The Best of Linda Ronstadt: The Capitol Years

~ Veröffentlichung von Linda Ronstadt (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Baby You’ve Been on My Mind
cover recording of:
Mama, You Been on My Mind
Texter und Komponist(in):
Bob Dylan (in 1964-05)
publisher:
Special Rider Music
2:33
2Silver Threads and Golden Needles
cover recording of:
Silver Threads and Golden Needles (in 1969)
Verfasser(in):
Dick Reynolds (country songwriter) und Jack Rhodes (songwriter, producer, guitarist)
publisher:
Central Songs, Fort Knox Music Co, Fort Knox Music Inc. und Trio Music Co., Inc.
2:21
3Bet No One Ever Hurt This Bad
cover recording of:
Bet No One Ever Hurt This Bad
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
January Music Corp. und Unichappell Music, Inc.
2:42
4A Number and a Name
cover recording of:
A Number and a Name
3:04
5The Only Mama That’ll Walk the Line
cover recording of:
Only Daddy That’ll Walk the Line
Texter und Komponist(in):
Ivy J. Bryant (country music guitarist & composer)
publisher:
Central Songs, Inc.
2:22
6The Long Way Around
2:19
7Break My Mind
cover recording of:
Break My Mind
Texter und Komponist(in):
John D. Loudermilk
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
2:52
8I’ll Be Your Baby Tonight
Produzent(in):
Chip Douglas
cover recording of:
I’ll Be Your Baby Tonight
Texter und Komponist(in):
Bob Dylan (von 1967-10 bis 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Dwarf Music (in 1968)
3:45
9It’s About Time
3:06
10We Need a Whole Lot More of Jesus (and a Lot Less Rock & Roll)
cover recording of:
We Need a Lot More of Jesus and a Lot Less Rock and Roll
Texter und Komponist(in):
Wayne Raney
2:31
11The Dolphins
cover recording of:
The Dolphins
Texter und Komponist(in):
Fred Neil
4:04
12It Won’t Be Easy
cover recording of:
It Won’t Be Easy
3:30
13Lovesick Blues
cover recording of:
Lovesick Blues
Texter:
Irving Mills und Hank Williams (country music legend) (am 1949-11-01)
Komponist(in):
Cliff Friend (US composer, lyricist & pianist)
arranger:
Hank Williams (country music legend) (am 1949-11-01)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Jack Mills, Inc. (am 1922-04-03) und Mills Music, Inc. (vom 1930 bis heute)
2:04
14Are My Thoughts With You?
cover recording of:
Are My Thoughts With You?
Texter und Komponist(in):
Mickey Newbury (American songwriter)
2:54
15Will You Love Me Tomorrow?
Produzent(in):
Elliot Mazer
cover recording of:
Will You Love Me Tomorrow (Carole King song)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
2:27
16Nobody’s
cover recording of:
Nobody's
Verfasser(in):
Gary White (Texas musician and songwriter)
2:54
17Louise
vocals:
Gary White (Texas musician and songwriter)
cover recording of:
Louise
Texter und Komponist(in):
Paul Siebel
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
3:24
18Long Long Time
Techniker(in):
Lee Hazin und Elliot Mazer
Produzent(in):
Elliot Mazer
Bass und Cembalo:
Norbert Putnam
Fiddle:
Buddy Spicher (American country and bluegrass fiddle player)
Gitarre:
Pete Wade
Steel-Gitarre:
Weldon Myrick
arranger:
Elliot Mazer und Norbert Putnam
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 171)
recording of:
Long Long Time
Texter und Komponist(in):
Gary White (Texas musician and songwriter)
publisher:
RCA Music
44:22
19Mental Revenge
cover recording of:
Mental Revenge
Texter und Komponist(in):
Mel Tillis
publisher:
Cedarwood Pub. Co., Inc.
2:43
20I’m Leavin’ It All Up to You
cover recording of:
I’m Leaving It All Up to You
Verfasser(in):
Don “Sugarcane” Harris (bis 1957-07-19) und Dewey Terry (rock & roll, blues, US) (bis 1957-07-19)
publisher:
Sony/ATV Songs LLC
2:19
21He Darked the Sun
cover recording of:
He Darked the Sun
Verfasser(in):
Gene Clark (US singer-songwriter; founder of The Byrds) und Bernie Leadon
2:39
22Life Is Like a Mountain Railway
vocals:
Beechwood Rangers
3:25
23He Darked the Sun (Nashville version)
cover recording of:
He Darked the Sun
Verfasser(in):
Gene Clark (US singer-songwriter; founder of The Byrds) und Bernie Leadon
2:34
2▼CD
Nr.TitelBewertungLänge
1Rock Me on the Water
Produzent(in):
John Boylan
cover recording of:
Rock Me on the Water
Texter und Komponist(in):
Jackson Browne (American singer-songwriter)
publisher:
Companion Music und Open Window Music
3:38
2Crazy Arms
cover recording of:
Crazy Arms
Verfasser(in):
Ralph Mooney (in 1954) und Chuck Seals (in 1954)
publisher:
Champion Music Corp., Leeds Music, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Sony/ATV Tree Publishing (in 1956) und MCA Music Svenska AB (in 1978)
3:28
3I Won’t Be Hangin’ ’Round
cover recording of:
I Won’t Be Hangin’ ’Round
Texter und Komponist(in):
Eric Kaz
3:02
4I Still Miss Someone
cover recording of:
I Still Miss Someone
Texter:
Roy Cash Jr.
Komponist(in):
Johnny Cash (country music legend) und Roy Cash Jr.
publisher:
Aberbach (London) (publisher), House of Cash Southwind Music und Unichappell Music, Inc.
2:40
5In My Reply
Produzent(in):
John Boylan
cover recording of:
In My Reply
Texter und Komponist(in):
Livingston Taylor
publisher:
rear exit music
3:28
6I Fall to Pieces
cover recording of:
I Fall to Pieces
Komponist(in):
Hank Cochran (Nashville singer and songwriter) und Harlan Howard
3:06
7Ramblin’ ’Round
cover recording of:
Ramblin’ Round
Verfasser(in):
Woody Guthrie (American singer-songwriter)
3:20
8Birds
cover recording of:
Birds
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Arrow Music, Broken Arrow Music Pub, Co. und Jubilee Music Ltd.
2:59
9I Ain’t Always Been Faithful
cover recording of:
Faithful
Texter und Komponist(in):
Eric Andersen (US folk singer-songwriter, the famous one)
2:47
10Rescue Me
cover recording of:
Rescue Me
Verfasser(in):
Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (beendet), Chevis Music Publ. Corp. und Reservoir 416
2:45
11Can It Be True
2:24
12Kate (live)
3:47
13Long Long Time (live)
live recording of:
Long Long Time
Texter und Komponist(in):
Gary White (Texas musician and songwriter)
publisher:
RCA Music
4:56
14You’re No Good
recording engineer:
Val Garay (von 1974-06 bis 1974-09) und David Hassinger (von 1974-06 bis 1974-09)
Techniker(in):
Val Garay
Produzent(in):
Peter Asher, Jay Faires und Tricia Holloway
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1974-06 bis 1974-09)
E-Gitarre:
Ed Black (von 1974-06 bis 1974-09)
Schlagzeug, Hybrid-Piano und Perkussion:
Andrew Gold (von 1974-06 bis 1974-09)
Solo-E-Gitarre:
Andrew Gold (von 1974-04 bis 1974-09)
Hintergrundgesang:
Clydie King (von 1974-06 bis 1974-09) und Shirley Matthews (Canadian pop singer) (von 1974-06 bis 1974-09)
Saiteninstrumente arranger:
Gregory Rose
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 2006) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974, in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1974-06 bis 1974-09)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 38)
cover recording of:
You’re No Good (von 1974-06 bis 1974-09)
Texter und Komponist(in):
Clint Ballard, Jr.
publisher:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Edwin H. Morris & Co. (a division of MPL Communications Inc.)
4.753:42
15It Doesn’t Matter Anymore
recording engineer:
Val Garay und David Hassinger
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Akustikgitarre:
Bob Warford
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
Mundharmonika:
Jimmie Fadden
Perkussion:
Peter Asher
Schlagzeug und Perkussion:
Andrew Gold
Steel-Gitarre:
Sneaky Pete
Hintergrundgesang:
Linda Ronstadt und Wendy Waldman
Saiteninstrumente arranger:
Gregory Rose
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
It Doesn’t Matter Anymore (von 1974-06 bis 1974-09)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Robert Mellin Ltd.
3:27
16Faithless Love
recording engineer:
Val Garay und David Hassinger
Akustikgitarre und Hintergrundgesang [harmony vocal]:
J.D. Souther
Banjo:
Herb Pedersen
Bass:
Chris Ethridge
Hybrid-Piano, Klavier, Perkussion und Schlagzeug:
Andrew Gold
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Faithless Love (von 1974-06 bis 1974-09)
Texter und Komponist(in):
J.D. Souther
publisher:
EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), WB Music Corp. (1929–2019), Benchmark Music (in 1975) und Golden Spread Music (in 1975)
3:13
17The Dark End of the Street
recording engineer:
Val Garay und David Hassinger
Akustikgitarre und Solo-E-Gitarre:
Bob Warford
Bass:
Emory Gordy
E-Gitarre, Klavier und Tamburin:
Andrew Gold
Schlagzeug:
Dennis St. John
Hintergrundgesang:
Cissy Houston, Joyce Nesbitt und Linda Ronstadt
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
The Dark End of the Street (von 1974-06 bis 1974-09)
Verfasser(in):
Chips Moman und Dan Penn (songwriter, soul singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
3:52
18Heart Is Like a Wheel
recording engineer:
Val Garay und David Hassinger
Bratsche / Viola:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Cello:
Dennis Karmazyn
Fiddle:
David Lindley
Klavier:
Andrew Gold
Kontrabass:
Richard Feves
Hintergrundgesang [harmony vocal]:
Maria Muldaur
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Heart Like a Wheel (von 1974-06 bis 1974-09)
Texter und Komponist(in):
Anna McGarrigle
live cover recording of:
Heart Like a Wheel
Texter und Komponist(in):
Anna McGarrigle
3:08
19When Will I Be Loved?
recording engineer:
Val Garay und David Hassinger
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
cowbell:
Peter Asher
guitar family und Tamburin:
Andrew Gold
Schlagzeug:
Russ Kunkel (session drummer)
Hintergrundgesang:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt), Andrew Gold und Linda Ronstadt
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974, in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
When Will I Be Loved? (von 1974-06 bis 1974-09)
Texter und Komponist(in):
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
52:04
20Willing
recording engineer:
Val Garay und David Hassinger
Akustikgitarre und Schlagzeug:
Andrew Gold
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
E-Gitarre:
Bob Warford
Mundharmonika:
Jimmie Fadden
Steel-Gitarre:
Sneaky Pete Kleinow
Hintergrundgesang:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt), Andrew Gold und Herb Pedersen
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Willin’ (von 1974-06 bis 1974-09)
Texter und Komponist(in):
Lowell George
publisher:
Abraham Music und Naked Snake Music
3:00
21I Can’t Help It (If I’m Still in Love With You)
recording engineer:
Val Garay und David Hassinger
Akustikgitarre:
Andrew Gold und Bob Warford
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
Fiddle:
David Lindley
Klavier und Ukulele:
Andrew Gold
Schlagzeug:
Lloyd Myers
Steel-Gitarre:
Sneaky Pete Kleinow
Hintergrundgesang [harmony vocal]:
Emmylou Harris
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I Can’t Help It (If I’m Still in Love With You) (von 1974-06 bis 1974-09)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Chappell & Co. und Acuff-Rose Publications, Inc. (BMI) (am 1951-04-25)
12:43
22Keep Me From Blowing Away
recording engineer:
Val Garay und David Hassinger
Akustikgitarre:
Paul Craft und John Starling
Bass:
Tom Guidera
Steel Pan:
Danny Pendleton
Hintergrundgesang:
Linda Ronstadt
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Keep Me From Blowin’ Away (von 1974-06 bis 1974-09)
Texter und Komponist(in):
Paul Craft
3:08
23You Can Close Your Eyes
recording engineer:
Val Garay und David Hassinger
Akustikgitarre:
John Boylan und Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Bass:
Timothy B. Schmit
Klavier:
Andrew Gold
Schlagzeug:
Don Henley
Hintergrundgesang:
Peter Asher
conductor:
Gregory Rose
Saiteninstrumente arranger:
Gregory Rose
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
You Can Close Your Eyes (von 1974-06 bis 1974-09)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated)
3:10

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