Romancing the 70s, Volume 4: Reunited

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Catalog # from case spine for both discs is 24011-D B0012428-02.

Anmerkung zuletzt geändert am 2011-07-20 17:45 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1(Your Love Has Lifted Me) Higher and Higher
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1977)
cover recording of:
(Your Love Keeps Lifting Me) Higher and Higher
Verfasser(in):
Gary Jackson (songwriter), Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
Rita Coolidge54:01
2Delta Dawn
Produzent(in):
Tom Catalano
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973)
cover recording of:
Delta Dawn
Verfasser(in):
Larry Collins und Alex Harvey (American country singer of the early 70s)
publisher:
Big Ax Music, EMI April Music Inc., EMI Catalogue, EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Helen Reddy3:09
3(Hey Won't You Play) Another Somebody Done Somebody Wrong Song
cover recording of:
(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song (1974 song)
Verfasser(in):
Larry Butler (US country music producer, songwriter & pianist) und Chips Moman
B.J. Thomas3:25
4Reunited
Produzent(in):
Freddie Perren
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978)
Bearbeitung von:
Reunited von Peaches & Herb
recording of:
Reunited
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb54:01
5She's a Lady
phonographisches Urheberrecht (℗) von:
Decca Records Co. Ltd. (Decca Records) (in 1971) und Tom Jones Enterprises Ltd. (in 1971)
cover recording of:
She’s a Lady (in 1971)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. und Spanka Music Corp.
recording of:
She’s a Lady
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. und Spanka Music Corp.
Tom Jones3.92:51
6Have You Never Been Mellow
Ko-Techniker(in):
Alan Rouse
Techniker(in):
Tony Clark (engineer, Abbey Road)
Produzent(in):
John Farrar
arranger:
John Fiddy (songwriter/singer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Have You Never Been Mellow
Texter und Komponist(in):
John Farrar
publisher:
ATV Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambuck Music Ltd., John Farrar Music, Jumbuck Music, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal/MCA Music Publishing Pty Ltd und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Olivia Newton‐John3.53:33
7Escape (The Pina Colada Song)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1979) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 89)
recording of:
Escape (The Piña Colada Song)
Texter und Komponist(in):
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes23:54
8Garden Party
recording of:
Garden Party
Texter und Komponist(in):
Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
publisher:
Matragun Music Inc.
Rick Nelson & The Stone Canyon Band3:49
9Yes, I'm Ready
Interpret(in):
KC (Harry Wayne Casey of the Sunshine Band)
cover recording of:
Yes, I’m Ready
Texter und Komponist(in):
Barbara Mason
publisher:
Embassy Music Corporation und Jamie Music Publishing Co.
Teri DeSario feat. K.C.3:18
10Three Times a Lady
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
Sologesang:
Lionel Richie
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1978), Motown Record Corporation (company credits only; do NOT use as release label) (in 1978, in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 10)
recording of:
Three Times a Lady
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Commodores3.653:38
11Love Will Keep Us Together
recording engineer und Mix:
Dennis Dragon
Partner-Produzent(in):
Toni Tennille
Produzent(in):
The Captain
Celesta, Clavinet, E-Bass [Fender], Hammond-Orgel, Keyboard [Clavietta], Klavier, Minimoog [Mini-moog], Synthesizer [Arp String Ensemble], Synthesizer [Odyssey], Windspiel und Wurlitzer Electric Piano:
The Captain
Conga, Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Geige / Violine:
Kenneth Yerke
Hintergrundgesang:
Melissa Tennille und Toni Tennille
Saiteninstrumente arranger:
Kenneth Yerke
arranger:
The Captain
phonographisches Urheberrecht (℗) von:
A&M Records (in 1975), A&M Records, Inc. (in 1975) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
produced for:
Moonlight and Magnolia Productions
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 337)
cover recording of:
Love Will Keep Us Together
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. und Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:24
12Feels So Good
phonographisches Urheberrecht (℗) von:
A&M Records (in 1977) und A&M Records, Inc. (in 1978)
recording of:
Feels So Good (instrumental)
Komponist(in):
Chuck Mangione
publisher:
Gates Music und Primary Wave Music (management, publishing and marketing company)
Chuck Mangione2.753:31
13Sorry Seems to Be the Hardest Word
Techniker(in):
Gus Dudgeon und Mark Howlett
Produzent(in):
Gus Dudgeon und John Stewart (UK music producer/recording engineer)
accordion:
Carl Fortina
E-Bass:
Kenny Passarelli (Bass, piano)
Hybrid-Piano:
James Newton Howard (American score composer)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Vibraphon:
Ray Cooper (percussionist)
conductor:
James Newton Howard (American score composer)
accordion und Saiteninstrumente arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Happenstance Limited (record and publishing company) (in 1976)
aufgenommen bei:
Eastern Sound in Toronto, Ontario, Kanada und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976-03)
recording of:
Sorry Seems to Be the Hardest Word
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd (publisher), Chappell & Co Inc. (USA), Happenstance Limited (record and publishing company), Intersong U.S.A. Inc. (publisher), Muziekuitgeverij Artemis B.V., Rouge Booze, Inc., Universal–Songs of PolyGram International, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.353:49
14I Like Dreamin'
phonographisches Urheberrecht (℗) von:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (bis 1977)
recording of:
I Like Dreamin’
Texter und Komponist(in):
Kenny Nolan
publisher:
EMI Sosaha Music, Inc., Forty West Music Corp., Sound of Nolan Music und Two One Two Music Co.
Kenny Nolan43:31
15Touch Me in the Morning
Produzent(in):
Tom Baird (Motown producer) und Michael Masser
arranger:
Tom Baird (Motown producer) und Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
Touch Me in the Morning
Verfasser(in):
Michael Masser und Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Diana Ross3.53:27
2▼CD
Nr.TitelKünstlerBewertungLänge
1Let Your Love Flow
Produzent(in):
Phil Gernhard (songwriter and producer) (in 1975-10) und Tony Scotti (in 1975-10)
Bassgitarre:
Emory Gordy (in 1975-10)
Gitarre:
David Bellamy (Bellamy Brothers) (in 1975-10), Howard Bellamy (Bellamy Brothers) (in 1975-10), Richard Bennett (American guitarist) (in 1975-10) und Doug Rhone (American guitarist, songwriter, touring and studio musician) (in 1975-10)
Perkussion:
King Errison (conguero) (in 1975-10)
Schlagzeug:
Dennis St. John (in 1975-10)
Synthesizer:
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (in 1975-10)
Sologesang:
David Bellamy (Bellamy Brothers) (in 1975-10) und Howard Bellamy (Bellamy Brothers) (in 1975-10)
phonographisches Urheberrecht (℗) von:
Curb Records (in 1975) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1975-10)
recording of:
Let Your Love Flow (in 1975-10)
Texter und Komponist(in):
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (in 1975)
The Bellamy Brothers3.653:19
2Don't Go Breaking My Heart
recorded in:
Toronto, Ontario, Kanada (in 1976-05)
Produzent(in):
Gus Dudgeon
Bongos, Conga und Tamburin:
Ray Cooper (percussionist) (in 1976-05)
E-Bass:
Kenny Passarelli (Bass, piano) (in 1976-05)
E-Gitarre:
Davey Johnstone (in 1976-05)
Rhodes Piano [Fender Rhodes electric piano]:
James Newton Howard (American score composer) (in 1976-05)
Schlagzeug:
Roger Pope (in 1976-05)
Gast vocals:
Kiki Dee (in 1976-05)
Hintergrundgesang:
Curt Boettcher (in 1976-05), Cidny Bullens (American singer-songwriter) (in 1976-05) und Kiki Dee (in 1976-05)
Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1976-05)
Orchestrator(in):
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
recording of:
Don’t Go Breaking My Heart (in 1976-05)
Texter:
Carte Blanche (aka. Bernie Taupin, Onions)
Komponist(in):
Ann Orson (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher), Rocket Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal–Songs of PolyGram International, Inc.
Elton John & Kiki Dee3.74:24
3All I Ever Need Is You
cover recording of:
All I Ever Need Is You
Verfasser(in):
Jimmy Holiday (American singer, songwriter, producer) und Eddie Reeves (Singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
recording of:
All I Ever Need Is You
Verfasser(in):
Jimmy Holiday (American singer, songwriter, producer) und Eddie Reeves (Singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sonny & Cher52:40
4Hello Stranger
Produzent(in):
Freddie Perren
cover recording of:
Hello Stranger
Texter und Komponist(in):
Barbara Lewis
Yvonne Elliman53:10
5Muskrat Love
recording engineer:
Dennis Dragon, Dave Iveland (Music Engineer) und Roger Young (engineer)
Produzent(in):
Captain & Tennille
Mix:
Roger Young (engineer)
E-Bass [Fender Bass], Keyboard [keyboards] und Synthesizer [synthesizers]:
The Captain
Hybrid-Piano:
Toni Tennille
Perkussion:
Hal Blaine (U.S. studio drummer and percussionist)
Sologesang [vocal duet]:
Melissa Tennille und Toni Tennille
cover recording of:
Muskrat Candlelight (Muskrat Love)
Texter und Komponist(in):
Willis Alan Ramsey
publisher:
WB Music Corp. (1929–2019) und Wishbone Music (American publisher)
Captain & Tennille3.53:49
6On and On
Sound-Engineering:
Henry Lewy
assistierende(r) Techniker(in):
Leslie Jones (recording engineer) und Helen Silvani
Produzent(in):
Stephen Bishop (American singer-songwriter) und Henry Lewy
Akustikgitarre, Hintergrundgesang und Sologesang:
Stephen Bishop (American singer-songwriter)
Bassgitarre:
Mac Cridlin (bass)
E-Gitarre:
Andrew Gold
Hybrid-Piano:
Barlow Jarvis (American pianist, keyboardist and songwriter)
Marimba, Perkussion und Vibraphon:
Victor Feldman (jazz musician)
Schlagzeug:
Larry Brown (US producer, engineer, drummer and percussionist)
Steel-Gitarre:
Michael Staton
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1976), Geffen Records (in 1976) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
On and On
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Downtown Music Publishing International Inc., Stephen Bishop Music Publishing und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Stephen Bishop3:02
7We're All Alone
Produzent(in):
David Anderle
phonographisches Urheberrecht (℗) von:
A&M Records (in 1977) und A&M Records, Inc. (Los Angeles) (in 1977)
cover recording of:
We’re All Alone
Texter und Komponist(in):
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) und Boz Scaggs Music (publisher) (vom 1975 bis heute)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Rita Coolidge43:40
8I Honestly Love You
Ko-Techniker(in):
Alan Rouse
Techniker(in):
Tony Clark (engineer, Abbey Road)
Produzent(in):
John Farrar
arranger:
Alan Hawkshaw (British pianist, composer and producer.)
phonographisches Urheberrecht (℗) von:
Festival Records International Ltd. (company; do NOT use as release label) (in 1974) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
I Honestly Love You (in 1974)
Texter:
Jeff Barry
Komponist(in):
Peter Allen (Australian singer‐songwriter)
arranger:
Alan Hawkshaw (British pianist, composer and producer.)
publisher:
Irving Music (BMI), Rondor Music, Rondor Music (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Woolnough Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Olivia Newton‐John43:41
9Breaking Up Is Hard to Do
recording of:
Breaking Up Is Hard to Do
Texter und Komponist(in):
Howard Greenfield und Neil Sedaka
publisher:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Careers und Aldon (in 1962)
Neil Sedaka3:18
10You Don't Have to Be a Star (To Be in My Show)
recording of:
You Don't Have to Be a Star (To Be in My Show)
Verfasser(in):
James Dean (US soul songwriter) und John Glover (US Funk/disco/soul producer & songwriter)
Marilyn McCoo & Billy Davis Jr.53:54
11Theme From Mahogany (Do You Know Where You're Going to)
Produzent(in):
Michael Masser
E-Bass:
Leland Sklar (bassist, session musician)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
vocals:
Diana Ross
conductor:
Lee Holdridge
arranger:
Lee Holdridge und Michael Masser
recording of:
Theme From Mahogany (Do You Know Where You’re Going To?)
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Jobete Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 48th Academy Award for Best Original Song (Nummer: 2)
Diana Ross53:26
12Poetry Man
assistierende(r) Techniker(in):
Glen Berger
Techniker(in):
Phil Ramone
Koproduzent(in):
Phil Ramone
Produzent(in):
Dino Airali
Akustikgitarre [ld. acoustic guiitar]:
Phoebe Snow
akustische Bassgitarre [acoustic bass]:
Chuck Delmonico (American bassist)
Harfe [harpist]:
Margaret Ross (harp)
Orgel:
Bob James (US jazz keyboardist, arranger and producer)
Perkussion:
Ralph MacDonald
Tenorsaxophon:
John "Zoot" Sims (US jazz saxophonist)
vocals:
Phoebe Snow
phonographisches Urheberrecht (℗) von:
Shelter Recording Company Inc. (in 1974)
produced at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
Poetry Man
Texter und Komponist(in):
Phoebe Snow
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Phoebe Snow54:37
13My Melody of Love
recording of:
My Melody of Love
Verfasser(in):
Henry Mayer und Bobby Vinton
Bobby Vinton3:14
14With You I'm Born Again
assistierende(r) Techniker(in):
James Warmack
Techniker(in) und Mix:
F. Byron Clark
Produzent(in):
James di Pasquale und David Shire (American score composer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) und Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1979)
recording of:
With You I’m Born Again
Texter:
Carol Connors
Komponist(in):
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) und Jobete Music (UK) Ltd.
Billy Preston & Syreeta3:41
15The Morning After
Techniker(in):
Arnie Rosenberg
Produzent(in):
Carl Maduri
arranger:
Joe Hudson (US composer, string arranger and conductor)
phonographisches Urheberrecht (℗) von:
20th Century-Fox Record Corporation (in 1972) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
The Morning After (from "The Poseidon Adventure")
Verfasser(in):
Joel Hirschhorn (songwriter) und Al Kasha (composer, songwriter and arranger)
publisher:
Fox Fanfare Music und Twentieth Century Music Corp.
Teil von:
The 45th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1972 winner)
Maureen McGovern52:19

Nennungen

Veröffentlichungsgruppe

Teil von:Romancing the 70s (Nummer: 4) (Reihenfolge: 4)