Ella Fitzgerald Sings the Cole Porter Song Book

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, 19 vorhanden)

Titelliste

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1▼12"-Vinyl
Nr.TitelBewertungLänge
A1All Through the Night
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-08) und Edgar Lustgarten (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Harfe:
Corky Hale (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-08)
conductor:
Buddy Bregman (am 1956-02-08)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
All Through the Night (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
WB Music Corp. (1929–2019)
Teil von:
Anything Goes
4.253:17
A2Anything Goes
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-08) und Edgar Lustgarten (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Harfe:
Corky Hale (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-08)
conductor:
Buddy Bregman (am 1956-02-08)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
Anything Goes (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
43:23
A3Miss Otis Regrets (She’s Unable to Lunch Today)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Miss Otis Regrets (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
33:02
A4Too Darn Hot
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-07) und Bud Shank (am 1956-02-07)
baritone saxophone:
Chuck Gentry (am 1956-02-07)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Posaune:
Milt Bernhart (am 1956-02-07), Joe Howard (american trombone player) (am 1956-02-07) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-07) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Trompete:
Pete Candoli (am 1956-02-07), Harry “Sweets” Edison (am 1956-02-07), Maynard Ferguson (am 1956-02-07) und Conrad Gozzo (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
conductor:
Buddy Bregman (am 1956-02-07)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Too Darn Hot (from Kiss Me, Kate) (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. und T.B. Harms Co.
Teil von:
Kiss Me, Kate (musical)
3.653:50
A5In the Still of the Night
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-09) und Bud Shank (am 1956-02-09)
baritone saxophone:
Chuck Gentry (am 1956-02-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-09)
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Posaune:
Milt Bernhart (am 1956-02-09), Joe Howard (american trombone player) (am 1956-02-09) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-09) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-09)
Trompete:
Pete Candoli (am 1956-02-09), Harry “Sweets” Edison (am 1956-02-09), Maynard Ferguson (am 1956-02-09) und Conrad Gozzo (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
conductor:
Buddy Bregman (am 1956-02-09)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
In the Still of the Night (Cole Porter song) (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
32:40
A6I Get a Kick Out of You
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
I Get a Kick Out of You (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
3.654:01
A7Do I Love You?
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Celesta und Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-07) und Edgar Lustgarten (am 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Harfe:
Corky Hale (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
conductor:
Buddy Bregman (am 1956-02-07)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Do I Love You? (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
Teil von:
DuBarry Was a Lady (1939 stage musical)
2.53:51
A8I’m Always True to You in My Fashion
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-08)
conductor:
Buddy Bregman (am 1956-02-08)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
Always True to You in My Fashion (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
Teil von:
Kiss Me, Kate (musical)
3.52:50
B1Let’s Do It (Let’s Fall in Love)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass [bass]:
Joe Mondragon (am 1956-02-09)
Schlagzeug [drums]:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
3.653:33
B2Just One of Those Things
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-07) und Bud Shank (am 1956-02-07)
baritone saxophone:
Chuck Gentry (am 1956-02-07)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Posaune:
Milt Bernhart (am 1956-02-07), Joe Howard (american trombone player) (am 1956-02-07) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-07) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Trompete:
Pete Candoli (am 1956-02-07), Harry “Sweets” Edison (am 1956-02-07), Maynard Ferguson (am 1956-02-07) und Conrad Gozzo (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
conductor:
Buddy Bregman (am 1956-02-07)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Just One of Those Things (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
23:32
B3Ev’ry Time We Say Goodbye
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Celesta und Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-07) und Edgar Lustgarten (am 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Harfe:
Corky Hale (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
Orchester:
Buddy Bregman Orchestra (am 1956-02-07)
conductor:
Buddy Bregman (am 1956-02-07)
arranger:
Buddy Bregman
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1956)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.653:34
B4All of You
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-09)
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Posaune:
Milt Bernhart (am 1956-02-09), Joe Howard (american trombone player) (am 1956-02-09) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
conductor:
Buddy Bregman (am 1956-02-09)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
All of You (Silk Stockings musical) (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
31:45
B5Begin the Beguine
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-08) und Edgar Lustgarten (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Harfe:
Corky Hale (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-08)
conductor:
Buddy Bregman (am 1956-02-08)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
Begin the Beguine (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
33:39
B6Get Out of Town
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1956-02-07)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Get Out of Town (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
Teil von:
Leave It to Me!
23:24
B7I Am in Love
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Celesta und Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-07) und Edgar Lustgarten (am 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Harfe:
Corky Hale (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Oboe:
Bob Cooper (US jazz saxophonist) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
conductor:
Buddy Bregman (am 1956-02-07)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
I Am in Love (Can-Can musical) (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
24:08
B8From This Moment On
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-07) und Bud Shank (am 1956-02-07)
baritone saxophone:
Chuck Gentry (am 1956-02-07)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Posaune:
Milt Bernhart (am 1956-02-07), Joe Howard (american trombone player) (am 1956-02-07) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-07) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Trompete:
Pete Candoli (am 1956-02-07), Harry “Sweets” Edison (am 1956-02-07), Maynard Ferguson (am 1956-02-07) und Conrad Gozzo (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
conductor:
Buddy Bregman (am 1956-02-07)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only) (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1950)
Teil von:
Kiss Me, Kate (musical)
23:16
2▼12"-Vinyl
Nr.TitelBewertungLänge
C1I Love Paris
cover recording of:
I Love Paris (Can-Can [Pistache, Company])
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
14:56
C2You Do Something to Me
Techniker(in):
Val Valentin (am 1956-02-08)
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-08)
conductor:
Buddy Bregman (am 1956-02-08)
arranger:
Buddy Bregman
concertmaster:
Mischa Russell (violinist) (am 1956-02-08)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Fifty Million Frenchmen
22:20
C3Ridin’ High
cover recording of:
Ridin’ High
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
13:17
C4Easy to Love
cover recording of:
Easy to Love
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
33:24
C5It’s All Right With Me
cover recording of:
It’s All Right with Me (Can‐Can musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
23:06
C6Why Can’t You Behave?
cover recording of:
Why Can’t You Behave? (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
35:04
C7What Is This Thing Called Love?
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
22:01
C8You’re the Top
cover recording of:
You’re the Top
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
Teil von:
Anything Goes
13:37
D1Love for Sale
cover recording of:
Love for Sale
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
15:52
D2It’s Delovely
cover recording of:
It’s De‐Lovely
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Anything Goes
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
42:04
D3Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1956-03-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
33:02
D4Ace in the Hole
cover recording of:
Ace in the Hole (Let’s Face It! musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
31:57
D5So in Love
cover recording of:
So in Love (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
33:50
D6I’ve Got You Under My Skin
Techniker(in):
Val Valentin (am 1956-02-09)
Produzent(in):
Norman Granz
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-09)
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Posaune:
Milt Bernhart (am 1956-02-09), Joe Howard (american trombone player) (am 1956-02-09) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
conductor:
Buddy Bregman (am 1956-02-09)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
I’ve Got You Under My Skin (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
2.252:43
D7I Concentrate on You
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-09) und Bud Shank (am 1956-02-09)
baritone saxophone:
Chuck Gentry (am 1956-02-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-09)
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Posaune:
Milt Bernhart (am 1956-02-09), Joe Howard (american trombone player) (am 1956-02-09) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-09) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-09)
Trompete:
Pete Candoli (am 1956-02-09), Harry “Sweets” Edison (am 1956-02-09), Maynard Ferguson (am 1956-02-09) und Conrad Gozzo (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
conductor:
Buddy Bregman (am 1956-02-09)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
I Concentrate on You (in 1956)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
33:12
D8Don’t Fence Me In
cover recording of:
Don’t Fence Me In
Texter:
Robert Fletcher (US poet) (in 1934) und Cole Porter (composer) (in 1934)
Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
23:18