Vissi d’arte – The Puccini Love Songs

~ Veröffentlichung von Giacomo Puccini; Maria Callas (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1Manon Lescaut: “In quelle trine morbide”
Soprangesang [Manon]:
Maria Callas (soprano)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Tullio Serafin (conductor)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
Giacomo Puccini2:21
2Manon Lescaut: “Oh, sarò la più bella!”
Soprangesang [Manon]:
Maria Callas (soprano)
Tenor-Gesang [Des Grieux]:
Giuseppe Di Stefano (tenor)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Tullio Serafin (conductor)
recording of:
Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” (Manon, Des Grieux)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto II
Giacomo Puccini8:21
3Manon Lescaut: “Sola, perduta, abbandonata”
Soprangesang [Manon]:
Maria Callas (soprano)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Tullio Serafin (conductor)
recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga und Giulio Ricordi
Teil von:
Manon Lescaut: Atto IV
Giacomo Puccini5:06
4La Bohème: “Sì. Mi chiamano Mimì”
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Soprangesang [Mimì]:
Maria Callas (soprano) (von 1956-08-20 bis 1956-08-25, von 1956-09-03 bis 1956-09-04)
Tenor-Gesang [Rodolfo]:
Giuseppe Di Stefano (tenor) (von 1956-08-20 bis 1956-08-25, von 1956-09-03 bis 1956-09-04)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1956-08-20 bis 1956-08-25, von 1956-09-03 bis 1956-09-04)
conductor:
Antonino Votto (conductor) (von 1956-08-20 bis 1956-08-25, von 1956-09-03 bis 1956-09-04)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1956-08-20 bis 1956-08-25, von 1956-09-03 bis 1956-09-04)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (von 1956-08-20 bis 1956-08-25)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (von 1956-09-03 bis 1956-09-04)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:56
5La Bohème: “Ehi! Rodolfo!” … “O soave fanciulla”
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Baritongesang [Marcello]:
Rolando Panerai (baritone) (von 1956-08-20 bis 1956-08-25, von 1956-09-03 bis 1956-09-04)
Baritongesang [Schaunard]:
Manuel Spatafora (baritone) (von 1956-08-20 bis 1956-08-25, von 1956-09-03 bis 1956-09-04)
Bass-Gesang [Colline]:
Nicola Zaccaria (operatic bass) (von 1956-08-20 bis 1956-08-25, von 1956-09-03 bis 1956-09-04)
Soprangesang [Mimì]:
Maria Callas (soprano) (von 1956-08-20 bis 1956-08-25, von 1956-09-03 bis 1956-09-04)
Tenor-Gesang [Rodolfo]:
Giuseppe Di Stefano (tenor) (von 1956-08-20 bis 1956-08-25, von 1956-09-03 bis 1956-09-04)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1956-08-20 bis 1956-08-25, von 1956-09-03 bis 1956-09-04)
conductor:
Antonino Votto (conductor) (von 1956-08-20 bis 1956-08-25, von 1956-09-03 bis 1956-09-04)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1956-08-20 bis 1956-08-25, von 1956-09-03 bis 1956-09-04)
recording of:
La bohème: Atto I, no. 8. “Ehi! Rodolfo” (Schaunard, Colline, Marcello, Mimi) (von 1956-08-20 bis 1956-08-25)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (von 1956-08-20 bis 1956-08-25)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 8. “Ehi! Rodolfo” (Schaunard, Colline, Marcello, Mimi) (von 1956-09-03 bis 1956-09-04)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (von 1956-09-03 bis 1956-09-04)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 8. “Ehi! Rodolfo” (Schaunard, Colline, Marcello, Mimi)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:49
6La Bohème: “Donde lieta uscì”
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Baritongesang:
Rolando Panerai (baritone)
Soprangesang:
Anna Moffo (soprano)
Soprangesang [Mimì]:
Maria Callas (soprano) (von 1956-08-20 bis 1956-08-25, von 1956-09-03 bis 1956-09-04)
Tenor-Gesang:
Giuseppe Di Stefano (tenor)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1956-08-20 bis 1956-08-25, von 1956-08-20 bis 1956-09-12, von 1956-09-03 bis 1956-09-04)
conductor:
Antonino Votto (conductor) (von 1956-08-20 bis 1956-08-25, von 1956-08-20 bis 1956-09-12, von 1956-09-03 bis 1956-09-04)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1956-08-20 bis 1956-08-25, von 1956-08-20 bis 1956-09-04, von 1956-09-03 bis 1956-09-04)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (von 1956-08-20 bis 1956-08-25)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) (von 1956-09-03 bis 1956-09-04)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini3:20
7La Bohème: “Dunque è proprio finita?”
Produzent(in):
Walter Jellinek (British classical producer) und Walter Legge (British classical producer)
Baritongesang [Marcello]:
Tito Gobbi (baritone) und Rolando Panerai (baritone) (von 1956-08-20 bis 1956-08-25, von 1956-08-20 bis 1956-09-12, von 1956-09-03 bis 1956-09-04)
Soprangesang [Mimì]:
Renata Scotto (operatic soprano) und Maria Callas (soprano) (von 1956-08-20 bis 1956-08-25, von 1956-08-20 bis 1956-09-12, von 1956-09-03 bis 1956-09-04)
Soprangesang [Musetta]:
Jolanda Meneguzzer (soprano) und Anna Moffo (soprano) (von 1956-08-20 bis 1956-08-25, von 1956-08-20 bis 1956-09-12, von 1956-09-03 bis 1956-09-04)
Tenor-Gesang [Rodolfo]:
Gianni Poggi (tenor) und Giuseppe Di Stefano (tenor) (von 1956-08-20 bis 1956-08-25, von 1956-08-20 bis 1956-09-12, von 1956-09-03 bis 1956-09-04)
Orchester:
Orchestra del Maggio Musicale Fiorentino und Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (von 1956-08-20 bis 1956-08-25, von 1956-08-20 bis 1956-09-12, von 1956-09-03 bis 1956-09-04)
conductor:
Antonino Votto (conductor) (von 1956-08-20 bis 1956-08-25, von 1956-08-20 bis 1956-09-12, von 1956-09-03 bis 1956-09-04)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1957)
aufgenommen bei:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italien (von 1956-08-20 bis 1956-08-25, von 1956-08-20 bis 1956-09-12, von 1956-09-03 bis 1956-09-04)
recording of:
La bohème: Atto III. no. 19. “Dunque è proprio finita” … “Sempre tua, per la vita” (Mimì, Rodolfo, Marcello, Musetta) (von 1956-08-20 bis 1956-08-25)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
recording of:
La bohème: Atto III. no. 19. “Dunque è proprio finita” … “Sempre tua, per la vita” (Mimì, Rodolfo, Marcello, Musetta) (von 1956-08-20 bis 1956-09-12)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
recording of:
La bohème: Atto III. no. 19. “Dunque è proprio finita” … “Sempre tua, per la vita” (Mimì, Rodolfo, Marcello, Musetta) (von 1956-09-03 bis 1956-09-04)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
recording of:
La bohème: Atto III. “Addio dolce svegliare alla mattina!” (Mimì, Rodolfo, Musetta, Marcello)
Komponist(in):
Giacomo Puccini (Italian composer)
Teil von:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini5:50
8La Bohème: “Sono andati?”
Baritongesang [Marcello]:
Rolando Panerai (baritone)
Baritongesang [Schaunard]:
Manuel Spatafora (baritone)
Bass-Gesang [Colline]:
Nicola Zaccaria (operatic bass)
Soprangesang [Mimì]:
Maria Callas (soprano)
Soprangesang [Musetta]:
Anna Moffo (soprano)
Tenor-Gesang [Rodolfo]:
Giuseppe Di Stefano (tenor)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La bohème: Atto IV. no. 25. “Sono andati? Fingevo di dormire” (Mimì, Rodolfo)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Giacomo Puccini9:59
9Tosca: “Mario! Mario! Mario!” … “Son qui”
Soprangesang [Tosca]:
Maria Callas (soprano)
Tenor-Gesang [Cavaradossi]:
Giuseppe Di Stefano (tenor)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Victor de Sabata (conductor and composer)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini12:12
10Tosca: “Mario! Mario!”
Baritongesang [Scarpia]:
Tito Gobbi (baritone)
Soprangesang [Tosca]:
Maria Callas (soprano)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Victor de Sabata (conductor and composer)
recording of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini6:18
11Tosca: “Vissi d’arte”
Soprangesang [Tosca]:
Maria Callas (soprano)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Victor de Sabata (conductor and composer)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:16
12Tosca: “Senti, l’ora è vicina”
Soprangesang [Tosca]:
Maria Callas (soprano)
Tenor-Gesang [Cavaradossi]:
Giuseppe Di Stefano (tenor)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Victor de Sabata (conductor and composer)
recording of:
Tosca: Atto III. “Senti, l’ora è vicina” (Tosca, Cavaradossi)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:25
13Suor Angelica: “Senza mamma”
Soprangesang [Suor Angelica]:
Maria Callas (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Tullio Serafin (conductor)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Suor Angelica
Giacomo Puccini5:37
2▼CD
Nr.TitelKünstlerBewertungLänge
1Madama Butterfly: “Quanto cielo!” … “Ancora un passo or via”
Baritongesang [Sharpless]:
Mario Borriello (baritone)
Chorgesang:
Coro del Teatro alla Scala di Milano
Soprangesang [Butterfly]:
Maria Callas (soprano)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto I. “Ah, ah! Quanto cielo!”… “Ancora un passo or via” (Le amiche, Butterfly, Sharpless)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini3:01
2Madama Butterfly: “Vieni la sera”
Mezzosoprangesang [Suzuki]:
Lucia Danieli (mezzo-soprano)
Soprangesang [Butterfly]:
Maria Callas (soprano)
Tenor-Gesang [Pinkerton]:
Nicolai Gedda (tenor)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini14:19
3Madama Butterfly: “Un bel dì vedremo”
Soprangesang [Butterfly]:
Maria Callas (soprano)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:42
4Madama Butterfly: “È questo? È questo?”
Baritongesang [Sharpless]:
Mario Borriello (baritone)
Soprangesang [Butterfly]:
Maria Callas (soprano)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto II. “È questo? È questo?” (Butterfly, Sharpless)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:57
5Madama Butterfly: “Una nave da guerra” … “Scuoti quella fronda”
Mezzosoprangesang [Suzuki]:
Lucia Danieli (mezzo-soprano)
Soprangesang [Butterfly]:
Maria Callas (soprano)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto II. “Il cannone del porto! Una nave da guerra…” (Suzuki, Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II. “Il cannone del porto!” (Butterfly, Suzuki) (Flower Duet, complete)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini7:44
6Madama Butterfly: “Con onor muore”
Soprangesang [Butterfly]:
Maria Callas (soprano)
Tenor-Gesang [Pinkerton]:
Nicolai Gedda (tenor)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Herbert von Karajan (conductor)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
Giacomo Puccini5:21
7Gianni Schicchi: “O mio babbino caro”
Soprangesang [Lauretta]:
Maria Callas (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Tullio Serafin (conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:35
8Turandot: “Signore, ascolta”
Soprangesang [Liù]:
Maria Callas (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Tullio Serafin (conductor)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
Giacomo Puccini2:32
9Turandot: “In questa reggia”
Chorgesang:
Coro del Teatro alla Scala di Milano
Soprangesang [Turandot]:
Maria Callas (soprano)
Tenor-Gesang [Calaf]:
Eugenio Fernandi (tenor)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Tullio Serafin (conductor)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini6:20
10Turandot: “Straniero, ascolta!”
Chorgesang:
Coro del Teatro alla Scala di Milano
Soprangesang [Turandot]:
Maria Callas (soprano)
Tenor-Gesang [Calaf]:
Eugenio Fernandi (tenor)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Tullio Serafin (conductor)
recording of:
Turandot: Atto II, scena 2. “Straniero, ascolta! Nella cupa notte” … “Sì! Rinasce!” (Turandot, Calaf, Sapienti)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto II (Turandot: Act II)
Giacomo Puccini11:06
11Turandot: “Tu, che di gel sei cinta”
Soprangesang [Liù]:
Maria Callas (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Tullio Serafin (conductor)
recording of:
Turandot: Atto III, scena 1. “Tu, che di gel sei cinta” (Liù, La folla)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini2:48
12Turandot: “Del primo pianto”
Chorgesang:
Coro del Teatro alla Scala di Milano
Soprangesang [Turandot]:
Maria Callas (soprano)
Tenor-Gesang [Calaf]:
Eugenio Fernandi (tenor)
Orchester:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Tullio Serafin (conductor)
recording of:
Turandot: Atto III, scena 1. “Del primo pianto…ah!” (Turandot, Calaf)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini8:37

Nennungen