded by Simon Fuller) (in 2004)
Musikvideos:
Since U Been Gone von Kelly Clarkson
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 5) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 93)
recording of:
Since U Been Gone
Verfasser(in):
Łukasz Gottwald und Martin Karl Sandberg (Swedish record producer)
Kelly Clarkson3.73:09
6Trouble Maker
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 82)
recording of:
Troublemaker
Verfasser(in):
Breyan Isaac, Claude Kelly, Oliver Murs, Stephen Paul Robson (English songwriter, record producer & multi-instrumentalist) und Tramar Dillard (American rapper)
Olly Murs feat. Flo Rida2.53:05
7Budapest
Programmierung und Produzent(in):
Cam Blackwood
Techniker(in):
Cam Blackwood und Liam Thorne
assistierende(r) Produzent(in):
Liam Thorne
assistierende(r) Mix:
Sean Julliard
Mix:
Cenzo Townshend (engineer)
Bass-Synthesizer [bass synth] und Keyboard [keys]:
Cam Blackwood
Gitarre [guitars] und Perkussion:
Cam Blackwood und George Ezra
Keyboard [keyboards]:
George Ezra
vocals:
George Ezra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2014)
produced for:
Big Life Management
aufgenommen bei:
Voltaire Road Recording Studios in Clapham, Lambeth, London (Greater London), England, Vereinigtes Königreich
mixed at:
Decoy Studios in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 89)
recording of:
Budapest
Verfasser(in):
George Ezra Barnett und Joel Pott
publisher:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
George Ezra3.653:22
8You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:15
99 to 5
Produzent(in):
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
Bassgitarre:
Abraham Laboriel (in 1980)
Gitarre:
Jeff Baxter (in 1980) und Martin K. Walsh (in 1980)
Klavier:
Larry Knechtel (in 1980)
Perkussion:
Leonard Castro (in 1980)
Posaune:
William Reichenbach (jazz trombonist) (in 1980)
Saxophon:
Tom Saviano (in 1980)
Schlagzeug:
Richard Schlosser (drummer) (in 1980)
Trompete:
Jerry Hey (in 1980)
Hintergrundgesang:
Anita Ball (in 1980), Denise Maynelli (in 1980) und Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1980) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 191)
recording of:
9 to 5 (in 1980)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music und Velvet Apple Music
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1980 nominee)
Dolly Parton3.552:44
10Walk This Way
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records) und Russell Simmons
Gast-Gitarre:
Joe Perry (guitarist for Aerosmith)
Gast vocals:
Steven Tyler
phonographisches Urheberrecht (℗) von:
Profile Records, Inc. (distributor / holding / manufacturer) (in 1986) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986)
recording of:
Walk This Way
Verfasser(in):
Joe Perry (guitarist for Aerosmith) und Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited und Vindaloo Productions, Inc.
Run‐D.M.C. feat. Aerosmith3.653:38
11Footloose
Produzent(in):
Lee DeCarlo und Kenny Loggins
Bass-Synthesizer:
Michael Boddicker
Bassgitarre:
Nathan East
Gitarre:
Buzz Feiten
Instrumente:
Michael Boddicker
Keyboard:
Neil Larsen und Steven Wood (US soundtrack composer, member of Honk)
Perkussion:
Michael Boddicker und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Tris Imboden
Hintergrundgesang:
Marilyn Dorman, Richey Washington und Steven Wood (US soundtrack composer, member of Honk)
Sologesang:
Kenny Loggins
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
Texter:
Dean Pitchford
Komponist(in):
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Kenny Loggins4.13:40
12Everybody (Backstreet's Back)
sonstige Unterstützung:
Bonnie Brewster (Aufgabe: girl crowd), Andrea M. Majied (Aufgabe: girl crowd) und Susan McCall (Aufgabe: girl crowd)
assistierende(r) Techniker(in):
Tommie Hicks, Jr.
Techniker(in):
Joe Smith (US recording/mixing engineer)
leitende(r) Produzent(in):
Louis J Pearlman
Produzent(in):
Max Martin (Swedish record producer) und Denniz PoP
Editing:
Chaz Harper
Interpret(in):
A.J. (US singer, songwriter, actor, dancer & model), Brian (from the Backstreet Boys), Howie D. (from the Backstreet Boys), Kevin (from the Backstreet Boys) und Nick (US pop singer & Backstreet Boy)
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1997)
produced for:
Cheiron Productions
aufgenommen bei:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Parc Studios in Orlando, Florida, Vereinigte Staaten
mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
edited at:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, Vereinigte Staaten
recording of:
Everybody (Backstreet’s Back)
Verfasser(in):
Max Martin (Swedish record producer) und Denniz PoP
publisher:
Maratone AB (beendet), MXM Music AB (beendet), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys3.153:45
13All of Me
assistierende(r) Techniker(in):
Phil Joly, Dave Rowland (engineer) und Kenta Yonesaka
Techniker(in):
Jason Agel und Dave Tozer
assistierende(r) Produzent(in):
Phil Joly
Produzent(in):
Phil Joly, John Legend und Dave Tozer
Mix:
Dave Tozer
Keyboard:
Dave Tozer und Mark Williams (Producer and songwriter, member of Ojivolta)
Klavier:
John Legend
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2013) und Getting Out Our Dreams (not for release label use! please use “G.O.O.D. Music”) (in 2013)
Musikvideos:
All of Me von John Legend
recording of:
All of Me
Verfasser(in):
Toby Gad (German songwriter, producer, pianist) und John Legend
gewidmet:
Chrissy Teigen
John Legend32:57
14Torn
Produzent(in):
Phil Thornalley
Mix:
Nigel Godrich (English record producer)
Sologesang:
Natalie Imbruglia
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (vom 1997 bis heute) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 32), Cachitos Nochevieja 2022 (Nummer: 60) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 333)
cover recording of:
Torn
Texter:
Anne Preven
Komponist(in):
Scott Cutler, Anne Preven und Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.13:59
15Get Outta My Dreams, Get Into My Car
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Nigel Green (engineer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1988)
Bearbeitung von:
Get Outta My Dreams, Get Into My Car von Billy Ocean
recording of:
Get Outta My Dreams, Get Into My Car (in 1987)
Verfasser(in):
Robert John “Mutt” Lange (Robert John Lange) und Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Universal Music Publishers MGB Australia Pty Ltd und Zomba Music Publishing Ltd.
Billy Ocean2.354:37
16I'm Outta Love
Programmierung:
Louis Biancaniello (in 2000)
Produzent(in):
Louis Biancaniello und Sam Watters
Mix:
Louis Biancaniello und David Frazier (engineer)
Gitarre [guitars]:
Vernon Black (in 2000)
Keyboard [all keyboards]:
Louis Biancaniello (in 2000)
Schlagzeug [drums]:
Louis Biancaniello (in 2000) und Sam Watters (in 2000)
Hintergrundgesang:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) (in 2000) und Sam Watters (in 2000)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999, in 2000) und Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2000)
produced for:
Breakthrough Entertainment
aufgenommen bei:
Homesite 13 in Novato, California (Kalifornien), Vereinigte Staaten (in 2000)
mixed at:
Homesite 13 in Novato, California (Kalifornien), Vereinigte Staaten
Musikvideos:
I’m Outta Love von Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
a cappella versions:
I'm Outta Love (a cappella) von Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
instrumental versions:
I'm Outta Love (instrumental) von Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
I’m Outta Love (in 2000)
Texter:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello und Sam Watters
Komponist(in):
Louis Biancaniello und Sam Watters
publisher:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3.83:58
17You Won't Let Go
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 2016)
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 11)
recording of:
Say You Won’t Let Go
Komponist(in):
James Arthur (British winner of X Factor), Andrew Frampton, Steve Kipner, Steven Miller (US producer, engineer), Danny O’Donoghue, Neil Ormandy und Mark Sheehan
James Arthur3.653:31
18Back for Good
Programmierung:
Gary Barlow und Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistierende(r) Techniker(in):
Steve McNichol
Produzent(in):
Gary Barlow und Chris Porter (engineer and producer)
Gitarre:
Phil Palmer (guitarist)
Sologesang:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) und Robbie Williams
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1995) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1995)
recording of:
Back for Good
Texter und Komponist(in):
Gary Barlow
publisher:
EMI Virgin Music Australia Pty Ltd und EMI Virgin Music Ltd. (do not use this as a release label!)
Take That34:02
19Total Eclipse of the Heart
vocals:
Bonnie Tyler (in 1983)
Interpret(in):
Rory Dodd (in 1983)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1983) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
Texter und Komponist(in):
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) und Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:25
20Take My Breath Away
Techniker(in):
Dave Concors, Michael Rosen (US metal producer/engineer) und Tom Whitlock
Produzent(in):
Jerry Bruckheimer, Giorgio Moroder und Don Simpson (American film producer, screenwriter, and actor)
Mix:
Giorgio Moroder und Brian Reeves
E-Gitarre:
Ric Olsen
Schlagzeug:
Rob Brill
Synthesizer:
Arthur Barrow und John Crawford (Berlin bassist)
Sologesang:
Terri Nunn (Berlin singer)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
aufgenommen bei:
Oasis Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Take My Breath Away von Berlin (US new wave/synthpop)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 28), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 62) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 490)
recording of:
Take My Breath Away (song from the 1986 film Top Gun)
Texter:
Tom Whitlock
Komponist(in):
Giorgio Moroder
publisher:
Famous Music Publishing Germany GmbH & Co. KG (beendet), Jastian Music Inc. (beendet), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986), GMPC (in 1986) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (beendet), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1986 winner)
Berlin3.654:07
21Bat Out of Hell
Bassgitarre:
Kasim Sulton
Gitarre und Gitarre [Motorcycle guitar]:
Todd Rundgren
Keyboard:
Roy Bittan, Todd Rundgren und Jim Steinman
Klavier:
Roy Bittan
Perkussion:
Jim Steinman
Schlagzeug:
Max Weinberg
Synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
Hintergrundgesang:
Todd Rundgren und Kasim Sulton
Sologesang:
Meat Loaf
zusätzlich Hintergrundgesang:
Rory Dodd und Ellen Foley
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Bearbeitung von:
Bat Out of Hell von Meat Loaf
recording of:
Bat out of Hell
Texter und Komponist(in):
Jim Steinman
publisher:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music und Peg Music Co.
Meat Loaf4.654:43
22Suspicious Minds
cover recording of:
Suspicious Minds
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
Elvis Presley3:21