Work From Home with Ella Fitzgerald

~ Pubblicazione di Ella Fitzgerald (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

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Annotazione modificata l'ultima volta il 2025-12-02 19:32 UTC.

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#TitoloValutazioneDurata
1Dream a Little Dream of Me (single version)
voce:
Louis Armstrong (il 1950-08-25) e Ella Fitzgerald (American jazz singer) (il 1950-08-25)
voce principale:
Louis Armstrong
orchestra:
Sy Oliver and His Orchestra (il 1950-08-25)
direttore d'orchestra:
Sy Oliver (il 1950-08-25)
registrazione cover di:
Dream a Little Dream of Me (il 1950-08-25)
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music e Words & Music, Inc. (US work publisher)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
registrazione di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music e Words & Music, Inc. (US work publisher)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
53:04
2This Can’t Be Love
tecnico:
Val Valentin
produttore:
Norman Granz
basso :
Joe Mondragon (il 1956-08-21)
batteria :
Alvin Stoller (il 1956-08-21)
chitarra :
Barney Kessel (il 1956-08-21)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-08-21)
sassofono baritono :
Chuck Gentry (il 1956-08-21)
sassofono contralto :
Bud Shank (il 1956-08-21) e Maurice Stein (American jazz saxophonist) (il 1956-08-21)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-08-21) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1956-08-21)
tromba :
Pete Candoli (il 1956-08-21), Maynard Ferguson (il 1956-08-21), Conrad Gozzo (il 1956-08-21) e Ray Linn (il 1956-08-21)
trombone :
Milt Bernhart (il 1956-08-21), Joe Howard (american trombone player) (il 1956-08-21) e Lloyd Ulyate (il 1956-08-21)
trombone basso :
George Roberts (american bass trombone) (il 1956-08-21)
voce:
Ella Fitzgerald (American jazz singer) (il 1956-08-21)
direttore d'orchestra:
Buddy Bregman (il 1956-08-21)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-21)
registrazione cover di:
This Can’t Be Love (il 1956-08-21)
paroliere:
Lorenz Hart (nel 1938)
compositore:
Richard Rodgers (composer) (nel 1938)
editore:
Chappell & Co. e Warner/Chappell (Warner/Chappell Music, Inc.)
2:54
3Too Darn Hot
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Alvin Stoller (il 1956-02-07)
chitarra :
Barney Kessel (il 1956-02-07)
contrabbasso :
Joe Mondragon (il 1956-02-07)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-02-07)
sassofono baritono :
Chuck Gentry (il 1956-02-07)
sassofono contralto :
Herb Geller (il 1956-02-07) e Bud Shank (il 1956-02-07)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-02-07) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1956-02-07)
tromba :
Pete Candoli (il 1956-02-07), Harry “Sweets” Edison (il 1956-02-07), Maynard Ferguson (il 1956-02-07) e Conrad Gozzo (il 1956-02-07)
trombone :
Milt Bernhart (il 1956-02-07), Joe Howard (american trombone player) (il 1956-02-07) e Lloyd Ulyate (American trombonist (1927-2004)) (il 1956-02-07)
trombone basso :
George Roberts (american bass trombone) (il 1956-02-07)
voce principale:
Ella Fitzgerald (American jazz singer) (il 1956-02-07)
direttore d'orchestra:
Buddy Bregman (il 1956-02-07)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-02-07)
registrazione cover di:
Too Darn Hot (from Kiss Me, Kate) (il 1956-02-07)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
editore:
Chappell & Co. e T.B. Harms Co.
parte di:
Kiss Me, Kate (musical)
3.653:50
4You Make Me Feel So Young
registrazione cover di:
You Make Me Feel So Young
paroliere:
Mack Gordon
compositore:
Josef Myrow
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
versione di:
E bi eit barn med deg
2:22
5Cheek to Cheek
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Cheek to Cheek (from “Top Hat”) (il 1956-08-16)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
4.155:55
6Let’s Fall in Love
tecnico:
Val Valentin
produttore:
Norman Granz
voce principale:
Ella Fitzgerald (American jazz singer) (nel 1960)
direttore d'orchestra:
Billy May (nel 1960)
esecutore:
Billy May & His Orchestra (nel 1960)
arrangiatore:
Billy May
registrazione cover di:
Let’s Fall in Love (nel 1960)
paroliere:
Ted Koehler (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Francis, Day & Hunter Ltd.
24:02
7Nice Work If You Can Get It
tecnico:
Val Valentin
produttore:
Norman Granz
voce principale:
Ella Fitzgerald (American jazz singer) (nel 1959)
direttore d'orchestra:
Nelson Riddle (nel 1959)
esecutore:
Nelson Riddle and His Orchestra (nel 1959)
arrangiatore:
Nelson Riddle
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (dal 1959-01 al 1959-03)
registrazione cover di:
Nice Work If You Can Get It (nel 1959)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Gershwin Publishing Corp (nel 1937)
parte di:
A Damsel in Distress (1937 film score)
parte di:
Crazy for You (1992 musical)
parte di:
My One and Only (1983 Broadway musical)
3:35
8Day in Day Out
tecnico:
Val Valentin
produttore:
Norman Granz
voce principale:
Ella Fitzgerald (American jazz singer) (nel 1964)
direttore d'orchestra:
Nelson Riddle (nel 1964)
esecutore:
Nelson Riddle and His Orchestra (nel 1964)
arrangiatore:
Nelson Riddle
registrazione cover di:
Day In, Day Out (nel 1964)
paroliere:
Johnny Mercer (nel 1939)
compositore:
Rube Bloom (American songwriter, pianist and vocalist) (nel 1939)
editore:
Bregman, Vocco & Conn, Inc.
2:50
9Guys and Dolls
registrazione cover di:
Guys and Dolls
paroliere e compositore:
Frank Loesser
editore:
Frank Music Corp.
parte di:
Guys and Dolls (Broadway musical)
parte di:
Guys and Dolls (1955 musical film)
2:44
10They Can’t Take That Away From Me
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
They Can’t Take That Away From Me (from “Shall We Dance”) (il 1956-08-16)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
4.654:38
11Manhattan (stereo version)
tecnico:
Val Valentin (il 1956-08-29)
produttore:
Norman Granz
basso :
Joe Mondragon (dal 1956-08-21 al 1956-08-31)
batteria :
Alvin Stoller (il 1956-08-29)
chitarra :
Barney Kessel (il 1956-08-29)
clarinetto basso , fagotto e sassofono baritono :
Chuck Gentry (il 1956-08-29)
corno francese :
Vince DeRosa (il 1956-08-29)
corno inglese [English horn] e oboe :
Arnold Koblentz (Oboe player) (il 1956-08-29)
flauto :
Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1956-08-29), Bud Shank (il 1956-08-29) e Willie Schwartz (il 1956-08-29)
percussione :
Milt Holland (il 1956-08-29)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-08-29)
viola e violino :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1956-08-29)
violoncello :
Robert La Marchina (US cellist and conductor) (il 1956-08-29) e Edgar Lustgarten (il 1956-08-29)
voce:
Ella Fitzgerald (American jazz singer) (il 1956-08-29)
direttore d'orchestra:
Buddy Bregman (il 1956-08-29)
arrangiatore:
Buddy Bregman
primo violino:
Misha Russell (il 1956-08-29)
registrata presso:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-29)
registrazione cover di:
Manhattan (il 1956-08-29)
paroliere:
Lorenz Hart (nel 1925)
compositore:
Richard Rodgers (composer) (nel 1925)
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company e Williamson Music Company
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:50
12I Get a Kick Out of You
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Alvin Stoller (il 1956-02-09)
chitarra :
Barney Kessel (il 1956-02-09)
contrabbasso :
Joe Mondragon (il 1956-02-09)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-02-09)
voce principale:
Ella Fitzgerald (American jazz singer) (il 1956-02-09)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-02-09)
registrazione cover di:
I Get a Kick Out of You (il 1956-02-09)
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell e Chappell (nel 1974)
parte di:
Anything Goes
3.654:02
13Blue Skies
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1958-03-18)
tecnico:
Val Valentin (il 1958-03-18)
produttore:
Norman Granz
voce principale:
Ella Fitzgerald (American jazz singer) (il 1958-03-18)
direttore d'orchestra:
Paul Weston (il 1958-03-18)
esecutore:
Paul Weston and His Orchestra (il 1958-03-18)
arrangiatore:
Paul Weston (nel 1958)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-03-18)
registrazione cover di:
Blue Skies (il 1958-03-18)
paroliere e compositore:
Irving Berlin (nel 1926)
editore:
Francis, Day & Hunter Ltd., Irving Berlin Music Company e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
53:44
14Taking a Chance on Love (1962 album version)
voce:
Ella Fitzgerald (American jazz singer) (il 1962-01-31)
direttore d'orchestra:
Bill Doggett (il 1962-01-31)
arrangiatore:
Bill Doggett
registrata presso:
Webster Hall in East Village, New York, New York, Stati Uniti (il 1962-01-31)
registrazione cover di:
Taking a Chance on Love (il 1962-01-31)
paroliere:
Ted Fetter e John Latouche
compositore:
Vernon Duke
editore:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. e Taking a Chance on Love Music Company
parte di:
Cabin in the Sky
2:37
15Mean to Me
registrazione cover di:
Mean to Me
paroliere:
Roy Turk
compositore:
Fred Ahlert
editore:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. e Pencil Mark Music (ASCAP)
2:57
16Duke’s Place
registrazione di:
Duke’s Place
paroliere:
Bill Katz, Ruth Roberts e Bob Thiele (producer & songwriter)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
versione di:
“C” Jam Blues
4:11
17Close Your Eyes
registrazione cover di:
Close Your Eyes
paroliere e compositore:
Bernice Petkere (nel 1933)
editore:
Bernice Petkere Music Company, CBS Miller Catalog, Inc. e Sherman, Clay & Co. (nel 1933)
2:57
18If I Were a Bell (long version)
registrazione cover di:
If I Were a Bell (Guys and Dolls)
paroliere e compositore:
Frank Loesser
editore:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
Guys and Dolls (Broadway musical)
parte di:
Guys and Dolls (1955 musical film)
2:35
19Time After Time
registrazione cover di:
Time After Time
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
Chappell/Morris Ltd. e Sands Music Corp.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
3:29
20Can’t We Be Friends?
registrazione cover di:
Can’t We Be Friends?
paroliere:
Paul James (Lyricist, aka James Warburg)
compositore:
Kay Swift
editore:
Warner Bros. Music Corp.
3:23
21No Strings (I’m Fancy Free)
tecnico:
Val Valentin (il 1958-03-14)
produttore:
Norman Granz
voce:
Ella Fitzgerald (American jazz singer) (il 1958-03-14)
voce principale:
Ella Fitzgerald (American jazz singer) (nel 1958)
direttore d'orchestra:
Paul Weston (nel 1958)
esecutore:
Paul Weston and His Orchestra (nel 1958)
arrangiatore:
Paul Weston (nel 1958)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1958-03-14)
registrazione cover di:
No Strings (I’m Fancy Free) (from “Top Hat”) (il 1958-03-14)
paroliere e compositore:
Irving Berlin (nel 1935)
parte di:
Top Hat (1935 film)
registrazione di:
No Strings (I’m Fancy Free) (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
parte di:
Top Hat (1935 film)
3:04
22All of Me
registrazione cover di:
All of Me
autore:
Gerald Marks (nel 1932) e Seymour Simons (nel 1932)
editore:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
Peermusic e 日音 Synch事業部 (NICHION, INC. Synch Division)
3:22
23Let’s Call the Whole Thing Off
registrata a:
Los Angeles, California, Stati Uniti (il 1957-07-23)
batteria :
Louie Bellson (nel 1957, il 1957-07-23)
chitarra :
Herb Ellis (jazz guitarist) (nel 1957, il 1957-07-23)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-07-23)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (nel 1957, il 1957-07-23)
tromba :
Louis Armstrong (nel 1957, il 1957-07-23)
voce:
Louis Armstrong (nel 1957, il 1957-07-23) e Ella Fitzgerald (American jazz singer) (nel 1957, il 1957-07-23)
esecutore:
Ella Fitzgerald (American jazz singer)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-07-23)
registrazione cover di:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (il 1957-07-23)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
versione tradotta di:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
parte di:
Shall We Dance (1937 film soundtrack)
3.654:12
24Tea for Two
registrazione cover di:
Tea for Two (No, No, Nanette)
paroliere:
Irving Caesar
compositore:
Vincent Youmans
editore:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1924-06-10)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
No, No, Nanette
3:15
25A Foggy Day
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1959-01-05)
tecnico:
Val Valentin
produttore:
Norman Granz
arpa :
Katherina Julyie (il 1959-01-05)
basso :
Joe Comfort (il 1959-01-05)
batteria :
Alvin Stoller (il 1959-01-05)
chitarra :
Herb Ellis (jazz guitarist) (il 1959-01-05)
corno francese :
Vince Darosa (il 1959-01-05)
legni :
Buddy Collette (il 1959-01-05), Harry Klee (il 1959-01-05), Joe Koch (il 1959-01-05) e Champ Webb (il 1959-01-05)
percussione :
Frank Flynn (il 1959-01-05)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1959-01-05)
sassofono contralto :
Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1959-01-05)
tromba :
Don Fagerquist (il 1959-01-05), Manny Klein (il 1959-01-05), Dale McMickle (il 1959-01-05) e Shorty Sherock (il 1959-01-05)
trombone :
Milt Bernhart (il 1959-01-05), Richard Noel (trombonist) (il 1959-01-05) e Tommy Pederson (il 1959-01-05)
trombone basso :
Karl DeKarske (il 1959-01-05)
viola :
Alvin Dinkin (il 1959-01-05), Paul Robyn (il 1959-01-05) e Barbara Simmons (viola) (il 1959-01-05)
violino :
Israel Baker (American violinist) (il 1959-01-05), Victor Bay (il 1959-01-05), Alex Beller (il 1959-01-05), Walter Edelstein (il 1959-01-05), James Getzoff (American concertmaster and violinist) (il 1959-01-05), Ben Gill (il 1959-01-05), Murray Kellner (il 1959-01-05), Nathan Ross (il 1959-01-05), Marshall Sosson (il 1959-01-05) e Gerald Vinci (American violinist and strings conductor) (il 1959-01-05)
violoncello :
Elizabeth Greenschpoon (il 1959-01-05), George Neikrug (cellist) (il 1959-01-05) e Kurt Reher (cellist) (il 1959-01-05)
voce:
Ella Fitzgerald (American jazz singer) (il 1959-01-05)
direttore d'orchestra:
Nelson Riddle (il 1959-01-05)
esecutore:
Nelson Riddle and His Orchestra (il 1959-01-05)
arrangiatore:
Nelson Riddle
registrazione cover di:
A Foggy Day (in London Town) (il 1959-01-05)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
A Damsel in Distress (1937 film score)
3:32
26All of You
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Alvin Stoller (il 1956-02-09)
chitarra :
Barney Kessel (il 1956-02-09)
contrabbasso :
Joe Mondragon (il 1956-02-09)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-02-09)
trombone :
Milt Bernhart (il 1956-02-09), Joe Howard (american trombone player) (il 1956-02-09) e Lloyd Ulyate (American trombonist (1927-2004)) (il 1956-02-09)
trombone basso :
George Roberts (american bass trombone) (il 1956-02-09)
voce principale:
Ella Fitzgerald (American jazz singer) (il 1956-02-09)
direttore d'orchestra:
Buddy Bregman (il 1956-02-09)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-02-09)
registrazione cover di:
All of You (Silk Stockings musical) (il 1956-02-09)
paroliere e compositore:
Cole Porter (composer) (nel 1954)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Chappell Music (UK)
parte di:
Silk Stockings (1957 musical film)
31:43
27The Lady Is a Tramp (stereo version)
tecnico:
Val Valentin
produttore:
Norman Granz
basso :
Joe Mondragon (il 1956-08-21)
batteria :
Alvin Stoller (il 1956-08-21)
chitarra :
Barney Kessel (il 1956-08-21)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-08-21)
sassofono baritono :
Chuck Gentry (il 1956-08-21)
sassofono contralto :
Bud Shank (il 1956-08-21) e Maurice Stein (American jazz saxophonist) (il 1956-08-21)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-08-21) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1956-08-21)
tromba :
Pete Candoli (il 1956-08-21), Maynard Ferguson (il 1956-08-21), Conrad Gozzo (il 1956-08-21) e Ray Linn (il 1956-08-21)
trombone :
Milt Bernhart (il 1956-08-21), Joe Howard (american trombone player) (il 1956-08-21) e Lloyd Ulyate (il 1956-08-21)
trombone basso :
George Roberts (american bass trombone) (il 1956-08-21)
voce:
Ella Fitzgerald (American jazz singer) (il 1956-08-21)
direttore d'orchestra:
Buddy Bregman (il 1956-08-21)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-21)
registrazione cover di:
The Lady Is a Tramp (from “Babes in Arms”) (il 1956-08-21)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Babes in Arms (full musical)
parte di:
Pal Joey
4.653:24
28Somebody Loves Me
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1959-01-07)
produttore:
Norman Granz
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1959-01-07)
registrazione cover di:
Somebody Loves Me (il 1959-01-07)
paroliere:
Buddy DeSylva e Ballard MacDonald
compositore:
George Gershwin (composer) (nel 1924)
editore:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) e Stephen Ballentine Music Publishing Co.
parte di:
Broadway Rhythm (film)
2:36
29This Year’s Kisses
registrata a:
Los Angeles, California, Stati Uniti (il 1961-06-22)
produttore:
Norman Granz
batteria :
Gus Johnson (drums) (dal 1961-06-22 al 1961-06-23)
chitarra :
Herb Ellis (jazz guitarist) (dal 1961-06-22 al 1961-06-23)
contrabbasso :
Joe Mondragon (dal 1961-06-22 al 1961-06-23)
pianoforte :
Lou Levy (dal 1961-06-22 al 1961-06-23)
voce:
Ella Fitzgerald (American jazz singer)
voce principale:
Ella Fitzgerald (American jazz singer) (dal 1961-06-22 al 1961-06-23)
registrazione cover di:
This Year’s Kisses (dal 1961-06-22 al 1961-06-23)
paroliere e compositore:
Irving Berlin
2:18
30A Fine Romance
tecnico:
Val Valentin
produttore:
Norman Granz
voce principale:
Ella Fitzgerald (American jazz singer) (nel 1963)
direttore d'orchestra:
Nelson Riddle (nel 1963)
esecutore:
Nelson Riddle and His Orchestra (nel 1963)
arrangiatore:
Nelson Riddle
registrazione cover di:
A Fine Romance (from “Swing Time”) (nel 1963)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Chappell & Co.
parte di:
Swing Time (film)
23:35
31Hooray for Love
tecnico:
Val Valentin
produttore:
Norman Granz
voce principale:
Ella Fitzgerald (American jazz singer) (nel 1960)
direttore d'orchestra:
Billy May (nel 1960)
esecutore:
Billy May & His Orchestra (nel 1960)
arrangiatore:
Billy May
registrazione cover di:
Hooray for Love (nel 1960)
paroliere:
Leo Robin (US composer, lyricist & songwriter) (nel 1948)
compositore:
Harold Arlen (nel 1948)
2:42
32Drop Me Off in Harlem
tecnico:
Val Valentin
produttore:
Norman Granz
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader) (dal 1957-06-25 al 1957-06-27)
tromba :
William “Cat” Anderson (dal 1957-06-25 al 1957-06-27), Willie Cook (US jazz trumpeter) (dal 1957-06-25 al 1957-06-27), Dizzy Gillespie (dal 1957-06-25 al 1957-06-27) e Clark Terry (American swing trumpeter) (dal 1957-06-25 al 1957-06-27)
tromba e violino :
Ray Nance (dal 1957-06-25 al 1957-06-27)
voce principale:
Ella Fitzgerald (American jazz singer) (dal 1957-06-25 al 1957-06-27)
esecutore:
Duke Ellington and His Orchestra (dal 1957-06-25 al 1957-06-27)
registrazione cover di:
Drop Me Off in Harlem (dal 1957-06-25 al 1957-06-27)
paroliere:
Nick Kenny (nel 1933)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1933)
3:51
33You Turned the Tables on Me
registrazione cover di:
You Turned the Tables on Me
paroliere:
Sidney Mitchell
compositore:
Louis Alter
editore:
Sam Fox Publishing Company (publisher; do NOT use as release label) (nel 1936)
2:33
34I Could Write a Book (stereo version)
tecnico:
Val Valentin
produttore:
Norman Granz
arpa :
Corky Hale (il 1956-08-30)
basso :
Joe Mondragon (il 1956-08-30)
batteria :
Alvin Stoller (il 1956-08-30)
chitarra :
Barney Kessel (il 1956-08-30)
corno inglese [English horn] e oboe :
Bob Cooper (US jazz saxophonist) (il 1956-08-30)
flauto :
Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1956-08-30)
flicorno soprano :
Vince DeRosa (il 1956-08-30)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-08-30)
viola e violino :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1956-08-30)
violoncello :
Robert La Marchina (US cellist and conductor) (il 1956-08-30) e Edgar Lustgarten (il 1956-08-30)
voce:
Ella Fitzgerald (American jazz singer) (il 1956-08-30)
direttore d'orchestra:
Buddy Bregman (il 1956-08-30)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-30)
registrazione cover di:
I Could Write a Book (il 1956-08-30)
paroliere:
Lorenz Hart
compositore:
Richard Rodgers (composer)
editore:
Chappell & Co. e Chappell & Co., Inc. (USA)
parte di:
Pal Joey
43:40
35Between the Devil and the Deep Blue Sea
tecnico:
Val Valentin
produttore:
Norman Granz
voce principale:
Ella Fitzgerald (American jazz singer) (il 1961-01-16)
direttore d'orchestra:
Billy May (il 1961-01-16)
esecutore:
Billy May & His Orchestra (il 1961-01-16)
arrangiatore:
Billy May
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1961-01-16)
registrazione cover di:
Between the Devil and the Deep Blue Sea (il 1961-01-16)
paroliere:
Ted Koehler
compositore:
Harold Arlen
editore:
Mills Music, S.A. Music Co. e Ted Koehler Music Co.
2:22
36Just One of Those Things
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Alvin Stoller (il 1956-02-07)
chitarra :
Barney Kessel (il 1956-02-07)
contrabbasso :
Joe Mondragon (il 1956-02-07)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-02-07)
sassofono baritono :
Chuck Gentry (il 1956-02-07)
sassofono contralto :
Herb Geller (il 1956-02-07) e Bud Shank (il 1956-02-07)
sassofono tenore :
Bob Cooper (US jazz saxophonist) (il 1956-02-07) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1956-02-07)
tromba :
Pete Candoli (il 1956-02-07), Harry “Sweets” Edison (il 1956-02-07), Maynard Ferguson (il 1956-02-07) e Conrad Gozzo (il 1956-02-07)
trombone :
Milt Bernhart (il 1956-02-07), Joe Howard (american trombone player) (il 1956-02-07) e Lloyd Ulyate (American trombonist (1927-2004)) (il 1956-02-07)
trombone basso :
George Roberts (american bass trombone) (il 1956-02-07)
voce principale:
Ella Fitzgerald (American jazz singer) (il 1956-02-07)
direttore d'orchestra:
Buddy Bregman (il 1956-02-07)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-02-07)
registrazione cover di:
Just One of Those Things (il 1956-02-07)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
23:33
37In a Mellow Tone
registrata a:
Los Angeles, California, Stati Uniti (il 1957-10-17)
tecnico:
Val Valentin
produttore:
Norman Granz
batteria :
Alvin Stoller (il 1957-10-17)
chitarra :
Herb Ellis (jazz guitarist) (il 1957-10-17)
contrabbasso :
Ray Brown (jazz bassist) (il 1957-10-17)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1957-10-17)
sassofono tenore :
Ben Webster (il 1957-10-17)
voce:
Ella Fitzgerald (American jazz singer) (il 1957-10-17)
registrazione cover di:
In a Mellow Tone (il 1957-10-17)
paroliere:
Milt Gabler (nel 1939)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1939)
editore:
EMI Robbins e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
35:12
38’S Wonderful
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1959-07-16)
tecnico:
Val Valentin
produttore:
Norman Granz
basso :
Joe Comfort (il 1959-07-16)
batteria :
Alvin Stoller (il 1959-07-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1959-07-16)
legni :
Buddy Collette (il 1959-07-16), Harry Klee (il 1959-07-16) e Champ Webb (il 1959-07-16)
percussione :
Frank Flynn (il 1959-07-16)
pianoforte :
Lou Levy (il 1959-07-16)
sassofono baritono :
Chuck Gentry (il 1959-07-16)
sassofono contralto :
Ronnie Lang (il 1959-07-16)
tromba :
Pete Candoli (il 1959-07-16), Cappy Lewis (il 1959-07-16), Dale McMickle (il 1959-07-16) e Shorty Sherock (il 1959-07-16)
trombone :
James Priddy (il 1959-07-16), Richard Noel (trombonist) (il 1959-07-16) e Tommy Pederson (il 1959-07-16)
trombone basso :
George Roberts (american bass trombone) (il 1959-07-16)
tuba :
Red Callender (il 1959-07-16)
viola :
Alvin Dinkin (il 1959-07-16), Lou Kievman (violist) (il 1959-07-16), Ralph Lane (viola) (il 1959-07-16) e Barbara Simons (il 1959-07-16)
violino :
Victor Bay (il 1959-07-16), Alex Beller (il 1959-07-16), Ben Gill (il 1959-07-16), Jacques Gasselin (il 1959-07-16), Joseph Livoti (violinist) (il 1959-07-16), Dan Lube (il 1959-07-16), Misha Russell (il 1959-07-16), Paul Shure (il 1959-07-16), Marshall Sosson (il 1959-07-16) e Gerald Vinci (American violinist and strings conductor) (il 1959-07-16)
violoncello :
Armand Kaproff (il 1959-07-16), Edgar Lustgarten (il 1959-07-16) e Kurt Reher (cellist) (il 1959-07-16)
voce:
Ella Fitzgerald (American jazz singer) (il 1959-07-16)
direttore d'orchestra:
Nelson Riddle (il 1959-07-16)
esecutore:
Nelson Riddle and His Orchestra (il 1959-07-16)
arrangiatore:
Nelson Riddle
registrazione cover di:
’S Wonderful (il 1959-07-16)
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
registrazione cover di:
It’s Wonderful
paroliere:
Mitchell Parish (nel 1937)
compositore:
Stuff Smith (jazz violinist) (nel 1937)
3:30
39Isn’t It Romantic? (stereo version)
tecnico:
Val Valentin
produttore:
Norman Granz
basso :
Joe Mondragon (il 1956-08-31)
batteria :
Alvin Stoller (il 1956-08-31)
chitarra :
Barney Kessel (il 1956-08-31)
clarinetto :
Abe Most (il 1956-08-31)
clarinetto basso e fagotto :
Chuck Gentry (il 1956-08-31)
corno francese :
Vince DeRosa (il 1956-08-31)
corno inglese [English horn] :
Bob Cooper (US jazz saxophonist) (il 1956-08-31)
flauto :
Jule Kinzler (il 1956-08-31)
oboe :
Arnold Koblentz (Oboe player) (il 1956-08-31)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-08-31)
voce:
Ella Fitzgerald (American jazz singer) (il 1956-08-31)
direttore d'orchestra:
Buddy Bregman (il 1956-08-31)
arrangiatore:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
registrata presso:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-31)
registrazione cover di:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (il 1956-08-31)
paroliere:
Lorenz Hart (nel 1932)
compositore:
Richard Rodgers (composer) (nel 1932)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Sony/ATV Harmony
3:03
40Come Rain or Come Shine
tecnico:
Val Valentin
produttore:
Norman Granz
voce principale:
Ella Fitzgerald (American jazz singer) (nel 1960)
orchestra:
Billy May & His Orchestra (nel 1960)
direttore d'orchestra:
Billy May (nel 1960)
arrangiatore:
Billy May
registrazione cover di:
Come Rain or Come Shine (nel 1960)
paroliere:
Johnny Mercer (nel 1946)
compositore:
Harold Arlen (nel 1946)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. e Warner/Chappell Music Scandinavia AB
3:25
41You Couldn’t Be Cuter
tecnico:
Val Valentin
produttore:
Norman Granz
voce principale:
Ella Fitzgerald (American jazz singer) (nel 1963)
direttore d'orchestra:
Nelson Riddle (nel 1963)
esecutore:
Nelson Riddle and His Orchestra (nel 1963)
arrangiatore:
Nelson Riddle
registrazione cover di:
You Couldn't Be Cuter (nel 1963)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1938)
compositore:
Jerome Kern (nel 1938)
3:17
42I Was Doing All Right
registrazione cover di:
I Was Doing All Right
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1938)
parte di:
The Goldwyn Follies
3:29
43Satin Doll (1956 version)
registrazione cover di:
Satin Doll
paroliere:
Johnny Mercer (nel 1953)
compositore:
Billy Strayhorn (nel 1953)
compositore aggiunto:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1953)
editore:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) e WB Music Corp. (1929–2019)
3:28
44Jersey Bounce
registrazione cover di:
Jersey Bounce
paroliere:
Robert B. Wright
compositore:
Tiny Bradshaw, Edward Johnson (US songwriter) e Bobby Plater
3:35
45On the Sunny Side of the Street
registrazione cover di:
On the Sunny Side of the Street
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. e Vydia Music Publishing
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. e シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
parte di:
American Splendor
3:03
46I’ve Got You Under My Skin
registrazione cover di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
2:43
47I Won’t Dance
registrazione cover di:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
paroliere:
Jimmy McHugh (songwriter) e Dorothy Fields (American librettist and lyricist) (nel 1935)
compositore:
Jerome Kern
editore:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
si basa su:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
4:45
48A‐Tisket, A‐Tasket
registrazione di:
A‐Tisket, A‐Tasket
paroliere:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) e Van Alexander (aka Al Feldman)
compositore:
[traditional] (special purpose artist)
parte di:
Roud Folk Song Index (numero: 13188)
1:53
49Let Yourself Go
registrazione cover di:
Let Yourself Go (from “Follow the Fleet”)
paroliere e compositore:
Irving Berlin (nel 1936)
2:20
50Love You Madly
registrazione cover di:
Love You Madly
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
4:42
51Satin Doll
registrazione cover di:
Satin Doll
paroliere:
Johnny Mercer (nel 1953)
compositore:
Billy Strayhorn (nel 1953)
compositore aggiunto:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1953)
editore:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) e WB Music Corp. (1929–2019)
3:15
52My One and Only
registrazione cover di:
My One and Only (from “Funny Face”)
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
2:36
53The Song Is Ended
registrazione cover di:
The Song Is Ended (but the Melody Lingers On)
paroliere:
Irving Berlin
compositore:
Irving Berlin (nel 1927)
editore:
Irving Berlin Music Corp. e Williamson Music Company
2:26
54You Do Something to Me
registrazione cover di:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
Fifty Million Frenchmen
2:23
55Love Is Here to Stay
registrazione cover di:
Love Is Here to Stay
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Gershwin Publishing Corp (nel 1938) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Goldwyn Follies
4:00
56Sweet and Slow
registrazione cover di:
Sweet and Slow
paroliere e compositore:
Fats Waller
autore:
Al Dubin e Harry Warren (US composer and lyricist)
3:17
57Too Marvelous for Words
registrazione cover di:
Too Marvelous for Words
paroliere:
Johnny Mercer (nel 1937)
compositore:
Richard A. Whiting (composer) (nel 1937)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) e Harms, Inc. (il 1937-01-25)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:30
58Who Cares?
registrazione cover di:
Who Cares? (Of Thee I Sing)
paroliere:
Ira Gershwin (nel 1931)
compositore:
George Gershwin (composer) (nel 1931)
editore:
New World Music (new age music) e WB Music Corp. (1929–2019)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Of Thee I Sing: Act II
3:09
59Let’s Fall in Love
registrazione cover di:
Let’s Fall in Love
paroliere:
Ted Koehler (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Francis, Day & Hunter Ltd.
3:04
60I’ve Got the World on a String
registrazione cover di:
I’ve Got the World on a String
paroliere:
Ted Koehler (nel 1932)
compositore:
Harold Arlen (nel 1932)
editore:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) e S.A. Music Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
4:50
61I’m Putting All My Eggs in One Basket
registrazione cover di:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”)
paroliere e compositore:
Irving Berlin (nel 1936)
3:01
62The Blue Room (stereo version)
registrazione cover di:
Blue Room
paroliere:
Lorenz Hart (nel 1926)
compositore:
Richard Rodgers (composer) (nel 1926)
2:32
63This Time the Dream’s on Me
registrazione cover di:
This Time the Dream’s on Me
paroliere:
Johnny Mercer (nel 1941)
compositore:
Harold Arlen (nel 1941)
2:57
64Don’t Get Around Much Anymore
registrazione cover di:
Don’t Get Around Much Anymore
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1942)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1940)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. e Sony/ATV Harmony
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
versione di:
Never No Lament
5:02
65East of the Sun (West of the Moon)
registrazione cover di:
East of the Sun (and West of the Moon)
paroliere e compositore:
Brooks Bowman (nel 1934)
editore:
Anne-Rachel Music Corp. e Chappell & Co.
3:46
66Whisper Not
registrazione cover di:
Whisper Not (original instrumental composition)
compositore:
Benny Golson (American jazz saxophonist and composer) (nel 1956)
3:04
67Swingin’ Shepherd Blues (alternate take)
registrazione di:
Swingin’ Shepherd Blues
compositore:
Moe Koffman (Canadian jazz flautist and saxophonist)
2:39
68He Loves and She Loves
registrazione cover di:
He Loves and She Loves
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
parte di:
Funny Face (1927 musical)
parte di:
My One and Only (1983 Broadway musical)
2:46
69Little White Lies
registrazione cover di:
Little White Lies
paroliere e compositore:
Walter Donaldson
editore:
Donaldson Publishing Co., Larry Spier Music LLC e Tobago Music Co.
2:32
70Bli‐Blip
registrazione cover di:
Bli-Blip
paroliere:
Sid Kuller
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
3:04
71Gone With the Wind
registrazione cover di:
Gone With the Wind
paroliere:
Herb Magidson
compositore:
Herb Magidson e Allie Wrubel (US composer and songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher)
3:01
72Soon
registrazione cover di:
Soon
paroliere:
Ira Gershwin (nel 1927)
compositore:
George Gershwin (composer) (nel 1927)
editore:
Chappell & Co Ltd. e New World Music Corp. (nel 1929)
parte di:
My One and Only (1983 Broadway musical)
parte di:
Strike up the Band (1927 Gershwin musical)
2:20
73The One I Love Belongs to Somebody Else
registrazione cover di:
The One I Love (Belongs to Somebody Else)
paroliere:
Gus Kahn
compositore:
Isham Jones
editore:
Bantam Music Publishing Co., Gilbert Keyes Music Company, Gus Kahn Music Co., The Songwriters Guild e Milton Weil Music Co. (il 1924-01-07)
2:15
74Gotta Be This or That
registrazione cover di:
Gotta Be This or That
paroliere e compositore:
Sunny Skylar
3:07
75Ev’rything I’ve Got
registrazione cover di:
Ev’rything I’ve Got
paroliere:
Lorenz Hart (nel 1942)
compositore:
Richard Rodgers (composer) (nel 1942)
editore:
Chappell & Co., Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:21
76I’ve Got Your Number
registrazione cover di:
I’ve Got Your Number
autore:
Cy Coleman e Carolyn Leigh
parte di:
Little Me
3:16
77They All Laughed
registrazione cover di:
They All Laughed (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK) e Gershwin Publishing Corp (nel 1937)
parte di:
Shall We Dance (1937 film soundtrack)
3:05
78It’s Only a Paper Moon
registrazione cover di:
It’s Only a Paper Moon
paroliere:
E.Y. Harburg (nel 1933) e Billy Rose (lyricist and Broadway producer) (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. e Warner Bros. Music (publisher; do NOT use as release label)
3:35
79You’re an Old Smoothie
registrazione cover di:
You’re an Old Smoothie
paroliere:
Buddy DeSylva
compositore:
Nacio Herb Brown (US songwriter) e George A. Whiting (popular songwriter)
2:46
80How’s Chances?
registrazione cover di:
How’s Chances?
paroliere e compositore:
Irving Berlin (nel 1933)
2:49
81Don’t Fence Me In
registrazione cover di:
Don’t Fence Me In
paroliere:
Robert Fletcher (US poet) (nel 1934) e Cole Porter (composer) (nel 1934)
compositore:
Cole Porter (composer) (nel 1934)
editore:
Warner Bros., Inc. (not for release label use!)
3:21
82Makin’ Whoopee
registrazione cover di:
Makin’ Whoopee!
paroliere:
Gus Kahn
compositore:
Walter Donaldson
traduttore:
Harrie Geelen
editore:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. e WB Music Corp. (1929–2019)
3:46
83What Am I Here For?
registrazione cover di:
What Am I Here For
compositore:
Duke Ellington (US composer, pianist & jazz bandleader)
5:36
84Knock Me a Kiss
registrazione cover di:
Knock Me a Kiss
paroliere:
Andy Razaf
compositore:
Mike Jackson (American jazz pianist and composer, 1888-1945)
editore:
Universal Music Corp. (USA, affiliated with ASCAP)
4:09
85Don’t Be That Way
registrazione cover di:
Don’t Be That Way
paroliere:
Mitchell Parish
compositore:
Benny Goodman (clarinetist and bandleader) e Edgar Sampson
editore:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation e The Songwriters Guild
parte di:
New York, New York (1977 musical film soundtrack)
3:47
86I’m Old Fashioned
registrazione cover di:
I’m Old Fashioned (from “You Were Never Lovelier”)
paroliere:
Johnny Mercer (nel 1942)
compositore:
Jerome Kern (nel 1942)
editore:
T.B. Harms Co., The Johnny Mercer Foundation e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:30
87Out of This World
registrazione cover di:
Out of This World
paroliere:
Johnny Mercer (nel 1945)
compositore:
Harold Arlen (nel 1945)
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
2:45
88Top Hat, White Tie, and Tails
registrazione cover di:
Top Hat, White Tie and Tails (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
parte di:
Top Hat (1935 film)
2:36
89My Kinda Love
registrazione cover di:
My Kinda Love
paroliere:
Jo Trent
compositore:
Louis Alter
editore:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:42
90I Won’t Dance
registrazione cover di:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
paroliere:
Jimmy McHugh (songwriter) e Dorothy Fields (American librettist and lyricist) (nel 1935)
compositore:
Jerome Kern
editore:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
si basa su:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:33
91Easy to Love
registrazione cover di:
Easy to Love
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Anything Goes
parte di:
Born to Dance
3:26
92Take the “A” Train
registrazione cover di:
Take the “A” Train (version with lyrics by Sherrill)
paroliere:
Joya Sherrill (nel 1944)
compositore:
Billy Strayhorn (nel 1939)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Take the “A” Train (original instrumental version)
6:42
93Almost Like Being in Love
registrazione cover di:
Almost Like Being in Love (from “Brigadoon”)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
Brigadoon (complete musical)
3:02
94As Long as I Live (1963 version)
registrazione cover di:
As Long as I Live
paroliere:
Ted Koehler (nel 1934)
compositore:
Harold Arlen (nel 1934)
editore:
Arko Music Corp.
2:51
95A Beautiful Friendship
registrazione di:
A Beautiful Friendship
paroliere:
Stanley Styne
compositore:
Donald Kahn
2:36
96That Certain Feeling
registrazione cover di:
That Certain Feeling
paroliere:
Ira Gershwin (nel 1925)
compositore:
George Gershwin (composer) (nel 1925)
parte di:
Tip-Toes
3:02
97Volare
2:40
98Rough Ridin’ (1962 version)
registrazione di:
Rough Ridin'
autore:
Ella Fitzgerald (American jazz singer), Hank Jones (piano) e William J. Tennyson, Jr.
2:50
99Just A‐Sittin’ and A‐Rockin’
registrazione cover di:
Just A‐Sittin’ and A‐Rockin’
paroliere:
Lee Gaines (nel 1941)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1941) e Billy Strayhorn (nel 1941)
3:33
100Love Me or Leave Me
registrazione cover di:
Love Me or Leave Me
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
2:50
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parte di:Work From Home (ordine: 12)