No.1 90s ORICON HITS

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Virtual Insanity
Koproduzent(in):
Jay Kay (English singer, Jamiroquai) und Al Stone (UK engineer)
conductor:
Simon Hale
Saiteninstrumente arranger:
Simon Hale
arranger:
Jay Kay (English singer, Jamiroquai)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Virtual Insanity
Verfasser(in):
Jay Kay (English singer, Jamiroquai) und Toby Smith
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Jamiroquai3.53:49
2Black or White
Produzent(in):
Michael Jackson (“King of Pop”) und R. Kelly
Gitarre:
Slash (Guns N’ Roses guitarist)
Sologesang:
Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1991)
recording of:
Black or White (in 1991)
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
zusätzlicher Texter:
Bill Bottrell
Teil von:
MJ: The Musical
Michael Jackson3.753:21
3To Love You More
recording of:
To Love You More
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und Junior Miles
publisher:
Boozetunes, One Four Three Music, Peermusic France, Peermusic III, Ltd. (BMI), Productions et Éditions Cinématographiques Françaises, ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Céline Dion with Kryzler & Kompany5:31
4Livin’ La Vida Loca
recording engineer und Mix:
Charles Dye
zusätzlich recording engineer:
Craig Lozowick und Nathan Malki
Programmierung:
Randy Cantor
assistierende(r) Techniker(in):
Craig Lozowick, Nathan Malki und Germán Ortiz
Koproduzent(in):
Robi Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
Produzent(in):
Desmond Child
zusätzliche(r) Produzent(in):
Iris Aponte und Brian Coleman (Manager/production coordinator)
Akustikgitarre und Hintergrundgesang:
Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
Flügelhorn und Trompete:
Tony Concepción
Gitarre:
Rusty Anderson
Keyboard:
Randy Cantor
Perkussion:
Rafael Solano
vocals:
Ricky Martin (Puerto Rican singer, actor, author & king of Latin pop)
arranger:
Randy Cantor
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999)
aufgenommen bei und mixed at:
The Gentlemen’s Club in Miami Beach, Florida, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 180)
recording of:
Livin’ la Vida Loca (English version) (von 1998-10 bis 1999-03)
Verfasser(in):
Desmond Child und Robi Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
publisher:
PolyGram Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), A Phantom Vox Publishing (vom 1999 bis heute), Desmophobia (vom 1999 bis heute), PolyGram Music Publishing (vom 1999 bis heute) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1999 bis heute)
Ricky Martin4.54:05
5Macarena
recording of:
Macarena
Texter und Komponist(in):
Antonio Romero Monge und Rafael Ruiz
publisher:
Canciones del Mundo (publisher), Discorama, S. L. (Used on (p), (c) and as publishing company) und Editorial Discorama
Los del Río3:54
6How Crazy Are You?
Meja3:56
7Lovefool
Techniker(in) und Produzent(in):
Tore Johansson
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Perkussion und Schlagzeug:
Bengt Lagerberg
Hintergrundgesang:
Magnus Sveningsson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records und Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
Musikvideos:
Lovefool von The Cardigans (Swedish rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 242)
recording of:
Lovefool
Texter:
Nina Persson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal–Songs of PolyGram International, Inc.
The Cardigans3.653:18
8Baby I Love Your Way
Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
cover recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Big Mountain33:57
9Tomorrow, Today
Gilbert O’Sullivan3:12
10U Can’t Touch This
Koproduzent(in):
James Earley und Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
Produzent(in):
MC Hammer
Mix:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) und MC Hammer
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Samples:
Super Freak von Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
Verfasser(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) und Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music und Stone Diamond Music Corporation
basiert auf:
Super Freak
MC Hammer4.14:17
11Life
recording of:
Life
Verfasser(in):
Des’ree und Prince Sampson
Des’ree3:38
12Goody Goody
recording of:
Goody Goody
Verfasser(in):
Kenny Diaz und Duran Ramos
Lisette Melendez4:14
13Song for the Dumped
recording of:
Song for the Dumped
Texter und Komponist(in):
Ben Folds und Darren Jessee
Ben Folds Five3.53:43
14Stand by Me
Techniker(in):
Andy Baldwin (of Metropolis Mastering) und Ian Cooper (UK mastering engineer)
Produzent(in):
Noel Gallagher und Owen Morris
Akustikgitarre:
Paul Arthurs ("Bonehead", Oasis)
Bassgitarre:
Paul McGuigan (Oasis)
E-Gitarre:
Paul Arthurs ("Bonehead", Oasis) und Noel Gallagher
Gitarre und Hintergrundgesang:
Noel Gallagher
Keyboard:
Mike Rowe
Perkussion und Schlagzeug:
Alan White (Oasis drummer)
Sologesang:
Liam Gallagher (English musician, lead singer of Oasis)
Blechblasinstrumente arranger:
Nick Ingman
Saiteninstrumente arranger:
Noel Gallagher und Nick Ingman
recording of:
Stand by Me
Texter und Komponist(in):
Noel Gallagher
publisher:
Creation Songs Ltd, Dead Leg Music, Oasis Music und Sony/ATV Music Publishing LLC (1995–2020)
Oasis3.96:02
15If We Hold On Together
recording engineer und Mix:
Frank Wolf (engineer at Skyline Recording)
leitende(r) Produzent(in):
Diana Ross
Produzent(in):
Peter Asher
Sologesang:
Diana Ross
arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
If We Hold On Together (The Land Before Time)
Texter und Komponist(in):
James Horner (American score composer) und Will Jennings
publisher:
USI A Music Publishing und USI B Music Publishing
Diana Ross4:12
16When a Man Loves a Woman
cover recording of:
When a Man Loves a Woman
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Michael Bolton3:53
17Last Christmas (single version)
Produzent(in):
George Michael
Musikvideos:
Last Christmas von Wham! (British pop-duo)
Teil von:
Billboard Hot 100: 2025-12-13 (Nummer: 2), Billboard Hot 100: 2025-12-20 (Nummer: 3), Billboard Hot 100: 2025-12-27 (Nummer: 4), Billboard Hot 100: 2026-01-03 (Nummer: 4), Billboard Hot 100: 2025-12-06 (Nummer: 6), Billboard Hot 100: 2025-11-29 (Nummer: 11), Billboard Hot 100: 2025-11-22 (Nummer: 13), Billboard Hot 100: 2025-11-15 (Nummer: 43), Billboard Year-End Hot 100 singles of 2025 (Nummer: 65), Billboard Year-End Hot 100 singles of 2024 (Nummer: 74) und Billboard Year-End Hot 100 singles of 2023 (Nummer: 84)
recording of:
Last Christmas
Texter und Komponist(in):
George Michael
publisher:
Chappell & Co., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Wham! Music Ltd., ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), Morrison Leahy Music Ltd. (vom 1984 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Wham!4.154:28
18Now You’re Not Here
Produzent(in):
Paul Staveley O’Duffy
vocals:
Corinne Drewery
phonographisches Urheberrecht (℗) von:
Mercury Music Entertainment Co., Ltd. (do not use as a release label, for copyrights use only) (in 1996)
recording of:
Now You’re Not Here
Verfasser(in):
Andy Connell, Corinne Drewery und Paul Staveley O’Duffy
publisher:
EMI Music Publishing (do not use as a release label!) und Sony Music Publishing (worldwide except Japan, ended 1995)
Swing Out Sister54:43
2▼CD
Nr.TitelKünstlerBewertungLänge
1Shy Guy
recording of:
Shy Guy
Verfasser(in):
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) und Andy Marvel
publisher:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music und World of Andy Music
Diana King3:42
2MMMBop
Programmierung und Techniker(in):
Mac Quale (US composer)
leitende(r) Produzent(in):
Steve Greenberg (Record producer)
Produzent(in):
The Dust Brothers (production duo John King & Mike Simpson)
zusätzliche(r) Produzent(in):
Stephen Lironi
Mix:
Tom Lord‐Alge
Gitarre:
Isaac Hanson
Keyboard:
Taylor Hanson
Schlagzeug:
Zac Hanson
vocals:
Isaac Hanson, Taylor Hanson und Zac Hanson
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 61)
recording of:
MMMBop
Verfasser(in):
Isaac Hanson, Taylor Hanson und Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Hanson3.54:31
3I Want It That Way
Produzent(in):
Kristian Lundin (in 1999) und Max Martin (Swedish record producer) (in 1999)
Mix:
Kristian Lundin und Max Martin (Swedish record producer)
E-Bass [bass]:
Tomas Lindberg (Swedish bass player)
Gitarre:
Esbjörn Öhrwall
vocals:
Alexander James “A.J.” McLean (US singer, songwriter, actor, dancer & model), Brian “B-Rok” Littrell (from the Backstreet Boys), Nick Carter (US pop singer & Backstreet Boy), Howard “Howie D.” Dorough (from the Backstreet Boys) und Kevin Richardson (from the Backstreet Boys)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1998, in 2025) und Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
produced for:
Cheiron Productions (in 1999)
aufgenommen bei:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1999)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 4), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 240)
recording of:
I Want It That Way
Texter, Verfasser(in) und Komponist(in):
Andreas Carlsson (pop songwriter) und Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Zomba Enterprises, Inc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Backstreet Boys3.753:37
4The Sign
Produzent(in):
Jonas Berggren, Douglas Carr (Swedish songwriter) und Denniz PoP
Hintergrundgesang:
Douglas Carr (Swedish songwriter)
vocals:
Jenny Berggren, Jonas Berggren und Malin Berggren
zusätzlich vocals:
Jonas Berggren und Ulf Ekberg
Interpret(in):
Jonas Berggren und Ulf Ekberg
phonographisches Urheberrecht (℗) von:
Mega Records (Danish euro house) (in 1993) und Metronome Musik GmbH (marketing & distribution dept. spun off from Metronome Records GmbH — do not use as a release label) (in 1993)
aufgenommen bei:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Teil von:
The Downloader’s Music Source Book (Nummer: 132), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 72) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 223)
recording of:
The Sign
Texter und Komponist(in):
Jonas Berggren
Verfasser(in):
Buddha
publisher:
Megasong Publishing A/S und Megasongs Ltd.
Ace of Base4.053:12
5Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:40
6Scatman
recording of:
Scatman (Ski-ba-bop-ba-dop-bop)
Texter und Komponist(in):
Antonio Nunzio Catania (Italian producer, composer and musician) und John Larkin
publisher:
BMG Music Publishing Ltd., BMG UFA (not for release label use! this is a music publisher), Edition Scales, EMI Music Publ. Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS‐affiliated) und Iceberg Publ. DK
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Scatman John3:34
7Dub‐I‐Dub
recording of:
Dub‐I‐Dub
Texter und Komponist(in):
Dean 'N, Pernille Georgi und Susanne Georgi (Danish singer who lives and works in Andorra)
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), EMI Casadida Music Publishing A/S, T.G. Publishing, 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Me & My53:25
8Wild World
assistierende(r) Techniker(in):
Stephen Hart (engineer), Dick Kaneshiro, Michael Semanick und Andy Udoff
Techniker(in) und Mix:
Kevin Elson und Tom Size (US audio engineer)
Produzent(in):
Kevin Elson
Bassgitarre:
Billy Sheehan
Gitarre:
Paul Gilbert (hard rock/heavy metal guitarist; Mr. Big, Racer X, etc.)
Schlagzeug:
Pat Torpey
Hintergrundgesang:
Roger (backing vocalist for Mr. Big)
Sologesang:
Eric Martin (vocalist for Mr. Big)
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Wild World
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (beendet), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
recording of:
Wild World
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (beendet), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
Mr. Big43:32
9Back for Good
Programmierung:
Gary Barlow und Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistierende(r) Techniker(in):
Steve McNichol
Produzent(in):
Gary Barlow und Chris Porter (engineer and producer)
Gitarre:
Phil Palmer (guitarist)
Sologesang:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) und Robbie Williams
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1995) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1995)
recording of:
Back for Good
Texter und Komponist(in):
Gary Barlow
publisher:
EMI Virgin Music Australia Pty Ltd und EMI Virgin Music Ltd. (do not use this as a release label!)
Take That34:05
10Can’t Help Falling in Love
cover recording of:
Can’t Help Falling in Love
Verfasser(in):
Luigi Creatore, Hugo Peretti und George David Weiss
publisher:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) und The Manor Music Co. Ltd.
sub-publisher:
日音 (NICHION INC.) (beendet), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Plaisir d’amour (Romance du chevrier)
UB403:30
11Games People Play
cover recording of:
Games People Play
Texter und Komponist(in):
Joe South
publisher:
Bike Music
sub-publisher:
Sweden Music (publisher, founded in 1960) (in 1988)
Inner Circle3:29
12No Scrubs
Assistent recording engineer:
Ty Hudson
recording engineer:
Carlton Lynn
Sound-Engineering:
Shekspere
Produzent(in):
Kevin “She’kspere” Briggs
assistierende(r) Mix:
Vernon J. Mungo
Mix:
Leslie Brathwaite
Hintergrundgesang:
Chilli (Rozonda Thomas, member of TLC), Tameka “Tiny” Cottle, Kandi (US R&B singer-songwriter, actress & record producer Kandi Burruss) und Debra Killings
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 303)
recording of:
No Scrubs
Verfasser(in):
Kandi Burruss (US R&B singer-songwriter, actress & record producer Kandi Burruss), Kevin Briggs und Tameka Cottle
zusätzliche(r) Verfasser(in):
Lisa “Left Eye” Lopes
TLC4.13:40
13Welcome to the Edge
recording of:
Welcome to the Edge
Verfasser(in):
Billie Hughes (soft rock/AOR vocalist), Dominic Messinger und Roxanne Seeman (American songwriter and lyricist)
publisher:
Fox Film Music Corporation (BMI-affiliated), Glass Sea Music, Inc., Noa Noa Music und Prime Time Publishing
Billie Hughes4:35
14Drunk on Love
Basia4:10
15Candle in the Wind
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray (in 1973-05)
E-Gitarre:
Davey Johnstone (in 1973-05)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
Schlagzeug:
Nigel Olsson (in 1973-05)
Hintergrundgesang:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) und Nigel Olsson (in 1973-05)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (in 1973-05)
Musikvideos:
Candle in the Wind von Elton John (English singer, songwriter, pianist, and composer)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 7) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 348)
recording of:
Candle in the Wind (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
gewidmet:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Universal–Songs of PolyGram International, Inc.
Elton John3.653:53
16I Can See Clearly Now
Produzent(in):
Paul Henton
zusätzliche(r) Produzent(in):
Jimmy Bralower
remixer:
Jimmy Bralower
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1993)
cover recording of:
I Can See Clearly Now
Texter und Komponist(in):
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jimmy Cliff4.53:18
17A Whole New World
Programmierung und Produzent(in):
Walter Afanasieff
Synclavier-Programmierung:
Gary Cirimelli und Ren Klyce
zusätzliche Programmierung:
Dan Shea
Techniker(in):
Dana Jon Chappelle
leitende(r) Produzent(in):
Brenda Dash und Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
Mix:
Bruce Botnick
Editing:
Kathleen Fogarty-Bennett
Bass-Synthesizer, Keyboard und Synclavier [synclavier acoustic guitar]:
Walter Afanasieff
Gitarre:
Michael Landau
Synthesizer [Akai]:
Ren Klyce
vocals:
Regina Belle und Peabo Bryson
arranger:
Walter Afanasieff
zusätzlich arranger:
Robbie Buchanan (Canadian producer)
phonographisches Urheberrecht (℗) von:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (in 1992) und Walt Disney Records (in 1992)
recording of:
A Whole New World (Aladdin)
Texter:
Tim Rice
Komponist(in):
Alan Menken
publisher:
Walt Disney Music Company (music publisher, do not use as release label) (in 1992) und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1992)
Teil von:
The 65th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1992 winner)
Teil von:
Aladdin (1992 film soundtrack)
Teil von:
Aladdin (stage musical based on the 1992 Disney animated film)
Peabo Bryson & Regina Belle4.24:08
18I Will Always Love You
Techniker(in):
David Reitzas, Bill Schnee und Peter Yianilos
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Whitney Houston
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Mix:
David Reitzas
künstlerische Leitung:
Rickey Minor (bass player, music director, composer, music producer)
Solo-Saxophon:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 60), New York Post: 100 Greatest Covers (2007) (Nummer: 59), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 60) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 94)
cover recording of:
I Will Always Love You
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. und Velvet Apple Music
Whitney Houston4.54:33