101 70s Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Spirit in the Sky
produttore:
Erik Jacobsen
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1969), Seven Arts Records, Inc. (not a label) (nel 1969), Transtone Productions (nel 1970) e Craft Recordings (US jazz label; reissue division of Concord) (nel 2023)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 5), Billboard Year-End Hot 100 singles of 1970 (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 333)
registrazione di:
Spirit in the Sky (nel 1969)
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Norman Greenbaum4.054:06
2Love Grows (Where My Rosemary Goes)
produttore:
Tony Macaulay
voce:
Tony Burrows (nel 1970)
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1970) e Demon Music Group (nel 1970)
video musicali:
Love Grows (Where My Rosemary Goes) di Edison Lighthouse
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 40) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 416)
registrazione di:
Love Grows (Where My Rosemary Goes) (nel 1970)
autore:
Tony Macaulay e Barry Mason (English songwriter)
editore:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. e Universal Music Publishing MGB Australia
Edison Lighthouse3.82:53
3Cotton Fields (The Cotton Song)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1968)
registrazione cover di:
Cotton Fields
paroliere e compositore:
Huddie William Ledbetter
The Beach Boys33:05
4Ma belle amie
registrazione di:
Ma belle amie
autore:
Hans van Eijck e Peter Tetteroo (Dutch singer and composer)
editore:
Hebbes Music Group Pty. Ltd.
Tee Set3:22
5Everything Is Beautiful
tecnico:
Charlie Tallent
produttore:
Ray Stevens (US singer‐songwriter & comedian)
arrangiatore:
Ray Stevens (US singer‐songwriter & comedian)
diritti fonografici (℗) detenuti da:
Barnaby Records, Inc. (nel 1970)
registrazione di:
Everything Is Beautiful (1970 song)
paroliere e compositore:
Ray Stevens (US singer‐songwriter & comedian)
editore:
J. Albert & Son Pty. Ltd.
Ray Stevens3:39
6Yellow River
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 83)
registrazione di:
Yellow River (nel 1970)
paroliere e compositore:
Jeff Christie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Christie3.352:47
7Joanne
registrazione di:
Joanne
paroliere e compositore:
Michael Nesmith (nel 1970)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Michael Nesmith & The First National Band3:11
8Julie Do Ya Love Me
diritti fonografici (℗) detenuti da:
Dominion Entertainment, Inc. (company credits only; file no releases here!) (nel 1970)
registrazione di:
Julie, Do Ya Love Me
paroliere e compositore:
Tom Bahler
editore:
Fable Music Pty. Ltd.
Bobby Sherman2:58
9It’s Only Make Believe
produttore:
Al De Lory
voce principale:
Glen Campbell (US country singer, guitarist & actor)
arrangiatore:
Al De Lory
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1970)
registrazione cover di:
It’s Only Make Believe (il 1967-12-18)
autore:
Jack Nance (nel 1958) e Conway Twitty (nel 1958)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Glen Campbell2:29
10Because I Love You
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 1970, nel 1971)
registrazione di:
Because I Love You (Masters Apprentices song)
autore:
Doug Ford e Jim Keays
editore:
EMI Music Australia Pty. Limited (not for release label use!), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Masters Apprentices4:34
11Rose Garden
registrazione cover di:
Rose Garden (nel 1970)
paroliere e compositore:
Joe South
editore:
BMG Music Publishing Ltd. e Sony/ATV Songs LLC
Lynn Anderson4.152:59
12Mr. Bojangles
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1974)
registrazione cover di:
Mr. Bojangles
paroliere e compositore:
Jerry Jeff Walker
editore:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
Nitty Gritty Dirt Band53:38
13Help Me Make It Through the Night
diritti fonografici (℗) detenuti da:
Dominion Entertainment, Inc. (company credits only; file no releases here!) (nel 1971)
registrazione cover di:
Help Me Make It Through the Night (nel 1971)
paroliere e compositore:
Kris Kristofferson
editore:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. e KPM (music publisher)
sub-editore:
Air Music Scandinavia AB
Sammi Smith2:35
14Knock Three Times
produttore:
Dave Appell e The Tokens
arrangiatore:
Norman Bergen
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975)
registrazione di:
Knock Three Times
autore:
Lawrence Russell Brown (lyricist) e Irwin Levine
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Tony Orlando & Dawn4.353:01
15Brand New Key
registrazione di:
Brand New Key
paroliere e compositore:
Melanie Anne Safka‐Schekeryk (US singer‐songwriter Melanie Safka)
editore:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
Melanie2:27
16My Boy
produttore:
Phil Coulter
diritti fonografici (℗) detenuti da:
BR Music Copyrights BV (nel 1971)
registrazione di:
My Boy (nel 1971)
paroliere:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
compositore:
Jean-Pierre Bourtayre e Claude François
editore:
Art Music France, Colgems Music Corp., Colgems-EMI Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) e Mews Music Ltd.
Richard Harris3:15
17Brandy
produttore:
Dave Bloxham
diritti fonografici (℗) detenuti da:
BR Music Copyrights BV (nel 1972)
registrazione di:
Brandy (more popularly known as Mandy)
paroliere:
Scott English
compositore:
Richard Kerr
editore:
Chappell Morris (publisher), Chappell/Morris Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Scott English3:01
18American Pie
tecnico:
Tom Flye
produttore:
Ed Freeman (producer, arranger, musician, and photographer)
chitarra elettrica :
David Spinozza (dal 1971-05 al 1971-06)
pianoforte :
Paul Griffin (American pianist, session musician) (dal 1971-05 al 1971-06)
voce:
Don McLean (dal 1971-05 al 1971-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1971, nel 2000)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1971-05 al 1971-06)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 131)
registrazione di:
American Pie (dal 1971-05 al 1971-06)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.158:35
19Softly Whispering I Love You
tecnico:
Peter Vince (engineer, producer)
esecutore:
Brian Keith e Alan Parker (guitarist & composer)
arrangiatore:
Ken Woodman (British trumpeter, music director, arranger and composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrata presso:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione cover di:
Softly Whispering I Love You
autore:
Roger Frederick Cook (US‐based British singer, songwriter and producer) e Roger John Reginald Greenaway
editore:
Cookaway Music Ltd. (publisher, likely UK-based), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Congregation23:01
20Joy
diritti fonografici (℗) detenuti da:
Start Entertainment Ltd (nel 1972)
registrazione di:
Joy (Apollo 100)
autore:
[traditional] (special purpose artist)
arrangiatore:
T. Parker (arranger & multi-instrumentalist)
editore:
Belsize Music Ltd.
arrangiamento di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Apollo 1002:33
2▼CD
#TitoloArtistaValutazioneDurata
1Without You
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Keltner (nel 1971-06)
chitarra acustica :
John Uribe (nel 1971-06)
chitarra basso :
Klaus Voormann (nel 1971-06)
pianoforte :
Gary Wright (US singer/keyboardist) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
direttore d'orchestra:
Paul Buckmaster (nel 1971-06)
arrangiatore ottoni e archi :
Paul Buckmaster
diritti fonografici (℗) detenuti da:
BMG Music (nel 1971, nel 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972) e RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1989)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 496)
registrazione cover di:
Without You (nel 1971-06)
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Harry Nilsson4.33:25
2Beautiful Sunday
diritti fonografici (℗) detenuti da:
Larry Page Productions Pty Limited (nel 1972)
registrazione di:
Beautiful Sunday
autore:
Daniel Boone (pop singer and songwriter) e Rod McQueen (singer, composer and producer)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Daniel Boone3:04
3Smoke Gets in Your Eyes
diritti fonografici (℗) detenuti da:
BR Music Copyrights BV (nel 1972)
registrazione cover di:
Smoke Gets in Your Eyes
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
Blue Haze3:19
4Popcorn
diritti fonografici (℗) detenuti da:
Musicor (American record label) (nel 1972)
registrazione cover di:
Popcorn (nel 1972)
compositore:
Gershon Kingsley
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Hot Butter4.352:38
5Sugar Me
produttore:
Gordon Mills (60s/70s UK producer and songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Copyrights Ltd. (nel 1972)
registrazione di:
Sugar Me (nel 1972)
autore:
Barry Ian Green (singer, producer, and songwriter) e Lynsey de Paul
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e ATV Kirshner (publisher) (nel 1972)
Lynsey de Paul3:45
6Baby Don’t Get Hooked on Me
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972)
registrazione di:
Baby, Don’t Get Hooked on Me
autore:
Mac Davis (US country singer, songwriter & actor)
editore:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
Mac Davis2:59
7I Am Woman
arrangiatore ottoni e archi :
Jim Horn (saxophonist, hornist, flutist and oboist)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2006)
registrazione di:
I Am Woman (nel 1970)
paroliere:
Helen Reddy
compositore:
Ray Burton (Australian singer/songwriter)
editore:
Rondor Music e Rondor Music (Australia) Pty Ltd
Helen Reddy53:24
8Wings of an Eagle
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 1972)
registrazione di:
Wings of an Eagle
autore:
Russell Morris
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Source Music Pty Ltd
Russell Morris4:00
9Dreams Are Ten a Penny
diritti fonografici (℗) detenuti da:
Peermusic Ltd. (BMI) (nel 1972)
registrazione di:
Dreams Are Ten a Penny
autore:
John Carter (songwriter & producer, b. 1942) e Gillian Shakespeare (songwriter)
editore:
Image Music (Australian) e Peermusic Ltd. (BMI)
Kincade2:47
10Don’t You Know It’s Magic
produttore:
Peter Dawkins
arrangiatore:
Peter Jones (Australian pianist/composer)
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 1972)
registrazione di:
Don't You Know It's Magic
compositore:
Brian Cadd
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), July Music e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
John Farnham4:03
11Can the Can
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973), RAK Records Ltd. (nel 1973) e RAK Records (copyrights holder) (nel 1975)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro4.23:37
12Rock and Roll (I Gave You the Best Years of My Life)
registrazione di:
Rock and Roll (I Gave You the Best Years of My Life)
paroliere:
Kevin Johnson (Australian rock artist)
compositore:
Kevin Johnson (Australian rock artist)
editore:
Tree Publishing Co., Inc.
Kevin Johnson5:29
13See My Baby Jive
produttore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972, nel 1973)
registrazione di:
See My Baby Jive
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. e Roy Wood Music Ltd.
Wizzard55:01
14Dancing on a Saturday Night
produttore:
Barry Blue (singer, producer, and songwriter)
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1973), Crimson Copyrights Ltd. (nel 1973) e Demon Music Group (nel 1973)
registrazione di:
Dancin’ (On a Saturday Night)
autore:
Barry Blue (singer, producer, and songwriter) e Lynsey de Paul
editore:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:17
15Walk on the Wild Side
produttore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
basso elettrico e contrabbasso :
Herbie Flowers (nel 1972-08)
batteria :
John Halsey (nel 1972-08)
sassofono baritono :
Ronnie Ross (nel 1972-08)
voce di accompagnamento:
The Thunder Thighs (70s UK vocal group) (nel 1972-08)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore archi e arrangiatore ottoni :
Mick Ronson (British guitarist)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1972), BMG Music (nel 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1972-08)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
campionamenti da:
Lexicon Valley #150, “Why Language Can’t Be Tamed” di John McWhorter
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 180) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 221)
registrazione di:
Walk on the Wild Side (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Six Continents Music Publishing Inc.
Lou Reed4.254:13
16Rock On
tecnico di registrazione:
Gary Martin (sound engineer)
produttore:
Jeff Wayne (musician)
voce:
David Essex
direttore d'orchestra:
Jeff Wayne (musician)
arrangiatore:
Jeff Wayne (musician)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1973)
registrazione di:
Rock On
paroliere e compositore:
David Essex
editore:
BMG Gold Songs, Fujipacific Music, Inc., Jeff Wayne Music Ltd., Joseph Webster Ltd, Mushroom Music (Mushroom label’s publishing company), Rock On Music, Stage Three Music (Catalogues) Ltd., Stage Three Music Ltd. e Stage Three Songs
David Essex4.353:25
17The Joker
produttore:
Steve Miller (leader of Steve Miller Band)
basso :
Gerald Johnson
batteria :
John King (drums)
chitarra acustica , chitarra slide e voce principale [vocals]:
Steve Miller (leader of Steve Miller Band)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1973), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2003)
registrazione di:
The Joker
autore:
Eddie Curtis (songwriter), Ahmet Ertegun (US songwriter/producer) e Steve Miller (leader of Steve Miller Band)
editore:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.054:31
18The Air That I Breathe
tecnico:
Mike Jarratt (recording, mixing and lacquer cutting engineer) e Alan Parsons (of The Alan Parsons Project)
produttore:
The Hollies e Ron Richards
voce:
Allan Clarke (of The Hollies) (dal 1973-11-15 al 1973-11-22), Tony Hicks (dal 1973-11-15 al 1973-11-22) e Terry Sylvester (singer and guitarist) (dal 1973-11-15 al 1973-11-22)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1973), The Hollies Ltd. (nel 1973, nel 1974, nel 2008) e Polydor International GmbH (not for release label use!) (nel 1974)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-11-15 al 1973-11-22)
registrazione cover di:
The Air That I Breathe (dal 1973-11-15 al 1973-11-22)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:15
19Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973), United Artists (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.753:00
20Beach Baby
diritti fonografici (℗) detenuti da:
Peermusic Ltd. (BMI) (nel 1974)
registrazione di:
Beach Baby
autore:
John Carter (songwriter & producer, b. 1942) e Gillian Shakespeare (songwriter)
editore:
Image Music (Australian) e Peermusic Pty. Ltd. (Australia)
First Class4.55:03
21When Will I See You Again
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Sheila Ferguson (nel 1973), Valerie Holiday (nel 1973) e Fayette Pinkney (nel 1973)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1973)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
registrazione di:
When Will I See You Again (nel 1973)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees43:01
3▼CD
#TitoloArtistaValutazioneDurata
1I Can Help
tecnico:
Chip Young (American session guitarist, bassist, producer in the genre of country)
produttore:
Billy Swan e Chip Young (American session guitarist, bassist, producer in the genre of country)
basso :
Mike Leech (Nashville session musician and arranger) (nel 1974)
batteria :
Hayward Bishop (nel 1974)
chitarra acustica :
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (nel 1974)
chitarra elettrica :
Chip Young (American session guitarist, bassist, producer in the genre of country) (nel 1974) e Reggie Young (guitarist and songwriter) (nel 1974)
strumenti:
Paul Richmond (engineer) (nel 1974)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1974)
registrata presso:
Youngun Sound Studio in Murfreesboro, Tennessee, Stati Uniti (nel 1974)
registrazione di:
I Can Help (nel 1974)
paroliere e compositore:
Billy Swan
editore:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. e EMI Songs Ltd.
Billy Swan44:02
2You’re No Good
tecnico di registrazione:
Val Garay (dal 1974-06 al 1974-09) e David Hassinger (dal 1974-06 al 1974-09)
tecnico:
Val Garay
produttore:
Peter Asher, Jay Faires e Tricia Holloway
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1974-06 al 1974-09)
batteria, pianoforte elettrico e percussione :
Andrew Gold (dal 1974-06 al 1974-09)
chitarra elettrica :
Ed Black (dal 1974-06 al 1974-09)
chitarra elettrica solista :
Andrew Gold (dal 1974-04 al 1974-09)
voce di accompagnamento:
Clydie King (dal 1974-06 al 1974-09) e Shirley Matthews (Canadian pop singer) (dal 1974-06 al 1974-09)
arrangiatore archi :
Gregory Rose
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1974, nel 2006) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1974, nel 2013)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (dal 1974-06 al 1974-09)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 38)
registrazione cover di:
You’re No Good (dal 1974-06 al 1974-09)
paroliere e compositore:
Clint Ballard, Jr.
editore:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt4.753:42
3Have You Never Been Mellow
co-tecnico:
Alan Rouse
tecnico:
Tony Clark (engineer, Abbey Road)
produttore:
John Farrar
arrangiatore:
John Fiddy (songwriter/singer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Have You Never Been Mellow
paroliere e compositore:
John Farrar
editore:
ATV Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambuck Music Ltd., John Farrar Music, Jumbuck Music, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal/MCA Music Publishing Pty Ltd e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Olivia Newton‐John3.53:35
4Magic
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974, nel 1975, nel 2003)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 41)
registrazione di:
Magic
autore:
Billy Lyall e David Paton (of Pilot)
editore:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Robbins Music Corp. Ltd.
Pilot4.753:07
5Paloma Blanca
produttore:
Hans Bouwens
diritti fonografici (℗) detenuti da:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (nel 1975)
registrazione di:
Paloma blanca
paroliere e compositore:
Hans Bouwens
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) e EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (nel 1975)
George Baker Selection3:31
6Up in a Puff of Smoke
produttore:
Ron Roker
diritti fonografici (℗) detenuti da:
BR Music Copyrights BV (nel 1974)
registrazione di:
Up in a Puff of Smoke
autore:
Gerry Shury e Phillip Swern
editore:
Imagem Songs Ltd.
Polly Browne33:30
7Fly Robin Fly
diritti fonografici (℗) detenuti da:
Edition Butterfly Roswitha Kunze (nel 1975)
registrazione di:
Fly, Robin, Fly
autore:
Sylvester Levay e Stephan Prager (songwriter, aka Michael Kunze)
editore:
Sounds of Jupiter Music, Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Silver Convention3:16
8I’m on Fire
produttore:
Tony Eyers
diritti fonografici (℗) detenuti da:
BR Music Copyrights BV (nel 1975)
registrazione di:
I’m on Fire
paroliere e compositore:
T. Eyers
editore:
Hensley Music (publisher), Intersong Music, MCS Music Ltd., Pocket Full of Tunes, Inc. e Intersong Musikverlag (publisher) (nel 1989)
5000 Volts22:39
9That’s the Way (I Like It)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC & the Sunshine Band4.43:07
10Lady Bump
registrazione di:
Lady Bump
paroliere:
Stephan Prager (songwriter, aka Michael Kunze)
compositore:
Sylvester Levay
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Penny McLean3:51
11You Sexy Thing
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984)
registrazione di:
You Sexy Thing (nel 1975)
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.854:07
12Right Back Where We Started From
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1994)
registrazione di:
Right Back Where We Started From (nel 1975)
autore:
J. Vincent Edwards e Pierre Tubbs
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sony/ATV Songs LLC
Maxine Nightingale4.153:15
13Moviestar
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (nel 1976)
registrazione di:
Movie Star
paroliere e compositore:
Harpo (Swedish pop singer) (nel 1975)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), RAK Publishing Ltd. e Warner/Chappell Music Scandinavia AB
Harpo53:26
14Saturday Night
produttore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
arrangiatore:
Phil Coulter
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975) e Arista Records, LLC (holding company - file NO releases here!) (nel 1975)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 382)
registrazione di:
Saturday Night
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mews Music Ltd.
Bay City Rollers52:56
15A Glass of Champagne
tecnico:
Jeffrey Lesser e Al Scott (Oysterband, engineer, song writer)
produttore:
Georg Kajanus, Jeffrey Lesser e Al Scott (Oysterband, engineer, song writer)
produttore associato:
Rupert Holmes
tecnico di missaggio:
Jeffrey Lesser
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1975)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1975-10)
registrazione di:
Glass of Champagne (nel 1975-10)
paroliere e compositore:
Georg Kajanus
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner/Chappell Music Ltd. (1996–2019)
Sailor52:44
16Love Is the Drug
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1975), Virgin EG Records Ltd. (nel 1975) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1975, nel 1999)
registrazione di:
Love Is the Drug
paroliere:
Bryan Ferry
compositore:
Andy Mackay (of Roxy Music)
editore:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs e E.G. Music Ltd. (publisher) (nel 1975)
Roxy Music4.24:10
17Hollywood Seven
diritti fonografici (℗) detenuti da:
Sound One Pty Limited (nel 2008)
registrazione di:
Hollywood Seven
autore:
Harry Lloyd (songwriter) e Gloria Sklerov
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Jon English4:58
18We Do It
produttore:
Phillip Swern
diritti fonografici (℗) detenuti da:
BR Music Copyrights BV (nel 1976)
registrazione di:
We Do It
paroliere e compositore:
Stefan Breuer (German drummer)
editore:
Imagem Songs Ltd.
R & J Stone3:21
19Save Your Kisses for Me
produttore:
Tony Hiller
arrangiatore:
Lee Sheriden
diritti fonografici (℗) detenuti da:
BR Music Copyrights BV (nel 1976)
parte di:
United Kingdom in the Eurovision Song Contest (Regno Unito all'Eurovision Song Contest) (numero: 1976) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1976)
registrazione di:
Save Your Kisses for Me (nel 1976)
autore:
Tony Hiller, Martin Lee (singer, of UK pop group Brotherhood of Man) e Lee Sheriden
editore:
ATV Music, Easy Listening Music Corp., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Tony Hiller Music (publisher), Tony Hills Music Co. Ltd. e Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
Brotherhood of Man3:06
20Love Really Hurts Without You
voce:
Billy Ocean
diritti fonografici (℗) detenuti da:
GTO Records Ltd. (holding company - file no releases here!) (nel 1976) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1976)
registrazione di:
Love Really Hurts Without You
paroliere e compositore:
Ben Findon (songwriter and producer) e Leslie Sebastian Charles
editore:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3.53:05
4▼CD
#TitoloArtistaValutazioneDurata
1More Than a Feeling
produttore:
John Boylan e Tom Scholz
basso , chitarra acustica e chitarra elettrica :
Tom Scholz (dal 1975-10 al 1976-04)
batteria :
Sib Hashian (dal 1975-10 al 1976-04)
voce:
Brad Delp (dal 1975-10 al 1976-04)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 2002)
registrazione di:
More Than a Feeling (dal 1975-10 al 1976-04)
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Boston4.83:22
2Devil Woman
produttore:
Bruce Welch (English guitarist, singer, songwriter and producer)
voce:
Cliff Richard
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1976, nel 2001)
registrazione cover di:
Devil Woman
autore:
Terry Britten e Kristine Sparkle (UK singer and songwriter)
editore:
Mushroom Music Pty. Ltd. e Warner/Chappell Music Australia Pty. Ltd.
Cliff Richard53:36
3Magic Man
tecnico:
Mike Flicker e Rolf Hennemann
assistente produttore:
Howard Leese
produttore:
Mike Flicker
batteria :
Dave Wilson (Canadian drummer)
chitarra acustica e chitarra elettrica :
Roger Fisher (US rock guitarist) e Nancy Wilson (guitarist/singer of “Heart”)
chitarra basso :
Steve Fossen
chitarra elettrica e sintetizzatore :
Howard Leese
congas :
Ray Ayotte
percussione :
Mike Flicker
voce principale:
Ann Wilson (lead singer of Heart)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1976)
registrata presso e mixata presso:
Mushroom Studios in Vancouver, British Columbia (Columbia Britannica), Canada
registrazione di:
Magic Man
autore:
Ann Wilson (lead singer of Heart) e Nancy Wilson (guitarist/singer of “Heart”)
editore:
How About Music, Sony/ATV Tunes LLC (ASCAP), Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing Pty Ltd
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart4.65:33
4Jeans On
diritti fonografici (℗) detenuti da:
Air (UK record company and label, related to Air Studios) (nel 1976) e Chrysalis Copyrights Ltd. (nel 1976)
registrazione di:
Jeans On (nel 1976)
autore:
David Dundas e Roger Greenaway
editore:
Mushroom Music Pty. Ltd. e Air Edel Associates Ltd. (dal 1976 a oggi)
David Dundas3:26
5S‐s‐s‐single Bed
diritti fonografici (℗) detenuti da:
Samaguru Prod. Ltd. (nel 1976)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 90)
registrazione di:
S-S-S-Single Bed
paroliere e compositore:
Kenny Young
editore:
Warner/Chappell Music Australia Pty. Ltd.
Fox33:56
6The Way You Do It
diritti fonografici (℗) detenuti da:
Mick Flinn (nel 1976)
registrazione di:
The Way That You Do It
autore:
Mick Flinn
editore:
Sony/ATV Music Publishing Australia Pty Ltd.
Pussyfoot3:17
7Don’t Give Up on Us
voce:
David Soul
diritti fonografici (℗) detenuti da:
David Soul (nel 1976)
diritti fonografici (℗) detenuti da:
David Soul (nel 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1976) e Private Stock (nel 1977)
registrazione di:
Don’t Give Up on Us (nel 1976)
paroliere e compositore:
Tony Macaulay
editore:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. e Universal Music Publishing International Ltd.
David Soul33:42
8Year of the Cat
diritti fonografici (℗) detenuti da:
Al Stewart (UK folk singer/songwriter) (nel 1976)
registrazione di:
Year of the Cat
autore:
Al Stewart (UK folk singer/songwriter) e Peter Wood (UK keyboardist/pianist)
editore:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Al Stewart5:01
9Mississippi
diritti fonografici (℗) detenuti da:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (nel 1975)
registrazione di:
Mississippi
paroliere e compositore:
Werner Theunissen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:35
10Walk Right In
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1977, nel 2002)
registrazione cover di:
Walk Right In
autore:
Darling e Svanoe
compositore:
Gus Cannon e Hosea Woods
editore:
Southern Music (publisher), Southern Music Publ. Co. (A'Asia) e Southern Music Publishing Co. (publishing company)
Dr. Hook3:00
11Rich Girl
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1976), BMG Music (nel 1976) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1976)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 14)
registrazione di:
Rich Girl
paroliere e compositore:
Daryl Hall (nel 1976)
editore:
Unichappell Music, Inc. e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Daryl Hall & John Oates4.152:29
12Lucille
produttore:
Larry Butler (US country music producer, songwriter & pianist)
voce principale:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1976), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1976) e Liberty Records, Inc. (nel 1977)
registrazione di:
Lucille
autore:
Roger Bowling e Hal Bynum
editore:
ATV Music Corp., Sony/ATV Music Publishing Australia Pty Ltd., Andite Invasion (publisher) (nel 1976) e Brougham Hall Music Co., Inc. (publisher) (nel 1976)
Kenny Rogers33:41
13Don’t It Make My Brown Eyes Blue
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1976) e Capitol Nashville (nel 1977, nel 1979)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 71)
registrazione cover di:
Don’t It Make My Brown Eyes Blue
paroliere e compositore:
Richard Leigh (American country music songwriter and singer)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
Crystal Gayle4.42:36
14Emotion
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
sintetizzatore [synthesizers] :
James Newton Howard (American score composer)
voce:
Samantha Sang
voce di accompagnamento:
Barry Gibb e Robin Gibb
diritti fonografici (℗) detenuti da:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (nel 1977) e Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1978)
è stato produttore per:
CAM Productions (US)
registrata presso e remixata presso:
Criteria Sound in Miami, Florida, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 14)
registrazione cover di:
Emotion
autore:
Barry Gibb e Robin Gibb
editore:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia e Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang3.53:58
15Sometimes When We Touch
diritti fonografici (℗) detenuti da:
GRT of Canada Ltd. (nel 1977), McCauley Music Ltd. (nel 1977) e McCauley Music Masters (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 33)
registrazione di:
Sometimes When We Touch
paroliere:
Dan Hill (Canadian singer/songwriter)
compositore:
Barry Mann
editore:
Anthem Entertainment A (work publisher), Dyad Music Ltd., Mann and Weil Songs, Inc., McCauley Music Ltd., Ole Media Management LP II, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック (Fujipacific Music, Inc.)
Dan Hill34:15
16Here You Come Again
voce:
Dolly Parton
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1977) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 60)
registrazione cover di:
Here You Come Again
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
Dyad Music Ltd., EMI Music Publishing Australia Pty. Limited (not for release label use!), Screen Gems–EMI Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Summerhill Music Songs e Summerhill Songs
Dolly Parton42:56
17If I Had Words
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 45)
registrazione cover di:
If I Had Words
compositore:
Camille Saint‐Saëns (composer)
arrangiatore:
Jonathan Hodge
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
si basa su:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
Scott Fitzgerald & Yvonne Keeley23:54
18Isn’t It Time
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1977)
registrazione di:
Isn’t It Time
autore:
Jack Conrad (producer and songwriter) e Ray Kennedy (singer, songwriter, and record producer based in L.A.)
editore:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. e X‐Ray Music
The Babys44:05
19She’s Not There
produttore:
Tom Coster e Carlos Santana
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1977), RCA/Jive Label Group (holding company, not a release label) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrazione cover di:
She’s Not There
paroliere e compositore:
Rod Argent
editore:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA e Parker Music
sub-editore:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana34:06
20You Took the Words Right Out of My Mouth (Hot Summer Night)
tecnico, produttore e tecnico di missaggio:
Todd Rundgren
basso :
Kasim Sultan
famiglia delle chitarre e percussione :
Todd Rundgren
membranofono :
Max Weinberg
percussione :
Marvin Lee
sassofono :
Edgar Winter
sintetizzatore :
Roger Powell (US musician, programmer, and columnist, band "Utopia")
tastiera e percussione :
Jim Steinman
tastiera e pianoforte :
Roy Bittan
voce di accompagnamento:
Rory Dodd, Ellen Foley e Todd Rundgren
voce principale:
Meat Loaf
arrangiatore:
Todd Rundgren e Jim Steinman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
raccolta di:
You Took the Words Right out of My Mouth (Hot Summer Night) (beginning) di Meat Loaf e You Took the Words Right out of My Mouth (Hot Summer Night) (conclusion) di Meat Loaf
registrazione di:
You Took the Words Right Out of My Mouth (Hot Summer Night)
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation e J. Albert & Son Pty. Ltd.
Meat Loaf45:04
5▶CD

Accreditamenti

Pubblicazione

fabbricata a:Australia
compilatore:Liam Teer
fabbricata da:EMI Music Australia Pty. Limited (not for release label use!)
EMI Music Group Australasia (not for release label use! manufacturer and distributor)
distribuito da:EMI Music Group Australasia (not for release label use! manufacturer and distributor)
copyright (©) detenuto da:EMI Music Australia Pty. Limited (not for release label use!) (nel 2011)
licenziata da:Demon Music Group
Kevin Johnson Enterprises
licenziata a:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
commercializzata da:EMI Music Australia Pty. Limited (not for release label use!)
Discogs:https://www.discogs.com/release/8267610 [info]
ASIN:US: B0055V0H34 [info]
acquistare per corrispondenza:https://www.sanity.com.au/products/2200479/101-70s-Hits [info]

Gruppo di pubblicazioni

parte di:101 Hits (Australian compilation series) (numero: 70s Hits) (ordine: 3)
Allmusic:https://www.allmusic.com/album/mw0001584796 [info]
voce della discografia:https://www.last.fm/music/Various+Artists/101+70s+Hits [info]