The All Time Greatest Movie Songs of the Last 3 Decades

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1My Heart Will Go On
recording engineer:
Humberto Gatica und David Gleeson
sonstige Unterstützung:
Emilie Charlap (Aufgabe: orchestratra contractor) und Dan Shea (Aufgabe: sound design)
drum machine [drum and rhythm]-Programmierung:
Walter Afanasieff
Programmierung:
Dan Shea
zusätzliche drum machine [drum and rhythm]-Programmierung:
Dan Shea
assistierende(r) Techniker(in):
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer und Greg Thompson (engineer, mixer)
Techniker(in):
Humberto Gatica (Sologesang) und Dan Shea
Koproduzent(in):
James Horner (American score composer)
Produzent(in):
Walter Afanasieff
Mix:
Humberto Gatica
Bass-Synthesizer [synth bass], Hammond-Orgel [Hammond B-3 organ] und Keyboard:
Walter Afanasieff
Fiddle [Irish fiddle]:
Paul Peabody (violinist)
Gitarre:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
zusätzlich Keyboard:
Dan Shea
Hintergrundgesang:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens und Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
Orchestrator(in):
William Ross (composer, orchestrator, arranger, conductor)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und Wallyworld in San Rafael, California (Kalifornien), Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
My Heart Will Go On (love theme from Titanic) von Céline Dion
a cappella versions:
The music from that movie about the boat von David Thorne (designer)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 2) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 279)
recording of:
My Heart Will Go On
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1997 winner)
Teil von:
Titanic
Céline Dion4.354:41
2From the Heart
Techniker(in):
Ali Boudris und Mario Luccy
leitende(r) Produzent(in):
Diane Warren (US songwriter)
Produzent(in):
Khris Kellow
assistierende(r) Mix:
Tom Bender (engineer)
Mix:
Mick Guzauski
Gitarre:
Ali Boudris
aufgenommen bei:
Bananaboat Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Realsongs in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Barking Doctor Recording in Mount Kisco, New York, Vereinigte Staaten
recording of:
From the Heart
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Realsongs
Another Level4:53
3Evergreen (Love Theme From “A Star Is Born”)
Produzent(in):
Phil Ramone und Barbra Streisand
vocals:
Barbra Streisand
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Evergreen (love theme from “A Star Is Born”)
Texter:
Paul Williams (US songwriter/soft rock vocalist) (in 1976)
Komponist(in):
Barbra Streisand (in 1976)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Olive Music LLC, Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28), Emmanuel Music Corp (in 1976) und First Artists Music Co. (in 1976)
Teil von:
Academy Award for Best Original Song (Nummer: 1976 winner)
Barbra Streisand43:06
4Mrs. Robinson
recording engineer:
Roy Halee (am 1968-02-02)
assistierende(r) Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 270)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:03
5Streets of Philadelphia
Produzent(in):
Chuck Plotkin und Bruce Springsteen
Mix:
Bob Clearmountain
vocals:
Bruce Springsteen
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment, Inc., U.S.A. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1994)
recording of:
Streets of Philadelphia (in 1993-09)
publisher:
Bruce Springsteen
Texter und Komponist(in):
Bruce Springsteen (in 1993-08)
publisher:
Zomba Music Publishing (music publisher – add no releases here!) und Zomba Music Publishing Ltd.
Teil von:
The 66th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1993 winner)
Bruce Springsteen3.653:52
6Men in Black
recording engineer:
John Shriver
drum machine [drum]-Programmierung:
Poke and Tone
Produzent(in):
Poke and Tone
Mix:
Commissioner Gordon (US hip hop producer Gordon Williams) und Tony Maserati (engineer / mixer)
Hintergrundgesang:
Coko (R&B singer Cheryl Gamble)
Herausgeber:
Track Masters Entertainment
Samples:
Forget Me Nots von Patrice Rushen
recording of:
Men in Black
Verfasser(in):
Fred Washington (US session bassist), Patrice Rushen, Will Smith (US actor aka The Fresh Prince) und Terry McFadden
publisher:
Baby Fingers Music, Freddie Dee Music, New Columbia Pictures, Inc, Treyball Music, Inc. und Yamina Music
Will Smith4.153:47
7Arthur’s Theme
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
Produzent(in):
Michael Omartian
Mix:
Chet Himes
Sologesang:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
aufgenommen bei und mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager und Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America und Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
Christopher Cross53:53
8All Time High
vocals:
Rita Coolidge
recording of:
All Time High (Main Titles) (from the film "Octopussy")
Texter:
Tim Rice
Komponist(in):
John Barry (English score composer)
publisher:
BMG Music und EMI Songs
Teil von:
James Bond themes
Teil von:
Octopussy (soundtrack from the James Bond film)
Rita Coolidge43:03
9Take My Breath Away
Techniker(in):
Dave Concors, Michael Rosen (US metal producer/engineer) und Tom Whitlock
Produzent(in):
Jerry Bruckheimer, Giorgio Moroder und Don Simpson (American film producer, screenwriter, and actor)
Mix:
Giorgio Moroder und Brian Reeves
E-Gitarre:
Ric Olsen
Schlagzeug:
Rob Brill
Synthesizer:
Arthur Barrow und John Crawford (Berlin bassist)
Sologesang:
Terri Nunn (Berlin singer)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
aufgenommen bei:
Oasis Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Take My Breath Away von Berlin (US new wave/synthpop)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 28), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 62) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 490)
recording of:
Take My Breath Away (song from the 1986 film Top Gun)
Texter:
Tom Whitlock
Komponist(in):
Giorgio Moroder
publisher:
Famous Music Publishing Germany GmbH & Co. KG (beendet), Jastian Music Inc. (beendet), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986), GMPC (in 1986) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (beendet), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1986 winner)
Berlin3.654:13
10Endless Love
recording engineer:
Reggie Dozier
Produzent(in):
Lionel Richie
Mix:
Guy Costa
zusätzliche(r) Gast-Interpret(in):
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 20)
recording of:
Endless Love
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) und Warner/Chappell North America
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1981 nominee)
Diana Ross & Lionel Richie3.54:27
11Knockin’ on Heaven’s Door
Techniker(in):
Dan Wallin
Produzent(in):
Gordon Carroll (producer)
Bassgitarre:
Terry Paul (in 1973-02)
Gitarre:
Bob Dylan (in 1973-02) und Roger McGuinn (in 1973-02)
Harmonium, Orgel und Spinet:
Carl Fortina (in 1973-02)
Schlagzeug:
Jim Keltner (in 1973-02)
Hintergrundgesang:
Carol Hunter (in 1973-02), Brenda Patterson (in 1973-02) und Donna Weiss (in 1973-02)
vocals:
Bob Dylan (in 1973-02)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973)
engineered at:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 190)
recording of:
Knockin’ on Heaven’s Door (in 1973-02)
Texter und Komponist(in):
Bob Dylan
zusätzlicher Texter:
Bob Dylan (am 1975-03-23)
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Ram’s Horn Music (in 1973)
Bob Dylan4.72:31
12The Entertainer
Marvin Hamlisch3:03
13It Had to Be You
arranger und Orchestrator(in):
Marc Shaiman (American score composer and lyricist)
cover recording of:
It Had to Be You (in 1989-05)
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
Harry Connick, Jr.2:39
14Axel F
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:01
15Kokomo
Techniker(in) und Mix:
Keith Wechsler
Produzent(in):
Terry Melcher
accordion:
Van Dyke Parks (von 1988-03-22 bis 1988-04-06)
Akustikgitarre:
Jeffrey Foskett (von 1988-03-22 bis 1988-04-06)
alto saxophone:
Joel Peskin (von 1988-03-22 bis 1988-04-06)
Bass:
Rod Clark (UK bassist) (von 1988-03-22 bis 1988-04-06)
Schlagzeug:
Jim Keltner (von 1988-03-22 bis 1988-04-06)
Slide-Gitarre [electric slide guitar]:
Ry Cooder (von 1988-03-22 bis 1988-04-06)
Hintergrundgesang:
Al Jardine (guitarist and singer) (von 1988-03-22 bis 1988-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (von 1988-03-22 bis 1988-04-06), Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Sologesang:
Mike Love (Beach Boys) (von 1988-03-22 bis 1988-04-06) und Carl Wilson (Beach Boys) (von 1988-03-22 bis 1988-04-06)
Interpret(in):
The Beach Boys (American rock band) (von 1988-03-22 bis 1988-04-06)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (in 1988) und Touchstone Pictures (in 1988)
Musikvideos:
Kokomo von The Beach Boys (American rock band)
recording of:
Kokomo (von 1988-03-22 bis 1988-04-06)
Verfasser(in):
Mike Love (Beach Boys), Scott McKenzie, Terry Melcher und John Phillips (The Mamas & The Papas)
publisher:
Buena Vista Music Company, Clairaudient Music Corporation, Daywin Music Inc., Honest John Music, Nichion Synch Division (NICHION, INC. Synch Division), Spirit One Music, Touchstone Pictures Music and Songs Inc. und Yamaha Music EH(CM)
The Beach Boys4.253:37
16Right Here
Produzent(in):
Brian Morgan
remixer:
Teddy Riley (US R&B singer & producer)
recording of:
Right Here
Verfasser(in):
John Bettis, Brian Alexander Morgan und Steve Porcaro
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
SWV3.53:50
17Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:54
18Suicide Is Painless
vocals:
John Bahler, Tom Bahler, Ian Freebairn‐Smith und Ron Hicklin
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
recording of:
Suicide Is Painless
Texter:
Mike Altman
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
The Mash32:55
19I Don’t Know How to Love Him
cover recording of:
I Don’t Know How to Love Him
Texter:
Tim Rice
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music (MCA), Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) und Universal/MCA Music Ltd. (not for release label use!)
Teil von:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
Helen Reddy3:17
20Be
recording of:
Be
Texter und Komponist(in):
Neil Diamond (in 1973)
Teil von:
Jonathan Livingston Seagull
Teil von:
The Odyssey
Neil Diamond3:20
21Ballad of Easy Rider
Techniker(in):
Jerry Hochman (engineer)
Partner-Produzent(in):
Jerry Hochman (engineer)
Produzent(in):
Terry Melcher
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
cover recording of:
Ballad of Easy Rider (am 1969-06-18)
Texter und Komponist(in):
Roger McGuinn
zusätzlicher Texter:
Bob Dylan
publisher:
Dwarf Music
The Byrds32:03
22I’m Forrest… Forrest Gump
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
Alan Silvestri (US score composer)
Editing:
Kenneth Karman und Jacqueline Tager (editor)
conductor:
Alan Silvestri (US score composer)
Orchestrator(in):
William Ross (composer, orchestrator, arranger, conductor)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California (Kalifornien), Vereinigte Staaten
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Forrest Gump
Komponist(in):
Alan Silvestri (US score composer)
Teil von:
Forrest Gump
Alan Silvestri2:39
2▼CD
Nr.TitelKünstlerBewertungLänge
1I Don’t Want to Miss a Thing
assistierende(r) Techniker(in):
Alex Dejonge (engineer) und Rob Murphy (Engineer)
Techniker(in) und Mix:
Dave Thoener
Produzent(in):
Matt Serletic
Saiteninstrumente arranger:
Suzie Katayama
arranger:
Matt Serletic
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
BILLIONS CLUB und The Downloader’s Music Source Book (Nummer: 228)
recording of:
I Don’t Want to Miss a Thing
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs (beendet), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 71st Academy Award for Best Original Song (Nummer: 2)
Aerosmith4.054:58
2Gotham City
Assistent recording engineer:
Jason Bacher und Trey Fratt
recording engineer und Programmierung:
Chris Brickley und Stephen George
leitende(r) Produzent(in):
Barry Hankerson (American record producer)
Produzent(in):
R. Kelly
Mix:
Stephen George und R. Kelly
Instrumente:
R. Kelly
zusätzlich Keyboard [keyboards]:
Lafayette Carthon
Hintergrundgesang:
Lafayette Carthon, The Chi-Towne Gospel Machine und Tyrones Kids
conductor:
Lafayette Carthon
arranger:
R. Kelly
phonographisches Urheberrecht (℗) von:
Zomba Recording Corp. (not strictly a label - avoid adding releases here) (in 1997)
produced for:
Bass Productions Ltd.
aufgenommen bei und mixed at:
Chicago Trax in Chicago, Illinois, Vereinigte Staaten
recording of:
Gotham City
Verfasser(in):
R. Kelly
publisher:
R. Kelly Publishing Inc. und Zomba Songs, Inc.
R. Kelly3.24:56
3License to Kill
Partner-Produzent(in):
Walter "Babylove" Afanasieff*
Produzent(in):
Narada Michael Walden
Interpret(in):
Gladys Knight (soul and r&b music singer-songwriter)
arranger:
Narada Michael Walden
co-arranger:
Walter "Babylove" Afanasieff*
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
Bearbeitung von:
Licence to Kill (extended version) von Gladys Knight (soul and r&b music singer-songwriter)
recording of:
Licence to Kill
Verfasser(in):
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) und Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und SBK Songs Ltd. (in 1989)
Teil von:
James Bond themes
quotes music from:
Goldfinger
Gladys Knight44:13
4Don’t Worry, Be Happy
phonographisches Urheberrecht (℗) von:
EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
Musikvideos:
Don't Worry Be Happy von Bobby McFerrin
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 31)
recording of:
Don’t Worry, Be Happy
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin3:55
5Glory of Love
Techniker(in) und Mix:
Terry Christian (US recording and mixing engineer) und John Guess
Produzent(in):
Michael Omartian
Gast Hintergrundgesang:
Kenny Cetera
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und Warner Music International (trademark of Warner Music International the company) (in 1986)
aufgenommen bei und mixed at:
Lion Share Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Glory of Love
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1986 nominee)
Peter Cetera4.24:21
6Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:36
7Show Me Heaven
phonographisches Urheberrecht (℗) von:
MCA (1967–2003; name as in imprint during 1972–1990) (in 1990) und The David Geffen Company (legal rights relating to Geffen Records) (in 1990)
recording of:
Show Me Heaven
Verfasser(in):
Eric Rackin (Production music composer), Maria McKee und Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:47
8The Sweetest Thing
Interpret(in):
Ms. Lauryn Hill und Refugee Camp Allstars
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1997)
Refugee Camp Allstars feat. Lauryn Hill4:52
9I Can Dream About You
recording engineer:
Dan Hartman
zusätzlich recording engineer:
Shelly Yakus
zusätzliche(r) Techniker(in):
Gabe Veltri
assistierende(r) Mix:
Steve Krause (Steven A Krause)
Mix:
Humberto Gatica
E-Bass:
Eddie N. Watkins Jr.
Klavier:
Bill Payne
Perkussion:
Bobbye Hall
zusätzlich Gitarre:
Richie Zito
zusätzlich Schlagzeug:
Art Wood (US session drummer/percussionist)
Hintergrundgesang:
Winston Ford, Dan Hartman und Joe Pizzullo
Sologesang:
Dan Hartman
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984)
recording of:
I Can Dream About You
Texter und Komponist(in):
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) und Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:09
10Maniac
Produzent(in):
Phil Ramone und Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
Verfasser(in):
Dennis Matkosky und Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
Michael Sembello4.154:02
11The Shoop Shoop Song
Produzent(in):
Peter Asher
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1990)
Musikvideos:
The Shoop Shoop Song (It’s in His Kiss) von Cher
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
Texter und Komponist(in):
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. und Trio Music Company
Cher3.22:47
12When I Fall in Love
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Mix:
Humberto Gatica
Gast vocals:
Clive Griffin
vocals:
Céline Dion und Clive Griffin
arranger:
Jeremy Lubbock
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
gemixt für:
Hum Inc. Productions
produced for:
Chartmaker Inc.
cover recording of:
When I Fall in Love
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Céline Dion & Clive Griffin3.354:21
13The Way We Were
Techniker(in) und Mix:
Al Schmitt
Produzent(in):
Marty Paich
vocals:
Barbra Streisand (am 1973-09-12)
remixer:
Tommy LiPuma
arranger:
Marty Paich
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974)
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Hollywood Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Way We Were (am 1973-09-12)
Texter:
Alan Bergman (American lyricist) (in 1973) und Marilyn Bergman (in 1973)
Komponist(in):
Marvin Hamlisch (in 1973)
publisher:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. und Colgems-EMI Music Inc. (in 1973)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 46th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1973 winner)
Teil von:
The Way We Were
Barbra Streisand4.53:31
14Childhood
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
recording of:
Childhood
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
Michael Jackson3.44:29
15The John Dunbar Theme
recording of:
John Dunbar Theme (Dances With Wolves)
Komponist(in):
John Barry (English score composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) und EMI Virgin Music Publishing
Teil von:
Dances With Wolves
John Barry3:42
16Lovefool
Techniker(in) und Produzent(in):
Tore Johansson
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Perkussion und Schlagzeug:
Bengt Lagerberg
Hintergrundgesang:
Magnus Sveningsson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records und Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
Musikvideos:
Lovefool von The Cardigans (Swedish rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 242)
recording of:
Lovefool
Texter:
Nina Persson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal–Songs of PolyGram International, Inc.
The Cardigans3.653:15
17The Living Daylights
Produzent(in):
a‐ha (Norwegian synth‐pop band), John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
vocals:
a‐ha (Norwegian synth‐pop band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Living Daylights
Verfasser(in):
Pal Waaktaar (guitarist, songwriter and singer)
zusätzliche(r) Komponist(in):
John Barry (English score composer)
publisher:
ATV Music und BMG Music
Teil von:
James Bond themes
a‐ha44:15
18Footloose
Produzent(in):
Lee DeCarlo und Kenny Loggins
Bass-Synthesizer:
Michael Boddicker
Bassgitarre:
Nathan East
Gitarre:
Buzz Feiten
Instrumente:
Michael Boddicker
Keyboard:
Neil Larsen und Steven Wood (US soundtrack composer, member of Honk)
Perkussion:
Michael Boddicker und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Tris Imboden
Hintergrundgesang:
Marilyn Dorman, Richey Washington und Steven Wood (US soundtrack composer, member of Honk)
Sologesang:
Kenny Loggins
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
Texter:
Dean Pitchford
Komponist(in):
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Kenny Loggins4.13:48
19State of Love and Trust
live recording of:
State of Love and Trust (am 1992-02-22)
Texter und Komponist(in):
Jeff Ament, Mike McCready und Eddie Vedder
publisher:
Innocent Bystander, Jumpin’ Cat Music, PRI Music, Inc., Scribing C-ment Songs und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Pearl Jam3:46

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