Young at Heart: Classic Hits of the Early 80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD: Too Much, Too Young!
#TitoloArtistaValutazioneDurata
1Too Much Too Young
registrata presso:
Lyceum Theatre in London (Greater London), England, Regno Unito
registrazione dal vivo di:
Too Much Too Young
paroliere e compositore:
Jerry Dammers
The Specials3.62:09
2Tears of a Clown
produttore:
Bob Sargeant
registrazione cover di:
The Tears of a Clown
paroliere:
Smokey Robinson
compositore:
Henry Cosby, Smokey Robinson e Stevie Wonder
editore:
Black Bull Music, Inc., Jobete Music Ltd e Jobette Music (UK) Ltd.
The Beat32:44
3Upside Down
registrazione di:
Upside Down
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony/ATV Songs LLC e Tommy Jymi Inc.
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3:39
4Fade to Grey
tecnico:
John Hudson (producer, recording and mixing engineer)
produttore:
Midge Ure e Visage (new romantic band from London)
esecutore:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) e Midge Ure
arrangiatore:
Visage (new romantic band from London)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1980)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito
mixata presso:
Mayfair Sound (England) in London (Greater London), England, Regno Unito
registrazione di:
Fade to Grey
autore:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) e Midge Ure
editore:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) e Performance Music Ltd
Visage4.13:52
5Babooshka
assistente tecnico:
John Barratt (British audio engineer) (dal 1979-09 al 1980-05)
tecnico:
Jon Kelly (engineer at Air London Studios) (dal 1979-09 al 1980-05)
produttore:
Kate Bush e Jon Kelly (engineer at Air London Studios)
balalaika :
Paddy Bush (dal 1979-09 al 1980-05)
basso elettrico :
John Giblin (dal 1979-09 al 1980-05)
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel) (dal 1979-09 al 1980-05)
chitarra elettrica :
Brian Bath (dal 1979-09 al 1980-05) e Alan Murphy (UK session guitarist) (dal 1979-09 al 1980-05)
piano Rhodes [Fender Rhodes] :
Max Middleton (dal 1979-09 al 1980-05)
sintetizzatore analogico [CS 80] e voce principale:
Kate Bush (dal 1979-09 al 1980-05)
voce di accompagnamento:
Paddy Bush (dal 1979-09 al 1980-05) e Gary Hurst (dal 1979-09 al 1980-05)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1980), Novercia Ltd. (nel 1980) e EMI America Records, Inc. (holding – file NO releases here!) (nel 1982)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1979-09 al 1980-05) e Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1979-09 al 1980-05)
registrazione di:
Babooshka (dal 1979-09 al 1980-05)
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Kate Bush Music Ltd.
Kate Bush3.43:30
6And the Birds Were Singing… (et les oiseaux shantaient)
Alain Morisod & Sweet People2:58
7Never Knew Love Like This Before
produttore:
Reggie Lucas e James Mtume (jazz/funk musician)
registrazione di:
Never Knew Love Like This Before
autore:
Reggie Lucas e James Mtume (jazz/funk musician)
editore:
Frozen Butterfly Publishing Co.
Stephanie Mills3:26
8Don’t Push It, Don’t Force It
registrazione di:
Don't Push It, Don't Force It (Leon Haywood song)
paroliere e compositore:
Leon Haywood (funk and soul singer, songwriter, record producer)
editore:
Jim-Edd Music
Leon Haywood53:30
9A Walk in the Park
registrazione di:
A Walk in the Park
paroliere e compositore:
Nicholas Charles Bailey
Nick Straker Band3:54
10It’s Different for Girls
Joe Jackson3:40
11Living by Numbers
produttore:
Tony Mansfield (producer & songwriter)
diritti fonografici (℗) detenuti da:
GTO Records Ltd. (holding company - file no releases here!) (nel 1980) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980)
registrata presso:
TMC Studios (Recording studio, active in the 1970s and 80s in Tooting, London) in Tooting, Wandsworth, London (Greater London), England, Regno Unito (dal 1979 al 1980-03)
registrazione di:
Living by Numbers (dal 1979 al 1980-03)
paroliere e compositore:
Tony Mansfield (producer & songwriter)
editore:
April Music Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
New Musik53:30
12I Am the Beat
registrazione di:
I Am the Beat
autore:
Mick Bass e Jonny Whetstone
The Look3:25
13I Got You
tecnico e produttore:
David Tickle
basso :
Nigel Griggs
batteria :
Malcolm Green (UK/Australian drummer)
chitarra :
Neil Finn
percussione :
Noel Crombie
tastiera :
Tim Finn e Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
voce:
Neil Finn e Tim Finn
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Ltd (nel 1980) e Mushroom Records (nel 2006)
registrazione di:
I Got You
paroliere e compositore:
Neil Finn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Mushroom Music (Mushroom label’s publishing company)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 11)
Split Enz3.53:31
14Eighth Day
produttore:
Tony Visconti
voce:
Hazel O’Connor
arrangiatore:
Tony Visconti
registrata presso e mixata presso:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Eighth Day
paroliere, autore e compositore:
Hazel O’Connor
Hazel O’Connor3:12
15Turning Japanese
produttore:
Vic Coppersmith‐Heaven
basso elettrico [bass guitar] :
Steve Smith (UK bassist for the Vapors)
batteria :
Howard Smith (UK drummer for the Vapors)
chitarra e voce principale:
David Fenton
chitarra [lead guitar] :
Edward Bazalgette
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, nel 1980)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 30)
registrazione di:
Turning Japanese
paroliere e compositore:
David Fenton
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) e Glenwood Music Corp.
The Vapors3.63:46
16Living After Midnight
tecnico:
Lou Austin (engineering)
produttore:
Tom Allom
basso elettrico :
Ian Hill (UK bassist for Judas Priest) (dal 1980-01 al 1980-02)
batteria :
Dave Holland (British rock drummer) (dal 1980-01 al 1980-02)
chitarra elettrica :
Kenneth Downing (dal 1980-01 al 1980-02) e Glenn Tipton (dal 1980-01 al 1980-02)
voce principale:
Rob Halford (dal 1980-01 al 1980-02)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2026)
registrata presso:
Startling Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, Regno Unito (dal 1980-01 al 1980-02)
video musicali:
Living After Midnight (music video) di Judas Priest
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 27)
registrazione di:
Living After Midnight (dal 1980-01 al 1980-02)
autore:
Kenneth Downing, Rob Halford e Glenn Tipton
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Judas Priest3.953:29
17Killer on the Loose
Thin Lizzy3:55
18The Spirit of Radio
tecnico di registrazione:
Paul Northfield
produttore:
Terry Brown (producer) e Rush (Canadian rock trio)
assistente tecnico di missaggio:
Steve S. Hort (engineer), Geddy Lee, Craig Milliner (engineer) e Adam Moseley
tecnico di missaggio:
Terry Brown (producer)
albero di campanelle , batteria , campane a vento , campane tubolari , campane tubolari [orchestra bells] , crotali , timbales , timpani [tympani] e triangolo :
Neil Peart (dal 1979-09 al 1979-10)
basso a pedali [Taurus pedal synthesizer] , chitarra basso , minimoog e sintetizzatore [Oberheim polyphonic: OB-1] :
Geddy Lee (dal 1979-09 al 1979-10)
basso a pedali [Taurus pedals] , chitarra a 12 corde [12-string acoustic guitar] , chitarra a 12 corde [12-string electric guitar] , chitarra acustica e chitarra elettrica :
Alex Lifeson (dal 1979-09 al 1979-10)
voce:
Geddy Lee (dal 1979-09 al 1979-10)
arrangiatore:
Terry Brown (producer) e Rush (Canadian rock trio)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1980), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Le Studio in Morin‐Heights, Québec (Quebec), Canada (dal 1979-09 al 1979-10)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1979-11)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 88)
registrazione di:
The Spirit of Radio (dal 1979-09 al 1979-10)
paroliere:
Neil Peart
compositore:
Geddy Lee e Alex Lifeson
editore:
Core Music Publishing e Anthem Core Music Publishing (SOCAN‐affiliated) (dal 1980 a oggi)
Rush4.25:00
19My Oh My
produttore:
Eric Stewart
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1979)
registrazione di:
My Oh My
autore:
Vic Emerson (English keyboardist, synthesizer, arranger and songwriter) e Paul Young (Sad Café, Mike + The Mechanics)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Sad Café53:56
2▼CD: Hold On Tight!
#TitoloArtistaValutazioneDurata
1Stand and Deliver
tecnico:
Alan Douglas (Scottish born engineer)
produttore:
Chris Hughes (producer, aka “Merrick”)
batteria :
Chris Hughes (producer, aka “Merrick”) e Terry Lee Miall
chitarra :
Marco Pirroni (British musician and producer)
chitarra basso e voce principale:
Adam Ant (English new wave singer and actor)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1981) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1981)
parte di:
The Downloader’s Music Source Book (numero: 145)
registrazione di:
Stand and Deliver
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:10
2You Drive Me Crazy
registrazione di:
You Drive Me Crazy
paroliere e compositore:
Ronnie Harwood (Songwriter, singer and guitarist)
editore:
Campbell Connelly (Australia) P/L
versione tradotta di:
Krejčí (You Drive Me Crazy)
Shakin’ Stevens2:53
3Rock This Town
registrazione di:
Rock This Town
paroliere e compositore:
Brian Setzer
editore:
EMI Music Publishing (do not use as a release label!), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Windswept Pacific Music Ltd. (publishing company)
Stray Cats2:41
4There’s a Guy Works Down the Chipshop Swears He’s Elvis
produttore:
Bazza
tecnico di missaggio:
Bazza e Kirsty MacColl
è stato produttore per:
Loose End Productions
registrazione di:
There’s a Guy Works Down the Chip Shop Swears He’s Elvis
autore:
Kirsty MacColl e Philip Rambow
editore:
Blackhill Music Ltd. e Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Kirsty MacColl43:09
5Hold On Tight
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
basso :
Kelly Groucutt (nel 1981)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1981)
chitarra , pianoforte e sintetizzatore :
Jeff Lynne (nel 1981) e Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1981)
pianoforte elettrico :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1981)
voce principale:
Jeff Lynne (nel 1981)
direttore d'orchestra:
Rainer Pietsch (musician, songwriter and arranger) (nel 1981)
diritti fonografici (℗) detenuti da:
Jet Records (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981, nel 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1981)
registrazione di:
Hold On Tight (nel 1981)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Ltd. (British branch), Polygon Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.153:09
6Night Games
registrazione di:
Night Games
editore:
Ed Hamilton (composer of "Night Games")
paroliere e compositore:
Ed Hamilton (composer of "Night Games")
Graham Bonnet3:26
7Take It on the Run
assistente tecnico:
Tom Cummings (engineer) e Jeff Eccles
tecnico:
Kevin Beamish
co-produttore:
Alan Gratzer (drummer)
produttore:
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) e Gary Richrath (guitarist and songwriter)
basso :
Bruce Hall (US bassist for REO Speedwagon)
batteria :
Alan Gratzer (drummer)
chitarra :
Gary Richrath (guitarist and songwriter)
chitarra acustica e voce principale:
Kevin Cronin (guitarist, singer and songwriter)
sintetizzatore :
Neal Doughty (keyboards)
arrangiatore:
Kevin Cronin (guitarist, singer and songwriter)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980)
registrazione di:
Take It on the Run (il 1980-09-18)
paroliere e compositore:
Gary Richrath (guitarist and songwriter)
editore:
HoriPro Entertainment Group, Slam Dunk Music (work publisher) e 大洋音楽 (Taiyō Music)
REO Speedwagon3.754:01
8Only Crying
registrazione di:
Only Crying
paroliere e compositore:
Keith Marshall (British singer and guitarist)
Keith Marshall4:17
9Ghost Town
tecnico:
John A. Rivers
trombone :
Rico Rodriguez (Jamaican trombonist)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 217)
registrazione di:
Ghost Town
paroliere e compositore:
Jerry Dammers
editore:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:41
10Einstein a Go-Go
produttore:
Landscape (80s British synthpop)
diritti fonografici (℗) detenuti da:
RCA Ltd. (UK arm of RCA) (dal 1981 a oggi) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981)
registrazione di:
Einstein a Go-Go
compositore:
Richard James Burgess, Landscape (80s British synthpop) e John L. Walters
editore:
Landscape Music Ltd. e Sunbury Music Ltd.
Landscape3:02
11Star
registrazione di:
Star
paroliere e compositore:
Doreen Chanter
editore:
Eaton Music Limited
Kiki Dee53:16
12Kids in America
tecnico di registrazione:
Jeo (dal 1980 al 1981)
programmazione:
Jörn‐Uwe Fahrenkrog‐Petersen (dal 1980 al 1981) e Derek von Krogh (dal 1980 al 1981)
tecnico:
Steve Stewart (engineer, guitarist of The Enid)
produttore:
Ricky Wilde
batteria :
Bernhard Hahn (dal 1980 al 1981), Chris North (UK drummer of The Enid) (dal 1980 al 1981) e Tobias Wörner (dal 1980 al 1981)
chitarra :
Thomas Hahn (dal 1980 al 1981), Charlotte Hatherley (dal 1980 al 1981), Francis Lickerish (dal 1980 al 1981), Steve Stewart (engineer, guitarist of The Enid) (dal 1980 al 1981), James Stevenson (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
chitarra basso :
Martin Russell (recording engineer, producer, composer & musician) (dal 1980 al 1981) e Derek von Krogh (dal 1980 al 1981)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (dal 1980 al 1981), Robert John Godfrey (member of The Enid) (dal 1980 al 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (dal 1980 al 1981), Derek von Krogh (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
tastiera aggiunto:
Nick Priessnitz (dal 1980 al 1981)
voce:
Kim Wilde (dal 1980 al 1981)
voce di accompagnamento:
D. Janz (dal 1980 al 1981), M. Janz (dal 1980 al 1981), N. Janz (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
voce principale:
Charlotte Hatherley (dal 1980 al 1981) e Kim Wilde (dal 1980 al 1981)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1996, nel 2001), EMI France (nel 1993) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrata presso:
Amira Studio (dal 1980 al 1981), RAK Studios in London (Greater London), England, Regno Unito (dal 1980 al 1981), Soundmastaz Studios (dal 1980 al 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germania (dal 1980 al 1981) e The Lodge Recording Studio in Northampton, Northamptonshire, England, Regno Unito (dal 1980 al 1981)
mixata presso:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germania, RAK Studios in London (Greater London), England, Regno Unito e Studio 77 in Stuttgart, Baden-Württemberg, Germania
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 55)
registrazione di:
Kids in America (dal 1980 al 1981)
autore:
Marty Wilde e Ricky Wilde
editore:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Rickim Music Ltd.
Kim Wilde4.13:29
13The Freeze
registrazione di:
The Freeze
paroliere e compositore:
Gary Kemp
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Reformation Publishing Co. Ltd.
Spandau Ballet3:34
14Under Your Thumb
registrazione di:
Under Your Thumb
autore:
Lol Creme e Kevin Godley
editore:
St. Anne’s Music Ltd.
Godley & Creme3:38
15Vienna
produttore:
Conny Plank (German producer and sound engineer) e Ultravox
basso :
Chris Cross (UK bassist for Ultravox) (nel 1980-04)
batteria :
Warren Cann (nel 1980-04)
chitarra :
Midge Ure (nel 1980-04)
tastiera e violino :
Billy Currie (nel 1980-04)
voce:
Midge Ure (nel 1980-04)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981, nel 2025)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito (nel 1980-04)
mixata presso:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (nel 1980-05)
edit di:
Vienna (original album mix) di Ultravox
video musicali:
Vienna (music video) di Ultravox e Vienna (uncut) di Ultravox
registrazione di:
Vienna (nel 1980-04)
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3.354:40
16Labelled With Love
registrazione di:
Labelled With Love
paroliere:
Chris Difford
compositore:
Glenn Tilbrook
Squeeze4:33
17Attention to Me
The Nolans3:10
18When She Was My Girl
registrazione di:
When She Was My Girl
autore:
Marc Blatte (songwriter, composer, producer, record music executive and author.) e Larry Gottlieb (soul, funk and pop songwriter and producer)
editore:
Jump Star Music Inc. e Universal Music Corp. (USA, affiliated with ASCAP)
Four Tops3:24
19Can You Feel It
produttore:
The Jacksons (formerly “The Jackson 5”)
basso :
Nathan Watts
batteria :
Ollie E. Brown (US drummer, session musician & record producer)
chitarra :
Tito Jackson e David Williams (session guitarist and songwriter)
tastiera :
Ronnie Foster, Greg Phillinganes e Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibrafono [vibes] :
Gary L. Coleman (US percussionist)
cori:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade e Gregory Wright
voce principale:
Michael Jackson (“King of Pop”) e Randy Jackson (brother of Michael and Janet)
arrangiatore archi :
Tom Tom 84
arrangiatore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980)
registrazione di:
Can You Feel It
autore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
MJ: The Musical
The Jacksons4.353:53
20Don’t Stop the Music
registrazione di:
Don’t Stop the Music
autore:
Jonah Ellis, Alisa Peoples e Lonnie Simmons (producer, songwriter)
editore:
BMG Platinum Songs US e BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
Yarbrough & Peoples4:06
3▼CD: Walking on Sunshine
#TitoloArtistaValutazioneDurata
1Yellow Pearl
registrazione di:
Yellow Pearl
autore:
Phil Lynott e Midge Ure
editore:
Chappell Music (UK)
Phil Lynott3:00
2Eye of the Tiger
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonnano e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (nel 1982), Volcano Entertainment III, L.L.C. (nel 1982, nel 1985) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2016)
registrata presso:
Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 28) e VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 63)
registrazione di:
Eye of the Tiger
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Survivor4.44:02
3Dear John
Status Quo3:14
4Centerfold
tecnico:
Dave Thoener
produttore:
Seth Justman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981) e EMI Catalog (nel 2006)
registrata presso:
Long View Farm in North Brookfield, Massachusetts, Stati Uniti
mixata presso:
Mix Room, Record Plant (NYC) in New York, New York, Stati Uniti
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 38), Billboard: Greatest of All Time Hot 100 Songs (numero: 73) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 314)
registrazione di:
Centerfold (song by The J. Geils Band)
paroliere e compositore:
Seth Justman
editore:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) e Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:39
5Just What I Always Wanted
produttore:
Tony Mansfield (producer & songwriter)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only)
registrazione di:
Just What I Always Wanted
paroliere e compositore:
Teddy Johns
Mari Wilson3:24
6Love Plus One
produttore:
Bob Sargeant
batteria :
Blair Cunningham
chitarra :
Graham Jones (Haircut 100)
percussione :
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
sassofono :
Phil Smith (Saxophonist)
strumenti:
Leslie Nemes
voce:
Nick Heyward
diritti fonografici (℗) detenuti da:
BMG Eurodisc Ltd. (nel 1982) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 90)
registrazione di:
Love Plus One
paroliere e compositore:
Nick Heyward
editore:
Bryan Morrison Music Ltd.
Haircut One Hundred43:40
7Poison Arrow
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
voce principale:
Martin Fry
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
The Downloader’s Music Source Book (numero: 76)
registrazione di:
Poison Arrow
autore:
Martin Fry, Mark Lickley, Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. e Virgin Music (Publishing) Ltd.
parte di:
Mantrap (ABC long-form film)
ABC4.43:27
8Is It a Dream?
registrazione di:
Is It a Dream?
paroliere e compositore:
Sal Solo
Classix Nouveaux3:36
9I Could Be Happy
registrazione di:
I Could Be Happy
paroliere e compositore:
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone e Jim McKinven
Altered Images3:33
10Ever So Lonely
registrazione di:
Ever So Lonely
compositore:
Steve Coe
Monsoon4:26
11Living on the Ceiling
produttore:
Mike Howlett
sitar :
Deepak
tabla :
Dinesh
remixer:
John Williams (English A&R executive, producer, songwriter...) e Dennis Weinreich
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1982)
registrazione di:
Living on the Ceiling
autore:
Neil Arthur (singer, songwriter, producer) e Stephen Luscombe
editore:
Complete Music Ltd.
Blancmange54:02
12I Want Candy
produttore:
Kenny Laguna
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 8) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 86)
registrazione cover di:
I Want Candy (nel 1982)
autore:
Bert Russell Berns, Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) e Richard Gottehrer (American songwriter and music executive)
editore:
Downtown Music Publishing LLC (PRS-affiliated), Sloopy II Music, Sony/ATV Songs LLC e Wren Music Co.
Bow Wow Wow42:45
13Me and My Girl (Nightclubbing)
registrazione di:
Me and My Girl (Night‐Clubbing)
paroliere e compositore:
David Essex
editore:
Joseph Webster Ltd
David Essex53:03
14Da Da Da
tecnico:
Jim Duncombe (Swiss musician / engineer) (nel 1982-01)
produttore:
Klaus Voormann (nel 1982-01)
basso elettrico :
Klaus Voormann (nel 1982-01)
batteria :
Peter Behrens (nel 1982-01)
chitarra elettrica :
Kralle Krawinkel (nel 1982-01)
nacchere :
Hans‐Joachim Behrendt (nel 1982-01)
tastiera :
Stephan Remmler (nel 1982-01)
voce di accompagnamento:
Annette Humpe (nel 1982-01)
voce principale:
Stephan Remmler (nel 1982)
lavorazione tecnica effettuata presso:
Audio Studios in Berlin, Germania (nel 1982-01) e Powerplay Studios in Maur, Zürich (Canton Zurigo), Svizzera (nel 1982-01)
edit di:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha di Trio (80s German band)
video musicali:
Da Da Da (I Don't Love You) di Trio (80s German band)
registrazione di:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (nel 1982-01)
paroliere e compositore:
Kralle (nel 1981) e Stephan Remmler (nel 1981)
traduttore:
Kralle e Stephan Remmler
editore:
Just Us Music Production GmbH
versione tradotta di:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio3.353:29
15Happy Talk
registrazione cover di:
Happy Talk (South Pacific)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Rodgers & Hammerstein Theatrical Europe Ltd.
parte di:
South Pacific (Rodgers & Hammerstein musical)
Captain Sensible33:27
16My Camera Never Lies
registrazione di:
My Camera Never Lies
autore:
Andy Hill (English producer & songwriter) e Nichola Martin (songwriter)
editore:
Big Note Music Ltd., Paper Music Ltd. e Universal Music Publishing MGB Limited
Bucks Fizz53:49
17Seven Tears
produttore:
Jochen Petersen (producer and multi-instrumentalist)
registrazione di:
Seven Tears
autore:
Wolfgang Jass (singer-songwriter, producer, composer, bassist) e Wolff-Ekkehardt Stein
editore:
Aloha e Peer (publisher)
Goombay Dance Band3:56
18Walking on Sunshine
registrazione cover di:
Walking on Sunshine
paroliere e compositore:
Eddy Grant
editore:
Greenheart Music
Rocker’s Revenge3:47
19Easier Said Than Done
registrazione di:
Easier Said Than Done
autore:
Roger Odell e Bill Sharpe
Shakatak3:49
20I Second That Emotion
produttore:
John Punter
diritti fonografici (℗) detenuti da:
BMG Records (U.K.) Ltd. (1987–1996) (nel 1981) e Hansa Productions Ltd. (nel 1982)
registrazione cover di:
I Second That Emotion
autore:
Al Cleveland (songwriter 1930-1996) e Smokey Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Japan3.653:44
4▼CD: Sweet Dreams (Are Made of This)
#TitoloArtistaValutazioneDurata
1Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 21) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work4.053:44
2Africa
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982)
registrazione di:
Africa (Toto)
autore:
Jeffrey Porcaro e David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Spirit Two Music
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4:02
3Sweet Dreams (Are Made of This)
tecnico:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) e R. Crash
produttore:
David A. Stewart (UK guitarist/singer for Eurythmics)
esecutore:
Eurythmics
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1983) e RCA Ltd. (UK arm of RCA) (nel 1983)
video musicali:
Sweet Dreams di Eurythmics
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 141), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 353) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 357)
registrazione di:
Sweet Dreams (Are Made of This)
paroliere:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
compositore:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
arrangiatore:
Miriama Young
editore:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. e Universal Music–MGB Songs
Eurythmics4.153:37
4Love on Your Side
tecnico:
Phil Thornalley
produttore:
Alex Sadkin
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1983)
registrazione di:
Love on Your Side
autore:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
Thompson Twins54:01
5Electric Avenue
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 23)
registrazione di:
Electric Avenue
paroliere e compositore:
Eddy Grant
editore:
Warner/Chappell Music Ltd. (1996–2019)
è stata commissionata da:
Greenheart Music
Eddy Grant53:47
6Rockit
registrazione di:
Rockit
autore:
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Bill Laswell (US bass guitarist and record producer)
editore:
Ensign Music Corporation
Herbie Hancock3:43
7Drop the Pilot
assistente tecnico:
Niko Bolas
tecnico e produttore:
Val Garay
basso :
Bryan Garofalo
batteria :
Craig Krampf
chitarra :
Joan Armatrading, Craig Hull e Tim Pierce (US session guitarist)
percussione :
M. L. Benoit
tastiera :
Steve Goldstein
voce:
Joan Armatrading
diritti fonografici (℗) detenuti da:
A&M Records (nel 1983) e A&M Records, Ltd. (nel 1983)
registrazione di:
Drop the Pilot
compositore:
Joan Armatrading
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. e Polygram Music
Joan Armatrading43:38
8Heartache Avenue
registrazione di:
Heartache Avenue
paroliere e compositore:
Lol Mason e Mark Tibenham
editore:
ATV Music (nel 1982) e Graduate (publisher) (nel 1982)
The Maisonettes42:58
9True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:37
10Wherever I Lay My Hat (That's My Home)
registrazione cover di:
Wherever I Lay My Hat (That’s My Home)
autore:
Marvin Gaye, Barrett Strong e Norman Whitfield
editore:
Jobete Music (UK) Ltd.
versione parodia di:
Wherever I Lay
Paul Young4:14
11Total Eclipse of the Heart
voce:
Bonnie Tyler (nel 1983)
esecutore:
Rory Dodd (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1983) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione di:
Total Eclipse of the Heart (nel 1983)
paroliere e compositore:
Jim Steinman
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) e Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:31
12Our Lips Are Sealed
produttore:
David Byrne (Talking Heads)
remixer:
Fun Boy Three e Jeremy Green
registrazione cover di:
Our Lips Are Sealed
autore:
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall e Jane Wiedlin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music e Plangent Visions Music
Fun Boy Three3.22:55
13Change
produttore:
Ross Cullum e Chris Hughes (producer, aka “Merrick”)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1983)
registrazione di:
Change
paroliere e compositore:
Roland Orzabal (UK musician, songwriter and producer)
editore:
Roland Orzabal Ltd.
Tears for Fears13:59
14Pass the Dutchie
produttore:
Peter Collins (producer)
batteria :
Junior
chitarra :
Kelvin
chitarra basso :
Patrick
tastiera :
Michael (Keyboard player for Musical Youth)
voce:
Dennis
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 25)
registrazione cover di:
Pass the Kouchie
autore:
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) e Fitzroy “Bunny” Simpson
parte di:
My Kind of People
Musical Youth43:25
15Rip It Up
registrazione di:
Rip It Up
paroliere e compositore:
Edwyn Collins
Orange Juice3:46
16Boxer Beat
registrazione di:
Boxerbeat
autore:
David Collard, Rob Marche e Dig Wayne
editore:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
JoBoxers33:05
17Fields of Fire
tecnico:
Will Gosling
produttore:
Steve Lillywhite
editore:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1983)
video musicali:
Fields of Fire di Big Country
registrazione di:
Fields of Fire
paroliere:
Stuart Adamson
compositore:
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) e Bruce Watson (member of Big Country)
editore:
10 Music Ltd., BMG VM Music Ltd. e Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1983)
Big Country3.53:29
18Maneater
assistente tecnico:
Bruce Buckhalter (Engineer), Barry Harris (engineer) e Michael Somer-Abbott
tecnico:
Neil Kernon
co-produttore:
Neil Kernon
produttore:
Daryl Hall e John Oates
tecnico di missaggio:
Hugh Padgham
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1982), BMG Music (nel 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
registrazione di:
Maneater (nel 1981-12)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:28
5▼CD: Hyperactive!
#TitoloArtistaValutazioneDurata
1Ghostbusters!
produttore:
Ray Parker Jr.
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (dal 2016 a oggi)
parte di:
Billboard Hot 100: 2025-11-15 (numero: 22)
registrazione di:
Ghostbusters
paroliere e compositore:
Ray Parker Jr.
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (nel 1984) e Raydiola Music (nel 1984)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
si basa su:
I Want a New Drug
Ray Parker Jr.3.94:07
2Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Kenny Loggins4.13:44
3Hyperactive!
produttore:
Thomas Dolby
registrazione di:
Hyperactive!
paroliere e compositore:
Thomas Dolby
editore:
Scale Music, Smash Ltd. e Street Music Ltd.
Thomas Dolby33:44
4You Spin Me Round (Like a Record)
produttore:
Pete Waterman
esecutore:
Dead or Alive (UK new wave band) (nel 1984)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
video musicali:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) di Dead or Alive (UK new wave band)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 52)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive4.153:17
5Calling Your Name
registrazione di:
Calling Your Name
compositore:
Paul Caplin e Marilyn (British pop singer)
Marilyn4:06
6Why?
registrazione di:
Why?
compositore:
Steve Bronski, Jimmy Somerville e Larry Steinbachek
Bronski Beat3:59
7It’s Raining Men
tecnico di missaggio:
Randy Tominaga
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 36)
registrazione di:
It’s Raining Men
autore:
Paul Jabara e Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
editore:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:33
8Let’s Hear It for the Boy
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3:38
9I Won’t Let the Sun Go Down on Me
tecnico di registrazione:
Julian Mendelsohn (Australian record producer and engineer) (nel 1983)
assistente tecnico:
Roger Howorth
produttore:
Peter Collins (producer)
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
basso aggiunto:
Paul Westwood (bassist) (nel 1983)
voce principale:
Nik Kershaw (nel 1983)
arrangiatore:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1983) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1983)
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
I Won’t Let the Sun Go Down on Me (nel 1983)
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal e Rondor Music (London) Ltd.
Nik Kershaw3.53:18
10Break My Stride
programmazione degli strumenti:
John Gilston (nel 1983)
produttore:
Peter Bunetta, Rick Chudacoff e Bill Elliott (keyboardist/composer)
batteria , drum machine [Oberheim DMX] e percussione :
Peter Bunetta (nel 1983)
chitarra :
Dennis Herring (nel 1983)
sintetizzatore analogico [Prophet-5] :
Bill Elliott (keyboardist/composer) (nel 1983) e Matthew Wilder (nel 1983)
voce di accompagnamento:
Greg Prestopino (nel 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (nel 1983) e Matthew Wilder (nel 1983)
voce principale:
Matthew Wilder (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrata presso:
Pasha Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 39)
registrazione di:
Break My Stride (nel 1983)
autore:
Greg Prestopino e Matthew Wilder
editore:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (nel 1983), No Ears Music (nel 1983) e Streetwise Music (US publisher) (nel 1983)
Matthew Wilder3.43:05
11(Feels Like) Heaven
produttore:
Peter Wilson (UK Producer)
arrangiatore:
Chic Medley e Kevin Patterson (songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1983)
registrazione di:
(Feels Like) Heaven
paroliere e compositore:
Eddie Jordan (songwriter) e Kevin Patterson (songwriter)
editore:
Carlin Music Corp.
Fiction Factory43:34
12Doctor! Doctor!
tecnico di registrazione, tecnico e tecnico di missaggio:
Phil Thornalley
programmazione degli strumenti:
Tom Bailey (Thompson Twins)
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
armonica (a bocca) , chitarra , contrabbasso [contrabass] , pianoforte e sintetizzatore :
Tom Bailey (Thompson Twins)
batteria , marimba , percussione e xilofono :
Alannah Currie
congas e sintetizzatore [Prophet V] :
Joe Leeway
voce:
Tom Bailey (Thompson Twins)
voce di accompagnamento:
Alannah Currie e Joe Leeway
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1984) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Doctor! Doctor! di Thompson Twins
registrazione di:
Doctor! Doctor!
autore e arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
Point Music Ltd.
Thompson Twins2.54:40
13The First Picture of You
diritti fonografici (℗) detenuti da:
Arista Records, LLC (holding company - file NO releases here!) (nel 1983)
registrazione di:
The First Picture of You
autore:
Jeremy Kelly, Peter Coyle e Ged Quinn (Keyboardist)
editore:
Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
The Lotus Eaters33:40
14Closest Thing to Heaven
registrazione di:
Closest Thing to Heaven
autore:
Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) e David Brewis (producer, guitarist, member of The Kane Gang, NOT member of Field Music)
editore:
ATV Music e ATV (publisher) (nel 1984)
The Kane Gang3:57
15Time After Time
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1984)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
versioni a cappella:
Time After Time di Forte A Cappella (Centerville High School)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 116) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 494)
registrazione di:
Time After Time
autore:
Rob Hyman e Cyndi Lauper
editore:
Sony Songs Inc. (conclusa, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, nel 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, nel 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.254:01
16Love Games
Belle & the Devotions3:22
1799 Red Balloons
produttore:
Jay Faires, Tricia Holloway, Reinhold Heil (dal 1982 al 1983) e Manne Praeker (dal 1982 al 1983)
voce principale:
Nena (the person, performing solo since 1987) (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (nel 1983) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1983)
registrata presso:
Spliff Studio in Berlin, Germania (dal 1982 al 1983)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 64)
registrazione di:
99 Red Balloons (dal 1982 al 1983)
paroliere:
Carlo Karges (nel 1982)
compositore:
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
traduttore:
Kevin McAlea (nel 1983)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Songs Ltd.
versione tradotta di:
99 Luftballons
Nena3.83:53
18Young at Heart
produttore:
Bob Andrews (keyboardist and producer) e Colin Fairley
registrazione cover di:
Young at Heart (Bananarama song)
autore:
Sara Dallin, Siobhan Fahey, Robert Hodgens e Keren Woodward
The Bluebells2.53:20

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Discogs:https://www.discogs.com/master/874215 [info]