That’ll Be the Day

~ Pubblicazione di Buddy Holly (visualizza tutte le versioni di questa pubblicazione: 29 disponibili)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1You Are My One Desire
registrazione di:
You Are My One Desire
autore:
Don Guess (best known for his association with Buddy Holly) e Jack Neal
editore:
Palace Music, Unichappell Music, Inc. e Valley Music Ltd (publisher)
The Crickets52:26
2Blue Days, Black Nights
registrazione di:
Blue Days, Black Nights
paroliere e compositore:
Ben Hall (Texas based singer, songwriter, label owner, active 1950s/60s; studio owner through 1990s)
editore:
Palace Music, Unichappell Music, Inc. e Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
The Crickets52:07
3Modern Don Juan
registrazione di:
Modern Don Juan
autore:
Don Guess (best known for his association with Buddy Holly) e Jack Neal
editore:
Cedarwood Music e Universal Cedarwood Publishing
The Crickets52:42
4Rock Around With Ollie Vee
registrazione di:
Rock Around With Ollie Vee
autore:
Sonny Curtis
editore:
Palace Music, Skol Music (BMI-affiliated) e Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
The Crickets52:15
5Ting‐a‐ling
registrazione di:
Ting-a-Ling
paroliere e compositore:
Ahmet Ertegun (US songwriter/producer)
autore:
Nugetre (US songwriter/producer)
editore:
Carlin Music Corp., Cedarwood Music e Unichappell Music, Inc.
The Crickets52:43
6Girl on My Mind
registrazione di:
Girl on My Mind
autore:
Don Guess (best known for his association with Buddy Holly)
editore:
Cedarwood Pub. Co., Inc., Southern Music (publisher) e Universal Cedarwood Publishing
The Crickets52:20
7That’ll Be the Day (1956 first version)
registrazione di:
That’ll Be the Day
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
The Crickets52:31
8Love Me
registrazione di:
Love Me (Buddy Holly Song)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Sue Parrish
editore:
BMG Platinum Songs US, Cedarwood Pub. Co., Inc., Southern Music (publisher) e Universal Cedarwood Publishing
The Crickets52:08
9I’m Changing All Those Changes
registrazione di:
I’m Changing All These Changes
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
Cedarwood Music e Cedarwood Pub. Co., Inc.
The Crickets52:14
10Don’t Come Back Knockin’
registrazione di:
Don’t Come Back Knockin’
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Sue Parrish
editore:
BMG Platinum Songs US, Palace Music, Unichappell Music, Inc. e Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
The Crickets52:16
11Midnight Shift
registrazione di:
Midnight Shift
autore:
Jimmie Ainsworth e Earl Lee (Luke McDaniel, track "Midnight Shift")
editore:
Good Music (UK Publisher (1950s - 1970s)) e Sony Tree Publishing Co., Inc.
The Crickets52:11
12Take Your Time
registrazione di:
Take Your Time
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
The Crickets2:00
13Early in the Morning
registrata a:
New York, New York, Stati Uniti (il 1958-06-19)
produttore:
Dick Jacobs (arranger, musician and bandleader)
basso :
Sanford Bloch (Bass player) (il 1958-06-19)
batteria :
Panama Francis (US swing jazz drummer) (il 1958-06-19) e Philip Kraus (il 1958-06-19)
chitarra :
George Barnes (il 1958-06-19), Al Chernet (il 1958-06-19) e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-06-19)
pianoforte :
Ernest Hayes (American pianist, organist and arranger) (il 1958-06-19)
sassofono tenore :
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (il 1958-06-19)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-06-19)
voce di accompagnamento:
The Helen Way Singers (il 1958-06-19), Theresa Merritt (il 1958-06-19), Maeretha Stewart (il 1958-06-19), Helen Way (il 1958-06-19) e Harriet Young (il 1958-06-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958)
registrazione cover di:
Early in the Morning (il 1958-06-19)
autore:
Bobby Darin e Woody Harris
editore:
Good Music Ltd., Royalty e United Artists Music Co., Inc.
The Crickets52:09
14Think It Over
produttore:
Norman Petty
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-02-28)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-02-28) e Niki Sullivan (il 1958-02-28)
contrabbasso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1958-02-28)
pianoforte :
Vi Petty (il 1958-02-28)
voce di accompagnamento:
The Roses (American rock backing vocal trio) (il 1958-02-28)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1958-02-28)
registrazione di:
Think It Over (il 1958-02-28)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Cedarwood Pub. Co., Inc.
The Crickets1:49
15Learning the Game
registrazione di:
Learning the Game
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
APRS (American Performing Rights Society, Inc.(BMI)) e Southern Music Pub. Co. Ltd.
The Crickets2:04
16It’s So Easy
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (dal 1958-06 al 1958-08)
batteria :
Jerry Allison (dal 1958-06 al 1958-08)
chitarra :
Tommy Allsup (dal 1958-06 al 1958-08) e Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-06 al 1958-08)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-06 al 1958-08)
voce di accompagnamento:
The Roses (American rock backing vocal trio) (dal 1958-06 al 1958-08)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1958-06 al 1958-08)
registrazione di:
It’s So Easy (dal 1958-06 al 1958-08)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Melody Lane Publications Inc., Wren Music Co. e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1958)
The Crickets3.52:12
17Rock Me Baby
produttore:
Norman Petty
batteria :
Jerry Allison (dal 1957-09-27 al 1957-09-28)
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-09-27 al 1957-09-28)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-09-27 al 1957-09-28) e Niki Sullivan (dal 1957-09-27 al 1957-09-28)
contrabbasso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (dal 1957-09-27 al 1957-09-28)
voce di accompagnamento:
The Picks (American vocal Quartet that backed Buddy Holly) (dal 1957-09-27 al 1957-09-28)
lavorazione tecnica effettuata presso:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Stati Uniti (dal 1957-09-27 al 1957-09-28)
registrazione di:
Rock Me My Baby (dal 1957-09-27 al 1957-09-28)
autore:
Susan Heather e Shorty Long (1950s country/rockabilly artist)
editore:
Wren Music
The Crickets51:50
18Now We’re One
registrazione cover di:
Now We’re One
paroliere e compositore:
Bobby Darin
editore:
Portrait
The Crickets2:10
19Real Wild Child
registrazione cover di:
Wild One (Real Wild Child)
autore:
Johnny Greenan, Johnny O’Keefe e Dave Owens (US songwriter, known for "Wild One")
editore:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Southern Music (publisher)
The Crickets2:25
20Rock Around with Ollie Vee (alternate take)
registrazione di:
Rock Around With Ollie Vee
autore:
Sonny Curtis
editore:
Palace Music, Skol Music (BMI-affiliated) e Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
The Crickets52:22
21That’ll Be the Day (1957 version)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 39) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 124)
registrazione di:
That’ll Be the Day (nel 1956)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
The Crickets2:15