The Essential Movies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:29
2Everybody’s Talkin’
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
früheste Veröffentlichung:
Everybody’s Talkin’ von Nilsson (US singer-songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 51)
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Nilsson3.92:46
3Bullitt
Produzent(in):
Jimmy Hilliard und Jimmy Hilliard (Credited as Producer Big-band musician who later worked as an A&R executive and producer for Warner Bros. Records. Produced hundreds of recordings and a number of hit singles and albums of varying genres for artists such as Jimmy Durante, Barbara McNair,)
conductor:
Lalo Schifrin (pianist & composer)
recording of:
Bullitt
Komponist(in):
Lalo Schifrin (pianist & composer)
Lalo Schifrin42:07
4Moondance
recording of:
Moondance
Texter und Komponist(in):
Van Morrison
publisher:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Chappell Music (UK), Van-Jan Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, Caledonia Soul Music (von 1970 bis 1971), WB Music Corp. (1929–2019) (von 1970 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Van Morrison4:38
5Beyond the Sea
recording of:
Beyond the Sea
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
übersetzte Version von:
La Mer
Bobby Darin2:50
6From Russia With Love
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Sologesang:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
From Russia With Love
Texter und Komponist(in):
Lionel Bart
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monroe3.352:36
7Main Theme - Carter Takes a Train
recording of:
Main Theme: Carter Takes a Train (Get Carter)
Komponist(in):
Roy Budd
Teil von:
Get Carter (1971)
Roy Budd43:00
8The Chase
recording of:
Chase (from Midnight Express)
Komponist(in):
Giorgio Moroder
publisher:
EMI Gold Horizon Music Corp., Giorgio Moroder Publishing Co. und USI A Music Publishing
Giorgio Moroder43:39
9Superfly
Techniker(in):
Roger Anfinsen
Produzent(in):
Curtis Mayfield
Bassgitarre:
Joseph Scott (US funk/soul bassist)
Gitarre:
Curtis Mayfield und Craig McMullen
Perkussion:
Master Henry Gibson (Percussionist with Curtis Mayfield, Stan Getz, Ramsey Lewis)
Schlagzeug:
Morris Jennings
Sologesang:
Curtis Mayfield
arranger und Orchestrator(in):
Johnny Pate
phonographisches Urheberrecht (℗) von:
Curtom Records (in 1972)
recording of:
Superfly
Texter und Komponist(in):
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Curtom Publishing Co Inc (vom 1972 bis ????)
Curtis Mayfield4.253:53
10Think
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-15) und Floyd Newman (am 1968-04-15)
Bassgitarre:
Jerry Jemmott (am 1968-04-15)
Gitarre:
Tommy Cogbill (am 1968-04-15) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-15)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-15)
Orgel:
Spooner Oldham (am 1968-04-15)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-15)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-15) und Andrew Love (am 1968-04-15)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-15)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-15)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-15)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 10)
recording of:
Think (am 1968-04-15)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Aretha Franklin3.652:19
11Soul on Fire
recorded in:
New York, New York, Vereinigte Staaten (am 1953-06-19)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
baritone saxophone:
Pinky Williams (am 1953-06-19)
Gitarre:
Jimmy Lewis (played guitar on "Soul on Fire" in 1953) (am 1953-06-19)
Klavier:
Hank Jones (piano) (am 1953-06-19)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1953-06-19)
Schlagzeug:
Sylvester "Vess" Payne (am 1953-06-19)
Tenorsaxophon:
Freddie Mitchell (am 1953-06-19)
vocals:
LaVern Baker (US rhythm & blues singer) (am 1953-06-19)
conductor:
Gene Redd (senior; vibraphonist & trumpeter, bandleader and A&R man) (am 1953-06-19)
arranger:
Gene Redd (senior; vibraphonist & trumpeter, bandleader and A&R man)
recording of:
Soul on Fire (am 1953-06-19)
Verfasser(in):
LaVern Baker (US rhythm & blues singer), Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
publisher:
Unichappell Music, Inc.
LaVern Baker53:05
12Blue Velvet
recording of:
Blue Velvet
Verfasser(in):
Lee Morris (US songwriter) und Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton2:49
13Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
14Don’t You (Forget About Me)
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Jez Coad
Interpret(in):
Simple Minds (Scottish rock band) (am 1984-07-10)
phonographisches Urheberrecht (℗) von:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 25) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 340)
recording of:
Don’t You (Forget About Me) (am 1984-07-10)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
15People Are Strange
Produzent(in):
Ray Manzarek
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987) und Warner Music H.K. Ltd. (in 1997)
cover recording of:
People Are Strange (in 1987)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music und Rondor Music (London) Ltd.
Echo & the Bunnymen4.653:38
16A Message to You Rudy
Produzent(in):
Elvis Costello
Gast-Posaune:
Rico Rodriguez (Jamaican trombonist)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 132)
cover recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
The Specials42:54
17La Bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:56
18Please, Please, Please Let Me Get What I Want
cover recording of:
Please Please Please Let Me Get What I Want
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Dream Academy3:08
19Love on a Real Train
recording of:
Love on a Real Train (Risky Business)
Komponist(in):
Christopher Franke (German musician, formerly with Tangerine Dream), Edgar Froese und Johannes Schmoelling
Teil von:
Risky Business (film soundtrack)
Tangerine Dream3:54
20Slave to Love
assistierende(r) Techniker(in):
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs und Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Rhett Davies
zusätzliche(r) Techniker(in):
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita und Bryan McGee (sound engineer)
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
Sologesang:
Bryan Ferry
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999, in 2004)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Vereinigte Staaten, RPM Studios in New York, New York, Vereinigte Staaten, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und The White House in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
Slave to Love von Bryan Ferry
recording of:
Slave to Love
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.654:12
21Falling
recording engineer:
Art Polhemus
Koproduzent(in):
Angelo Badalamenti (American score composer) und David Lynch (filmmaker)
Produzent(in):
Angelo Badalamenti (American score composer) und David Lynch (filmmaker)
Mix:
Jay Healy
E-Gitarre:
Vinnie Bell und Eddie Dixon
flute und Klarinette:
Eddie Daniels (US jazz/classical saxophonist, clarinetist & flutist) und Al Regni
Klavier:
Angelo Badalamenti (American score composer)
Schlagzeug:
Grady Tate
Synthesizer:
Angelo Badalamenti (American score composer) und Kinny Landrum
Tenorsaxophon:
Al Regni
vocals:
Julee Cruise (US singer and actress)
arranger und Orchestrator(in):
Angelo Badalamenti (American score composer)
phonographisches Urheberrecht (℗) von:
Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1990)
aufgenommen bei:
Excalibur Sound in New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Falling (Twin Peaks theme song)
Texter:
David Lynch (filmmaker)
Komponist(in):
Angelo Badalamenti (American score composer)
publisher:
Anlon Music Co. (Anlon Music Company), O.K. Paul Music und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
Version von:
Theme from Twin Peaks
Teil von:
Twin Peaks (original soundtrack of the TV series)
Julee Cruise4.355:22
22Rachel’s Song
Techniker(in):
Philippe Colonna, Frédérick Rousseau und Raine Shine
Produzent(in):
Vangelis (Greek composer of electronic, new age and classical)
Synthesizer:
Vangelis (Greek composer of electronic, new age and classical)
vocals:
Mary Hopkin
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994)
aufgenommen bei:
Nemo Studios (Vangelis’ Studio) in London (Greater London), England, Vereinigtes Königreich (in 1982)
recording of:
Rachel’s Song
Komponist(in):
Vangelis (Greek composer of electronic, new age and classical)
publisher:
EMI Music Publishing (do not use as a release label!) und Spheric B.V.
sub-publisher:
EMI Music Publishing France
Teil von:
Blade Runner
Vangelis4.64:48
2▼CD
Nr.TitelKünstlerBewertungLänge
1Misirlou
Produzent(in):
Jim Monsour
Bassgitarre:
Rick Rillera
Gitarre [lead guitar]:
Dick Dale (surf guitarist)
Gitarre [rhythm guitar]:
Nick O’Malley (US surf rock guitarist)
Klavier:
Bill Barber (Keyboardist, not the tuba player)
Saxophon:
Armon Frank und Barry Rillera
Schlagzeug:
Jerry Stevens (US surf rock drummer)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 65)
recording of:
Misirlou (Dick Dale instrumental arrangement)
Komponist(in):
[anonymous] (special purpose artist)
arranger:
Dick Dale (surf guitarist) und Gabriel Paquin-Buki
publisher:
Campbell Connelly & Co.
Arrangement von:
Miserlou (Mediterranean folk song)
Arrangement von:
Μισιρλού (Misirlou)
Dick Dale and His Del‐Tones4.32:15
2A Little Less Conversation
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1968-06-20 bis 1968-06-24)
remixer:
Dennis Ferrante
phonographisches Urheberrecht (℗) von:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1968-06-20 bis 1968-06-24)
Remix von:
A Little Less Conversation von Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (von 1968-06-20 bis 1968-06-24)
Verfasser(in):
Mac Davis (US country singer, songwriter & actor) und Billy Strange
publisher:
Carlin Music Corporation und Elvis Presley Music
recording of:
A Little Less Conversation
Verfasser(in):
Mac Davis (US country singer, songwriter & actor) und Billy Strange
publisher:
Carlin Music Corporation und Elvis Presley Music
Elvis Presley31:41
3Across 110th St
Interpret(in):
Peace (funk/soul, Bobby Womack collaborator, e.g "Across 110th Street")
recording of:
Across 110th Street
Verfasser(in):
J.J. Johnson (jazz/bop trombonist/session leader) und Bobby Womack
Bobby Womack4.653:51
4Trouble Man
Produzent(in):
Marvin Gaye
Sologesang:
Marvin Gaye
arranger:
Dale Oehler (in 1972)
recording of:
Trouble Man
Texter:
Marvin Gaye
Komponist(in):
Marvin Gaye (in 1972)
publisher:
Jobette Music Co. und WB Music Corp. (1929–2019)
Marvin Gaye43:50
5Little Green Bag
Produzent(in):
George Baker (Dutch singer/songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records Holland Ltd. (in 1962)
recording of:
Little Green Bag
Verfasser(in):
Hans Bouwens und Jan Visser (Dutch Gospel singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
George Baker Selection3.93:17
6Oye como va
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-08)
Conga und Perkussion:
Michael Carabello (percussionist) (am 1970-07-08)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1970-07-08)
Gitarre:
Carlos Santana (am 1970-07-08)
Keyboard und Sologesang:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-08)
Perkussion:
Rico Reyes (am 1970-07-08)
Schlagzeug:
Michael Shrieve (drummer) (am 1970-07-08)
tabla:
Steven Saphore (am 1970-07-08)
Hintergrundgesang:
Rico Reyes (am 1970-07-08) und Carlos Santana (am 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-08)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 479)
cover recording of:
Oye como va (am 1970-07-08)
Texter und Komponist(in):
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) und Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Chanchullo
basiert auf:
Te enseñaré
Santana3.854:17
7Green Onions
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-06)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Lewie Steinberg (in 1962-06)
Gitarre:
Steve Cropper (in 1962-06)
Hammond-Orgel:
Booker T. Jones (in 1962-06)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 181) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 418)
recording of:
Green Onions (in 1962-06)
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & the MG’s3.852:54
8Ac‐Cent‐Tchu‐Ate the Positive (Here Come the Waves)
recording of:
Ac‐cent‐tchu‐ate the Positive
Texter:
Johnny Mercer (in 1944)
Komponist(in):
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
Johnny Mercer2:50
9Land of 1000 Dances
Produzent(in):
Jerry Wexler
baritone saxophone:
Floyd Newman (von 1966-05-08 bis 1966-05-11)
Bassgitarre [bass]:
Tommy Cogbill (von 1966-05-08 bis 1966-05-11)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (von 1966-05-08 bis 1966-05-11) und Chips Moman (von 1966-05-08 bis 1966-05-11)
Klavier:
Spooner Oldham (von 1966-05-08 bis 1966-05-11)
Schlagzeug:
Roger Hawkins (drummer and producer) (von 1966-05-08 bis 1966-05-11)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (von 1966-05-08 bis 1966-05-11) und Andrew Love (von 1966-05-08 bis 1966-05-11)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1966-05-08 bis 1966-05-11)
vocals:
Wilson Pickett (von 1966-05-08 bis 1966-05-11)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (von 1966-05-08 bis 1966-05-11)
cover recording of:
Land of 1000 Dances (von 1966-05-08 bis 1966-05-11)
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
recording of:
Land of 1000 Dances
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. und Tune-Kel
Wilson Pickett42:25
10Disco Inferno
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1977)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps53:34
11Street Life
recording of:
Street Life
Verfasser(in):
Will Jennings und Joe Sample
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Four Knights Music, Four Knights Music Co., Fujipacific Music, Inc., Irving Music, Inc., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Randy Crawford4:29
12Dry the Rain
recording of:
Dry the Rain
Verfasser(in):
Gordon Anderson (Lone Pigeon/The Aliens), Steve Duffield, Richard Greentree, Robin Jones (member of The Beta Band and The Aliens), John Maclean (former member of The Beta Band.) und Steve Mason (ex‐Beta Band / King Biscuit Time / Black Affair)
The Beta Band4.46:07
13Playground Love
Mix:
Stéphane Briat
Saxophon:
Hugo Ferran
Schlagzeug und Sologesang:
Gordon Tracks
phonographisches Urheberrecht (℗) von:
Aircheology (in 2000)
Musikvideos:
Playground Love (Music video) von Air (French band)
Teil von:
The Downloader’s Music Source Book (Nummer: 303)
recording of:
Playground Love
Texter:
Gordon Tracks
Komponist(in):
Jean-Benoît Dunckel, Nicolas Godin und Gordon Tracks
Air feat. Gordon Tracks3.33:31
14Pure Shores
Programmierung:
Sean Spuehler
Produzent(in):
William Orbit (English musician, composer and record producer)
Mix:
Mark “Spike” Stent (producer, engineer)
vocals:
Melanie Blatt und Shaznay Lewis
phonographisches Urheberrecht (℗) von:
Warner Music UK Limited (not for release label use!) (in 2000)
Teil von:
The Downloader’s Music Source Book (Nummer: 380)
recording of:
Pure Shores
Komponist(in):
Shaznay Lewis und William Orbit (English musician, composer and record producer)
All Saints3.654:29
15You & Me Song
recording engineer:
David Möllerstedt (founder of Teenage Engineering) und Nille Perned
Produzent(in) und Mix:
Nille Perned
phonographisches Urheberrecht (℗) von:
MNW Records Group (in 1994) und Indolent Records Ltd. (in 1995)
aufgenommen bei:
MNW Studio in Vaxholm municipality, Stockholms län (Stockholm county), Schweden und Music-A-Matic in Gothenburg (Göteborg), Västra Götaland (Västra Götaland county), Schweden
mixed at:
Sveriges Radio Studio 2 (Gävle) in Gävle, Gävleborg (Gävleborg county) (historisch), Schweden
recording of:
You and Me Song
Verfasser(in):
Christina Bergmark, Gunnar Karlsson (The Wannadies), Fredrik Schönfeldt, Stefan Schönfeldt und Pär Wiksten
The Wannadies4.352:52
16Yoshimi Battles the Pink Robots, Part 1
recording engineer und Mix:
The Flaming Lips und Dave Fridmann
Programmierung und Sound-Engineering:
Dave Fridmann
Produzent(in):
Scott Booker, The Flaming Lips und Dave Fridmann
phonographisches Urheberrecht (℗) von:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 2002, in 2022)
recording of:
Yoshimi Battles the Pink Robots, Part 1
Verfasser(in):
Wayne Coyne, Steven Drozd, Dave Fridmann und Michael Ivins
The Flaming Lips4.354:48
17Battle Without Honor or Humanity
Produzent(in):
Tomoyasu Hotei
recording of:
新・仁義なき戦いのテーマ (New Battles Without Honor and Humanity Theme)
Komponist(in):
布袋寅泰 (Tomoyasu Hotei)
Tomoyasu Hotei4.32:28
18True Faith
Produzent(in):
Stephen Hague und New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
True Faith
Verfasser(in):
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
American Psycho
New Order3.755:53
19Shallow Grave
Produzent(in) und Mix:
Leftfield (British electronic project)
recording of:
Shallow Grave
Verfasser(in):
Neil Barnes und Paul Daley
Leftfield4:29
20Born Slippy (Nuxx)
Sologesang:
Karl Hyde
recording of:
Born Slippy .NUXX (vocal version associated with Trainspotting)
Texter:
Karl Hyde
Verfasser(in):
Darren Emerson, Karl Hyde und Rick Smith (electronic producer, member of Underworld)
publisher:
Mute Song (either subsidiary of Mute Song Ltd., or brand that refers to itself), Sherlock Holmes Music Ltd. und Underworld (legal entity for the band)
Underworld7:34
3▼CD
Nr.TitelKünstlerBewertungLänge
1Lust for Life
Techniker(in):
Eduard Meyer und Colin Thurston
Produzent(in):
Bewlay Bros.
Bassgitarre:
Tony Sales (von 1977-06-04 bis 1977-06-18)
Gitarre:
Carlos Alomar (von 1977-06-04 bis 1977-06-18) und Ricky Gardiner (von 1977-06-04 bis 1977-06-18)
Klavier:
David Bowie (English singer‐songwriter) (von 1977-06-04 bis 1977-06-18)
Schlagzeug, shakers und Tamburin:
Hunt Sales (von 1977-06-04 bis 1977-06-18)
Hintergrundgesang:
Hunt Sales (von 1977-06-04 bis 1977-06-18) und Tony Sales (von 1977-06-04 bis 1977-06-18)
Sologesang:
Iggy Pop (von 1977-06-04 bis 1977-06-18)
phonographisches Urheberrecht (℗) von:
Thousand Mile, Inc. (in 1977, in 1990) und Virgin Records America (used for copyrights) (in 1977)
aufgenommen bei:
Hansa Studio III in Berlin, Deutschland (von 1977-06-04 bis 1977-06-18)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 325)
recording of:
Lust for Life (von 1977-06-04 bis 1977-06-18)
Texter:
Iggy Pop
Komponist(in):
David Bowie (English singer‐songwriter) und Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) und James Osterberg Music (in 1988)
Iggy Pop4.455:08
2Extreme Ways
Techniker(in) und Mix:
Moby (electronic musician Richard Melville Hall)
Instrumente und vocals:
Moby (electronic musician Richard Melville Hall)
recording of:
Extreme Ways (von 2000 bis 2002)
Texter und Komponist(in):
Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music, Songs of Kobalt Music Publishing und Warner Tamerlane (publisher; do NOT use as release label)
Moby43:59
3Clubbed to Death
recording of:
Clubbed to Death
Komponist(in):
Rob Dougan
Rob D4:02
4Can’t Get Blue Monday Out of My Head
drum machine-Programmierung:
Rob Davis (songwriter/producer was in Mud)
Programmierung:
Stuart Crichton
Produzent(in):
Rob Davis (songwriter/producer was in Mud) und Cathy Dennis
zusätzliche(r) Produzent(in):
Stuart Crichton
Mix:
Stuart Crichton und Tim Orford
E-Gitarre und Keyboard:
Rob Davis (songwriter/producer was in Mud)
Sologesang:
Kylie Minogue
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002)
gemixt für:
Z Management
produced for:
19 Productions und Z Management
Mashup von:
Blue Monday (original 12″ version) von New Order (UK synth pop band)
recording of:
Can’t Get Blue Monday Out of My Head
Texter:
Cathy Dennis
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
Komponist(in):
Robert Davis (songwriter/producer was in Mud)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell Music Ltd. (1996–2019)
basiert auf:
Blue Monday
basiert auf:
Can’t Get You Out of My Head
Kylie Minogue54:01
5Superfreak
recording engineer und Mix:
Tom "Super" Flye
assistierende(r) Techniker(in):
Rick "Port Hole" Sanchez
Techniker(in):
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez und Tom "Super" Flye
leitende(r) Produzent(in):
Alonzo Miller (Singer-songwriter, producer)
Produzent(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
andere Instrumente [flexatone] und Vibraslap:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Bass:
Oscar Alston
Gitarre:
Tom McDermott (guitarist)
Händeklatschen und Perkussion:
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) und Tom McDermott (guitarist)
Hybrid-Piano und Synthesizer [Crumar]:
Levi Ruffin, Jr.
Schlagzeug:
Lanise Hughes
Tenorsaxophon:
Daniel LeMelle
Hintergrundgesang:
Dennis Edwards (US soul & R’n’B singer), Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street und Otis Williams (US baritone singer, member of The Temptations & The Distants)
Horn arranger:
Daniel LeMelle und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (Hintergrundgesang) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 153) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 477)
recording of:
Super Freak
Texter und Komponist(in):
Alonzo Miller (Singer-songwriter, producer) und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. und Stone Diamond Music Corporation
Rick James4.153:24
6I Wanna Be Your Dog
Produzent(in):
John Cale (The Velvet Underground founder)
Bassgitarre:
Dave Alexander (bassist for The Stooges)
E-Gitarre:
Ron Asheton
Schlagzeug:
Scott Asheton
Sologesang:
Iggy Stooge
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 314) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 438)
recording of:
I Wanna Be Your Dog
Verfasser(in):
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton und Iggy Pop
publisher:
Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Iggy and The Stooges3.63:09
7Just Dropped In (to See What Condition My Condition Is In)
Produzent(in):
Mike Post
Sologesang:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
arranger:
Mike Post
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1998)
recording of:
Just Dropped In (to See What Condition My Condition Was In)
Texter, Verfasser(in) und Komponist(in):
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI)
cover recording of:
Just Dropped In (to See What Condition My Condition Was In)
Texter, Verfasser(in) und Komponist(in):
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI)
Kenny Rogers & The First Edition3.753:21
8Don’t You Just Know It
recording of:
Don’t You Just Know It
Verfasser(in):
Huey “Piano” Smith und Johnny Vincent
Huey “Piano” Smith2:34
9Mirror in the Bathroom
Produzent(in):
Bob Sargeant
Bass:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
Gitarre:
Andy Cox (of The Beat) und Dave Wakeling
Saxophon:
Papa Saxa
Schlagzeug:
Everett Morton
vocals:
Ranking Roger und Dave Wakeling
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 282)
recording of:
Mirror in the Bathroom
Verfasser(in):
Andy Cox (of The Beat), Everett Morton, Roger Charlery, David Steele (UK musician, member of The Beat and Fine Young Cannibals) und Dave Wakeling
publisher:
Arista Records Ltd. (not for release label use!), Beat Brothers Ltd. und Zomba Enterprises, Inc.
The Beat4.753:08
10Give the Po’ Man a Break
recording of:
Give the Po’ Man a Break
Texter und Komponist(in):
Norman Cook
publisher:
EMI Music (do not use as release label! this is a music publisher), Polygram Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Fatboy Slim5:15
11There Is a Light That Never Goes Out
Techniker(in):
Stephen Street (famous producer, songwriter)
Produzent(in):
Johnny Marr und Morrissey (English singer‐songwriter)
Bassgitarre:
Andy Rourke
Gitarre:
Johnny Marr
Schlagzeug:
Mike Joyce (UK drummer)
Sologesang:
Morrissey (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Rough Trade Records Ltd. und Warner Music UK Ltd. (not for release label use!) (in 2017)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 4), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 86), Indie 88: Top 500 Indie Rock Songs (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 226)
recording of:
There Is a Light That Never Goes Out (in 1985)
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Johnny Marr
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Smiths4.44:04
12Love Will Tear Us Apart
Produzent(in):
Joy Division und Martin Hannett
Bass:
Peter Hook
Gitarre:
Bernard Albrecht
Schlagzeug:
Stephen Morris (New Order)
vocals:
Bernard Albrecht und Ian Curtis
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (Nummer: 5), Q50 – December 2005 (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 14), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 179)
recording of:
Love Will Tear Us Apart
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:27
13Crazy
Techniker(in):
Ben H. Allen
Produzent(in):
Danger Mouse (Brian Burton)
Mix:
Ben H. Allen und Danger Mouse (Brian Burton)
zusätzliche(r) Mix:
Kennie Takahashi
Musikvideos:
Crazy von Gnarls Barkley
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 307), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 355) und Indie 88: Top 500 Indie Rock Songs (Nummer: 357)
recording of:
Crazy (Gnarls Barkley song)
Texter:
Thomas DeCarlo Callaway
Verfasser(in):
Gian Franco Reverberi und Gian Piero Reverberi
Komponist(in):
Brian Burton
Gnarls Barkley4.23:01
14Tweedle Dee
recorded in:
New York, New York, Vereinigte Staaten (am 1954-10-20)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
andere Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Schlagzeug und Schlagzeug [drums]:
Connie Kay (am 1954-10-20)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-10-20)
Hintergrundgesang:
The Gliders (UK rock trio) (am 1954-10-20)
Sologesang:
LaVern Baker (US rhythm & blues singer) (am 1954-10-20)
vocals:
LaVern Baker (US rhythm & blues singer) (am 1954-10-20)
recording of:
Tweedlee Dee (am 1954-10-20)
Texter und Komponist(in):
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) und Unichappell Music
cover recording of:
Tweedlee Dee (am 1954-10-20)
Texter und Komponist(in):
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) und Unichappell Music
LaVern Baker3:07
15Comin’ Home Baby
recording of:
Comin’ Home Baby (later version with lyrics)
Texter:
Bob Dorough
Komponist(in):
Ben Tucker
Revision von:
Comin’ Home Baby (original instrumental)
Mel Tormé2:43
16Soul Finger
recording of:
Soul Finger
Verfasser(in):
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones und Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays2:21
17I Can’t Wait
Mix:
Peter Slaghuis
Bass:
Gary Fountaine (Oregon-based bassist) und Nate Phillips (jazz bassist)
Gitarre [guitars]:
John Smith (Nu Shooz)
Keyboard [keyboards]:
Jeff Lorber, Ron Regan (keyboardist, saxophonist), Steve Reid (guitarist, The Associates) und John Smith (Nu Shooz)
Perkussion und Sologesang [vocals]:
Valerie Day (singer, musician, songwriter, producer)
Saxophon [sax]:
Ron Regan (keyboardist, saxophonist)
Schlagzeug:
Marty Higgins
Trompete:
Lewis Livermore (trumpet player)
Hintergrundgesang [backing vocals]:
Shannon Day und Lori Lamphear
zusätzlich arranger:
Jeff Lorber
Musikvideos:
I Can't Wait von Nu Shooz
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz3.755:27
18Since Yesterday
Techniker(in):
David Motion und Trig
Produzent(in):
David Motion
Gitarre:
Jill Bryson und Rose McDowall
Hintergrundgesang und Sologesang:
Rose McDowall
vocals:
Jill Bryson
arranger:
David Motion
phonographisches Urheberrecht (℗) von:
A Korova Recording und WEA Records Ltd. (holding company based in the UK)
recording of:
Since Yesterday
Verfasser(in):
Jill Bryson und Rose McDowall
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Zoo Music Publishing
Version von:
Dance
Strawberry Switchblade4.652:54
19Just Like Honey
recording of:
Just Like Honey
Verfasser(in):
Jim Reid (Jesus and Mary Chain) und William Reid (guitarist, The Jesus and Mary Chain)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
basiert auf:
Intro (Just Like Honey)
The Jesus and Mary Chain3:02
20Right Round
Gast vocals:
Kesha (American singer fka Ke$ha)
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 6)
recording of:
Right Round
Verfasser(in):
Allan Grigg, Justin Franks (Justin Franks), Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Lukasz Gottwald, Bruno Mars (US singer), Michael Percy, Peter Burns, Stephen Coy, Timothy Lever und Tramar Dillard (American rapper)
zusätzliche(r) Verfasser(in):
Aaron Bay‐Schuck (A&R, writing, directing, production credits)
publisher:
Artist Publishing Group West, Burning Music Ltd., J Franks Publishing, Kasz Money Publishing (ASCAP affiliated), Kojaktrax, Mars Force Music, Music Famamanem LP, Northside Independent Music Publishing LLC, Prescription Songs, Sony/ATV Tunes LLC (ASCAP), WB Music Corp. (1929–2019) und Westbury Music Ltd.
basiert auf:
You Spin Me Round (Like a Record)
Flo Rida4.13:25
21Sound of Violence
recording of:
The Sound of Violence
Verfasser(in):
Hubert Blanc-Francard, Philippe Cerboneschi und Steve Edwards (English house-music singer)
Dennis De Laat7:41

Nennungen