The Hobbit: The Battle of the Five Armies: Original Motion Picture Soundtrack (special edition)

~ Pubblicazione di Howard Shore (visualizza tutte le versioni di questa pubblicazione: 8 disponibili)

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1▼CD
#TitoloValutazioneDurata
1Fire and Water
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
Fire and Water (The Hobbit: The Battle of the Five Armies)
compositore:
Howard Shore (Canadian score composer)
1.755:59
2Shores of the Long Lake
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
Shores of the Long Lake
autore:
Howard Shore (Canadian score composer)
1.754:01
3Beyond Sorrow and Grief (extended version)
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
Beyond Sorrow and Grief
compositore:
Howard Shore (Canadian score composer)
14:12
4Guardians of the Three (extended version)
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
Guardians of the Three
compositore:
Howard Shore (Canadian score composer)
15:49
5The Ruins of Dale
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
The Ruins of Dale
compositore:
Howard Shore (Canadian score composer)
1.753:40
6The Gathering of the Clouds (extended version)
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
The Gathering of the Clouds
compositore:
Howard Shore (Canadian score composer)
15:53
7Mithril
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
Mithril
compositore:
Howard Shore (Canadian score composer)
1.93:08
8Bred for War
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
Bred for War
compositore:
Howard Shore (Canadian score composer)
1.653:20
9A Thief in the Night
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
A Thief in the Night
compositore:
Howard Shore (Canadian score composer)
1.54:14
10The Clouds Burst
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
The Clouds Burst
compositore:
Howard Shore (Canadian score composer)
1.754:13
11Battle for the Mountain
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
Battle for the Mountain
compositore:
Howard Shore (Canadian score composer)
1.54:41
2▼CD
#TitoloArtistaValutazioneDurata
1The Darkest Hour
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
The Darkest Hour
compositore:
Howard Shore (Canadian score composer)
Howard Shore1.55:33
2Sons of Durin
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
Sons of Durin
compositore:
Howard Shore (Canadian score composer)
Howard Shore1.654:25
3The Fallen
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
The Fallen
compositore:
Howard Shore (Canadian score composer)
Howard Shore1.754:57
4Ravenhill
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
Ravenhill
compositore:
Howard Shore (Canadian score composer)
Howard Shore2.755:48
5To the Death (extended version)
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
To the Death
compositore:
Howard Shore (Canadian score composer)
Howard Shore17:23
6Courage and Wisdom
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
Courage and Wisdom
compositore:
Howard Shore (Canadian score composer)
Howard Shore2.155:10
7The Return Journey
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
The Return Journey
compositore:
Howard Shore (Canadian score composer)
Howard Shore1.54:18
8There and Back Again
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
There and Back Again
compositore:
Howard Shore (Canadian score composer)
Howard Shore1.754:20
9The Last Goodbye
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios) e Jason Huss (New Zealand engineer)
produttore e tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
produttore associato:
Stephen Gallagher (New Zealand composer and editor)
produttore esecutivo:
Billy Boyd (Scottish actor and musician) e Fran Walsh
editor:
Olga FitzRoy
chitarra :
Adam Goldsmith, John Parricelli e Dario Rossetti-Bonell
zimbalon :
Edward Cervenka (percussionist and cimbalom player)
voce principale:
Billy Boyd (Scottish actor and musician)
direttore d'orchestra:
Robert Ziegler (conductor)
arrangiatore e orchestratore:
Victoria Kelly
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda e Roundhead Studios in Auckland, Auckland, North Island, Nuova Zelanda
registrazione di:
The Last Goodbye (End credits song for “The Hobbit: The Battle of the Five Armies”)
paroliere:
Philippa Boyens e Fran Walsh
compositore:
Billy Boyd (Scottish actor and musician)
Billy Boyd3.754:07
10Ironfoot (extended version)
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
Ironfoot
compositore:
Howard Shore (Canadian score composer)
Howard Shore16:12
11Dragon‐Sickness
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
Dragon‐Sickness
compositore:
Howard Shore (Canadian score composer)
Howard Shore13:53
12Thrain (extended version)
tecnico di registrazione:
Jonathan Allen (engineer), Peter Cobbin (recording engineer at Abbey Road Studios), Olga FitzRoy, Lewis Jones (engineer) e Nigel Scott
assistente tecnico:
Simon Gooding, Brian Mahoney (Sound engineer) e Brett Stanton (Sound engineer)
tecnico:
Graham Kennedy (technical engineer)
tecnico di missaggio:
Peter Cobbin (recording engineer at Abbey Road Studios) e Kirsty Whalley (engineer and keyboardist)
editor:
Jeremy Cullen (New Zealand composer and sound designer), Stephen Gallagher (New Zealand composer and editor), Lewis Morison (Music editor), Nigel Scott, Kirsty Whalley (engineer and keyboardist) e Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
cori:
London Voices
orchestra:
New Zealand Symphony Orchestra
direttore d'orchestra:
Conrad Pope
maestro del coro:
Terry Edwards (British choir director) e Ben Parry (British conductor)
orchestratore:
Conrad Pope e James Sizemore (Composer and producer)
primo violino:
Vesa-Matti Leppänen (violinist)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito, AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Wellington Town Hall in Wellington, Wellington (Wellington Region), North Island, Nuova Zelanda
mixata presso:
Park Road Post in Wellington (Wellington Region), North Island, Nuova Zelanda
registrazione di:
Thrain
compositore:
Howard Shore (Canadian score composer)
Howard Shore13:25

Accreditamenti

Pubblicazione

fotografia:Benjamin Ealovega
note di libretto:Doug Adams (music journalist)
Peter Jackson (director, producer and screenwriter)
produttore:Howard Shore (Canadian score composer)
produttore esecutivo:Philippa Boyens
Peter Jackson (director, producer and screenwriter)
Fran Walsh
editor:Dan Bora (Sound engineer)
James Sizemore (Composer and producer)
ASIN:FR: B00OM8BWO4 [info]
voce della discografia:http://www.howardshore.com/the-hobbit-the-battle-of-the-five-armies/ [info]