Classic Cuts Presents: The Soul Box

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#TitoloArtistaValutazioneDurata
1Soul Finger
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1967)
produttore:
The Stax Staff
basso elettrico [electric bass] :
James Alexander (US soul bassist, singer and songwriter) (nel 1967)
batteria :
Carl Cunningham (drummer for The Bar‐Kays) (nel 1967)
chitarra :
Jimmy King (US guitarist for The Bar‐Kays) (nel 1967)
organo :
Ronnie Caldwell (nel 1967)
sassofono tenore :
Phalon Jones (nel 1967)
tromba :
Ben Cauley (nel 1967)
registrazione di:
Soul Finger (nel 1967)
autore:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones e Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays4.52:22
2Rescue Me
registrazione di:
Rescue Me
autore:
Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
editore:
United Artists Music Co., Inc. (conclusa), Chevis Music Publ. Corp. e Reservoir 416
Fontella Bass2:54
3The Soul City Walk
Archie Bell & the Drells3:12
4Harlem Shuffle
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd. e HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
remaster di:
Harlem Shuffle di Bob & Earl
registrazione di:
Harlem Shuffle
autore:
Earl Nelson e Bob Relf
editore:
Bug Music Ltd., Bug Music (music publishing) (nel 1988), Keyman Music (publisher) (nel 1988) e Marc-Jean Music (publisher) (nel 1988)
Bob & Earl22:51
5Green Onions
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-06)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (nel 1962-06)
chitarra :
Steve Cropper (nel 1962-06)
chitarra basso [bass] :
Lewie Steinberg (nel 1962-06)
organo Hammond :
Booker T. Jones (nel 1962-06)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 181) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 418)
registrazione di:
Green Onions (nel 1962-06)
compositore:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones e Lewie Steinberg
editore:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. e Irving Music (BMI)
Booker T. & the MG’s3.852:54
6I Got You (I Feel Good)
registrata a:
Miami, Florida, Stati Uniti (il 1965-05-06)
produttore:
James Brown (The Godfather of Soul)
basso :
Bernard Odum (il 1965-05-06)
batteria :
Melvin Parker (il 1965-05-06)
chitarra :
Alphonso "Country" Kellum (il 1965-05-06) e Jimmy Nolen (il 1965-05-06)
organo :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06)
sassofono contralto :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06) e Maceo Parker (US funk/jazz saxophonist) (il 1965-05-06)
sassofono tenore :
Al "Brisco" Clark (il 1965-05-06), St. Clair Pinckney (il 1965-05-06) e Eldee Williams (il 1965-05-06)
tromba :
Joe Dupars (il 1965-05-06), Mike Ridley (il 1965-05-06) e Ron Tooley (American trumpeter) (il 1965-05-06)
trombone :
Levi Rasbury (il 1965-05-06)
voce principale:
James Brown (The Godfather of Soul) (il 1965-05-06)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1965) e PolyGram Inc. (1978–1990) (nel 1988)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1965-05-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 359)
registrazione cover di:
I Found You (a.k.a. I Got You (I Feel Good)) (il 1965-05-06)
paroliere e compositore:
James Brown (The Godfather of Soul)
editore:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. e Try Me Inc.
James Brown4.552:48
7Shotgun Wedding
Roy C2:19
8Give Me Just a Little More Time
diritti fonografici (℗) detenuti da:
Invictus (American record label founded by Holland–Dozier–Holland, based in Detroit, Michigan) (nel 1970)
registrazione di:
Give Me Just a Little More Time (Dunbar/Wayne)
autore:
Lamont Dozier, Ronald Dunbar (Songwriter, A&R director and record producer), Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Holland Group Productions Inc. e Universal/MCA Music Ltd. (not for release label use!)
Chairmen of the Board4.652:44
9You’ve Got Me Dangling on a String
registrazione di:
(You’ve Got Me) Dangling on a String
paroliere e compositore:
Edith Wayne (songwriting pseudonym used by Holland‐Dozier‐Holland)
editore:
Universal/MCA Music Ltd. (not for release label use!)
Chairmen of the Board3:01
10Hit the Road Jack
registrazione di:
Hit the Road Jack
paroliere e compositore:
Percy Mayfield
editore:
Tangerine Music, Tangerine Music Corp. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles2:00
11Sweet Talkin’ Guy
registrazione di:
Sweet Talking Guy
autore:
Baer, Greenberg, Morris (record executive) e Schwartz (songwriter for and co-founder of Laurie Records)
The Chiffons2:21
12Have You Seen Her
registrazione di:
Have You Seen Her
autore:
Barbara Acklin (singer and songwriter) e Eugene Record
editore:
Intersong Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites5:08
13Easy
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1977), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1977), Motown Records (not for label use; use “Motown” instead) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 2009)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 93)
registrazione di:
Easy
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Commodores3.754:16
14Sweet Soul Music
tecnico:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Otis Redding
chitarra :
Moses Dillard (il 1967-01-20)
voce:
Arthur Conley (il 1967-01-20)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 351)
registrazione di:
Sweet Soul Music (il 1967-01-20)
autore:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) e Otis Redding
editore:
ABKCO Music e Rondor
si basa su:
Yeah Man
Arthur Conley42:20
15Wonderful World
registrazione di:
Wonderful World
autore:
Lou Adler, Herb Alpert e Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. e 日本アブコ音楽出版 (ABKCO Japan Publishing)
Sam Cooke2:06
16Feel the Need in Me
registrazione di:
Feel the Need in Me
paroliere e compositore:
Abrim Tilmon
editore:
Bridgeport Music, Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Detroit Emeralds3:42
17Could It Be I’m Falling in Love
registrazione di:
Could It Be I’m Falling in Love
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4:14
18Come on Over to My Place
registrazione di:
Come on Over to My Place
autore:
Barry Mann e Cynthia Weil
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Drifters2:30
19Kissin’ in the Back Row of the Movies
voce:
Bill Fredericks e Butch Mann
voce di baritono:
Grant Kitchings
voce di tenore:
Butch Leake
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters)
arrangiatore:
Tony King (songwriter, arranger)
registrazione di:
Kissin’ in the Back Row of the Movies
compositore:
Roger Greenaway e Tony Macaulay
The Drifters3.653:32
20Heaven Must Have Sent You
The Elgins2:31
21Something Old, Something New
registrazione di:
Something Old, Something New
autore:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway e Tony Macaulay
The Fantastics2:49
22Knock on Wood
registrazione di:
Knock on Wood
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
adattamenti:
Potkraj na les
Eddie Floyd3:05
23Build Me Up Buttercup
registrazione di:
Build Me Up Buttercup
autore:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) e Tony Macaulay
editore:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. e Welbeck Music (publisher)
The Foundations3:00
24I Can’t Help Myself
registrazione di:
I Can’t Help Myself (Sugar Pie, Honey Bunch)
paroliere:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Stone Agate Music Division
Four Tops2:41
25It’s the Same Old Song
tecnico di registrazione:
Lawrence T. Horn
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
tecnico di missaggio:
Robert L. Gordy (music publishing executive)
archi :
Detroit Symphony Orchestra
basso [1962 Fender Precision Bass] :
James Jamerson
batteria :
Benny Benjamin (US drummer)
chitarra [1964 Gibson Firebird III] :
Eddie Willis
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina
chitarra [Gibson L-5] :
Robert White (US funk/soul guitarist)
pianoforte :
Earl Van Dyke
sassofono baritono :
Mike Terry (60s US soul arranger/conductor)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
vibrafono :
Jack Brokensha
voce di accompagnamento:
Marlene Barrow, Renaldo Benson, Louvain Demps, Abdul “Duke” Fakir, Jackie Hicks e Lawrence Payton
voce principale:
Levi Stubbs
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti
registrazione di:
It’s the Same Old Song (il 1965-07-07)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs Australia
Four Tops42:48
26Reach Out (I’ll Be There)
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
strumenti:
The Funk Brothers (nel 1966)
voce di accompagnamento:
The Andantes (nel 1966), Marlene Barrow (nel 1966), Renaldo Benson (nel 1966), Louvain Demps (nel 1966), Abdul “Duke” Fakir (nel 1966), Jackie Hicks (nel 1966) e Lawrence Payton (nel 1966)
voce principale:
Levi Stubbs (nel 1966)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 78) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 206)
registrazione di:
Reach Out, I’ll Be There (nel 1966)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops42:58
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#TitoloArtistaValutazioneDurata
1I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:34
2I Heard It Through the Grapevine
produttore:
Norman Whitfield
basso [1962 Fender Precision Bass] :
James Jamerson (dal 1967-02-03 al 1967-04-10)
batteria :
Uriel Jones (dal 1967-02-03 al 1967-04-10)
chitarra [1964 Gibson Firebird III] :
Eddie Willis (dal 1967-02-03 al 1967-04-10)
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina (dal 1967-02-03 al 1967-04-10)
congas e tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (dal 1967-02-03 al 1967-04-10)
corno francese :
Don Ozga (dal 1967-02-03 al 1967-04-10) e Edwin Jones (dal 1967-02-03 al 1967-04-10)
organo Hammond [B-3] :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
piano elettrico Wurlitzer :
Johnny Griffith (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
tom-tom :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10), Marlene Barrow (dal 1967-02-03 al 1967-04-10), Louvain Demps (dal 1967-02-03 al 1967-04-10) e Jackie Hicks (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
arrangiatore archi :
Paul Riser (dal 1967-02-03 al 1967-04-10)
orchestratore:
Paul Riser (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione cover di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:11
3It Takes Two
voce:
Kim Weston
registrazione di:
It Takes Two
autore:
Sylvia Moy e William Stevenson (Motown songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music
Marvin Gaye & Kim Weston32:57
4Under My Thumb
Wayne Gibson3:10
5Out on the Floor
Dobie Gray2:00
6Let’s Stay Together
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Al Green4:44
7Nutbush City Limits
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner2:55
8Summer Breeze
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973) e T-Neck Records, Inc. (for copyrights use only; for release labels, use “T-Neck”) (nel 1973)
edit di:
Summer Breeze di The Isley Brothers
registrazione cover di:
Summer Breeze
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
editore:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Isley Brothers43:08
9This Old Heart of Mine (Is Weak for You)
registrazione di:
This Old Heart of Mine (Is Weak for You)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
autore:
Holland–Dozier–Holland
compositore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Sylvia Moy
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) e Stone Agate Music Division
The Isley Brothers2:51
10Rockin’ Robin
produttore:
Mel Larson e Jerry Marcellino
voce principale:
Michael Jackson (“King of Pop”) (nel 1971-10)
arrangiatore:
James Anthony Carmichael
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1972)
registrazione cover di:
Rockin’ Robin (nel 1971-10)
paroliere e compositore:
Jimmie Thomas
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son e Recordo Music Pub.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Michael Jackson4.652:34
11ABC
produttore:
The Corporation (Motown songwriters)
basso elettrico :
Wilton Felder (nel 1970-01) e Bob West (US session bassist, producer & songwriter) (nel 1970-01)
batteria :
Gene Pello (nel 1970-01)
chitarra :
Don Peake (nel 1970-01), Louis Shelton (nel 1970-01) e David T. Walker (nel 1970-01)
tastiera :
Freddie Perren (nel 1970-01)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Marlon Jackson (nel 1970-01) e Tito Jackson (nel 1970-01)
voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”) (nel 1970-01)
voce principale:
Jackie Jackson (member of the Jackson 5) (nel 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1970-01) e Tito Jackson (nel 1970-01)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1970)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1970-01)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 174)
registrazione di:
ABC (nel 1970-01)
autore:
Berry Gordy, Fonce Mizell, Freddie Perren e Deke Richards (American songwriter and record producer)
compositore:
Erik Huber (audio engineer, producer, composer)
editore:
Jobete Music Co., Inc.
sub-editore:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
parte di:
MJ: The Musical
The Jackson 54.12:59
12I Want You Back
produttore:
The Corporation (Motown songwriters)
batteria :
Gene Pello e Johnny Jackson (drummer for Jackson 5) (nel 1969-07)
chitarra :
Donald Peake, David T. Walker e Tito Jackson (nel 1969-07)
chitarra [lead guitar] :
Louis Shelton (nel 1969-07)
chitarra basso :
Wilton Felder (nel 1969-07)
percussione :
Sandra Crouch e Marlon Jackson (nel 1969-07)
pianoforte :
Fonce Mizell, Freddie Perren, Joe Sample e Ronnie Rancifer (nel 1969-07)
tastiera :
Clarence McDonald e Ronnie Rancifer (nel 1969-07)
voce:
Jackie Jackson (member of the Jackson 5) (nel 1969-07)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1969-07), Marlon Jackson (nel 1969-07) e Tito Jackson (nel 1969-07)
voce principale:
Michael Jackson (“King of Pop”) (nel 1969-07)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
The Sound Factory West in West Hollywood, California, Stati Uniti (nel 1969-07, dal 1969-07 al 1969-09)
video musicali:
I Want You Back di The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 23), Billboard Year-End Hot 100 singles of 1970 (numero: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 104) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 120)
registrazione di:
I Want You Back (nel 1969-07)
paroliere e compositore:
The Corporation (Motown songwriters)
editore:
EMI April Music Inc. e Jobete Music Co., Inc.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
The Jackson 54.152:58
13My Man a Sweet Man
Millie Jackson2:32
14(Blame It) On the Pony Express
registrazione di:
Blame It on the Pony Express
autore:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway e Tony Macaulay
Johnny Johnson & The Bandwagon3:04
15Breakin’ Down the Walls of Heartache
Johnny Johnson & The Bandwagon2:37
16I’ll Pick a Rose for My Rose
registrazione di:
I’ll Pick a Rose for My Rose
autore:
James Dean (US soul songwriter), Marv Johnson e William Weatherspoon
editore:
Jobete Music (UK) Ltd.
Marv Johnson2:40
17Tainted Love
tecnico:
Armin Steiner
produttore:
Ed Cobb
arrangiatore:
Lincoln Mayorga (pianist, conductor and composer)
registrazione di:
Tainted Love (nel 1965)
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Gloria Jones52:11
18Sliced Tomatoes
diritti fonografici (℗) detenuti da:
Music Merchant Records (nel 1972)
registrazione di:
Sliced Tomatoes
compositore:
Winifred Terry
Just Brothers42:22
19Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:57
20Baby Don’t Change Your Mind
registrazione cover di:
Baby Don’t Change Your Mind
paroliere e compositore:
Van McCoy
Gladys Knight & the Pips3.653:14
21Mr Big Stuff
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 34) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 398)
registrazione di:
Mr. Big Stuff
autore:
Joseph Broussard, Carrol Washington e Ralph Williams (US soul composer)
editore:
Caraljo Music Inc., Malaco Music Company e Peermusic III, Ltd. (BMI)
Jean Knight52:46
22Love on a Mountain Top
registrazione di:
Love on a Mountain Top
autore:
James “Buzz” Cason e Mac Gayden
editore:
Peter Maurice Music Pub. Co. Ltd.
Robert Knight2:31
23You Can Do Magic
Limmie & the Family Cookin’2:59
24I’m Gonna Run Away From You
registrazione di:
I’m Gonna Run Away From You
paroliere e compositore:
Bert Russell Berns
Tami Lynn2:46
25When You’re Young and in Love
registrazione cover di:
When You’re Young and in Love
paroliere e compositore:
Van McCoy
editore:
Campbell Connelly & Co.
The Marvelettes2:37
3▼CD
#TitoloArtistaValutazioneDurata
1Don’t Leave Me This Way
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
esecutore:
Teddy Pendergrass
edit di:
Don’t Leave Me This Way di Harold Melvin & The Blue Notes
registrazione di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes4.53:56
2If You Don’t Know Me by Now
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce di accompagnamento:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s) (nel 1972)
voce principale:
Harold Melvin (nel 1972)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1991)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
If You Don’t Know Me by Now (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Harold Melvin & The Blue Notes3.753:26
3Move on Up
registrazione di:
Move On Up
paroliere e compositore:
Curtis Mayfield
editore:
Camad Music Company (conclusa), Curtom Publishing Co Inc (conclusa), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield2:52
4The Flasher
Mistura4:33
5I’m Doin’ Fine Now
registrazione di:
I’m Doin’ Fine Now
autore:
Thom Bell (keyboards, songwriter, producer) e Sherman Marshall
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
New York City2:58
6I Love Music
edit di:
I Love Music di The O’Jays
registrazione di:
I Love Music
autore:
Gamble & Huff, Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays53:36
7Love Train
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Love Train (nel 1972)
paroliere e compositore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:59
8Me and Mrs Jones
Billy Paul3:35
9Band of Gold
diritti fonografici (℗) detenuti da:
Holland Group Productions Inc. (nel 1970)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 278) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 391)
registrazione di:
Band of Gold (Freda Payne song)
autore:
Ronald Dunbar (Songwriter, A&R director and record producer), Edythe Wayne, Edythe Wayne (Motown producer & songwriter) e Edythe Wayne (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Chelsea Music Publishing Co., Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:57
10In the Midnight Hour
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-05-12)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records) e Jerry Wexler
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-05-12)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-05-12)
chitarra :
Steve Cropper (il 1965-05-12)
pianoforte :
Joe Hall (Memphis pianist) (il 1965-05-12)
sassofono baritono :
Floyd Newman (il 1965-05-12)
sassofono tenore :
Charles “Packy” Axton (il 1965-05-12) e Andrew Love (il 1965-05-12)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-05-12)
voce:
Wilson Pickett (il 1965-05-12)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965, nel 1992) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (il 1965-05-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 134) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 218)
registrazione di:
In the Midnight Hour (il 1965-05-12)
autore:
Steve Cropper e Wilson Pickett
editore:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. e Irving Music, Inc.
Wilson Pickett32:34
11Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
registrazione di:
Land of 1000 Dances
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
Wilson Pickett42:26
12(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:43
13Dancing in the Street
registrazione di:
Dancing in the Street
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha Reeves and the Vandellas2:39
14Jimmy Mack
Martha Reeves and the Vandellas2:53
15Lovin’ You
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3:22
16The Tears of a Clown
registrazione di:
The Tears of a Clown
paroliere:
Smokey Robinson
compositore:
Henry Cosby, Smokey Robinson e Stevie Wonder
editore:
Black Bull Music, Inc., Jobete Music Ltd e Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles2:56
17The Tracks of My Tears
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 7), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 134)
registrazione di:
The Tracks of My Tears
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
Smokey Robinson & The Miracles2:52
18Love Don’t Live Here Anymore
registrazione di:
Love Don’t Live Here Anymore
paroliere e compositore:
Miles Gregory
editore:
Sony/ATV Ballad e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce3:57
19Wishing on a Star
registrazione di:
Wishing on a Star
paroliere e compositore:
Billie Calvin (Billie Rae Calvin)
editore:
Warner/Chappell North America
Rose Royce4:30
20Where Did Our Love Go
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-04-08)
batteria :
Richard "Pistol" Allen (il 1964-04-08)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-04-08)
chitarra :
Robert White (US funk/soul guitarist) (il 1964-04-08) e Eddie Willis (il 1964-04-08)
pianoforte :
Earl Van Dyke (il 1964-04-08)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-04-08)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-04-08)
voce di accompagnamento:
Florence Ballard (il 1964-04-08) e Mary Wilson (il 1964-04-08)
voce principale:
Diana Ross (il 1964-04-08)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-04-08)
registrazione di:
Where Did Our Love Go (il 1964-04-08)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
Diana Ross & The Supremes2:31
21You Can’t Hurry Love
tecnico di registrazione:
Russ Terrana
tecnico:
Lamont Dozier
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1966-06-11)
batteria :
Benny Benjamin (US drummer) (il 1966-06-11)
chitarra [Gibson L-5] :
Robert White (US funk/soul guitarist) (il 1966-06-11)
ottoni [horns] :
Detroit Symphony Orchestra (il 1966-06-11)
pianoforte :
Earl Van Dyke (il 1966-06-11)
strumenti:
The Funk Brothers (il 1966-06-11)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1966-06-11)
voce di accompagnamento:
Florence Ballard (il 1966-07-05) e Mary Wilson (il 1966-07-05)
voce principale:
Diana Ross (il 1966-07-05)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1966) e Motown Records (not for label use; use “Motown” instead) (nel 2015, nel 2017)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1966-06-11 al 1966-07-05)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 280)
registrazione di:
You Can’t Hurry Love (dal 1966-06-11 al 1966-07-05)
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music (UK) Ltd. (nel 1965) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Diana Ross & The Supremes4.752:44
22What Becomes of the Broken Hearted
registrazione di:
What Becomes of the Brokenhearted
autore:
James Dean (US soul songwriter), Paul Riser e William Weatherspoon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (UK)
Jimmy Ruffin2:55
23Soul Man
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-08-10)
produttore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Jim Stewart (US producer, founder for Stax & Volt Records)
strumenti:
Booker T. & the MG’s (nel 1967) e The Mar‐Keys Horns (nel 1967)
voce principale:
Sam Moore (singer, ex “Sam and Dave”) (nel 1967) e David Prater (soul artist) (nel 1967)
diritti fonografici (℗) detenuti da:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 458)
registrazione di:
Soul Man (il 1967-08-10)
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave4.52:39
24California Soul
registrazione cover di:
California Soul
autore:
Nickolas Ashford e Valerie Simpson
editore:
Jobete Music Co., Inc. (il 1969-01-17)
Marlena Shaw3:00
25When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:53
26Everyday People
batteria :
Greg Errico (nel 1968)
chitarra :
Freddie Stone (nel 1968)
chitarra basso :
Larry Graham (US bassist & singer) (nel 1968)
chitarra e tastiera :
Sly Stone (nel 1968)
sassofono :
Jerry Martini (nel 1968)
tastiera :
Rose Stone (nel 1968)
tromba :
Cynthia Robinson (nel 1968)
voce:
Larry Graham (US bassist & singer) (nel 1968), Jerry Martini (nel 1968), Freddie Stone (nel 1968), Rose Stone (nel 1968) e Sly Stone (nel 1968)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 109), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 145) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 293)
registrazione di:
Everyday People (nel 1968)
paroliere e compositore:
Sylvester Stewart
editore:
Mijac Music
Sly & the Family Stone4.152:24
27The Son of Hickory Holler’s Tramp
tecnico:
Peter Romano
produttore:
Jerry Fuller
strumenti:
Jerry Fuller
direttore d'orchestra:
H.B. Barnum
arrangiatore:
H.B. Barnum
registrazione cover di:
The Son of Hickory Holler’s Tramp
paroliere e compositore:
Dallas Frazier (American songwriter and musician)
O.C. Smith23:48
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