Orff: Carmina Burana / Beethoven: Late Choral Works / Gershwin: An American in Paris / Rhapsody in Blue

~ Veröffentlichung von Orff, Beethoven, George Gershwin; Cleveland Orchestra, London Symphony Orchestra, New York Philharmonic, Columbia Jazz Band, Michael Tilson Thomas (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1▼Hybrid-SACD
Nr.TitelKünstlerBewertungLänge
1Carmina Burana: Fortuna, Imperatrix mundi: O Fortuna
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:27
2Carmina Burana: Fortuna, Imperatrix mundi: Fortuna plango vulnera
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
Fortune plango vulnera (Poem, CB 16)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:44
3Carmina Burana: I. Primo vere: Veris leta facies
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff4:32
4Carmina Burana: I. Primo vere: Omnia sol temperat
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Solo Baritongesang:
Peter Binder (guitarist)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff2:15
5Carmina Burana: I. Primo vere: Ecce gratum
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff2:29
6Carmina Burana: Uf dem Anger: Tanz
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff1:41
7Carmina Burana: Uf dem Anger: Floret silva
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff3:03
8Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem Anger: 8. Chramer, gip die varwe mir)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff3:25
9Carmina Burana: Uf dem Anger: Reie
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Uf dem Anger: IX. (a) Reie
Komponist(in):
Carl Orff (composer) (in 1936)
Teil von:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
Carl Orff2:20
10Carmina Burana: Uf dem Anger: Swaz hie gat umbe - Chume, chum, geselle min! - Swaz hie gat umbe
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe (Carmina Burana: Uf dem Anger: 9. (b) Swaz hie gat umbe)
Komponist(in):
Carl Orff (composer) (in 1936)
Teil von:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
recording of:
Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min
Komponist(in):
Carl Orff (composer) (in 1936)
Teil von:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
recording of:
Carmina Burana: Uf dem Anger: IX. (d) Swaz hie gat umbe (reprise)
Komponist(in):
Carl Orff (composer) (in 1936)
Teil von:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
Carl Orff3:03
11Carmina Burana: Uf dem Anger: Were diu werlt alle min
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem anger: 10. Were diu werlt alle min)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff0:49
12Carmina Burana: II. In taberna: Estuans interius
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Solo Baritongesang:
Peter Binder (guitarist)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff2:22
13Carmina Burana: II. In taberna: Olim lacus colueram
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Solo Tenor-Gesang:
Kenneth Riegel (tenor)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff3:30
14Carmina Burana: II. In taberna: Ego sum abbas
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Solo Baritongesang:
Peter Binder (guitarist)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff1:46
15Carmina Burana: II. In taberna: In taberna quando sumus
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff2:59
16Carmina Burana: III. Cour d'amours: Amor volat undique
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Solo Soprangesang:
Judith Blegen (soprano)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff4:08
17Carmina Burana: III. Cour d'amours: Dies, nox et omnia
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Solo Baritongesang:
Peter Binder (guitarist)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:51
18Carmina Burana: III. Cour d'amours: Stetit puella
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Solo Soprangesang:
Judith Blegen (soprano)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff1:51
19Carmina Burana: III. Cour d'amours: Circa mea pectora
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Solo Baritongesang:
Peter Binder (guitarist)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff1:58
20Carmina Burana: III. Cour d'amours: Si puer cum puellula
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff0:53
21Carmina Burana: III. Cour d'amours: Veni, veni, venias
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff0:52
22Carmina Burana: III. Cour d'amours: In trutina
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Solo Soprangesang:
Judith Blegen (soprano)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:36
23Carmina Burana: III. Cour d'amours: Tempus est iocundum
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Solo Baritongesang:
Peter Binder (guitarist)
Solo Soprangesang:
Judith Blegen (soprano)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:19
24Carmina Burana: III. Cour d'amours: Dulcissime
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Solo Soprangesang:
Judith Blegen (soprano)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff0:45
25Carmina Burana: Blanziflor et Helena: Ave formosissima
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:01
26Carmina Burana: Fortuna, Imperatrix mundi: O Fortuna
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:39
27Elegischer Gesang, Op. 118
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-12-19 bis 1974-12-21) und Mike Ross‐Trevor (engineer) (von 1974-12-19 bis 1974-12-21)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
Elegischer Gesang, op. 118 (Elegiac Song) (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1814)
gewidmet:
Johann von Pasqualati
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 118)
Ludwig van Beethoven7:07
28Opferlied, Op. 121b
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-12-19 bis 1974-12-21) und Mike Ross‐Trevor (engineer) (von 1974-12-19 bis 1974-12-21)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Solo Soprangesang:
Lorna Haywood (soprano) (von 1974-12-19 bis 1974-12-21)
Soprangesang:
Lorna Haywood (soprano)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
Opferlied, op. 121b (first version, for soprano, choir and orchestra) (von 1974-12-19 bis 1974-12-21)
Texter:
Friedrich von Matthisson
Komponist(in):
Ludwig van Beethoven (German composer) (in 1822)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 121b)
Ludwig van Beethoven7:51
2▼Hybrid SACD (SACD-Schicht, Mehrkanal)
Nr.TitelKünstlerBewertungLänge
1Carmina Burana: Fortuna, Imperatrix mundi: O Fortuna
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:27
2Carmina Burana: Fortuna, Imperatrix mundi: Fortuna plango vulnera
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
Fortune plango vulnera (Poem, CB 16)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:44
3Carmina Burana: I. Primo vere: Veris leta facies
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff4:32
4Carmina Burana: I. Primo vere: Omnia sol temperat
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Solo Baritongesang:
Peter Binder (guitarist)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff2:15
5Carmina Burana: I. Primo vere: Ecce gratum
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: I. Primo Vere
Carl Orff2:29
6Carmina Burana: Uf dem Anger: Tanz
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff1:41
7Carmina Burana: Uf dem Anger: Floret silva
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff3:03
8Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem Anger: 8. Chramer, gip die varwe mir)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff3:25
9Carmina Burana: Uf dem Anger: Reie
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Uf dem Anger: IX. (a) Reie
Komponist(in):
Carl Orff (composer) (in 1936)
Teil von:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
Carl Orff2:20
10Carmina Burana: Uf dem Anger: Swaz hie gat umbe - Chume, chum, geselle min! - Swaz hie gat umbe
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe (Carmina Burana: Uf dem Anger: 9. (b) Swaz hie gat umbe)
Komponist(in):
Carl Orff (composer) (in 1936)
Teil von:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
recording of:
Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min
Komponist(in):
Carl Orff (composer) (in 1936)
Teil von:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
recording of:
Carmina Burana: Uf dem Anger: IX. (d) Swaz hie gat umbe (reprise)
Komponist(in):
Carl Orff (composer) (in 1936)
Teil von:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
Carl Orff3:03
11Carmina Burana: Uf dem Anger: Were diu werlt alle min
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem anger: 10. Were diu werlt alle min)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Uf dem Anger
Carl Orff0:49
12Carmina Burana: II. In taberna: Estuans interius
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Solo Baritongesang:
Peter Binder (guitarist)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff2:22
13Carmina Burana: II. In taberna: Olim lacus colueram
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Solo Tenor-Gesang:
Kenneth Riegel (tenor)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff3:30
14Carmina Burana: II. In taberna: Ego sum abbas
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Solo Baritongesang:
Peter Binder (guitarist)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff1:46
15Carmina Burana: II. In taberna: In taberna quando sumus
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: II. In Taberna
Carl Orff2:59
16Carmina Burana: III. Cour d'amours: Amor volat undique
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Solo Soprangesang:
Judith Blegen (soprano)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff4:08
17Carmina Burana: III. Cour d'amours: Dies, nox et omnia
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Solo Baritongesang:
Peter Binder (guitarist)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:51
18Carmina Burana: III. Cour d'amours: Stetit puella
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Solo Soprangesang:
Judith Blegen (soprano)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff1:51
19Carmina Burana: III. Cour d'amours: Circa mea pectora
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Solo Baritongesang:
Peter Binder (guitarist)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff1:58
20Carmina Burana: III. Cour d'amours: Si puer cum puellula
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff0:53
21Carmina Burana: III. Cour d'amours: Veni, veni, venias
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff0:52
22Carmina Burana: III. Cour d'amours: In trutina
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Solo Soprangesang:
Judith Blegen (soprano)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:36
23Carmina Burana: III. Cour d'amours: Tempus est iocundum
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Solo Baritongesang:
Peter Binder (guitarist)
Solo Soprangesang:
Judith Blegen (soprano)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:19
24Carmina Burana: III. Cour d'amours: Dulcissime
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Solo Soprangesang:
Judith Blegen (soprano)
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff0:45
25Carmina Burana: Blanziflor et Helena: Ave formosissima
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:01
26Carmina Burana: Fortuna, Imperatrix mundi: O Fortuna
recording engineer:
Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Mix:
Edward T. Graham (engineer)
Chorgesang:
The Cleveland Orchestra Chorus
Orchester:
The Cleveland Orchestra
conductor:
Michael Tilson Thomas (conductor and pianist)
chorus master:
Robert Page (conductor/choir master)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten und TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:39
27Elegischer Gesang, Op. 118
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-12-19 bis 1974-12-21) und Mike Ross‐Trevor (engineer) (von 1974-12-19 bis 1974-12-21)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
Elegischer Gesang, op. 118 (Elegiac Song) (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1814)
gewidmet:
Johann von Pasqualati
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 118)
Ludwig van Beethoven7:07
28Opferlied, Op. 121b
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-12-19 bis 1974-12-21) und Mike Ross‐Trevor (engineer) (von 1974-12-19 bis 1974-12-21)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Solo Soprangesang:
Lorna Haywood (soprano) (von 1974-12-19 bis 1974-12-21)
Soprangesang:
Lorna Haywood (soprano)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
Opferlied, op. 121b (first version, for soprano, choir and orchestra) (von 1974-12-19 bis 1974-12-21)
Texter:
Friedrich von Matthisson
Komponist(in):
Ludwig van Beethoven (German composer) (in 1822)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 121b)
Ludwig van Beethoven7:51
3▼Hybrid-SACD
Nr.TitelKünstlerBewertungLänge
1Bundeslied, Op. 122
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-12-19 bis 1974-12-21) und Mike Ross‐Trevor (engineer) (von 1974-12-19 bis 1974-12-21)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
Song of Fellowship for 2 Solo Voices and 3‐Part Chorus accompanied by 6 Wind Instruments, op. 122 (von 1974-12-19 bis 1974-12-21)
Texter:
Johann Wolfgang von Goethe
Komponist(in):
Ludwig van Beethoven (German composer) (in 1822)
zusätzliche(r) Komponist(in):
Ludwig van Beethoven (German composer) (in 1824)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 122)
Ludwig van Beethoven4:05
2Meerstille und Glückliche Fahrt, Op. 112
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-12-19 bis 1974-12-21) und Mike Ross‐Trevor (engineer) (von 1974-12-19 bis 1974-12-21)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
Cantata for Mixed Chorus and Orchestra, op. 112 "Meeresstille und glückliche Fahrt" (von 1974-12-19 bis 1974-12-21)
Texter:
Johann Wolfgang von Goethe
Komponist(in):
Ludwig van Beethoven (German composer) (in 1807)
gewidmet:
Johann Wolfgang von Goethe
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 112)
Ludwig van Beethoven8:33
3Incidental Music to King Stephen, Op. 117: Overture
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-12-19 bis 1974-12-21) und Mike Ross‐Trevor (engineer) (von 1974-12-19 bis 1974-12-21)
Produzent(in):
Paul Myers (classical record producer)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: Overtüre. Andante con moto - Presto (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven6:52
4Incidental Music to King Stephen, Op. 117: Ruhend von seinen Thaten
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) und Mike Ross‐Trevor (engineer)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: I. Männerchor „Ruhend von seinem Taten“. Andante maestoso e con moto (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven2:10
5Incidental Music to King Stephen, Op. 117: Auf dunkelm Irrweg
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) und Mike Ross‐Trevor (engineer)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: II. Männerchor „Auf dunklem Irrweg in finstern Hainen“. Allegro con brio (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven1:16
6Incidental Music to King Stephen, Op. 117: Victory March
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-12-19 bis 1974-12-21) und Mike Ross‐Trevor (engineer) (von 1974-12-19 bis 1974-12-21)
Produzent(in):
Paul Myers (classical record producer)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: III. Siegesmarsch. Feurig und stolz (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven3:44
7Incidental Music to King Stephen, Op. 117: Wo die Unschuld Blumen streute
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-12-19 bis 1974-12-21) und Mike Ross‐Trevor (engineer) (von 1974-12-19 bis 1974-12-21)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: IV. Frauenchor „Wo die Unschuld Blumen streute“. Andante con moto all'Ongarese (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven2:40
8Incidental Music to King Stephen, Op. 117: Eine neue strahlende Sonne
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) und Mike Ross‐Trevor (engineer)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: VI. Chor „Eine neue strahlende Sonne“. Vivace (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven0:39
9Incidental Music to King Stephen, Op. 117: Maestoso con moto
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) und Mike Ross‐Trevor (engineer)
Produzent(in):
Paul Myers (classical record producer)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: VII. Melodram (Stéphan): „Ihr edlen Ungarn! Hört meine Stimme!“. Maestoso con moto – Andante maestoso – Maestoso con moto (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven1:12
10Incidental Music to King Stephen, Op. 117: Heil unserm Könige!
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) und Mike Ross‐Trevor (engineer)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 11: VIII. Geistlicher Marsch, Chor und Melodram (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven3:00
11Incidental Music to King Stephen, Op. 117: Heil! Heil unsern Enkeln!
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) und Mike Ross‐Trevor (engineer)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: IX. Schlusschor: Heil! Heil unserm Enkeln. Presto (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven2:21
12An American in Paris
recording engineer:
Milton Cherin (audio engineer), Edward T. Graham (engineer) und Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Orchester:
New York Philharmonic
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten
recording of:
An American in Paris
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
Premiere bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1928-12-13)
enthalten in:
An American in Paris (2015 Broadway musical)
George Gershwin18:38
13Rhapsody in Blue
recording engineer:
Milton Cherin (audio engineer), Edward T. Graham (engineer) und Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Klavier und Solo-Klavier:
George Gershwin (composer) (am 1976-06-23)
Orchester:
Columbia Jazz Band (am 1976-06-23)
conductor:
Michael Tilson Thomas (conductor and pianist) (am 1976-06-23)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1976-06-23)
recording of:
Rhapsody in Blue (original 1924 jazz band version, less often performed) (am 1976-06-23)
Orchestrator(in):
Ferde Grofé (pianist, arranger, conductor and composer) (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
was commissioned by:
Paul Whiteman (in 1924)
publisher:
Harms, Inc. (in 1924)
Premiere bei:
Aeolian Hall in New York, New York, Vereinigte Staaten (am 1924-02-12)
Version von:
Rhapsody in Blue (original 1924 two-piano manuscript version)
George Gershwin13:44
4▼Hybrid SACD (SACD-Schicht, Mehrkanal)
Nr.TitelKünstlerBewertungLänge
1Bundeslied, Op. 122
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-12-19 bis 1974-12-21) und Mike Ross‐Trevor (engineer) (von 1974-12-19 bis 1974-12-21)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
Song of Fellowship for 2 Solo Voices and 3‐Part Chorus accompanied by 6 Wind Instruments, op. 122 (von 1974-12-19 bis 1974-12-21)
Texter:
Johann Wolfgang von Goethe
Komponist(in):
Ludwig van Beethoven (German composer) (in 1822)
zusätzliche(r) Komponist(in):
Ludwig van Beethoven (German composer) (in 1824)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 122)
Ludwig van Beethoven4:05
2Meerstille und Glückliche Fahrt, Op. 112
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-12-19 bis 1974-12-21) und Mike Ross‐Trevor (engineer) (von 1974-12-19 bis 1974-12-21)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
Cantata for Mixed Chorus and Orchestra, op. 112 "Meeresstille und glückliche Fahrt" (von 1974-12-19 bis 1974-12-21)
Texter:
Johann Wolfgang von Goethe
Komponist(in):
Ludwig van Beethoven (German composer) (in 1807)
gewidmet:
Johann Wolfgang von Goethe
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 112)
Ludwig van Beethoven8:33
3Incidental Music to King Stephen, Op. 117: Overture
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-12-19 bis 1974-12-21) und Mike Ross‐Trevor (engineer) (von 1974-12-19 bis 1974-12-21)
Produzent(in):
Paul Myers (classical record producer)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: Overtüre. Andante con moto - Presto (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven6:52
4Incidental Music to King Stephen, Op. 117: Ruhend von seinen Thaten
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) und Mike Ross‐Trevor (engineer)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: I. Männerchor „Ruhend von seinem Taten“. Andante maestoso e con moto (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven2:10
5Incidental Music to King Stephen, Op. 117: Auf dunkelm Irrweg
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) und Mike Ross‐Trevor (engineer)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: II. Männerchor „Auf dunklem Irrweg in finstern Hainen“. Allegro con brio (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven1:16
6Incidental Music to King Stephen, Op. 117: Victory March
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-12-19 bis 1974-12-21) und Mike Ross‐Trevor (engineer) (von 1974-12-19 bis 1974-12-21)
Produzent(in):
Paul Myers (classical record producer)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: III. Siegesmarsch. Feurig und stolz (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven3:44
7Incidental Music to King Stephen, Op. 117: Wo die Unschuld Blumen streute
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (von 1974-12-19 bis 1974-12-21) und Mike Ross‐Trevor (engineer) (von 1974-12-19 bis 1974-12-21)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: IV. Frauenchor „Wo die Unschuld Blumen streute“. Andante con moto all'Ongarese (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven2:40
8Incidental Music to King Stephen, Op. 117: Eine neue strahlende Sonne
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) und Mike Ross‐Trevor (engineer)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: VI. Chor „Eine neue strahlende Sonne“. Vivace (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven0:39
9Incidental Music to King Stephen, Op. 117: Maestoso con moto
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) und Mike Ross‐Trevor (engineer)
Produzent(in):
Paul Myers (classical record producer)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: VII. Melodram (Stéphan): „Ihr edlen Ungarn! Hört meine Stimme!“. Maestoso con moto – Andante maestoso – Maestoso con moto (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven1:12
10Incidental Music to King Stephen, Op. 117: Heil unserm Könige!
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) und Mike Ross‐Trevor (engineer)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 11: VIII. Geistlicher Marsch, Chor und Melodram (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven3:00
11Incidental Music to King Stephen, Op. 117: Heil! Heil unsern Enkeln!
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) und Mike Ross‐Trevor (engineer)
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1974-12-19 bis 1974-12-21)
Orchester:
London Symphony Orchestra (von 1974-12-19 bis 1974-12-21)
conductor:
Michael Tilson Thomas (conductor and pianist) (von 1974-12-19 bis 1974-12-21)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1974-12-19 bis 1974-12-21)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1974-12-19 bis 1974-12-21)
recording of:
König Stephan, op. 117: IX. Schlusschor: Heil! Heil unserm Enkeln. Presto (von 1974-12-19 bis 1974-12-21)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
Teil von:
König Stephan, op. 117
Ludwig van Beethoven2:21
12An American in Paris
recording engineer:
Milton Cherin (audio engineer), Edward T. Graham (engineer) und Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Orchester:
New York Philharmonic
conductor:
Michael Tilson Thomas (conductor and pianist)
aufgenommen bei:
Avery Fisher Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, Vereinigte Staaten
recording of:
An American in Paris
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
Premiere bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1928-12-13)
enthalten in:
An American in Paris (2015 Broadway musical)
George Gershwin18:38
13Rhapsody in Blue
recording engineer:
Milton Cherin (audio engineer), Edward T. Graham (engineer) und Raymond Moore (engineer, 1957–1995)
Produzent(in):
Andrew Kazdin (American record producer)
Klavier und Solo-Klavier:
George Gershwin (composer) (am 1976-06-23)
Orchester:
Columbia Jazz Band (am 1976-06-23)
conductor:
Michael Tilson Thomas (conductor and pianist) (am 1976-06-23)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1976-06-23)
recording of:
Rhapsody in Blue (original 1924 jazz band version, less often performed) (am 1976-06-23)
Orchestrator(in):
Ferde Grofé (pianist, arranger, conductor and composer) (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
was commissioned by:
Paul Whiteman (in 1924)
publisher:
Harms, Inc. (in 1924)
Premiere bei:
Aeolian Hall in New York, New York, Vereinigte Staaten (am 1924-02-12)
Version von:
Rhapsody in Blue (original 1924 two-piano manuscript version)
George Gershwin13:44