100 Hits: 70s Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Queen of Clubs
Produzent(in):
Harry Wayne Casey und Richard Finch
recording of:
Queen of Clubs
Verfasser(in):
Harry Wayne Casey und Richard Finch
KC and the Sunshine Band53:20
2Right Back Where We Started From
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
Verfasser(in):
J. Vincent Edwards und Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sony/ATV Songs LLC
Maxine Nightingale4.153:13
3Get It Right Next Time
Techniker(in):
Nick Patrick
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Get It Right Next Time
Texter und Komponist(in):
Gerry Rafferty
publisher:
Stage Three Music Ltd.
Gerry Rafferty34:42
4Street Life
Techniker(in):
John Punter
Produzent(in):
Chris Thomas (UK record producer / remixer)
E-Bass:
Chris Thomas (UK record producer / remixer) (in 1973-09)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1973), Virgin EG Records Ltd. (in 1973) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1973-09)
recording of:
Street Life (in 1973-09)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. und E.G. Music Ltd. (publisher)
Roxy Music43:28
5Let’s Work Together
Techniker(in):
David Weichman
Produzent(in):
Canned Heat und Skip Taylor
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
aufgenommen bei:
International Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1969-12-03)
engineered at:
Annex Studios (aka Music Annex or Annex Digital) in San Mateo, California (Kalifornien), Vereinigte Staaten
cover recording of:
Let’s Work Together (am 1969-12-03)
Texter:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. und United Artists Musik GmbH
Canned Heat2.653:13
6Roxette
recording of:
Roxette
Komponist(in):
Wilko Johnson
publisher:
EMI United Partnership Ltd.
Dr. Feelgood4.52:56
7I Love Rock ’n’ Roll
Bass und Sologesang:
Alan Merrill
Gitarre:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows)
Schlagzeug:
Paul Varley
recording of:
I Love Rock ’n’ Roll
Verfasser(in):
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows) und Alan Merrill
publisher:
Finchley Music Corp.
The Arrows3:04
848 Crash
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
aufgenommen bei:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
48 Crash
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music
Suzi Quatro4.53:54
9No More Heroes (radio edit)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
No More Heroes
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers52:57
10Sunday Girl
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
recording of:
Sunday Girl (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc (in 1978)
Blondie3.83:04
11Malt and Barley Blues
sonstige Unterstützung:
Chris Kimsey
Techniker(in) und Produzent(in):
Glyn Johns
Bass und Gitarre:
Benny Gallagher, Graham Lyle und Tom McGuinness
Keyboard [keyboards]:
Dennis Coulson und Benny Gallagher
Mandoline:
Graham Lyle
Perkussion:
Hughie Flint
Sologesang [vocals]:
Dennis Coulson, Benny Gallagher und Graham Lyle
phonographisches Urheberrecht (℗) von:
Capitol Recording (imprint of Capitol Records, Inc.) (in 1971)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Malt and Barley Blues
Verfasser(in):
Benny Gallagher und Graham Lyle
publisher:
Gallagher & Lyle Music (publisher; do NOT use as release label)
McGuinness Flint2:14
12Oh Boy
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1975)
cover recording of:
Oh, Boy!
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
Mud22:53
13Boy Oh Boy
Produzent(in):
Mickie Most (English record producer)
recording of:
Boy Oh Boy
Verfasser(in):
Roger D. Ferris und Gloria Macari
Racey2:54
14Oh You Pretty Things
recording of:
Oh! You Pretty Things
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
Peter Noone3:06
15I’d Love to Change the World (single edit)
recording of:
I’d Love to Change the World
Texter und Komponist(in):
Alvin Lee
Ten Years After3:14
16Fog on the Tyne
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Bass und Fiddle:
Rod Clements
Gitarre:
Rod Clements, Alan Hull und Si Cowe
Mundharmonika:
Ray Jackson
Perkussion und Schlagzeug:
Ray Laidlaw
vocals:
Alan Hull, Ray Jackson und Si Cowe
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
Fog on the Tyne
Texter und Komponist(in):
Alan Hull
publisher:
Charisma Music (generic publishing entity, relating to Charisma Music Publishing Co. Ltd. or Charisma Music Publishing USA, Inc.) und Hazy Music
Lindisfarne53:24
17Freedom Come, Freedom Go.
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971)
recording of:
Freedom Come, Freedom Go
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) und Mike Hazlewood (in 1971)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und PolyGram Music Publishing
The Fortunes3:21
18Goodbye Sam Hello Samantha
Produzent(in):
Norrie Paramor
vocals:
Cliff Richard
recording of:
Goodbye Sam, Hello Samantha
Verfasser(in):
Peter Callander, Mitch Murray und Geoff Stephens
Cliff Richard2:49
19Just a Smile
recording of:
Just a Smile
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
Pilot3:07
20Who Was It?
recording of:
Who Was It?
Texter und Komponist(in):
Gilbert O’Sullivan
publisher:
Grand Upright Music Ltd.
sub-publisher:
渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Hurricane Smith3:04
2▼CD
Nr.TitelKünstlerBewertungLänge
1Silver Machine (original single version)
Produzent(in):
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) und Hawkwind
Bassgitarre und Sologesang:
Lemmy Kilmister (“Lemmy” from Motörhead) (am 1972-02-13)
flute und Saxophon:
Nik Turner (am 1972-02-13)
Gitarre:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (am 1972-02-13)
Schlagzeug:
Simon King (drummer) (am 1972-02-13)
Synthesizer:
Dik Mik Davies (am 1972-02-13) und Del Dettmar (am 1972-02-13)
zusätzlich Bassgitarre und zusätzlich Gitarre:
Guy Pratt (am 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (am 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (am 1972-02-13) und Nik Turner (am 1972-02-13)
remixer:
The Scourge of the Earth
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
aufgenommen bei:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
Bearbeitung von:
Silver Machine (12″ mix) von Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (am 1972-02-13)
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music und United Partnership Ltd.
recording of:
Silver Machine
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd., United Artists Music und United Partnership Ltd.
Hawkwind3.654:40
2Apache Drop Out
Produzent(in):
Peter Jenner
phonographisches Urheberrecht (℗) von:
Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (von 1970 bis 2001) und EMI Records (not for release label use!) (vom 2001 bis heute)
produced for:
Blackhill Enterprises
cover recording of:
Apache
Komponist(in):
Jerry Lordan
publisher:
Francis, Day & Hunter Ltd.
cover recording of:
Dropout Boogie
Texter:
Herb Bermann
Verfasser(in):
Don van Vliet
publisher:
EMI United Partnership Ltd. und Kama Sutra Music Inc. (USA branch)
Edgar Broughton Band2:44
3Rock’n’Roll Music to the World
recording of:
Rock & Roll Music to the World
Texter und Komponist(in):
Alvin Lee
Ten Years After3:48
4Teacher
Techniker(in):
Andy Johns
Bassgitarre:
Glenn Cornick
Hammond-Orgel, Klavier, Pianoakkordeon und Synthesizer:
John Evan
Schlagzeug und Perkussion:
Clive Bunker
vocals:
Ian Anderson (of Jethro Tull)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Teacher
Texter und Komponist(in):
Ian Anderson (of Jethro Tull)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Jethro Tull33:50
5I Can’t Tell the Bottom From the Top
Schlagzeug:
Bobby Elliott
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recording of:
I Can't Tell the Bottom From the Top
Komponist(in):
Guy Fletcher (keyboardist) und Doug Flett (songwriter)
cover recording of:
I Can't Tell the Bottom From the Top
Komponist(in):
Guy Fletcher (keyboardist) und Doug Flett (songwriter)
The Hollies53:52
6Tap Turns on the Water
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1971)
recording of:
Tap Turns on the Water
Verfasser(in):
John Cameron (British composer, arranger and conductor) und Alexis Korner
CCS23:43
7Ball Park Incident
recording of:
Ball Park Incident
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Wizzard3:41
8The Wild One (7″ single version)
recording of:
The Wild One
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal Music–MGB Songs und シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Suzi Quatro2:53
9Rocket
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
recording of:
Rocket
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Mud4:08
10Julie Anne
recording of:
Julie Anne
Verfasser(in):
Phil Coulter und Bill Martin (Scottish songwriter & producer)
Kenny3:01
11Touch Too Much
Produzent(in):
Mickie Most (English record producer)
Bass und Sologesang:
Alan Merrill
Gitarre:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows)
Schlagzeug:
Paul Varley
recording of:
Touch Too Much (in 1974)
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
Chinnichap (production company and publisher) und RAK Publishing Ltd.
The Arrows53:01
12Dancing the Night Away (edit)
recording of:
Dancing the Night Away
Verfasser(in):
Nick Garvey und Andy McMaster
publisher:
Ackee Music Inc. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
The Motors3:15
13Since You’ve Been Gone (edit)
Cherie Currie3:42
14Maid in Heaven
Produzent(in):
Roy Thomas Baker (producer)
Bass und Perkussion und Hintergrundgesang:
Charles Tumahai
Gitarre, Keyboard und Perkussion und Sologesang:
Bill Nelson (English experimental musician)
membranophone und Perkussion:
Simon Fox (Be Bop Deluxe)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich (von 1975-01 bis 1975-02)
recording of:
Maid in Heaven (von 1975-01 bis 1975-02)
Texter und Komponist(in):
Bill Nelson (English experimental musician)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
Be Bop Deluxe52:27
15She’s No Angel
recording of:
She's No Angel
Texter und Komponist(in):
Ronnie Thomas
Heavy Metal Kids3:39
16She’s a Wind Up
Produzent(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1977)
recording of:
She's a Windup
Verfasser(in):
Lee Brilleaux, John Martin (of Dr. Feelgood), Gypie Mayo und John B. Sparks
Dr. Feelgood2:02
17Into the Valley
Produzent(in):
David Batchelor
recording of:
Into the Valley
Texter:
Richard Jobson
Komponist(in):
Stuart Adamson
Skids43:12
18Up Against the Wall
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Up Against the Wall
Verfasser(in):
Roy Butterfield und Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson Band53:35
19Roxy Roller
recording of:
Roxy Roller
Verfasser(in):
Nick Gilder und James McCulloch
Nick Gilder2:48
20New Girl in the Neighbourhood
Chris Spedding2:33
3▼CD
Nr.TitelKünstlerBewertungLänge
1The Man With the Child in His Eyes
Techniker(in):
Jon Kelly (engineer at Air London Studios)
leitende(r) Produzent(in):
David Gilmour (Pink Floyd)
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Klavier, Hintergrundgesang und Sologesang:
Kate Bush (in 1975-06)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978) und EMI France (in 1995)
aufgenommen bei:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (von 1977-07 bis 1977-08)
recording of:
The Man With the Child in His Eyes (in 1975-06)
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush
arranger:
Stefan Lievestro (Dutch jazz bassist)
Premiere bei:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, vom 1978 bis heute) und Kate Bush Music Ltd.
Kate Bush3.652:41
2The Air That I Breathe
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (singer and guitarist) (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:03
3Lady Eleanor
Produzent(in):
John Anthony (British producer and record executive)
recording of:
Lady Eleanor
Texter und Komponist(in):
Alan Hull
publisher:
Hazy Music
Lindisfarne44:13
4Year of the Cat (edit)
phonographisches Urheberrecht (℗) von:
Al Stewart (UK folk singer/songwriter) (in 1976)
recording of:
Year of the Cat
Verfasser(in):
Al Stewart (UK folk singer/songwriter) und Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4:56
5Night Owl (edit)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1979)
recording of:
Night Owl
Texter und Komponist(in):
Gerry Rafferty
Gerry Rafferty24:25
6All Around My Hat
recording of:
All Around My Hat
Verfasser(in):
Tim Hart (UK folk singer and multi-instrumentalist), Bob Johnson (British guitarist and Steeleye Span member), Rick Kemp, Peter Knight (Steeleye Span fiddler) und Maddy Prior
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Peermusic (UK) Limited und Steeleye Span Music Ltd.
basiert auf:
Farewell He (Farewell She / Fare Thee Well, Cold Winter / All Smiles Tonight)
basiert auf:
The Nobleman’s Wedding
Steeleye Span4:09
7Oh, Babe What Would You Say
recording of:
Oh Babe, What Would You Say
Texter und Komponist(in):
Eileen Smith (wrote “Oh Babe, What Would you Say”)
publisher:
Beechwood Music Corp., Chappell & Co., Inc. (USA) und Warner/Chappell Music Ltd. (1996–2019)
Hurricane Smith3:28
8Something
recording engineer:
John Kurlander (engineer) (von 1984-07 bis 1984-08)
assistierende(r) Techniker(in):
Toby Alington (in 1984)
Produzent(in):
Tony Colton, Johnny Harris (Scottish composer, conductor) und Norman Newell (in 1984)
vocals:
Shirley Bassey (Welsh singer) (von 1984-07 bis 1984-08)
Orchester:
London Symphony Orchestra (von 1984-07 bis 1984-08)
conductor:
Johnny Harris (Scottish composer, conductor) und Carl Davis (conductor and composer) (von 1984-07 bis 1984-08)
arranger:
Johnny Harris (Scottish composer, conductor)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC. (not for release label use! fka Capitol Records, Inc. until 2007) (in 1970) und Towerbell Records (in 1984)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1984-07 bis 1984-08)
cover recording of:
Something (von 1984-07 bis 1984-08)
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. und Nichion Synch Division (NICHION, INC. Synch Division)
Shirley Bassey33:35
9I’ll Put You Together Again
recording of:
I’ll Put You Together Again
Verfasser(in):
Don Black (English lyricist) und Geoff Stephens
Hot Chocolate3:53
10You Can Have It All
George McCrae2:54
11Whodunit
recording of:
Whodunit
Verfasser(in):
Freddie Perren und Keni St. Lewis
Tavares3.53:36
12More Like the Movies
Produzent(in):
Ron Haffkine
recording of:
More Like the Movies
Komponist(in):
Shel Silverstein
publisher:
Evil Eye Music Inc.
Dr. Hook3:41
13Rock Me Gently
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 1992)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 91)
recording of:
Rock Me Gently
Texter und Komponist(in):
Andy Kim (pop singer & songwriter)
Andy Kim53:29
14Mississippi
phonographisches Urheberrecht (℗) von:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
Texter und Komponist(in):
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:36
15What I’ve Got in Mind
recording of:
What I’ve Got in Mind
Texter und Komponist(in):
Kenny O’Dell
Billie Jo Spears2:45
16The Secrets That You Keep
recording of:
The Secrets That You Keep
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Mud3:12
17My Last Night With You
Bass und Sologesang:
Alan Merrill
Gitarre:
Jake Hooker (rock guitarist, songwriter, producer & manager, member of The Arrows)
Schlagzeug:
Paul Varley
recording of:
My Last Night With You
Texter und Komponist(in):
Roger D. Ferris
The Arrows2:35
18Call Me Round
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
recording of:
Call Me Round
Verfasser(in):
Ian Bairnson und David Paton (of Pilot)
Pilot3:03
19Power to All Our Friends
Produzent(in):
David Mackay (Australian producer, arranger, musical director)
vocals:
Cliff Richard
Teil von:
United Kingdom in the Eurovision Song Contest (Vereinigtes Königreich beim Eurovision Song Contest) (Nummer: 1973)
recording of:
Power to All Our Friends (1973 song)
Texter:
Doug Flett (songwriter)
Komponist(in):
Guy Fletcher (keyboardist)
Cliff Richard3:02
20No Chance
recording of:
No Chance
Texter und Komponist(in):
Moon Martin
publisher:
Rockslam Music
sub-publisher:
Sony Music Publishing France
Moon Martin2:41
4▼CD
Nr.TitelKünstlerBewertungLänge
1Pyjamarama
recording of:
Pyjamarama
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Music Publishing Ltd. und E.G. Music Ltd. (publisher)
Roxy Music2:54
2Wow
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Sologesang:
Kate Bush
phonographisches Urheberrecht (℗) von:
EMI Records (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
recording of:
Wow
Texter und Komponist(in):
Kate Bush
publisher:
Ed. Itaipu, EMI Music Publishing Ltd. (PRS‐affiliated) und Kate Bush Music Ltd.
Kate Bush3.53:44
3Tonight
Produzent(in):
Jeff Lynne und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Bass:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (am 1971-04-07)
Gitarre und Sologesang:
Jeff Lynne (am 1971-04-07) und Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (am 1971-04-07)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (am 1971-04-07)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971, in 2005)
recording of:
Tonight (am 1971-04-07)
Verfasser(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
The Move53:19
4Urban Guerilla
Techniker(in):
Anton Matthews
Produzent(in):
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind), Del Dettmar und Hawkwind
E-Bass:
Lemmy (“Lemmy” from Motörhead)
flute und Saxophon:
Nik Turner
Schlagzeug:
Simon King (drummer)
Synthesizer:
Del Dettmar und Dik Mik
zwölfsaitige Gitarre:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
Sologesang:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) und Nik Turner
phonographisches Urheberrecht (℗) von:
United Artists (in 1973)
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Urban Guerrilla
Texter:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
Komponist(in):
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
Hawkwind53:40
5Out Demons Out
Produzent(in):
Peter Jenner
phonographisches Urheberrecht (℗) von:
Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (von 1970 bis 2001) und EMI Records (not for release label use!) (vom 2001 bis heute)
produced for:
Blackhill Enterprises
recording of:
Out Demons Out
Verfasser(in):
A. Grant, R. E. Broughton und S. A. Broughton (drummer, with Edgar Broughton Band & Mike Oldfield)
publisher:
Westminster Music Ltd.
Edgar Broughton Band44:48
6Sugar Bee
cover recording of:
Sugar Bee
Verfasser(in):
Eddie Shuler (Musician, recording engineer, record label owner and songwriter)
publisher:
Fort Knox Music Inc., Intersong Musikverlag GmbH (publisher), Kaymar Publishing, Lark Music Ltd. und Tek Publishing
Canned Heat2:38
7Down at the Doctors
recording of:
Down at the Doctors
Texter und Komponist(in):
Mickey Jupp
publisher:
Bluebeard Music Ltd. und Chrysalis Music (music publisher, ASCAP-affiliated)
Dr. Feelgood3:16
8Na Na Na
recording of:
Na Na Na
Texter und Komponist(in):
John Cameron (British composer, arranger and conductor)
Cozy Powell3:28
9Don’t Take No for an Answer
recording of:
Don’t Take No for an Answer
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
Tom Robinson Band4:35
10Dreaming
Techniker(in):
Peter Coleman (British engineer & producer) und David Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1979-05 bis 1979-06)
Gitarre:
Frank Infante (von 1979-05 bis 1979-06) und Chris Stein (von 1979-05 bis 1979-06)
Keyboard:
Jimmy Destri (von 1979-05 bis 1979-06)
Schlagzeug:
Clem Burke (von 1979-05 bis 1979-06)
Hintergrundgesang:
Ellie Greenwich (von 1979-05 bis 1979-06)
Sologesang:
Deborah Harry (von 1979-05 bis 1979-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 4) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 414)
recording of:
Dreaming (von 1979-05 bis 1979-06)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) und EMI Music Publishing Ltd. (PRS‐affiliated)
Blondie3.753:07
11Something Better Change
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1977-07)
recording of:
Something Better Change (in 1977-07)
Texter und Komponist(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Albion Music Ltd., Complete Music Ltd. und Irving Music, Inc.
The Stranglers33:37
12Masquerade
recording of:
Masquerade
Texter und Komponist(in):
Richard Jobson
Skids2:48
13Delirious
recording of:
Delirious
Heavy Metal Kids3:43
14My Teenage Queen
Harpo2:53
15Video Life
Chris Spedding3:15
16Ships in the Night (single edit)
recording of:
Ships in the Night
Texter und Komponist(in):
Bill Nelson (English experimental musician)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Beechwood Music Corp., EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated) und Henrees Music co.
Be Bop Deluxe4:03
17I’m on Fire
recording of:
I’m on Fire
Texter und Komponist(in):
Dwight Twilley
Dwight Twilley Band53:17
18Here Comes the Night
Nick Gilder3:04
19We’re an American Band
Assistent recording engineer:
Seth Snyder
Techniker(in) und Produzent(in):
Todd Rundgren
Akustikgitarre, Conga, Gitarre und Hybrid-Piano:
Mark Farner
Bass:
Mel Schacher
Clavinet, Klavier, Moog und Orgel:
Craig Frost
Perkussion und Schlagzeug:
Don Brewer (drummer for Grand Funk Railroad)
vocals:
Don Brewer (drummer for Grand Funk Railroad) und Mark Farner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1987, in 1991)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 99) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
We’re an American Band
Texter und Komponist(in):
Don Brewer (drummer for Grand Funk Railroad)
publisher:
Brew Music Company
Grand Funk Railroad4.153:27
20Softly Whispering I Love You
Techniker(in):
Peter Vince (engineer, producer)
Interpret(in):
Brian Keith und Alan Parker (guitarist & composer)
arranger:
Ken Woodman (British trumpeter, music director, arranger and composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Softly Whispering I Love You
Verfasser(in):
Roger Frederick Cook (US‐based British singer, songwriter and producer) und Roger John Reginald Greenaway
publisher:
Cookaway Music Ltd. (publisher, likely UK-based), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Congregation23:01
5▼CD
Nr.TitelKünstlerBewertungLänge
1Lovin’ You
Produzent(in):
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) und Stevie Wonder
Bassgitarre:
Reggie McBride
Becken, Klavier, Mundharmonika und Schlagzeug:
El Toro Negro
Conga:
Kwasi "Rocki" Dzidzornu
Gitarre:
Marlo Henderson und Michael Sembello
Schlagzeug [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) und El Toro Negro
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
vocals:
Minnie Riperton
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:20
2I Don’t Wanna Lose You
recording of:
I Don’t Wanna Lose You
Verfasser(in):
Mike Burns (songwriter Michael Gerard Burns), Steve Glen und David Most
Kandidate4:26
3Uptown Top Ranking
recording of:
Uptown Top Ranking
Verfasser(in):
Althea Forrest, Joe Gibbs, Donna Reid und Errol Thompson (Jamaican reggae/dub producer & engineer)
publisher:
Carlin Music und EMI Virgin Music Ltd. (do not use this as a release label!)
Althea & Donna3.53:49
4The Tears of a Clown
Produzent(in):
Bob Sargeant
cover recording of:
The Tears of a Clown
Texter:
Smokey Robinson
Komponist(in):
Henry Cosby, Smokey Robinson und Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd und Jobette Music (UK) Ltd.
The Beat32:42
5Baby Get It On
Ike & Tina Turner3:11
6Brother
CCS3:26
7Do What You Wanna Do (edit)
T-Connection33:33
8Movin’ (single edit)
Produzent(in):
Jeff Lane (soul funk singer, songwriter, arranger, producer)
Bassgitarre:
Wade Williamston (bassist)
Conga:
Sandy Billups (percussionist)
flute, Keyboard und Timbales:
Randy Muller
Gitarre:
Joseph Arthur Wong (guitarist)
membranophone:
Larry Payton (drummer)
Perkussion:
Randy Muller und Morris Price (trumpeter)
Saiteninstrumente:
Irving Spice (violinist, concertmaster and strings)
Saxophon:
Michael Grudge (saxophonist) und Jesse Ward, Jr. (saxophonist)
Trompete:
Wayne Parris (trumpeter) und Morris Price (trumpeter)
vocals:
Sandy Billups (percussionist), Michael Grudge (saxophonist), Randy Muller, Wayne Parris (trumpeter), Larry Payton (drummer), Morris Price (trumpeter) und Jesse Ward, Jr. (saxophonist)
arranger:
Randy Muller
recording of:
Movin’
Texter und Komponist(in):
Randy Muller und Wade Williamston (bassist)
publisher:
Bravo and Encore Music, Music in Three und State Music Ltd. (publisher) (vom 1985 bis heute)
Brass Construction8:40
9Love Hit Me
recording of:
Love Hit Me
Texter und Komponist(in):
J. Vincent Edwards
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Maxine Nightingale32:48
10Spanish Stroll
Bass:
Rubén Sigüenza
Gitarre:
Willy DeVille und Louis X. Erlanger
Klavier:
Bobby Leonards
membranophone:
Thomas R. "Manfred" Allen, Jr.
Sologesang:
Willy DeVille
phonographisches Urheberrecht (℗) von:
USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2015)
recording of:
Spanish Stroll
Texter und Komponist(in):
Willy DeVille
Mink DeVille53:41
11Storm in a Teacup
recording of:
Storm in a Teacup
Verfasser(in):
Lynsey Rubin und Ron Roker
publisher:
ATV Kirshner (publisher) (in 1972)
The Fortunes3:15
12Boogie Shoes
Produzent(in):
Harry Wayne Casey und Richard Finch
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2004)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 324)
recording of:
Boogie Shoes
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
KC and the Sunshine Band4.252:12
13Don’t Take Away the Music (edit)
recording of:
Don’t Take Away the Music
Verfasser(in):
Freddie Perren, Keni St. Lewis und Christine Yarian
publisher:
Songs of PolyGram International, Inc. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Tavares3:39
14Boogie Oogie Oogie (single version)
Produzent(in):
Fonce Mizell und Larry Mizell
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2002)
recording of:
Boogie Oogie Oogie
Verfasser(in):
Janice Marie Johnson (Member of "A Taste of Honey") und Perry L. Kibble
publisher:
Conducive Music, Inc. und On Time Music, Inc.
A Taste of Honey2.653:36
15I Can’t Leave You Alone
recording of:
I Can’t Leave You Alone
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
Peer Music
George McCrae3:09
16Every 1’s a Winner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Infinity Records Inc. (in 1978)
recording of:
Every 1’s a Winner
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated) und RAK Music Publishing Ltd.
Hot Chocolate4.154:02
17You’re My Everything
recording of:
You’re My Everything
Verfasser(in):
Lee Garrett und Robert Taylor (Robert Percy Taylor, composer)
Lee Garrett32:59
18This Will Be (An Everlasting Love)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 3) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 316)
recording of:
This Will Be (an Everlasting Love)
Verfasser(in):
Chuck Jackson (songwriter/producer) und Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) und Jay’s Enterprises Inc.
Natalie Cole3.52:51
19Dancin’ Easy
recording of:
Dancin' Easy
Verfasser(in):
Tony Eyers, Christopher Gunning (English composer), Chris Hill (British DJ) und Nigel Grainge
Danny Williams33:18
20Never My Love
Blue Swede2:27

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Veröffentlichungsgruppe

Teil von:100 Hits (UK Demon Music Group) (Nummer: 101) (Reihenfolge: 97)