NOW Yearbook Extra ’84

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Radio Ga Ga
Assistent recording engineer:
Eddie DeLena (engineer) (von 1983-08 bis 1984-01) und Stephan Wissnet (von 1983-08 bis 1984-01)
recording engineer und Programmierung:
Mack (German rock producer/engineer Reinhold Mack) (von 1983-08 bis 1984-01)
zusätzlich recording engineer:
Mike Beiriger (von 1983-08 bis 1984-01)
Synthesizer-Programmierung:
Fred Mandel (von 1983-08 bis 1984-01)
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Queen (UK rock group)
Bassgitarre:
John Deacon (von 1983-08 bis 1984-01)
drum machine, Schlagzeug, Vocoder und Hintergrundgesang:
Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
Gast-Sampler und Gast-Synthesizer:
Fred Mandel (von 1983-08 bis 1984-01)
Gitarre:
Brian May (Queen guitarist) (von 1983-08 bis 1984-01)
Sampler:
Freddie Mercury (von 1983-08 bis 1984-01) und Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
Sologesang:
Freddie Mercury (von 1983-08 bis 1984-01)
Synthesizer arranger:
Fred Mandel
phonographisches Urheberrecht (℗) von:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) und Raincloud Productions Ltd. (in 1984)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
produced at:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
recording of:
Radio Ga Ga (von 1983-08 bis 1984-01)
Texter und Komponist(in):
Roger Taylor (Queen drummer)
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.85:43
2Sexcrime (Nineteen Eighty-Four)
Techniker(in):
Eric Thorngren
zusätzliche(r) Techniker(in):
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Mix:
Dave Stewart (UK guitarist/singer for Eurythmics) und Eric Thorngren
Interpret(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Sexcrime (Nineteen Eighty-Four)
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
RCA Music Ltd. (publisher) und Universal Music Careers
Eurythmics2.43:55
3Smooth Operator
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1994)
recording of:
Smooth Operator
Texter und Komponist(in):
Sade Adu und Raymond St. John
publisher:
Angel Music Ltd., Peer Music, Peermusic (UK) Limited, Peermusic Ltd. (BMI), SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Sade4.654:59
4No More Lonely Nights
assistierende(r) Techniker(in):
Jon Jacobs (UK producer/engineer) und Jon Kelly (engineer at Air London Studios)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Bass:
Herbie Flowers (von 1982-11-05 bis 1984-07-26)
Bassgitarre:
Herbie Flowers
E-Gitarre:
David Gilmour (Pink Floyd) (von 1982-11-05 bis 1984-07-26)
Klavier und Sologesang:
Paul McCartney (The Beatles) (von 1982-11-05 bis 1984-07-26)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) (von 1982-11-05 bis 1984-07-26)
Synthesizer:
Ann Dudley (English score composer) (von 1982-11-05 bis 1984-07-26)
Hintergrundgesang:
Linda McCartney (von 1982-11-05 bis 1984-07-26), Paul McCartney (The Beatles) (von 1982-11-05 bis 1984-07-26) und Eric Stewart (von 1982-11-05 bis 1984-07-26)
vocals:
Paul McCartney (The Beatles)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
Herausgeber:
Northern Songs Ltd.
aufgenommen bei:
Elstree Studios in Borehamwood, Hertfordshire, England, Vereinigtes Königreich (von 1984-06 bis 1984-07)
recording of:
No More Lonely Nights (von 1982-11-05 bis 1984-07-26)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Paul McCartney2.254:44
5Private Dancer
Produzent(in):
Carter
Solo-Gitarre:
Jeff Beck (English rock guitarist)
Sologesang:
Tina Turner
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
Texter und Komponist(in):
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) und Universal Music Publishing, Synch Division
Tina Turner3.54:00
6All Cried Out
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
Bearbeitung von:
All Cried Out (album version) von Alison Moyet
recording of:
All Cried Out
Verfasser(in):
Steve Jolley, Alison Moyet und Tony Swain (songwriter, producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), J&S Music, Mega Music Ltd., Rondor Music (London) Ltd., Sonet Publishing Ltd. und Sony/ATV Music Publishing Ltd.
Alison Moyet43:43
7I’ll Fly for You
recording of:
I’ll Fly for You
Texter und Komponist(in):
Gary Kemp
Spandau Ballet5:35
8New Moon on Monday
Duran Duran4:19
9It’s a Miracle
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
It’s a Miracle von Culture Club (English pop group)
recording of:
It’s a Miracle (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Culture Club3.53:27
10I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
zusätzlich Bass:
Paul Westwood (bassist) (in 1983)
Sologesang:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal und Rondor Music (London) Ltd.
Nik Kershaw3.53:24
11You Take Me Up
Thompson Twins4:25
12Searchin’ (I Gotta Find a Man)
Hazell Dean3:45
13Girl You’re So Together
Michael Jackson13:12
14Thinking of You
recording of:
Thinking of You
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell North America
Sister Sledge4:27
15Stuck on You
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Stuck on You
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lionel Richie43:11
16Everything Must Change
recording of:
Everything Must Change
Verfasser(in):
Ian Kewley und Paul Young (English pop singer and musician)
publisher:
Bright Music Ltd. (publisher)
ヤングポール5:32
17Shout to the Top
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1984)
recording of:
Shout to the Top
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council4.354:14
18A Rockin’ Good Way (to Mess Around and Fall in Love)
Techniker(in):
Simon Hurrell und Neil King (sound engineer)
Produzent(in):
Christopher Neil
Bassgitarre:
Dick Bland (bass player from Cornwall, UK; member of The Onyx, Vineyard, Salamander)
Gitarre [lead guitar]:
Les Davidson und Roger McKew (member of The World, Judd, The Quiet Five, Brown's Home Brew)
Gitarre [rhythm guitar]:
Roger McKew (member of The World, Judd, The Quiet Five, Brown's Home Brew)
Klavier und Synthesizer:
Gavin Povey
Schlagzeug:
Chris Wyles
Gast-Interpret(in):
Shakin’ Stevens
Interpret(in):
Bonnie Tyler
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
aufgenommen bei:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich
mixed at:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich und Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich
recording of:
A Rockin’ Good Way
Verfasser(in):
Brook Benton, Luchi de Jesus (American composer and producer) und Clyde Otis (American songwriter and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Shakin’ Stevens2.52:51
19Hole in My Shoe
Produzent(in):
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
Hintergrundgesang:
Barbara Gaskin
Sologesang:
Neil (The Young Ones character)
cover recording of:
Hole in My Shoe
Verfasser(in):
Dave Mason (co‐founder of Traffic)
Neil3:40
20Nellie the Elephant
The Toy Dolls3:28
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Love Kills
Freddie Mercury4:30
2Automatic
Bearbeitung von:
Automatic von Pointer Sisters
recording of:
Automatic
Komponist(in):
Brock Patrick Walsh (singer, producer, songwriter) und Mark Goldenberg
The Pointer Sisters44:46
3The Medicine Song
Stephanie Mills4:53
4Let It All Blow
Dazz Band5:52
5Like to Get to Know You Well
recording engineer und Mix:
Stephen W. Tayler (UK engineer)
Programmierung:
Howard Jones (English singer, songwriter)
Produzent(in):
Rupert Hine
Instrumente:
Howard Jones (English singer, songwriter)
Sologesang:
Howard Jones (English singer, songwriter)
phonographisches Urheberrecht (℗) von:
Cherry Red Records (UK indie label; for copyrights, use Cherry Red Records Ltd. instead, with an alias if needed) (in 1983)
aufgenommen bei und mixed at:
Farmyard Studios in Amersham, Buckinghamshire, England, Vereinigtes Königreich
recording of:
Like to Get to Know You Well
Texter und Komponist(in):
Howard Jones (English singer, songwriter)
publisher:
Howard Jones Music Ltd.
Howard Jones54:00
6Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:37
7(Feels Like) Heaven
Produzent(in):
Peter Wilson (UK Producer)
arranger:
Chic Medley und Kevin Patterson (songwriter)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
(Feels Like) Heaven
Texter und Komponist(in):
Eddie Jordan (songwriter) und Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:30
8Talking Loud and Clear
Orchestral Manoeuvres in the Dark4:22
9Life on Your Own
Programmierung:
The Human League
Techniker(in):
Renate Blauel, Gavin McKillop und Bill Price (UK producer/engineer)
Produzent(in):
The Human League, Hugh Padgham und Chris Thomas (UK record producer / remixer)
Mix:
Hugh Padgham
Perkussion:
The Human League
Hintergrundgesang:
Joanne Catherall und Susan Ann Sulley
Sologesang:
Philip Oakey
vocals:
The Human League
Musikvideos:
Life on Your Own von The Human League
recording of:
Life on Your Own
Texter und Verfasser(in):
Philip Oakey und Philip Adrian Wright (Human League)
Komponist(in):
Jo Callis
The Human League54:05
10Dance Hall Days
recording of:
Dance Hall Days
Verfasser(in):
Darren Costin, Nick Feldman und Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung4:01
11The Politics of Dancing
Re‐Flex3:57
12Speed Your Love to Me
Produzent(in):
Peter Walsh (UK producer)
Remix von:
Speed Your Love to Me (1984 original stereo mix) von Simple Minds (Scottish rock band)
recording of:
Speed Your Love to Me
Verfasser(in):
Charlie Burchill, Derek Forbes, Mel Gaynor, Jim Kerr (of Simple Minds) und Michael MacNeil
Simple Minds54:25
13Mothers Talk
recording of:
Mothers Talk
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
Tears for Fears5:06
14It’s My Life
Programmierung und Produzent(in):
Tim Friese‐Greene
Akustikgitarre:
Mark Hollis
drum machine und Synthesizer:
Tim Friese‐Greene
Fretless Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Keyboard:
Ian Curnow
Klavier:
Tim Friese‐Greene und Phil Ramocon (soul/R&B/reggae songwriter)
Perkussion:
Morris Pert
Schlagzeug:
Tim Friese‐Greene und Lee Harris (singer-songwriter & musician)
Hintergrundgesang:
Mark Hollis und Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:53
15The Ink in the Well
David Sylvian4:32
16Closest Thing to Heaven
The Kane Gang4:50
17My Ever Changing Moods
Produzent(in):
Paul Weller (English singer‐songwriter and musician) und Peter Wilson (UK Producer)
Interpret(in):
Mick Talbot (von 1983-10 bis 1984-01) und Paul Weller (English singer‐songwriter and musician) (von 1983-10 bis 1984-01)
aufgenommen bei:
Solid Bond Studio in London (Greater London), England, Vereinigtes Königreich (von 1983-10 bis 1984-01)
zusätzlich aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (von 1983-10 bis 1984-01)
recording of:
My Ever Changing Moods (von 1983-10 bis 1984-01)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
The Style Council43:37
18Half a Minute
Techniker(in) und Mix:
Phil Harding (engineer, producer and remixer)
Produzent(in):
Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
baritone saxophone:
Ronnie Ross
Keyboard:
Danny White (keyboardist)
Perkussion:
Robin Jones (latin jazz percussionist)
vocals:
Basia und Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Half a Minute
Verfasser(in):
Kito Poncioni, Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Warner Chappell Music France
Matt Bianco3.253:47
19Joanna
recording of:
Joanna (Kool & the Gang)
Verfasser(in):
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang) und Curtis “Fitz” Williams (keyboardist/percussionist of Kool & The Gang)
publisher:
Delightful Music Ltd, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Kool & the Gang4:16
20On the Wings of Love
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1982)
recording of:
On the Wings of Love (in 1982)
Verfasser(in):
Peter Schless (keyboardist and composer) und Jeffrey Osborne (in 1982)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Lincoln Pond Music, March 9 Music, Music Sales Corporation (American copyright holder in both popular and classical music) und Rondor Music (London) Ltd.
Jeffrey Osborne4:02
3▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Nobody Told Me
recording of:
Nobody Told Me
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
Lenono Music und Ono Music
John Lennon3:34
2Passengers
recording engineer:
Renate Blauel
Produzent(in):
Chris Thomas (UK record producer / remixer)
E-Bass:
Dee Murray
Gitarre:
Davey Johnstone
Keyboard und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
phonographisches Urheberrecht (℗) von:
Happenstance Ltd. (record and publishing company) (in 1984)
produced for:
Frank N. Stein Productions Ltd.
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat
recording of:
Passengers
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer), Davey Johnstone und Phineas McHize
publisher:
Universal–Songs of PolyGram International, Inc., Big Pig Music Ltd. (publisher) (in 1984) und CBS Songs Ltd. (in 1984)
Elton John2.253:23
3Leave a Tender Moment Alone
recording of:
Leave a Tender Moment Alone
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
CBS Songs Ltd. und Joelsongs (in 1983)
Billy Joel3:57
4Thin Line Between Love and Hate
assistierende(r) Techniker(in):
Jeremy Allom
Techniker(in):
Steve Churchyard
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
Andrew Bodner und Malcolm Foster (UK bass player, in The Pretenders, Simple Minds)
Gitarre:
Billy Bremner, Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Robbie McIntosh (English guitarist for The Pretenders)
Klavier:
Paul Carrack
Schlagzeug:
Martin Chambers (drummer for The Pretenders)
vocals:
Andrew Bodner, Billy Bremner, Paul Carrack, Martin Chambers (drummer for The Pretenders), Malcolm Foster (UK bass player, in The Pretenders, Simple Minds), Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Robbie McIntosh (English guitarist for The Pretenders)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 2000)
cover recording of:
Thin Line Between Love and Hate
Verfasser(in):
Jackie Members, Richard Poindexter und Robert Poindexter
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Pretenders43:41
5Missing You
assistierende(r) Techniker(in):
Ken Stiger (engineer)
Techniker(in):
Gary Hellman
Produzent(in):
Gary Gersh, David Thoener und John Waite
Mix und Editing:
John Luongo
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite54:30
6Sharp Dressed Man
Techniker(in):
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
E-Bass:
Dusty Hill
E-Gitarre und Sologesang:
Billy Gibbons
Perkussion und Schlagzeug:
Frank Beard (ZZ Top drummer)
vocals:
Dusty Hill
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Sharp Dressed Man
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
Komponist(in):
Chrome Division (Norwegian heavy metal band)
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic und Stage Three Songs
sub-publisher:
BMG Gold Songs und Zazta Muzic Ltd.
ZZ Top4.64:12
7Assassing
recording engineer, Techniker(in) und Mix:
Simon Hanhart (engineer, producer)
Produzent(in):
Nick Tauber
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1983-11 bis 1984-02)
Gitarre:
Steve Rothery (von 1983-11 bis 1984-02)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1983-11 bis 1984-02)
Schlagzeug:
Ian Mosley (von 1983-11 bis 1984-02)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1983-11 bis 1984-02)
recording of:
Assassing (von 1983-11 bis 1984-02)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Hit & Run Music (Publishing) Ltd und The Charisma Music Publishing Co Ltd
Marillion4.57:03
8Wonderland
Big Country3:57
9Skin Deep
recording of:
Skin Deep
Texter und Komponist(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
EMI Songs Ltd. und Plugshaft Ltd.
The Stranglers3:54
10Perfect Skin
Lloyd Cole and the Commotions3:13
11Hand in Glove
Sandie Shaw3:00
12Swimming Horses
Techniker(in):
Mike Hedges (UK producer/recording engineer)
Produzent(in):
Mike Hedges (UK producer/recording engineer) und Siouxsie and the Banshees
Bassgitarre:
Steven Severin
Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Keyboard:
Steven Severin und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Perkussion und Schlagzeug:
Budgie (UK drummer Peter Clarke of The Banshees, The Creatures, etc.)
Sologesang:
Siouxsie Sioux (Susan Janet Ballion)
recording of:
Swimming Horses
Texter:
Siouxsie Sioux (Susan Janet Ballion)
Komponist(in):
Peter Clarke (UK drummer Peter Clarke of The Banshees, The Creatures, etc.), Steven Severin, Siouxsie Sioux (Susan Janet Ballion) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Siouxsie and the Banshees44:04
13Seven Seas
assistierende(r) Techniker(in):
Jean-Yves Pouilloux
Techniker(in):
Henri Loustau (French sound engineer, sometimes misspelled Lousteau or Lonstan) und Gil Norton (British record producer)
Mix:
Echo & the Bunnymen und Gil Norton (British record producer)
recording of:
Seven Seas
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
Echo & the Bunnymen43:19
14If It Happens Again
Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician)
Produzent(in):
Howard Gray (UK producer, engineer, and electronic musician) und UB40
Bassgitarre:
Earl Falconer
Gitarre:
Robin Campbell
Keyboard:
Michael Virtue (keyboardist)
Schlagzeug und elektronisches Schlagzeug / E-Drums:
Jim Brown (UB40 drummer)
Trompete:
Astro (UB40 toast, trumpet & percussion)
vocals:
Ali Campbell (UB40’s former vocalist)
recording of:
If It Happens Again
Texter und Komponist(in):
Jim Brown (UB40 drummer), Ali Campbell (UB40’s former vocalist), Robin Campbell, Earl Falconer, Norman Hassan, Terrence Oswald Wilson (aka Astro of UB40), Brian Travers und Michael Virtue (keyboardist)
UB403.353:43
15Too Late for Goodbyes
Julian Lennon3:35
16I’m Gonna Tear Your Playhouse Down
cover recording of:
I’m Gonna Tear Your Playhouse Down
Texter und Komponist(in):
Earl Randle (US songwriter for Hi Records)
publisher:
Burlington Music Co., Ltd. und Irving Music, Inc.
Paul Young5:07
17Invisible
Produzent(in):
Steve Jolley und Tony Swain (songwriter, producer)
Gitarre:
Steve Jolley
Keyboard:
Tony Swain (songwriter, producer)
Schlagzeug:
Tim Goldsmith
Hintergrundgesang und Sologesang:
Alison Moyet
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984, in 2009)
Musikvideos:
Invisible von Alison Moyet
recording of:
Invisible
Texter und Komponist(in):
Lamont Dozier
publisher:
All Boys Music Ltd., Beau‐Di‐O‐Do Music, Universal Music Publishers MGB Australia Pty Ltd, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Alison Moyet4:00
18Love All Day (And Night)
Nick Heyward3:57
19S.O.S.
ABC4:50
20The Power of Love
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Saiteninstrumente arranger und zusätzlich arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:33

Nennungen

Veröffentlichungsgruppe

Teil von:Now Yearbook (UK Now subseries) (Nummer: 1984) (Reihenfolge: 25)