Romantic Adagios II

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Air on a G String
Orchester:
Academy of St Martin in the Fields (in 1976-06)
conductor:
Sir Neville Marriner (conductor) (in 1976-06)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1976-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (in 1976-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach5:24
2Piano Concerto No.23
recording engineer:
Gordon Parry (engineer) (in 1967-10)
Produzent(in):
Ray Minshull (record producer)
Klavier:
Sir Clifford Curzon (classical pianist, knighted in 1977) (in 1967-10)
Orchester:
London Symphony Orchestra (in 1967-10)
conductor:
István Kertész (conductor) (in 1967-10)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1967-10)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) (in 1967-10)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1786 bis 1786-03-02)
Teil von:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
Wolfgang Amadeus Mozart7:06
3Symphony No.2
Techniker(in):
John Dunkerley (engineer), Colin Moorfoot (engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Orchester:
Koninklijk Concertgebouworkest (Concertgebouworkest Amsterdam) (in 1981-09)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1981-09)
aufgenommen bei:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1981-09)
recording of:
Symphony no. 2 in E minor, op. 27: III. Adagio (in 1981-09)
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (von 1906 bis 1907)
Teil von:
Symphony no. 2 in E minor, op. 27
Сергей Васильевич Рахманинов14:20
4"Pathethique" Sonata
Techniker(in):
Stanley Goodall (engineer) (am 1980-12-13)
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca) und Richard Beswick (am 1980-12-13)
Klavier:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1980)
Tonmeister(in):
Simon Eadon (classical music engineer) und Stanley Goodall (engineer)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1980-12-13)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (Klaviersonate Nr. 8 c-Moll, op. 13 "Sonate pathétique": II. Adagio cantabile) (in 1980)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1798)
Teil von:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven5:03
5Crisantemi
Orchester:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Riccardo Chailly (conductor)
recording of:
I Crisantemi, SC 65 (for string orchestra)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1890)
Orchestrierung von:
Crisantemi (for string quartet)
Giacomo Puccini7:11
6Violin Concerto
recording engineer:
James Lock (James Locke, engineer) und Philip Siney (sound engineer)
Produzent(in):
Paul Myers (classical record producer)
Geige / Violine:
Joshua Bell (violinist) (am 1994-05-29)
Orchester:
The Cleveland Orchestra (am 1994-05-29)
conductor:
Christoph von Dohnányi (German conductor) (am 1994-05-29)
Tonmeister(in):
James Lock (James Locke, engineer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1996) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1996)
aufgenommen bei:
Severance Hall in Cleveland, Ohio, Vereinigte Staaten (am 1994-05-29)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: II. Adagio (Concerto for Violin and Orchestra in D major, op. 77: II. Adagio) (am 1994-05-29)
Komponist(in):
Johannes Brahms (German composer) (in 1878)
Teil von:
Konzert für Violine und Orchester D-Dur, op. 77 (Concerto for Violin and Orchestra in D major, op. 77)
Johannes Brahms9:13
7L'Arlesienne Suite No.1
Orchester:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra)
Komponist(in):
Georges Bizet (French composer) (in 1872)
Teil von:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:13
8Carmen Suite No.1
Orchester:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
Teil von:
Carmen Suite no. 1
Georges Bizet2:37
9Beethoven Piano Concerto #1
recording engineer:
Anthony Griffiths (engineer), James Lock (James Locke, engineer) und Michael Mailes (engineer)
Produzent(in):
Ray Minshull (record producer)
Klavier:
Radu Lupu (Romanian concert pianist) (in 1979-03)
Orchester:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1979-03)
conductor:
Zubin Mehta (conductor) (in 1979-03)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
aufgenommen bei:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (in 1979-03)
recording of:
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo (in 1979-03)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1796 bis 1797)
Teil von:
Concerto for Piano and Orchestra no. 1 in C major, op. 15
Ludwig van Beethoven11:10
10Horn Concerto No.4
Waldhorn:
Barry Tuckwell (hornist / conductor) (in 1983)
Orchester:
English Chamber Orchestra (in 1983)
conductor:
Barry Tuckwell (hornist / conductor) (in 1983)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile (in 1983)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart4:58
11Etude in E
Produzent(in):
Christopher Raeburn (producer)
Klavier:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1972-07)
Tonmeister(in):
James Lock (James Locke, engineer) (in 1972-07)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1972-07)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo (in 1972-07)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 16) und Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 74)
Teil von:
Études, op. 10
Frédéric Chopin54:25
12Romeo and Juliet Overture
Produzent(in):
John Culshaw (in 1960-06) und Erik Smith (British producer, pianist and harpsichordist) (in 1960-06)
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1960-06)
teilweise recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (Romeo und Julia, 1880 version, commonly performed) (in 1960-06)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1869)
überarbeitet von:
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1870, in 1880)
gewidmet:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 42) und Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 39)
Revision von:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский33:13
2▼CD
Nr.TitelKünstlerBewertungLänge
1Tristan Und Isolde
Orchester:
Wiener Philharmoniker
conductor:
Sir Georg Solti (conductor)
recording of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel
Komponist(in):
Richard Wagner (composer) (von 1857-10 bis 1859-08)
Teil von:
Tristan und Isolde, WWV 90: Akt I
Richard Wagner10:38
2The Sleeping Beauty
recording engineer:
James Lock (James Locke, engineer) (von 1977-03-17 bis 1977-03-21)
Produzent(in):
Richard Beswick
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (von 1977-03-17 bis 1977-03-21)
conductor:
Richard Bonynge (conductor and pianist) (von 1977-03-17 bis 1977-03-21)
Tonmeister(in):
James Lock (James Locke, engineer) (in 1977-03)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1977-03-17 bis 1977-03-21)
engineered at:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1977-03)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: a. Introduction ("Rose adagio") (von 1977-03-17 bis 1977-03-21)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66: Acte I
Пётр Ильич Чайковский6:38
3Romance No.2
Techniker(in):
Tony Buczynski und Cees Huizinga
Produzent(in):
Jaap van Ginneken
Geige / Violine:
Arthur Grumiaux (Belgian violinist) (von 1960-05-11 bis 1960-05-14)
Orchester:
Royal Concertgebouw Orchestra (Concertgebouworkest Amsterdam) (von 1960-05-11 bis 1960-05-14)
conductor:
Bernard Haitink (conductor) (von 1960-05-11 bis 1960-05-14)
aufgenommen bei:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 1960-05-11 bis 1960-05-14)
recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romanze für Violine und Orchester No. 2 in F-Dur, Op. 50: Adagio cantabile) (von 1960-05-11 bis 1960-05-14)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1798)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 50)
Ludwig van Beethoven7:53
4Double Violin Concerto
Produzent(in):
Peter Wadland (producer)
Bratsche / Viola:
Katherine Hart (viola player) und Trevor Jones (British violist, ex. Salomon Quartet)
Cello:
Mark Claudle und Richard Webb (cellist)
Cembalo und Truhenorgel:
Christopher Hogwood (conductor, harpsichordist)
Geige / Violine:
Alison Bury (violinist), Graham Cracknell, Roy Goodman (conductor and violinist), Christopher Hirons (violinist), John Holloway (violinist/conductor) und Monica Huggett (violinist)
Kontrabass:
Keith Marjoram
Orchester:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:45
5Cello Concerto
Solo-Cello:
Julian Lloyd Webber (cellist)
Orchester:
Royal Philharmonic Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Cello Concerto in E minor, op. 85: III. Adagio
Komponist(in):
Edward Elgar (composer) (von 1918 bis 1919)
Teil von:
Cello Concerto in E minor, op. 85
Sir Edward Elgar5:20
6Liebestraum No.3
Klavier:
Misha Dichter (pianist)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
Klavier arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
Arrangement von:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
Teil von:
Liebesträume, S. 541
Franz Liszt4:00
7Prelude a L'Apres-Midi D'Un Faune
Sound-Engineering und Techniker(in):
Colin Moorfoot (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
flute:
Jeffrey Khaner (in 1986-04)
Orchester:
The Cleveland Orchestra (in 1986-04)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1986-04)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1987)
aufgenommen bei:
TempleLive Cleveland Masonic in Cleveland, Ohio, Vereinigte Staaten (in 1986-04)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (in 1986-04)
Komponist(in):
Claude Debussy (French composer) (von 1891 bis 1894-09)
gewidmet:
Raymond Bonheur (composer, 1861-1939)
Premiere bei:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
Teil von:
Classic 100: Music of France (2012) (Nummer: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (Nummer: L. 86) und Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (Nummer: CD 87)
Claude Debussy10:08
8Piano Concerto
Klavier:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990)
Orchester:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Riccardo Chailly (conductor)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio
Komponist(in):
Edvard Grieg (composer) (in 1868)
Teil von:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:44
9Vocalise
Produzent(in):
Paul Myers (classical record producer)
Cello:
Lynn Harrell (cellist) (von 1984-09-01 bis 1984-09-05)
Klavier:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (von 1984-09-01 bis 1984-09-05)
Tonmeister(in):
Colin Moorfoot (engineer)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (von 1984-09-01 bis 1984-09-05)
recording of:
Vocalise, op. 34 no. 14 (for cello and piano, Rose) (von 1984-09-01 bis 1984-09-05)
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (in 1912)
arranger:
Leonard Rose (cellist)
Arrangement von:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Сергей Васильевич Рахманинов6:59
10Fantasia on a Theme by Thomas Tallis
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Roger Norrington (conductor)
recording of:
Fantasia on a Theme by Thomas Tallis
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1910)
basiert auf:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams14:34

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Veröffentlichung

ASIN:US: B00007KMSL [Info]
Diskografieeintrag:http://www.deutschegrammophon.com/cat/4735962 [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0001379037 [Info]