Latest and Greatest Duets

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Heartbreaker
Produzent(in):
will.i.am (American rapper and producer)
recording of:
Heartbreaker
Texter und Komponist(in):
William Adams (American rapper and producer)
will.i.am feat. Cheryl2.53:17
2If I Never See Your Face Again
recording engineer:
Mark Endert und Mark “Spike” Stent (producer, engineer)
Produzent(in):
C. “Tricky” Stewart (producer, C. “Tricky” Stewart), Mike Elizondo, Mark Endert, Maroon 5 (American pop rock band) und Mark “Spike” Stent (producer, engineer)
Mix:
Mark Endert
vocals:
Rihanna (Barbadian R&B/pop singer)
phonographisches Urheberrecht (℗) von:
OctoScope Music LLC (holding company behind the "A&M/Octone" label) (in 2008)
aufgenommen bei:
Conway Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Glenwood Place Studios in Burbank, California (Kalifornien), Vereinigte Staaten, Henson Studios (former A&M Studios) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, House of Blues Studios in Encino, California (Kalifornien), Vereinigte Staaten und Phantom Studio in Westlake Village, California (Kalifornien), Vereinigte Staaten
mixed at:
Scream Studios in Miami, Florida, Vereinigte Staaten
recording of:
If I Never See Your Face Again
Verfasser(in):
Adam Levine (Maroon 5’s lead vocalist) und James Valentine (Maroon 5)
Maroon 5 feat. Rihanna2.353:19
3Broken Strings
recording engineer:
Joao Nazario, Alex Smith (English songwriter and producer), Ren Swan und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Programmierung und Produzent(in):
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
assistierende(r) Mix:
Dan Parry (British mix/recording engineer)
Mix:
Tom Elmhirst (mixing engineer)
Bass:
Alex Smith (English songwriter and producer)
Gitarre:
Adam Phillips (British guitarist and singer) und Alex Smith (English songwriter and producer)
Schlagzeug:
Ash Soan
Musikvideos:
Broken Strings von James Morrison (UK singer) feat. Nelly Furtado
recording of:
Broken Strings
Verfasser(in):
James Morrison (UK singer), Fraser T. Smith und Nina Woodford
publisher:
BMG Blue
James Morrison feat. Nelly Furtado4.54:13
4Rise & Fall
recording of:
Rise & Fall
Verfasser(in):
Craig David, Gordon Sumner (singer, songwriter & member of The Police) und Dominic Miller (guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Magnetic Publishing Ltd., P and P Songs Limited, Steerpike Ltd. (PRS-affiliated) und Windswept Music (London) Ltd.
quotes lyrics from:
Shape of My Heart
quotes music from:
Shape of My Heart
Craig David feat. Sting4:01
5If You Ever
East 17 feat. Gabrielle3:57
6Shine a Light
recording of:
Shine a Light
Verfasser(in):
Taio Cruz, Tom Fletcher (McFly) und Danny Jones (McFly)
McFly feat. Taio Cruz3:39
7Supernova
Sologesang:
Kanye West (Ye, formerly Kanye West)
instrumental versions:
Supernova (instrumental) von Mr Hudson feat. Kanye West (Ye, formerly Kanye West)
recording of:
Supernova
Verfasser(in):
Benjamin McIldowie und Kanye West (Ye, formerly Kanye West)
Mr Hudson feat. Kanye West2.753:15
8Dilemma
Assistent recording engineer und assistierende(r) Techniker(in):
Nick Howard (engineer)
recording engineer und Techniker(in):
Brian Garten (Engineer)
Produzent(in):
BAM und Ryan Bowser
assistierende(r) Mix:
Dan Milazzo und Jeff Robinette
Mix:
Rich Travali (Engineer)
Partner-Mix:
Jamie Duncan
vocals:
Nelly (US rapper) und Kelly Rowland
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 2002) und Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 2002)
produced for:
Suga Shack Entertainment
aufgenommen bei und engineered at:
Right Track Recordings in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Dilemma
Texter:
Kenneth Gamble (songwriter for Philadelphia International), Nelly (US rapper) und Bunny Sigler
Komponist(in):
BAM und Ryan Bowser
publisher:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (beendet), Jackie Frost Music (beendet), Phat Nasty (beendet), Suga Shack (beendet), EMI April Music Inc., Hipgnosis SFH I Limited, Kobalt Songs Music Publishing (USA, ASCAP affiliated), Shack Suga Entertainment, Universal Music–MGB Songs und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
basiert auf:
Love, Need and Want You
Nelly feat. Kelly Rowland4.24:50
9Promiscuous
recording of:
Promiscuous
Texter:
Attitude (US rapper/producer Tim Clayton), Nelly Furtado und Timbaland
Komponist(in):
Timothy Clayton, Nelly Furtado, Nate Hills (US producer Nate Hills) und Timothy Mosley
Nelly Furtado feat. Timbaland4:04
10She’s Like a Star
Sologesang:
Taio Cruz
recording of:
She’s Like a Star (Original Taio Cruz version)
Texter und Komponist(in):
Taio Cruz
recording of:
She’s Like a Star (Later version (Taio Cruz / Sugababes))
Version von:
She’s Like a Star (Original Taio Cruz version)
Sugababes feat. Taio Cruz2:43
11How Deep Is Your Love
recording of:
How Deep Is Your Love (Dru Hill song)
Komponist(in):
R. Cousins, Mark Andrews, Reggie Noble (Redman, US rapper), Terry Ruffin und W. Campbell
Dru Hill feat. Redman3:49
12Let Me Blow Ya Mind
Assistent recording engineer:
John Tyree (engineer)
recording engineer:
Mauricio “Veto” Iragorri
sonstige Unterstützung:
Larry Chatman
Produzent(in):
Dr. Dre (Andre Young, rap producer) und Scott Storch (producer)
Mix:
Dr. Dre (Andre Young, rap producer)
Gitarre:
Mike Elizondo
Keyboard [keyboards]:
Scott Storch (producer)
Hintergrundgesang:
Eve (US rapper/singer) und Stevie J. (US hip-hop producer/songwriter Steven Jordan)
Sologesang:
Gwen Stefani
Interpret(in):
Gwen Stefani
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2001) und Ruff Ryders (in 2001)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
My VH1 Music Awards – There’s No “I” in Team (Best Collaboration) Nominees (2001) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 322)
recording of:
Let Me Blow Ya Mind
Verfasser(in):
A. Young (Andre Young, rap producer), E. Jeffers (US rapper/singer), M. Elizondo, S. Jordan (US hip-hop producer/songwriter Steven Jordan) und S. Storch (producer)
publisher:
Aint Nuthin’ Goin’On But F****’ Music, Blackjack Entertainment, Blondie Rockwell Publishing, Dead Game Publishing, Elvismambo Music, Fivecard, Music of Windswept, Scott Storch Music, TVT (copyright holder, no releases here please) und WB Music Corp. (1929–2019)
Eve feat. Gwen Stefani4.33:52
13Breathe
Produzent(in):
Ivan Matias
Gast vocals:
Sean Paul (Jamaican reggae/dancehall)
Sologesang:
Blu Cantrell
Interpret(in):
Sean Paul (Jamaican reggae/dancehall)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 2002)
Samples:
What’s the Difference (explicit) von Dr. Dre (Andre Young, rap producer) featuring Eminem (US rapper) & Xzibit
Musikvideos:
Breathe von Blu Cantrell feat. Sean Paul (Jamaican reggae/dancehall)
recording of:
Breathe (Blu Cantrell, rap version)
Texter und Komponist(in):
Alvin Joiner, Charles Aznavour, Richard Bembery, Marshall Mathers (Eminem, US rapper), Andrea Martin (singer/songwriter for various dance/soul artists), Ivan Matias, Melvin Charles Bradford (US west coast hip‐hop producer Melvin Bradford; Aftermath Entertainment) und Stephon Harris Cunningham
Version von:
Breathe
Blu Cantrell feat. Sean Paul3.93:49
14Could It Be I’m Falling in Love
cover recording of:
Could It Be I’m Falling in Love
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
David Grant feat. Jaki Graham3:50
15It’s Too Late
cover recording of:
It’s Too Late
Texter:
Toni Stern
Komponist(in):
Carole King
gewidmet:
James Taylor (singer-songwriter and guitarist)
publisher:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Dina Carroll feat. Quartz4:02
16Father & Son
cover recording of:
Father and Son (Cat Stevens)
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
Ronan Keating feat. Yusuf Islam2:49
17I’ll Be Your Baby Tonight
leitende(r) Produzent(in):
David Harper (executive producer)
Produzent(in):
Robert Palmer (English singer‐songwriter)
Mix:
Eric "E.T." Thorngren
Interpret(in):
UB40
produced for:
Remlap Co. Inc.
cover recording of:
I’ll Be Your Baby Tonight
Texter und Komponist(in):
Bob Dylan (von 1967-10 bis 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Dwarf Music (in 1968)
Robert Palmer feat. UB404.653:26
18Mama Told Me Not to Come
Techniker(in):
Bob Kraushaar
Produzent(in):
Marshall Bird und Steve Bush (engineer/mixer)
zusätzliche(r) Produzent(in):
Stephen Hague
vocals:
Tom Jones (Welsh pop singer)
Interpret(in):
Stereophonics
cover recording of:
Mama Told Me (Not to Come) (in 1999)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. und Warner/Chappell North America
recording of:
Mama Told Me (Not to Come)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music, January Music Corp., Supersongs Unlimited, Unichappell Music, Inc. und Warner/Chappell North America
Tom Jones with the Stereophonics2.353:00
19This Is Not America
cover recording of:
This Is Not America
Texter und Verfasser(in):
David Bowie (English singer‐songwriter)
Komponist(in):
Lyle Mays und Pat Metheny
publisher:
CBS Songs Ltd., Donna Dijon Music Publications, Jones Music (publishers associated with David Bowie), Jones Music America, OPC Music Publishing, Inc., Pat Meth Music Corp (Pat Meth Music Corporation), Pat‐Meth Music, RZO Music Ltd, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Claudia Brücken feat. Paul Rutherford3:25
20What Becomes of the Broken Hearted
Produzent(in):
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
drum machine [claptrap] und Keyboard:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
Hintergrundgesang:
Jakko (English musician, currently with King Crimson) und Amanda Parsons
vocals:
Colin Blunstone
cover recording of:
What Becomes of the Brokenhearted
Verfasser(in):
James Dean (US soul songwriter), Paul Riser und William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (UK)
Dave Stewart & Colin Blunstone3:50
2▼CD
Nr.TitelKünstlerBewertungLänge
1Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Lionel Richie & Diana Ross3.54:29
2Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:47
3Baby, Come to Me
Gast vocals:
Patti Austin
recording of:
Baby, Come to Me
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) und Rondor Music (London) Ltd.
Patti Austin with James Ingram3:35
4We’ve Got Tonight
Sologesang:
Sheena Easton und Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
Interpret(in):
Sheena Easton
cover recording of:
We’ve Got Tonite
Texter und Komponist(in):
Bob Seger
publisher:
Hideout Records & Distributors, Inc. und Gear Publishing Co (in 1976)
sub-publisher:
大洋音楽 (Taiyō Music)
recording of:
We’ve Got Tonite
Texter und Komponist(in):
Bob Seger
publisher:
Hideout Records & Distributors, Inc. und Gear Publishing Co (in 1976)
sub-publisher:
大洋音楽 (Taiyō Music)
Kenny Rogers & Sheena Easton33:52
5With You I’m Born Again
assistierende(r) Techniker(in):
James Warmack
Techniker(in) und Mix:
F. Byron Clark
Produzent(in):
James di Pasquale und David Shire (American score composer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) und Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1979)
recording of:
With You I’m Born Again
Texter:
Carol Connors
Komponist(in):
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) und Jobete Music (UK) Ltd.
Billy Preston feat. Syreeta3:41
6Delicate
Techniker(in):
Craig Porteils (producer, engineer)
Gitarre:
Terence Trent D’Arby (now known as Sananda Maitreya) und Aaron McClain
Keyboard, Perkussion, Schlagzeug und Hintergrundgesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Gast Sologesang:
Des’ree
recording of:
Delicate (Terence Trent D’Arby)
Verfasser(in):
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby & Des’ree4:18
7You Are Everything
Produzent(in):
Hal Davis
vocals:
Diana Ross
arranger:
Dave Blumberg
cover recording of:
You Are Everything
Verfasser(in):
Linda Creed und Thom Bell (keyboards, songwriter, producer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross & Marvin Gaye33:02
8You’re All I Need to Get ByMarvin Gaye & Tammi Terrell42:50
9Tonight I Celebrate My Love (1993 remaster)
recording engineer:
Alan R. Hirshberg (in 1983)
Techniker(in):
Howard Wolin und Jeremy Smith (producer/engineer)
Produzent(in):
Michael Masser
Mix:
Dick Bogart (Recording and mixing engineer) und Russ Terrano
Bassgitarre [bass]:
Nathan East (in 1983)
Gitarre:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
Klavier:
Randy Kerber (in 1983)
Schlagzeug:
Carlos Vega (in 1983)
vocals:
Peabo Bryson (in 1983) und Roberta Flack (singer and pianist) (in 1983)
arranger:
Michael Masser und Gene Page (conductor, composer, arranger and record producer)
Orchestrator(in):
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
A&M Records Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983) und Studio Sound in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
mixed at:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Tonight, I Celebrate My Love (in 1983)
Texter:
Gerry Goffin
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:31
10Senza Una Donna (without a Woman)
Produzent(in):
Corrado Rustici
arranger:
Corrado Rustici
recording of:
Senza una donna (Spanish version)
übersetzte Version von:
Senza una donna (Without a Woman)
recording of:
Senza una donna (Without a Woman)
Verfasser(in):
Frank Musker und Zucchero
publisher:
Gruppo Intersong S.R.L. (publisher; do NOT use as release label) und Warner Chappell Music Italiana S.r.l.
Zucchero feat. Paul Young3.654:33
11Something’s Gotten Hold of My Heart
Produzent(in):
Bob Kraushaar
Interpret(in):
Gene Pitney
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
Musikvideos:
Something’s Gotten Hold of My Heart von Marc Almond (English pop singer and songwriter) feat. Gene Pitney
cover recording of:
Something’s Gotten Hold of My Heart
Texter und Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und PolyGram Music Publishing
Marc Almond & Gene Pitney2.654:40
12I’m Gonna Make You Love Me
Produzent(in):
Nickolas Ashford und Frank Wilson (Motown singer/songwriter)
Sologesang:
Eddie Kendricks und Diana Ross
Sprecher:
Otis Williams (US baritone singer, member of The Temptations & The Distants)
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1968), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1968), Motown Record Corporation (company credits only; do NOT use as release label) (in 1968) und PolyGram (in 1968)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
cover recording of:
I’m Gonna Make You Love Me (bis 1968-09-13)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) und Jerry Ross (Philadelphia soul composer/producer)
publisher:
Act Three Music, Down Stairs Music, MRC Music Corp., Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross & The Supremes with The Temptations2.653:07
13Left of Center
recording of:
Left of Center
Texter:
Suzanne Vega (American singer-songwriter)
Komponist(in):
Steve Addabbo und Suzanne Vega (American singer-songwriter)
publisher:
AGF Music Ltd, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Waifersongs Ltd.
Suzanne Vega feat. Joe Jackson53:31
14I Wanna Stay With You
assistierende(r) Techniker(in):
Jon Kelly (engineer at Air London Studios)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
David Kershenbaum
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1976) und A&M Records, Ltd. (in 1976)
recording of:
I Wanna Stay With You
Verfasser(in):
Benny Gallagher und Graham Lyle
publisher:
Concord Songs Ltd., Goodsingle Ltd. (publisher), Rondor Music (London) Ltd., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Gallagher & Lyle2:58
15It’s My Party
Techniker(in):
Nick Bradford
Produzent(in):
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
elektronische Instrumente [claptrap], elektronisches Schlagzeug / E-Drums [SDS V], Keyboard [keyboards] und Vocoder:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
Hintergrundgesang:
Amanda Parsons
Sologesang:
Barbara Gaskin
aufgenommen bei und mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1981-06 bis 1981-07)
cover recording of:
It’s My Party
Verfasser(in):
John Gluck, Jr., Wally Gold, Seymour Gottlieb und Herb Weiner
publisher:
A. Schroeder Music Ltd. und Chappell & Co., Inc. (USA)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin3.53:48
16The Ballad of Tom Jones
assistierende(r) Techniker(in):
Dave Buchanan und Andrea Wright
Techniker(in) und Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Produzent(in):
Space (alternative dance/indie rock band) und Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Gast Sologesang und zusätzlich Gast Sologesang:
Cerys Matthews (lead singer, Catatonia)
Interpret(in):
Space (alternative dance/indie rock band)
phonographisches Urheberrecht (℗) von:
Gut Records (vom 1997 bis heute) und Gut Records Ltd. (company credits only; do NOT use as release label) (in 1998)
aufgenommen bei und mixed at:
Parr Street Studio's in Liverpool, Merseyside, England, Vereinigtes Königreich
recording of:
The Ballad of Tom Jones
Verfasser(in):
Tommy Scott (Frontman of UK band Space) und Space (alternative dance/indie rock band)
publisher:
Gut Music und Hit & Run Publishing Ltd.
Space & Cerys Matthews2.354:11
17I’ll Find My Way Home
Produzent(in):
Vangelis (Greek composer of electronic, new age and classical)
Instrumente und Interpret(in):
Vangelis (Greek composer of electronic, new age and classical)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis)
vocals:
Jon Anderson (Yes/Jon & Vangelis)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1981) und Spheric B.V. (in 1981)
recording of:
I’ll Find My Way Home
Texter:
Jon Anderson (Yes/Jon & Vangelis)
Komponist(in):
Jon Anderson (Yes/Jon & Vangelis) und Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music (do not use as release label! this is a music publisher), Spheric B.V., Toughknot Ltd., Warner Bros. Music Co., Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell North America
Jon and Vangelis44:30
18Blue Guitar
recording engineer:
Eric Stewart
Produzent(in):
10cc und Tony Clarke (UK producer/guitarist)
phonographisches Urheberrecht (℗) von:
Threshold Records (UK label founded by the Moody Blues) (in 1975)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
recording of:
Blue Guitar
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
Justin Hayward & John Lodge3:38
19Haunted
Interpret(in):
Shane MacGowan
Shane MacGowan and the Popes feat. Sinéad O’Connor44:11
20Stop, Look, Listen (to Your Heart)
Produzent(in):
Hal Davis
arranger:
Gene Page (conductor, composer, arranger and record producer)
cover recording of:
Stop, Look, Listen (to Your Heart)
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) und Linda Creed
publisher:
Assorted Music, Bellboy Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross & Marvin Gaye3.352:52
3▼CD
Nr.TitelKünstlerBewertungLänge
1It Takes Two
vocals:
Kim Weston
recording of:
It Takes Two
Verfasser(in):
Sylvia Moy und William Stevenson (Motown songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music
Marvin Gaye & Kim Weston32:56
2Too Much, Too Little, Too Late
Produzent(in):
Jack Gold
Interpret(in):
Johnny Mathis (US pop/soul singer) und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
Verfasser(in):
Nat Kipner (Australian producer, songwriter, label owner & publisher) und John McIntyre Vallins
publisher:
Homewood House Music und MCA Music Ltd.
Johnny Mathis & Deniece Williams42:53
3Ain’t Nothing Like the Real Thing
Produzent(in):
Nickolas Ashford und Valerie Simpson
Instrumente:
The Funk Brothers (am 1967-10-06)
Hintergrundgesang:
Valerie Simpson (in 1967) und Nickolas Ashford (am 1967-10-06)
Sologesang:
Marvin Gaye (am 1967-10-06) und Tammi Terrell (am 1967-10-06)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1967-10-06)
recording of:
Ain’t Nothing Like the Real Thing (am 1967-10-06)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music Co., Inc. (vom 1967 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Marvin Gaye & Tammi Terrell3.752:14
4We Do It
Produzent(in):
Phillip Swern
phonographisches Urheberrecht (℗) von:
BR Music Copyrights BV (in 1976)
recording of:
We Do It
Texter und Komponist(in):
Stefan Breuer (German drummer)
publisher:
Imagem Songs Ltd.
R & J Stone3:16
5SolidAshford & Simpson35:08
6I Got You Babe
vocals:
Sonny Bono (in 1965) und Cher (in 1965)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 331) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 444)
recording of:
I Got You Babe (in 1965)
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:06
7Reunited
Produzent(in):
Freddie Perren
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978)
Bearbeitung von:
Reunited von Peaches & Herb
recording of:
Reunited
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb53:48
8Teardrops
Produzent(in):
Chris Blackwell (Island Records), Lee Hamblin und The Gypsy Wave Power Co.
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:44
9Think It Over
Cissy Houston feat. Whitney Houston7:34
10The Girl From Ipanema
Astrud Gilberto & Stan Getz5:12
11The Times They Are A‐Changin’
cover recording of:
The Times They Are A‐Changin’
Texter und Komponist(in):
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1963 bis 1991) und Special Rider Music (vom 1991 bis heute)
Barbara Dickson with Gerry Rafferty4:46
12Early in the Morning
cover recording of:
Early in the Morning
John Mayall & Chris Rea4:08
13Hey Paula!
vocals:
Ray Hildebrand und Jill Jackson
recording of:
Hey Paula (in 1962)
Texter und Komponist(in):
Ray Hildebrand
publisher:
Speckle Music
Paul & Paula2:30
14Dream a Little Dream of Me
Sologesang:
Louis Armstrong
vocals:
Louis Armstrong (am 1950-08-25) und Ella Fitzgerald (American jazz singer) (am 1950-08-25)
Orchester:
Sy Oliver and His Orchestra (am 1950-08-25)
conductor:
Sy Oliver (am 1950-08-25)
cover recording of:
Dream a Little Dream of Me (am 1950-08-25)
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong & Ella Fitzgerald53:06
15Sweet Insomnia
Gwyn & Will3:38
16Summer Nights
vocals:
John Barrowman und Shona Lindsay
Orchester:
National Symphony Orchestra (of London, predominantly in musical theatre recordings)
conductor:
Martin Yates (conductor)
recording of:
Summer Nights (Grease, 1971 musical)
Verfasser(in):
Warren Casey und Jim Jacobs
publisher:
Chappell Musikverlag GmbH, Chappell/Morris Ltd., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Warner Chappell Music France und Warner/Chappell Music International Ltd.
Teil von:
Grease (1971 musical)
John Barrowman & Shona Lindsay3:14
17I Know Him So Well
Techniker(in) und Mix:
Michael B. Tretow
Sologesang:
Barbara Dickson und Elaine Paige
vocals:
Barbara Dickson und Elaine Paige
Orchester:
London Symphony Orchestra
conductor:
Anders Eljas
Orchestrator(in):
Anders Eljas
aufgenommen bei und mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
I Know Him So Well (Chess)
Texter:
Tim Rice und Björn Ulvaeus
Komponist(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Chess (full musical)
Barbara Dickson & Elaine Paige54:15
18Amigos para siempre (Friends for Life)
leitende(r) Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre) und Nigel Wright (British producer, orchestrator and songwriter)
Soprangesang:
Sarah Brightman (in 1992-05)
Tenor-Gesang:
José Carreras (Spanish tenor) (in 1992-05)
conductor:
Harry Rabinowitz (in 1992-05)
Orchestrator(in):
David Cullen (composer, arranger, orchestrator) und Andrew Lloyd Webber (English composer and impresario of musical theatre)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1992-05), EMI Studios in London (Greater London), England, Vereinigtes Königreich (in 1992-05), Hit Factory (The Hit Factory) in Manhattan, New York, New York, Vereinigte Staaten (in 1992-05), Maison Rouge in London (Greater London), England, Vereinigtes Königreich (in 1992-05), Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1992-05) und Skratch Studios in Surrey, England, Vereinigtes Königreich (in 1992-05)
Musikvideos:
Amigos Para Siempre (Friends for Life) von José Carreras (Spanish tenor) & Sarah Brightman
recording of:
Amigos para siempre (Friends for Life)
Texter:
Don Black (English lyricist)
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
PolyGram Music Publishing und The Really Useful Group Ltd. (not for release label use!)
Teil von:
Official Songs of the Olympic Games (Nummer: 1992)
Sarah Brightman & José Carreras4:35
19The Phantom of the Opera
Produzent(in):
Paul Bateman (conductor)
vocals:
Lesley Garrett (soprano) und Dave Willetts
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Paul Bateman (conductor)
recording of:
The Phantom of the Opera (Christine, The Phantom)
Texter:
Charles Hart (British lyricist) und Richard Stilgoe
zusätzlicher Texter:
Mike Batt
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!)
Teil von:
The Phantom of the Opera (Andrew Lloyd Webber musical)
Teil von:
The Phantom of the Opera (2004 film soundtrack)
Revision von:
The Phantom of the Opera (lyrics without Charles Hart’s words)
Dave Willetts & Lesley Garrett3:32
20All I Ask of You
assistierende(r) Techniker(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios) (in 1991-09)
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) (in 1991-09)
leitende(r) Produzent(in):
Don Reedman (producer)
Produzent(in):
Jeff Jarratt (producer) und Don Reedman (producer)
Editing:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
vocals:
Barbara Bonney (soprano) (in 1991-09) und Michael Crawford (UK actor and singer) (in 1991-09)
Orchester:
Royal Philharmonic Orchestra (in 1991-09)
conductor:
Michael Reed (UK conductor/arranger for musicals) (in 1991-09)
arranger:
David Cullen (composer, arranger, orchestrator)
concertmaster:
David Towse (in 1991-09)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1991-09)
recording of:
All I Ask of You (The Phantom of the Opera) (in 1991-09)
Texter:
Charles Hart (British lyricist)
zusätzlicher Texter:
Richard Stilgoe
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und The Really Useful Group PLC (not for release label use!) (in 1986)
sub-publisher:
Colgems-EMI Music Inc. (beendet)
Teil von:
The Phantom of the Opera (Andrew Lloyd Webber musical)
Teil von:
The Phantom of the Opera (2004 film soundtrack)
Michael Crawford & Barbara Bonney4:50