Lost and Found: 1979-1987

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Kiss You All Over
diritti fonografici (℗) detenuti da:
Curb Records (nel 1978), RAK Records (copyrights holder) (nel 1978), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1993)
edit di:
Kiss You All Over di Exile (American country band)
registrazione di:
Kiss You All Over
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation), BMG Songs, Inc., Downtown DLJ Songs, Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Exile53:31
2Stumblin’ In
voce ospite:
Suzi Quatro (US rock singer‐songwriter, multi‐instrumentalist & actress)
diritti fonografici (℗) detenuti da:
Chinnichap Records Ltd. (nel 1978)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 4) e Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 8)
registrazione di:
Stumblin’ In
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Songs, Inc. e Musik-Edition Discoton GmbH
Chris Norman & Suzi Quatro4.653:32
3Lady Night
Patrick Juvet3:25
4We Don’t Talk Anymore
produttore:
Bruce Welch (English guitarist, singer, songwriter and producer)
voce:
Cliff Richard (nel 1979)
diritti fonografici (℗) detenuti da:
EMI America (nel 1979) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1979)
video musicali:
We Don’t Talk Anymore di Cliff Richard
registrazione di:
We Don’t Talk Anymore (nel 1979)
paroliere e compositore:
Alan Tarney
editore:
ATV Music Ltd., Sony/ATV Songs LLC e Warner Chappell
Cliff Richard34:14
5Call Me
tecnico:
Harold Faltermeyer
produttore:
Giorgio Moroder
batteria [drums] :
Clem Burke (nel 1980-01)
chitarra :
Frank Infante (nel 1980-01) e Chris Stein (nel 1980-01)
chitarra basso [bass] :
Nigel Harrison (nel 1980-01)
pianoforte elettrico :
Jimmy Destri (nel 1980-01)
sintetizzatore aggiunto:
Giorgio Moroder (nel 1980-01)
voce principale:
Debbie Harry (nel 1980-01)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980, nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2002), Capitol Records (imprint of Capitol Records, Inc.) (nel 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002)
registrata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1979) e The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980-01)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 157)
registrazione di:
Call Me (nel 1980-01)
paroliere:
Deborah Harry
compositore:
Giorgio Moroder
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody e Sony/ATV Music Publishing Australia Pty Ltd.
sub-editore:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Blondie4.23:31
6Upside Down
registrazione di:
Upside Down
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony/ATV Songs LLC e Tommy Jymi Inc.
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3:41
7Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:42
8Like They do in the Movies
Anna4:17
9Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:41
10Just an Illusion
registrazione di:
Just an Illusion
autore:
Ashley Ingram, Leee John, Steve Jolley e Tony Swain (songwriter, producer)
editore:
Broadley Music (International) Ltd. (PRS)
Imagination4.353:59
11You’re in the Army Now
registrazione di:
In the Army Now
autore:
Ferdi Bolland e Rob Bolland
editore:
Beadle Music Ltd., Bolland Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dayglow Music NV, Dayglow Muziekuitgeverij N.V., Island Music Ltd., Nada Music (Dutch publisher), Nada Music International, Nada Music International CV e The International Music Network
Bolland4:20
12Der Kommissar
tecnico:
Robert Ponger
produttore:
Falco (Austrian pop & rock musician) e Robert Ponger
diritti fonografici (℗) detenuti da:
GiG Records (Austrian label) (nel 1982)
registrazione di:
Der Kommissar (nel 1981)
paroliere:
Johann Hölzel (Austrian pop & rock musician)
compositore:
Robert Ponger
editore:
PS Music Wien e Warner/Chappell Music Australia Pty. Ltd.
Falco4.13:51
13Heartbreaker
registrazione di:
Heartbreaker (Dionne Warwick song)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Unichappell Music, Inc. e Universal Music Publishing International MGB Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick4:09
14Words
produttore:
Jean-Michel Gallois-Montbrun (Rolando Tambin) e Frédéric Leibovitz
arrangiatore:
Daniel Darras, F.R. David e Frédéric Leibovitz
diritti fonografici (℗) detenuti da:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (nel 1982)
registrazione di:
Words
paroliere:
Martin Kupersmith e Louis Sandy Yagura
autore:
Martin Kupersmith, Louis Sandy Yagura e Robert Fitoussi (French artist)
compositore:
Robert Fitoussi (French artist)
editore:
Fable Music e Warner Chappell
versione tradotta di:
Sen můj a Lízin
F.R. David4.43:26
15Our House
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 13) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 29)
registrazione di:
Our House
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.93:23
16Maneater
assistente tecnico:
Bruce Buckhalter (Engineer), Barry Harris (engineer) e Michael Somer-Abbott
tecnico:
Neil Kernon
co-produttore:
Neil Kernon
produttore:
Daryl Hall e John Oates
tecnico di missaggio:
Hugh Padgham
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1982), BMG Music (nel 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
registrazione di:
Maneater (nel 1981-12)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:28
17Time (Clock of the Heart)
assistente tecnico:
Gordon Milne (engineer)
tecnico:
Steve Levine (producer) e Mike Ross (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
basso e moog [Moog bass] :
Michael Craig (Culture Club bassist)
batteria e tamburello :
Jon Moss
campane tubolari e chitarra :
Roy Hay (Member of Culture Club and composer for film and television)
sassofono :
Steve Grainger (saxophonist)
tastiera aggiunto:
Phil Pickett (songwriter, producer, keyboard player)
voce di accompagnamento:
Helen Terry (UK singer)
voce principale:
Boy George
arrangiatore archi :
Trevor Bastow
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983)
è stato produttore per:
Do Not Erase Productions Ltd.
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
Red Bus Studios in London (Greater London), England, Regno Unito
video musicali:
Time (Clock of the Heart) di Culture Club (English pop group)
registrazione di:
Time (Clock of the Heart)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (Publishers) Ltd. (nel 1982)
Culture Club3.83:43
18Flashdance (What a Feeling)
produttore:
Giorgio Moroder
voce:
Irene Cara
diritti fonografici (℗) detenuti da:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (nel 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (nel 1983) e Universal Music TV (UK, a division of Universal Music Operations Limited) (nel 1995)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 38) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 492)
registrazione di:
Flashdance… What a Feeling
paroliere:
Irene Cara e Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony e WB Music Corp. (1929–2019)
parte di:
The 56th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1983 winner)
Irene Cara3.653:55
19I Like Chopin
diritti fonografici (℗) detenuti da:
BMG Music (nel 1983)
registrazione di:
I Like Chopin
paroliere:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”)
compositore:
Pierluigi Giombini (arranger ,composer and producer)
editore:
Abramo Allione Ed Mus SRL, Shinko Music Entertainment Co., Ltd., Televis Edizioni Musicali S.R.L. (publisher), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Gazebo34:09
20Gold
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (nel 1982)
batteria :
John Keeble (nel 1982)
chitarra :
Gary Kemp (nel 1982)
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (nel 1982)
tastiera :
Jess Bailey (nel 1982)
voce principale:
Tony Hadley (nel 1982)
esecutore:
Spandau Ballet (nel 1982)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
registrazione di:
Gold (nel 1982)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
registrazione di:
Glow
paroliere e compositore:
Gary Kemp
Spandau Ballet3.53:52
2▼CD
#TitoloArtistaValutazioneDurata
1Dolce Vita
remixer:
Ben Liebrand
registrazione di:
Dolce vita
paroliere:
Paul Mazzolini
compositore:
Pierluigi Giombini (arranger ,composer and producer)
editore:
Pianola Music (publisher) (nel 1983)
Ryan Paris3:24
2I Can Hear Your Heartbeat
tecnico:
Justin Shirley‐Smith
produttore:
Jon Kelly (engineer at Air London Studios) e Chris Rea
registrazione di:
I Can Hear Your Heartbeat
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea53:24
3Talking in Your Sleep
tecnico:
Hal Hansford e Jim Sessody
produttore:
Peter Solley (English pianist, songwriter and producer)
tecnico di missaggio:
Neil Kernon e Peter Solley (English pianist, songwriter and producer)
diritti fonografici (℗) detenuti da:
Nemperor Records, Inc. (nel 1983)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti
registrazione di:
Talking in Your Sleep
autore:
Coz Canler (Guitarist, vocals, songwriter), Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter), Mike Skill (Singer, bassist, guitarist, songwriter) e Peter Solley (English pianist, songwriter and producer)
editore:
ForeverEndeavor Music, Inc. (publisher) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Romantics3.93:55
4What Is Love
tecnico:
Stephen W. Tayler (UK engineer)
produttore:
Rupert Hine
voce principale:
Howard Jones (English singer, songwriter)
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1983) e Warner Music UK Ltd. (not for release label use!) (nel 1984)
registrazione di:
What Is Love?
paroliere:
William Bryant (UK lyricist, writer and speaker) e Howard Jones (English singer, songwriter)
compositore:
Howard Jones (English singer, songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group e Warner Chappell Publishing
Howard Jones4.53:42
5State of the Nation
registrazione di:
State of the Nation
Industry3:35
6Break My Stride
programmazione degli strumenti:
John Gilston (nel 1983)
produttore:
Peter Bunetta, Rick Chudacoff e Bill Elliott (keyboardist/composer)
batteria , drum machine [Oberheim DMX] e percussione :
Peter Bunetta (nel 1983)
chitarra :
Dennis Herring (nel 1983)
sintetizzatore analogico [Prophet-5] :
Bill Elliott (keyboardist/composer) (nel 1983) e Matthew Wilder (nel 1983)
voce di accompagnamento:
Greg Prestopino (nel 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (nel 1983) e Matthew Wilder (nel 1983)
voce principale:
Matthew Wilder (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrata presso:
Pasha Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 39)
registrazione di:
Break My Stride (nel 1983)
autore:
Greg Prestopino e Matthew Wilder
editore:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (nel 1983), No Ears Music (nel 1983) e Streetwise Music (US publisher) (nel 1983)
Matthew Wilder3.43:01
799 Luftballons
tecnico:
Imre Sereg (nel 1982)
produttore:
Reinhold Heil (nel 1982) e Manfred Praeker (nel 1982)
tecnico di missaggio:
Udo Arndt (nel 1982)
basso elettrico :
Jürgen Dehmel (nel 1982)
batteria :
Rolf Brendel (nel 1982)
chitarra elettrica :
Carlo Karges (nel 1982)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
voce principale:
Nena Kerner (the person, performing solo since 1987) (nel 1982)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1983) e Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (nel 1983)
registrata presso:
Spliff in Berlin, Germania (nel 1982)
mixata presso:
Audio-Studio in Berlin, Germania (nel 1982)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 73) e Cachitos Nochevieja 2022 (numero: 105)
registrazione di:
99 Luftballons (nel 1982)
paroliere:
Carlo Karges (nel 1982)
compositore:
Uwe Fahrenkrog-Petersen (nel 1982)
editore:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. e EMI Songs Musikverlag GmbH
sub-editore:
EMI Songs France (27, rue de Berri)
Nena4.13:55
8Self Control
produttore:
Robbie Buchanan (Canadian producer) e Jack White (German producer Horst Nußbaum)
produttore esecutivo:
Jack White (German producer Horst Nußbaum)
arrangiatore:
Robbie Buchanan (Canadian producer) e Harold Faltermeier
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
video musicali:
Self Control di Laura Branigan
registrazione cover di:
Self Control (nel 1984)
paroliere:
Steve Piccolo
autore aggiunto:
Harro Steffen
compositore:
Giancarlo Bigazzi e Raffaele Riefoli (Italian pop singer)
editore:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) e Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4.24:07
9Smooth Operator
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1994)
registrazione di:
Smooth Operator
paroliere e compositore:
Sade Adu e Raymond St. John
editore:
Angel Music Ltd., Peer Music, Peermusic (UK) Limited, Peermusic Ltd. (BMI), SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Sade4.654:18
10Neverending Story
produttore:
Giorgio Moroder
voce:
Beth Anderson (US pop vocalist) e Limahl
voce di accompagnamento:
Beth Andersen (US pop vocalist)
voce principale:
Limahl
esecutore:
Limahl
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e Neue Constantin Film Productions GmbH
parte di:
Cachitos Nochevieja 2022 (numero: 51)
registrazione di:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
paroliere:
Keith Forsey (drummer, producer and songwriter)
compositore:
Giorgio Moroder
editore:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Limahl3.353:32
11Forever Young
tecnico di registrazione, programmazione e tecnico di missaggio:
Wolfgang Loos (dal 1984-07 al 1984-08)
tecnico di registrazione aggiunto:
Uli Rudolf (dal 1984-07 al 1984-08)
assistente alla programmazione:
Boris Balin e Thomas Beck (technical assistant, likely German)
produttore:
Wolfgang Loos e Colin Pearson (producer and violinist)
basso :
Ken Taylor (dal 1984-07 al 1984-08)
batteria :
Curt Cress (dal 1984-07 al 1984-08)
drum machine :
Bernhard Lloyd (dal 1984-07 al 1984-08)
tastiera :
Bernhard Lloyd (dal 1984-07 al 1984-08) e Frank Mertens (German synthpop keyboardist Frank Sorgatz) (dal 1984-07 al 1984-08)
tastiera aggiunto:
Wolfgang Loos (dal 1984-07 al 1984-08)
voce di accompagnamento:
Gulfstream (dal 1984-07 al 1984-08) e The Rosie Singers (dal 1984-07 al 1984-08)
voce principale:
Marian Gold (dal 1984-07 al 1984-08)
arrangiatore:
Alphaville (German synth pop band) e Wolfgang Loos
diritti fonografici (℗) detenuti da:
WEA MUSIK GMBH (company, not a label) (dal 1984 a oggi) e wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (nel 1984, nel 1994)
registrata presso e mixata presso:
Studio 54 (Berlin recording studio) in Germania (dal 1984-07 al 1984-08)
registrazione di:
Forever Young (dal 1984-07 al 1984-08)
paroliere:
Marian Gold
compositore:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold e Bernhard Lloyd
editore:
Downtown DMP Songs, Fable Music Pty. Ltd. e Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.553:46
12The Riddle
assistente tecnico:
Dave Meegan (producer)
tecnico:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Peter Collins (producer)
voce principale:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984, nel 1985)
video musicali:
The Riddle di Nik Kershaw
registrazione di:
The Riddle
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. e Rondor Musikverlag GmbH
Nik Kershaw3.253:53
13Everybody Wants to Rule the World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.954:09
14Samurai (Did You Ever Dream)
registrazione di:
Samurai (english version)
paroliere:
Richard Palmer‐James (guitarist and lyricist)
compositore:
Michael Cretu (Romanian-born German musician, composer and record producer)
versione di:
Samurai (german version)
Michael Cretu4:37
15Tarzan Boy
registrata a:
Italia
produttore:
Maurizio Bassi
arrangiatore:
Maurizio Bassi
registrazione di:
Tarzan Boy
paroliere:
Naimy Hackett
compositore:
Maurizio Bassi
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Baltimora3.73:48
16(I’ll Never Be) Maria Magdalena
produttore:
Michael Cretu (Romanian-born German musician, composer and record producer)
remixer:
Wolfgang Filz e Peter Ries
diritti fonografici (℗) detenuti da:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.) (nel 1985, nel 1987)
registrazione di:
(I'll Never Be) Maria Magdalena
paroliere:
Hubert Kemmler (singer, songwriter, producer) e Richard Palmer‐James (guitarist and lyricist)
compositore:
Michael Cretu (Romanian-born German musician, composer and record producer), Hubert Kemmler (singer, songwriter, producer) e Markus Löhr
editore:
Data Alpha e Sony/ATV
Sandra43:58
17Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:51
18Touch Me (I Want Your Body)
produttore:
Jon Astrop (British musician, songwriter and painter)
diritti fonografici (℗) detenuti da:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (nel 1986), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1986) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
registrazione di:
Touch Me (I Want Your Body) (Full moon in the city and the night was young... I was hungry for love)
autore:
Jon Astrop (British musician, songwriter and painter), Peter Brian Harris e Mark Shreeve
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Imagem London Ltd.
Samantha Fox3.653:45
19Neverending Love
tecnico di registrazione:
Björn Boström
tecnico:
Alar Suurna e Robert Wellerfors
batteria :
Tim Werner
chitarra :
Mats Arne Persson (“M.P.”)
voce di accompagnamento e voce principale:
Marie Fredriksson e Per Gessle (Swedish singer and guitarist)
diritti fonografici (℗) detenuti da:
EMI Svenska AB (not for release label use!)
registrata presso:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1986-02)
registrazione di:
Neverending Love (nel 1986-02)
paroliere e compositore:
Per Gessle (Swedish singer and guitarist)
versione di:
Svarta glas
Roxette43:28
20C’est la Vie
registrazione di:
C’est la vie
autore:
Mark Holding, Robbie Nevil e Duncan Pain (songwriter)
editore:
AFG House Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dresden China Music (A), EMI Music Publishing (do not use as a release label!), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing, Universal‐MCA Music Publishing (US), Warner/Chappell Music Ltd. (1996–2019) e WC Music Corp.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Robbie Nevil53:26

Accreditamenti

Gruppo di pubblicazioni

Allmusic:https://www.allmusic.com/album/mw0001669122 [info]