Music of the Millennium 2001

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Bohemian Rhapsody
additional sound engineer:
Gary Lyons (UK engineer & producer)
additional engineer:
Kris Fredriksson
executive engineer:
Mike Stone (producer and engineer, 1960s–80s)
executive producer:
Brian May (Queen guitarist) and Roger Taylor (Queen drummer)
producer:
Roy Thomas Baker (producer) and Queen (UK rock group)
bass guitar:
John Deacon (from 1975-08-24 until 1975-09-14)
drums (drum set), gong and timpani:
Roger Taylor (Queen drummer) (from 1975-08-24 until 1975-09-14)
guitar:
Brian May (Queen guitarist) (from 1975-08-24 until 1975-09-14)
piano and lead vocals and other vocals [operatic vocals]:
Freddie Mercury (from 1975-08-24 until 1975-09-14)
other vocals [operatic vocals]:
Brian May (Queen guitarist) (from 1975-08-24 until 1975-09-14) and Roger Taylor (Queen drummer) (from 1975-08-24 until 1975-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1975, in 2011)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (from 1975-08-24 until 1975-09-14)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
music videos:
Bohemian Rhapsody by Queen (UK rock group)
part of:
SWR1 Hitparade 2006 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2018 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2019 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2020 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2021 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2022 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2023 (Baden-Württemberg) (number: 1), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 2), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 2), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 2), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2010 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2014 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2015 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2016 (Baden-Württemberg) (number: 2), SWR1 Hitparade 2017 (Baden-Württemberg) (number: 2), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 3), SWR1 Hitparade 2003 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 14), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 17), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Spotify: Top Hits of 2019 (number: 65) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 163)
recording of:
Bohemian Rhapsody (from 1975-08-24 until 1975-09-14)
lyricist and composer:
Freddie Mercury
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen4.455:57
2I Shot the Sheriff
assistant engineer:
Steve Klein (Engineer)
engineer:
Karl Richardson
producer:
Tom Dowd
drums (drum set):
Jamie Oldaker (from 1974-04-18 until 1974-05-10)
electric bass guitar [Bass]:
Carl Radle (from 1974-04-18 until 1974-05-10)
electronic organ:
Dick Sims (from 1974-04-18 until 1974-05-10)
guitar:
Eric Clapton (from 1974-04-18 until 1974-05-10) and George Terry (guitar player with Clapton in 70's) (from 1974-04-18 until 1974-05-10)
piano:
Albhy Galuten (from 1974-04-18 until 1974-05-10)
background vocals:
Yvonne Elliman (from 1974-04-18 until 1974-05-10) and George Terry (guitar player with Clapton in 70's) (from 1974-04-18 until 1974-05-10)
lead vocals:
Eric Clapton (from 1974-04-18 until 1974-05-10)
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1974) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1974)
recorded at:
Criteria Studios in Miami, Florida, United States (from 1974-04-18 until 1974-05-10)
cover recording of:
I Shot the Sheriff (from 1974-04-18 until 1974-05-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Eric Clapton44:23
3Ebony and Ivory
assistant recording engineer:
Mike Stavrou (producer/engineer) (from 1981-02-28 until 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (from 1981-02-28 until 1981-10)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistant mixer:
Jon Jacobs (UK producer/engineer) (on 1982-01-19)
mixer:
Geoff Emerick (British recording engineer) (on 1982-01-19)
drums (drum set) and electric piano:
Stevie Wonder (from 1981-02-28 until 1981-10)
electric bass guitar, guitar, piano and vocoder:
Paul McCartney (The Beatles) (from 1981-02-28 until 1981-10)
percussion, synthesizer and background vocals and lead vocals:
Paul McCartney (The Beatles) (from 1981-02-28 until 1981-10) and Stevie Wonder (from 1981-02-28 until 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Paul McCartney (The Beatles)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (on 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1981-03-30) and Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1982-01-19)
recording of:
Ebony and Ivory (from 1981-02-28 until 1981-10)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
parody version of:
Curdled Milk and Boot Polish
Paul McCartney & Stevie Wonder3.23:43
4Purple Haze
engineer:
Dave Siddle (De Lane Lea) (engineer) (on 1967-01-11) and Eddie Kramer (Olympic) (engineer) (on 1967-02-03)
producer:
Chas Chandler
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (from 1967-01-11 until 1967-02-03)
electric bass guitar and background vocals:
Noel Redding (from 1967-01-11 until 1967-02-03)
electric guitar and lead vocals:
Jimi Hendrix (from 1967-01-11 until 1967-02-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 2010)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1967-01-11) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1967-02-03, from 1967-02-03 until 1967-02-08)
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1967-01-11)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 17) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 250)
recording of:
Purple Haze (from 1967-01-11 until 1967-02-03)
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music, Chappell Music (UK), Chappell Musikverlag GmbH, Experience Hendrix, L.L.C., Interworld Music Ltd., Sea-Lark Enterprises, Inc. and Yameta Co. Ltd.
quotes music from:
The Ballad of Jimi Hendrix
Jimi Hendrix4.22:51
51999
recording engineer:
Peggy McCreary (from 1982-07 until 1982-08)
producer:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
cowbell, cymbal, drum machine [Linn LM-1], electric bass guitar, electric guitar, electronic drum set [Pearl SY-1 Syncussion], handclaps, synthesizer [ARP Omni-2], synthesizer [Oberheim OB-Xa] and tambourine:
Prince (“The Artist Formerly Known as…”) (from 1982-07 until 1982-08)
background vocals:
Jesse Johnson (original guitarist for The Time) (from 1982-07 until 1982-08)
lead vocals:
Lisa Coleman (US pianist/keyboardist & composer) (from 1982-07 until 1982-08), Dez Dickerson (from 1982-07 until 1982-08), Jill Jones (American singer, songwriter, and actress) (from 1982-07 until 1982-08) and Prince (“The Artist Formerly Known as…”) (from 1982-07 until 1982-08)
arranger:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
edit of:
1999 (album version) by Prince (“The Artist Formerly Known as…”)
music videos:
1999 by Prince (“The Artist Formerly Known as…”)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 212) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 339)
recording of:
1999 (from 1982-07 until 1982-08)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince43:37
6Jamming
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 177)
recording of:
Jamming (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
Bob Marley & The Wailers43:32
7Englishman in New York
producer:
Neil Dorfsman and Sting (singer, songwriter & member of The Police)
assistant mixer:
Mark McKenna (engineer) and Bob Vogt
mixer:
Neil Dorfsman and Hugh Padgham
lead vocals:
Sting (singer, songwriter & member of The Police)
arranger:
Sting (singer, songwriter & member of The Police)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1997)
music videos:
Englishman in New York by Sting (singer, songwriter & member of The Police)
recording of:
Englishman in New York
lyricist and writer:
Gordon Matthew Sumner (singer, songwriter & member of The Police)
publisher:
Songs of Universal, Inc. (BMI)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sting44:28
8Pinball Wizard
recorded in:
England, United Kingdom
engineer:
Damon Lyon-Shaw
executive producer:
Chris Stamp
producer:
Kit Lambert
guitar:
Pete Townshend (of The Who) (on 1969-02-07)
lead vocals:
Roger Daltrey (on 1969-02-07) and Pete Townshend (of The Who) (on 1969-02-07)
performer:
The Who
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1969) and Track Records Production (in 1969)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom and Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (on 1969-02-07)
recording of:
Pinball Wizard (on 1969-02-07)
lyricist:
Pete Townshend (of The Who)
composer:
Pete Townshend (of The Who) (in 1969)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Towser Tunes, Inc.
The Who4.353:01
9Fly Away
programming:
Lenny Kravitz, Terry Manning (US recording engineer), Matthew Knobel and Eric Rehl
engineer and mixer:
Terry Manning (US recording engineer)
producer:
Lenny Kravitz
bass, drums (drum set), guitar, background vocals and lead vocals:
Lenny Kravitz
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998), Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1998), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Fly Away
lyricist and composer:
Lenny Kravitz
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Miss Bessie Music and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”)
Lenny Kravitz43:38
10Mrs. Robinson
recording engineer:
Roy Halee (on 1968-02-02)
assistant producer:
Bob Johnston (US record producer and early rockebilly singer)
producer:
Art Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1968-02-02)
guitar:
Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
vocals:
Art Garfunkel (on 1968-02-02) and Paul Simon (of Simon & Garfunkel) (on 1968-02-02)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 270)
recording of:
Mrs. Robinson (on 1968-02-02)
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:04
11That’s the Way Love Goeds
recording engineer:
Steve Hodge (engineer and producer)
producer:
Janet Jackson and Jimmy Jam & Terry Lewis
mixer:
Dave Rideau (engineer) and Steve Hodge (engineer and producer)
background vocals and lead vocals:
Janet Jackson
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1993) and Virgin Records Inc. (in 2018)
samples:
Impeach the President by The Honey Drippers (70s US funk band, backing band for Roy C. Hammond) and Papa Don’t Take No Mess by James Brown (The Godfather of Soul)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 216)
recording of:
That’s the Way Love Goes
writer:
Charles Bobbitt, James Brown (The Godfather of Soul), Janet Jackson, James Harris (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner), John Starks and Fred Wesley
publisher:
Black Ice Publishing, Dynatone Publishing Co. and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
Janet Jackson3.64:26
12Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
13Cigarettes & Alcohol
engineer:
Mark Coyle, Anjali Dutt, Dave Scott (UK sound mixer & engineer) and Roy Spong
additional producer:
Owen Morris
producer:
Mark Coyle and Oasis (Noel & Liam Gallagher)
mixer:
Owen Morris
bass guitar:
Paul McGuigan (Oasis)
drums (drum set):
Tony McCarroll
electric guitar and background vocals:
Noel Gallagher
guitar:
Paul Arthurs ("Bonehead", Oasis) and Noel Gallagher
vocals:
Liam Gallagher (English musician, lead singer of Oasis)
music videos:
Cigarettes & Alcohol by Oasis (Noel & Liam Gallagher)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 31)
recording of:
Cigarettes & Alcohol
lyricist and composer:
Noel Gallagher
Oasis3.64:50
14Invisible Touch
assistant engineer:
Paul Gomersall
engineer:
Hugh Padgham
producer:
Genesis (English rock band) and Hugh Padgham
bass and guitar:
Mike Rutherford (from 1985-10 until 1986-02)
bass synthesizer and keyboard:
Tony Banks (Genesis) (from 1985-10 until 1986-02)
drums (drum set), percussion and lead vocals:
Phil Collins (of Genesis) (from 1985-10 until 1986-02)
phonographic copyright (℗) by:
Charisma Records Ltd.
recorded at and mixed at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom (from 1985-10 until 1986-02)
recording of:
Invisible Touch (from 1985-10 until 1986-02)
lyricist:
Phil Collins (of Genesis)
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem, Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd. and Philip Collins Ltd.
written at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom
Genesis3.153:28
15Let’s Get It On
producer:
Marvin Gaye and Ed Townsend
percussion:
Emil Richards
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
remix of:
Let’s Get It On (album version) by Marvin Gaye
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 46)
recording of:
Let’s Get It On
writer:
Marvin Gaye and Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and Stone Diamond Music Corporation
Marvin Gaye3.54:03
16Up-Tight (Everithing’s Alright)
producer:
Henry Cosby and William Stevenson (Motown songwriter)
lead vocals:
Stevie Wonder (in 1965)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1965)
recording of:
Uptight (Everything’s Alright) (in 1965)
lyricist and composer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music and Stone Agate Music
Stevie Wonder4.72:53
17What’s Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
recording of:
What’s Love Got to Do With It (Kygo version)
writer:
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) and Graham Lyle
publisher:
Kobalt Music (publisher) (from 2020 to present) and WC Music Corp. (from 2020 to present)
is based on:
What’s Love Got to Do With It
Tina Turner4.153:50
18Ben
producer:
The Corporation (Motown songwriters)
lead vocals:
Michael Jackson (“King of Pop”) (in 1972)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label)
recording of:
Ben (in 1972)
lyricist:
Don Black (English lyricist)
composer:
Walter Scharf
publisher:
Jobette Music (in 1972)
part of:
The 45th Academy Award for Best Original Song (number: 2)
Michael Jackson3.852:44
19Return to Innocence
engineer and producer:
Michael Cretu (Romanian-born German musician, composer and record producer)
additional vocals:
Angel X
recording of:
Return to Innocence
lyricist and composer:
Michael Cretu (Romanian-born German musician, composer and record producer)
Enigma4.354:09
20Go West
programming:
Pete Gleadall
engineer:
Pete Gleadall and Bob Kraushaar
additional producer:
Brothers in Rhythm
producer:
Brothers in Rhythm
mixer:
Mike “Spike” Drake and Stephen Hague
lead vocals:
Neil Tennant
remixer:
Brothers in Rhythm and Stephen Hague
phonographic copyright (℗) by:
Pet Shop Boys Partnership Ltd. (in 1993)
cover recording of:
Go West
lyricist:
Henri Belolo and Victor Willis (Victor Edward Willis, member of the Village People)
composer:
Jacques Morali
publisher:
EMI Music (do not use as release label! this is a music publisher), Leosong Copyright Service Ltd., Scorpio Music (work publisher of "Scorpio Music") and Zomba Management and Publishers Ltd.
version of:
À l'ouest
Pet Shop Boys4.25:02
2▼CD
#TitleArtistRatingLength
1Woman
engineer:
Lee DeCarlo
producer:
Jack Douglas, John Lennon (The Beatles) and Yoko Ono (Japanese‐American musician and artist)
lead vocals:
John Lennon (The Beatles)
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) and Calderstone Productions Limited (in 2016)
music videos:
Woman by John Lennon (The Beatles)
recording of:
Woman
lyricist and composer:
John Lennon (The Beatles)
publisher:
Geffen/Kaye Music, Lenono Music and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
John Lennon43:34
2Miss You
recording engineer and mixer:
Chris Kimsey
producer:
The Glimmer Twins (production name for Mick Jagger & Keith Richards)
bass guitar:
Bill Wyman
drums (drum set):
Charlie Watts (drummer in The Rolling Stones)
electric guitar and background vocals:
Mick Jagger (The Rolling Stones), Keith Richards (Rolling Stones guitarist) and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
electric piano:
Ian McLagan
harmonica:
Sugar Blue
saxophone:
Mel Collins
lead vocals:
Mick Jagger (The Rolling Stones)
phonographic copyright (℗) by:
Promotone B.V. (not for release label use!) (in 2012)
recorded at:
Pathé Marconi Studios (Boulogne-Billancourt) in Boulogne-Billancourt, Hauts-de-Seine, Île-de-France, France (from 1977-10 until 1977-12)
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1978-03 until 1978-04)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 245) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 496)
recording of:
Miss You
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
The Rolling Stones4.14:49
3Every Breath You Take
engineer:
Hugh Padgham
producer:
Hugh Padgham and The Police (British rock band)
drums (drum set):
Stewart Copeland (drummer, percussionist, pianist and composer) (in 1983)
electric bass guitar and lead vocals:
Sting (singer, songwriter & member of The Police) (in 1983)
electric guitar:
Andy Summers (in 1983)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1983) and A&M Records, Inc. (in 1997)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1983) and Le Studio in Morin‐Heights, Québec (Quebec), Canada (in 1983)
music videos:
Every Breath You Take by The Police (British rock band)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 287) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 305)
recording of:
Every Breath You Take (in 1983)
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) and Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Police4.054:13
4Another Brick in the Wall
engineer:
Brian Christian, Nick Griffiths (engineer), James Guthrie, Rick Hart (engineer), John McClure (recording engineer and record producer) and Patrice Quef
co-producer:
James Guthrie
producer:
Bob Ezrin, David Gilmour (Pink Floyd) and Roger Waters
bass guitar:
Roger Waters (in 1979)
drums (drum set):
Nick Mason (of Pink Floyd) (in 1979)
electric bass guitar:
Roger Waters
guitar:
David Gilmour (Pink Floyd) (in 1979)
Hammond organ and synthesizer [Prophet-5 synthesizer]:
Richard Wright (Pink Floyd keyboardist) (in 1979)
organ and synthesizer:
Richard Wright (Pink Floyd keyboardist)
choir vocals:
Children of Islington Green School
lead vocals:
David Gilmour (Pink Floyd) (in 1979) and Roger Waters (in 1979)
vocals:
Children of Islington Green School and Richard Wright (Pink Floyd keyboardist) (in 1979)
chorus master:
Noël Davies (UK conductor and leader of Pontarddulais Male Choir)
arranger:
Bob Ezrin and Michael Kamen (American score composer)
phonographic copyright (℗) by:
Pink Floyd Music Ltd. (in 1979) and Pink Floyd Music (1987) Ltd. (in 2011)
recorded at:
Britannia Row Studios (first location, 1975–1995 Islington) in Islington, London (Greater London), England, United Kingdom (in 1979), Producer’s Workshop in Hollywood, Los Angeles, California, United States (in 1979) and Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (in 1979)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States (in 1979)
recording of:
Another Brick in the Wall, Part 2 (in 1979)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16) and Pink Floyd Music Publishers Inc. (in 1979)
part of:
Another Brick in the Wall
Pink Floyd3.83:53
5Goodbye Yellow Brick Road
engineer:
David Hentschel
producer:
Gus Dudgeon
bass guitar:
Dee Murray (in 1973-05)
drums (drum set):
Nigel Olsson (in 1973-05)
electric guitar:
Davey Johnstone (in 1973-05)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
background vocals:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) and Nigel Olsson (in 1973-05)
orchestrator:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder) (in 1973)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (in 1973-05)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 380)
recording of:
Goodbye Yellow Brick Road (in 1973-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.653:14
6Pride (In the Name of Love)
additional engineer:
Kevin Killen
assistant engineer:
Randy Ezratty (engineer)
engineer and producer:
Brian Eno and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
lead vocals:
Bono (singer of U2)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1984)
music videos:
Pride (In the Name of Love) by U2 (Irish rock band), Pride (In the Name of Love) - sepia version by U2 (Irish rock band) and Pride (In the Name of Love) (Slane Castle version) by U2 (Irish rock band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 38) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 378)
recording of:
Pride (In the Name of Love)
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) and Larry Mullen, Jr.
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
U24.053:49
7Starman
sound engineer:
Dennis MacKay (70s–present UK producer/engineer)
producer:
David Bowie (English singer‐songwriter) and Ken Scott (UK record producer & engineer)
12 string guitar, handclaps and lead vocals:
David Bowie (English singer‐songwriter) (on 1972-02-04)
acoustic guitar, electric guitar, piano and background vocals:
Mick Ronson (British guitarist) (on 1972-02-04)
bass guitar:
Trevor Bolder (British bassist) (on 1972-02-04)
drums (drum set):
Mick Woodmansey (British drummer) (on 1972-02-04)
arranger:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972), Jones Music (publishers associated with David Bowie) (in 1990) and Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1990)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (on 1972-02-04)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Starman (on 1972-02-04)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, BMG Rights Management (UK) Limited (not for release label use! see annotation), Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie4.44:17
8Chiquitita
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
banjo:
Björn Ulvaeus (on 1978-12-13)
bass guitar:
Rutger Gunnarsson (on 1978-12-13)
drums (drum set):
Ola Brunkert (on 1978-12-13)
guitar:
Björn Ulvaeus (on 1978-12-13) and Lasse Wellander (on 1978-12-13, on 1978-12-14)
keyboard and synthesizer:
Benny Andersson (ABBA) (on 1978-12-13)
lead vocals:
Agnetha Fältskog (on 1978-12-13)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1979)
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1978-12-13, on 1978-12-14)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
Chiquitita (from 1978-12-13 until 1978-12-14)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
UNICEF Music Project (ended), Bocu Music Ltd., Music For Unicef and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Mamma Mia! (1999 musical)
ABBA3.455:26
9ABC
producer:
The Corporation (Motown songwriters)
drums (drum set):
Gene Pello (in 1970-01)
electric bass guitar:
Wilton Felder (in 1970-01) and Bob West (US session bassist, producer & songwriter) (in 1970-01)
guitar:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) and David T. Walker (in 1970-01)
keyboard:
Freddie Perren (in 1970-01)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) and Tito Jackson (in 1970-01)
background vocals and lead vocals:
Michael Jackson (“King of Pop”) (in 1970-01)
lead vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) and Tito Jackson (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1970-01)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 174)
recording of:
ABC (in 1970-01)
writer:
Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
composer:
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc.
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
part of:
MJ: The Musical
The Jackson 54.12:57
10I Was Born to Love You
drums (drum set) programming and synthesizer programming:
Mack (German rock producer/engineer Reinhold Mack) and Stephan Wissnet
assistant engineer:
Stephan Wissnet
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack) and Freddie Mercury
additional guitar, additional piano and additional synthesizer:
Fred Mandel
bass guitar:
Stephan Wissnet
drums (drum set):
Curt Cress
guitar:
Paul Vincent
piano and synthesizer:
Freddie Mercury
vocals:
Freddie Mercury
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985), Mighty Tape Ltd. (in 2000) and Raincloud Productions Ltd. (in 2016)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
recording of:
I Was Born to Love You
lyricist and composer:
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Mercury Songs Ltd. (copyright holders, publishing company of Freddie Mercury), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Freddie Mercury3.153:40
11My Love
assistant recording engineer:
Mark Vigars (engineer) (from 1973-01-25 until 1973-01-27)
recording engineer:
Richard Lush (from 1973-01-25 until 1973-01-27)
producer:
Paul McCartney (The Beatles) (from 1973-01-25 until 1973-01-27)
mixer:
Richard Lush (on 1973-01-27)
bass guitar:
Denny Laine (from 1973-01-25 until 1973-01-27)
drums (drum set):
Denny Seiwell (US drummer) (from 1973-01-25 until 1973-01-27)
electric guitar:
Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (from 1973-01-25 until 1973-01-27)
electric piano and lead vocals:
Paul McCartney (The Beatles) (from 1973-01-25 until 1973-01-27)
background vocals:
Denny Laine (from 1973-01-25 until 1973-01-27) and Linda McCartney (from 1973-01-25 until 1973-01-27)
orchestrator:
Richard Hewson
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1993, in 2001) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1993, in 2001)
additionally recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-01-27)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-01-25 until 1973-01-26)
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-01-27)
recording of:
My Love (from 1973-01-25 until 1973-01-27)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Paul McCartney3.94:08
12I’ll Make Love to You
drums (drum set) programming:
Rayford Griffin
assistant engineer:
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg and Jamie Seyberth
engineer:
Brad Gilderman
producer:
Babyface (R&B musician Kenny Edmonds)
mixer:
Mick Guzauski
bass:
Reggie Hamilton
synthesizer:
Babyface (R&B musician Kenny Edmonds)
produced for:
ECAF Productions, Inc.
recorded at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and The Enterprise (aka Enterprise Studios) in Burbank, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 185)
recording of:
I’ll Make Love to You
lyricist and composer:
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.653:58
13Hot Staff
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
recording of:
Hot Stuff
writer:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer33:51
14Addicted to Love
engineer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Bernard Edwards (American bassist and record producer)
mixer:
Eric "E.T." Thorngren
bass guitar:
Bernard Edwards (American bassist and record producer)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC)
guitar:
Andy Taylor (of Duran Duran)
background vocals:
Benny Diggs and Fonzi Thornton
vocals arranger:
Chaka Khan
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1985) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985)
recording of:
Addicted to Love
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) and WC Music Corp.
Robert Palmer44:26
15Chain Reaction
assistant engineer:
Scott Glasel and John Haig (engineer)
engineer:
Jack Joseph‐Puig, Karl Richardson and Brian Tench
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
mixer:
Jack Joseph‐Puig
phonographic copyright (℗) by:
Barry Gibb (in 1985), Maurice Gibb (in 1985) and Robin Gibb (in 1985)
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States
recording of:
Chain Reaction
composer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music Publishing Ltd. and Gibb Brothers Music
Diana Ross4.353:48
16Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. and Virgin Music (Publishers) Ltd.
Culture Club3.954:24
17(Sittin’ on) The Dock of the Bay
producer:
Jerry Bruckheimer, Steve Cropper and Don Simpson (American film producer, screenwriter, and actor)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (from 1967-11-22 until 1967-12-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1967-11-22 until 1967-12-07)
guitar:
Steve Cropper (from 1967-11-22 until 1967-12-07)
keyboard:
Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1967-11-22 until 1967-12-07)
vocals:
Otis Redding (from 1967-11-22 until 1967-12-07)
whistling:
Otis Redding (from 1967-11-22 until 1967-12-07)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 45)
recording of:
(Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
writer:
Steve Cropper and Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
composer:
Steve Cropper and Otis Redding
arranger:
Oliver Lake
arrangement of:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:40
18(Get Up I Feel Being a) Sex Machine
producer:
James Brown (The Godfather of Soul)
bass guitar:
Bootsy Collins (US funk musician & songwriter)
drums (drum set):
John Starks
guitar:
Catfish Collins
organ:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
piano:
James Brown (The Godfather of Soul)
tenor saxophone:
Robert McCollough
trumpet:
Clayton Gunnells and Darryl Hassan Jamison
lead vocals:
James Brown (The Godfather of Soul) (on 1970-04-25)
vocals:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
performer:
The J.B.’s
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1970)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 196) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 326)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (on 1970-04-25)
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown45:05
19Song 2
engineer:
John Smith (UK producer/engineer)
producer:
Stephen Street (famous producer, songwriter)
acoustic guitar:
Damon Albarn and Graham Coxon
bass guitar:
Alex James (UK bassist for Blur/Fat Les)
drums (drum set):
Graham Coxon and Dave Rowntree
electric guitar, theremin and background vocals:
Graham Coxon
Hammond organ, keyboard, piano and lead vocals:
Damon Albarn
percussion:
Dave Rowntree
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
phonographic copyright (℗) by:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
music videos:
Song 2 (music video) by Blur (UK alternative rock band)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 8), NME: Greatest “Indie” Anthems Ever: 2007 (number: 15), Indie 88: Top 500 Indie Rock Songs (number: 57) and BILLIONS CLUB
recording of:
Song 2
lyricist:
Damon Albarn
composer:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) and Dave Rowntree
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
sub-publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000), FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch) and 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Blur4.252:01
20Can’t Help Fallin in Love
cover recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
recording of:
Can’t Help Falling in Love
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) and The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (ended), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Plaisir d’amour (Romance du chevrier)
UB403.253:23

Credits

Release

ASIN:JP: B00005QCG2 [info]