The Specialty Sessions (3 CD set)

~ Veröffentlichung von Little Richard (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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1▼CD
Nr.TitelBewertungLänge
1Baby (demo)
Sologesang:
Little Richard (am 1955-02-09)
recording of:
Baby (Don't You Want a Man Like Me) (am 1955-02-09)
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-02)
4:21
2All Night Long (demo)
Sologesang:
Little Richard (am 1955-02-09)
recording of:
All Night Long (song of Richard Penniman) (am 1955-02-09)
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-02)
2:48
3She’s My Star (rehearsal)
Sologesang:
Little Richard (in 1955)
recording of:
She's My Star (in 1955)
Verfasser(in):
Richard Wayne Penniman (in 1955) und Raymond Taylor (member of the Deuces of Rhythm) (in 1955)
2:37
4Lonesome and Blue (master)
Bearbeitung von:
Lonesome and Blue (master) von Little Richard und Lonesome and Blue (take 4 - false start, take 7) von Little Richard
recording of:
Lonesome and Blue (am 1955-09-13)
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-09)
2:25
5Wonderin’ (master SP 699 undubbed, take 8)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-13)
Bassgitarre:
Frank Fields (am 1955-09-13)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-13)
Klavier:
Melvin Dowden (am 1955-09-13)
Schlagzeug:
Earl Palmer (am 1955-09-13)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-13)
Sologesang:
Little Richard (am 1955-09-13)
recording of:
Wonderin' (Song of Richard Penniman) (am 1955-09-13)
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-09)
2:51
6All Night Long (master, takes 6&7 intercut)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-13)
Bassgitarre:
Frank Fields (am 1955-09-13)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-13)
Klavier:
Melvin Dowden (am 1955-09-13)
Schlagzeug:
Earl Palmer (am 1955-09-13)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-13)
Sologesang:
Little Richard (am 1955-09-13)
recording of:
All Night Long (song of Richard Penniman) (am 1955-09-13)
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-02)
2:15
7Kansas City (take 1)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-13)
Bassgitarre:
Frank Fields (am 1955-09-13)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-13)
Klavier:
Melvin Dowden (am 1955-09-13)
Schlagzeug:
Earl Palmer (am 1955-09-13)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-13)
Sologesang:
Little Richard (am 1955-09-13)
cover recording of:
Kansas City (aka “K.C. Loving”) (am 1955-09-13)
Texter:
Jerry Leiber (in 1952)
Komponist(in):
Mike Stoller (in 1952)
publisher:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co., Peter Maurice Music Co. Ltd. und Sony/ATV Songs LLC
2:19
8Kansas City (master SP 2136, take 2)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-13)
Bassgitarre:
Frank Fields (am 1955-09-13)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-13)
Klavier:
Melvin Dowden (am 1955-09-13)
Schlagzeug:
Earl Palmer (am 1955-09-13)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-13)
Sologesang:
Little Richard (am 1955-09-13)
cover recording of:
Kansas City (aka “K.C. Loving”) (am 1955-09-13)
Texter:
Jerry Leiber (in 1952)
Komponist(in):
Mike Stoller (in 1952)
publisher:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co., Peter Maurice Music Co. Ltd. und Sony/ATV Songs LLC
2:09
9Maybe I’m Right (take 7)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-14)
Bassgitarre:
Frank Fields (am 1955-09-14)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-14)
Klavier:
Melvin Dowden (am 1955-09-14)
Schlagzeug:
Earl Palmer (am 1955-09-14)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-14)
Sologesang:
Little Richard (am 1955-09-14)
recording of:
Maybe I'm Right (am 1955-09-14)
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-09)
2:15
10Directly From My Heart (master undubbed, take 4)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-14)
Bassgitarre:
Frank Fields (am 1955-09-14)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-14)
Klavier:
Melvin Dowden (am 1955-09-14)
Schlagzeug:
Earl Palmer (am 1955-09-14)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-14)
Sologesang:
Little Richard (am 1955-09-14)
recording of:
Directly From My Heart (to You) (am 1955-09-14)
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-09)
2:21
11Baby (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-14)
Bassgitarre:
Frank Fields (am 1955-09-14)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-14)
Klavier:
Melvin Dowden (am 1955-09-14)
Schlagzeug:
Earl Palmer (am 1955-09-14)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-14)
Sologesang:
Little Richard (am 1955-09-14)
recording of:
Baby (Don't You Want a Man Like Me) (am 1955-09-14)
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-02)
42:06
12I’m Just a Lonely Guy (All Alone) (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-14)
Bassgitarre:
Frank Fields (am 1955-09-14)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-14)
Klavier:
Melvin Dowden (am 1955-09-14)
Schlagzeug:
Earl Palmer (am 1955-09-14)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-14)
Sologesang:
Little Richard (am 1955-09-14)
recording of:
I'm Just a Lonely Guy (All Alone) (am 1955-09-14)
Texter und Komponist(in):
Robert “Bumps” Blackwell und Dorothy LaBostrie (American songwriter)
2:38
13Tutti Frutti (take 2)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1955-09-14)
Bassgitarre:
Frank Fields (am 1955-09-14)
Gitarre:
Justin Adams (1950s session guitarist) (am 1955-09-14)
Klavier und Sologesang:
Little Richard (am 1955-09-14)
Schlagzeug:
Earl Palmer (am 1955-09-14)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1955-09-14)
recording of:
Tutti Frutti (am 1955-09-14)
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
2:28
14Tutti Frutti (master)
recording of:
Tutti Frutti
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
2:26
15Slippin’ & Slidin’ (Peepin’ & Hidin’) (demo, piano only)
Klavier:
Little Richard
Sologesang:
Little Richard (in 1955-11)
recording of:
Slippin’ and Slidin’ (in 1955-11)
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
1:45
16Slippin’ & Slidin’ (Peepin’ & Hidin’) (demo, piano & drums)
Klavier und Sologesang:
Little Richard (in 1955-11)
Schlagzeug:
Oscar Moore (in 1955-11)
recording of:
Slippin’ and Slidin’ (in 1955-11)
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
1:58
17Slippin’ & Slidin’ (Peepin’ & Hidin’) (demo, piano & brushes)
Klavier und Sologesang:
Little Richard (in 1955-11)
Schlagzeug:
Oscar Moore (in 1955-11)
recording of:
Slippin’ and Slidin’ (in 1955-11)
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
1:52
18She’s My Star (demo, a cappella)
Sologesang:
Little Richard (in 1955-11)
recording of:
She's My Star (in 1955-11)
Verfasser(in):
Richard Wayne Penniman (in 1955) und Raymond Taylor (member of the Deuces of Rhythm) (in 1955)
2:40
19Chicken Little Baby (master, vocal & piano only)
Klavier und Sologesang:
Little Richard (in 1955-11)
Bearbeitung von:
Chicken Little Baby von Little Richard
recording of:
Chicken Little Baby (in 1955-11)
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-11)
recording of:
Chicken Little Baby
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-11)
1:45
20Miss Ann (take 8)
recording of:
Miss Ann
Verfasser(in):
Enotris Johnson (in 1955-11) und Richard Wayne Penniman (in 1955-11)
2:37
21Baby (take 1)
baritone saxophone:
Clarence Ford (am 1955-11-29)
Bassgitarre:
Lloyd Lambert (am 1955-11-29)
Gitarre:
William 'Frosty' Pyles (am 1955-11-29)
Klavier und Sologesang:
Little Richard (am 1955-11-29)
Schlagzeug:
Oscar Moore (am 1955-11-29)
Tenorsaxophon:
Joseph Tillman (am 1955-11-29)
Trompete:
Renald Richard (am 1955-11-29)
recording of:
Baby (Don't You Want a Man Like Me) (am 1955-11-29)
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-02)
2:25
22True Fine Mama (master)
baritone saxophone:
Clarence Ford (am 1955-11-29)
Bassgitarre:
Lloyd Lambert (am 1955-11-29)
Gitarre:
William 'Frosty' Pyles (am 1955-11-29)
Klavier und Sologesang:
Little Richard (am 1955-11-29)
Schlagzeug:
Oscar Moore (am 1955-11-29)
Tenorsaxophon:
Joseph Tillman (am 1955-11-29)
Trompete:
Renald Richard (am 1955-11-29)
Hintergrundgesang und Chorgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1955-11-29)
aufgenommen bei:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1955-11-29)
recording of:
True Fine Mama (True Fine Baby) (am 1955-11-29)
Texter und Komponist(in):
Richard Wayne Penniman (in 1955-11)
42:45
23Kansas City / Hey Hey Hey Hey (medley) (false starts 5, 6 & 7)
baritone saxophone:
Clarence Ford (am 1955-11-29)
Bassgitarre:
Lloyd Lambert (am 1955-11-29)
Gitarre:
William 'Frosty' Pyles (am 1955-11-29)
Klavier und Sologesang:
Little Richard (am 1955-11-29)
Schlagzeug:
Oscar Moore (am 1955-11-29)
Tenorsaxophon:
Joseph Tillman (am 1955-11-29)
Trompete:
Renald Richard (am 1955-11-29)
teilweise recording of:
Kansas City Hey Hey Hey (am 1955-11-29)
Texter:
Jerry Leiber (in 1952)
zusätzlicher Texter und zusätzliche(r) Komponist(in):
Richard Wayne Penniman (in 1955-11)
Komponist(in):
Mike Stoller (in 1952)
publisher:
Halnat Publishing Co. und Sony/ATV Songs LLC
Medley von:
Hey‐Hey‐Hey‐Hey! (Going Back to Birmingham)
Medley von:
Kansas City (aka “K.C. Loving”)
Version von:
Kansas City (aka “K.C. Loving”)
0:48
24Kansas City / Hey Hey Hey Hey (medley) (master SP 664)
baritone saxophone:
Clarence Ford (am 1955-11-29)
Bassgitarre:
Lloyd Lambert (am 1955-11-29)
Gitarre:
William 'Frosty' Pyles (am 1955-11-29)
Klavier und Sologesang:
Little Richard (am 1955-11-29)
Schlagzeug:
Oscar Moore (am 1955-11-29)
Tenorsaxophon:
Joseph Tillman (am 1955-11-29)
Trompete:
Renald Richard (am 1955-11-29)
recording of:
Kansas City Hey Hey Hey (am 1955-11-29)
Texter:
Jerry Leiber (in 1952)
zusätzlicher Texter und zusätzliche(r) Komponist(in):
Richard Wayne Penniman (in 1955-11)
Komponist(in):
Mike Stoller (in 1952)
publisher:
Halnat Publishing Co. und Sony/ATV Songs LLC
Medley von:
Hey‐Hey‐Hey‐Hey! (Going Back to Birmingham)
Medley von:
Kansas City (aka “K.C. Loving”)
Version von:
Kansas City (aka “K.C. Loving”)
2:40
25Long Tall Sally (The Thing) (take 1)
baritone saxophone:
Clarence Ford (am 1955-11-29)
Bassgitarre:
Lloyd Lambert (am 1955-11-29)
Gitarre:
William 'Frosty' Pyles (am 1955-11-29)
Klavier und Sologesang:
Little Richard (am 1955-11-29)
Schlagzeug:
Oscar Moore (am 1955-11-29)
Tenorsaxophon:
Joseph Tillman (am 1955-11-29)
Trompete:
Renald Richard (am 1955-11-29)
recording of:
Long Tall Sally (am 1955-11-29)
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
2:04
26Long Tall Sally (The Thing) (take 6)
recording of:
Long Tall Sally
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
2:17
2▼CD
Nr.TitelBewertungLänge
1Slippin’ & Slidin’ (Peepin’ & Hidin’) (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-02-07)
Bassgitarre:
Frank Fields (am 1956-02-07)
Gitarre:
Edgar Blanchard (am 1956-02-07)
Klavier und Sologesang:
Little Richard (am 1956-02-07)
Schlagzeug:
Earl Palmer (am 1956-02-07)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-02-07)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-02-07)
recording of:
Slippin’ and Slidin’ (am 1956-02-07)
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
2:44
2Long Tall Sally (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-02-07)
Bassgitarre:
Frank Fields (am 1956-02-07)
Gitarre:
Edgar Blanchard (am 1956-02-07)
Klavier und Sologesang:
Little Richard (am 1956-02-07)
Schlagzeug:
Earl Palmer (am 1956-02-07)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-02-07)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-02-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 13) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 56)
recording of:
Long Tall Sally (am 1956-02-07)
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
42:11
3Miss Ann (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-02-07)
Bassgitarre:
Frank Fields (am 1956-02-07)
Gitarre:
Edgar Blanchard (am 1956-02-07)
Klavier und Sologesang:
Little Richard (am 1956-02-07)
Schlagzeug:
Earl Palmer (am 1956-02-07)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-02-07)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-02-07)
recording of:
Miss Ann (am 1956-02-07)
Verfasser(in):
Enotris Johnson (in 1955-11) und Richard Wayne Penniman (in 1955-11)
42:18
4The Most That I Can Offer (Just My Heart) (master undubbed, take 3)
2:22
5Oh Why (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-02-09)
Bassgitarre:
Frank Fields (am 1956-02-09)
Gitarre:
Edgar Blanchard (am 1956-02-09)
Klavier und Sologesang:
Little Richard (am 1956-02-09)
Schlagzeug:
Earl Palmer (am 1956-02-09)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-02-09)
recording of:
Oh Why? (am 1956-02-09)
Texter und Komponist(in):
William L. Scott
42:10
6Heeby‐Jeebies‐Love (master, take 1)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist)
Bassgitarre:
Frank Fields
Gitarre:
Edgar Blanchard
Klavier und Sologesang:
Little Richard
Schlagzeug:
Earl Palmer
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist)
Kompilation von:
Heeby-Jeebies (version 1: slate & take 1) von Little Richard
recording of:
Heeby-Jeebies Love (am 1956-02-09)
Verfasser(in):
Maybelle Jackson (in 1956-02) und John Marascalco (in 1956-02)
2:11
7I Got It (master)
recording of:
I Got It
Texter und Komponist(in):
Richard Wayne Penniman (in 1956-05)
2:41
8Ready Teddy (take 3)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist)
Bassgitarre:
Frank Fields
Gitarre:
Edgar Blanchard
Klavier und Sologesang:
Little Richard
Schlagzeug:
Earl Palmer
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist)
Bearbeitung von:
Ready Teddy (false start 2 & take 3) von Little Richard
recording of:
Ready Teddy (am 1956-05-09)
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
1:54
9Ready Teddy (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-05-09)
Bassgitarre:
Frank Fields (am 1956-05-09)
Gitarre:
Edgar Blanchard (am 1956-05-09)
Klavier und Sologesang:
Little Richard (am 1956-05-09)
Schlagzeug:
Earl Palmer (am 1956-05-09)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-05-09)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-05-09)
recording of:
Ready Teddy (am 1956-05-09)
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
52:09
10Hey Hey Hey Hey (Goin’ Back to Birmingham) (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-05-09)
Bassgitarre:
Frank Fields (am 1956-05-09)
Gitarre:
Edgar Blanchard (am 1956-05-09)
Klavier und Sologesang:
Little Richard (am 1956-05-09)
Schlagzeug:
Earl Palmer (am 1956-05-09)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-05-09)
recording of:
Hey‐Hey‐Hey‐Hey! (Going Back to Birmingham) (am 1956-05-09)
Texter und Komponist(in):
Richard Wayne Penniman (in 1956-05)
publisher:
ATV Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30) und Sony/ATV Music Publishing (UK) Ltd.
2:08
11Rip It Up (rehearsal)
Kompilation von:
Rip It Up (rehearsal with 5 false starts including 1 & 2) von Little Richard und Rip It Up (slate & take 3) von Little Richard
recording of:
Rip It Up
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
3:19
12Rip It Up (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-05-09)
Bassgitarre:
Frank Fields (am 1956-05-09)
Gitarre:
Edgar Blanchard (am 1956-05-09)
Klavier und Sologesang:
Little Richard (am 1956-05-09)
Schlagzeug:
Earl Palmer (am 1956-05-09)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-05-09)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-05-09)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 4)
recording of:
Rip It Up (am 1956-05-09)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
4.52:24
13Heeby‐Jeebies (false starts 6 & 7, take 9)
recording of:
Heeby-Jeebies
Verfasser(in):
Maybelle Jackson (in 1956-05) und John Marascalco (in 1956-05)
publisher:
Robin Hood Music Co. und Sony/ATV Songs LLC
2:53
14Lucille (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-07-30)
Bassgitarre:
Frank Fields (am 1956-07-30)
Gitarre:
Roy Montrell (am 1956-07-30)
Klavier und Sologesang:
Little Richard (am 1956-07-30)
Schlagzeug:
Earl Palmer (am 1956-07-30)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-07-30)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-07-30)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 14)
recording of:
Lucille (am 1956-07-30)
Verfasser(in):
Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) und Richard Wayne Penniman
publisher:
Budde Music Publishing GmbH, Flora GmbH, Josef Hochmuth Musikverlag, Leeds Music Corp., Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Melody Music Pty Ltd., Morro Music Corp., Strengholt Music Publishing BV, Universal Music Publishing Ricordi srl, Universal/MCA Music Ltd. (not for release label use!) und Venice Music
sub-publisher:
Sony/ATV Music Publishing France (beendet), Sony Music Publishing France und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4.52:26
15Heeby‐Jeebies (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-07-30)
Bassgitarre:
Frank Fields (am 1956-07-30)
Gitarre:
Roy Montrell (am 1956-07-30)
Klavier und Sologesang:
Little Richard (am 1956-07-30)
Schlagzeug:
Earl Palmer (am 1956-07-30)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-07-30)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-07-30)
recording of:
Heeby-Jeebies (am 1956-07-30)
Verfasser(in):
Maybelle Jackson (in 1956-05) und John Marascalco (in 1956-05)
publisher:
Robin Hood Music Co. und Sony/ATV Songs LLC
2:19
16Good Golly, Miss Molly (fast version)
recording of:
Good Golly Miss Molly
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
2:39
17Can’t Believe You Wanna Leave (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-08-01)
Bassgitarre:
Frank Fields (am 1956-08-01)
Gitarre:
Roy Montrell (am 1956-08-01)
Klavier und Sologesang:
Little Richard (am 1956-08-01)
Schlagzeug:
Earl Palmer (am 1956-08-01)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-08-01)
recording of:
Can’t Believe You Wanna Leave (am 1956-08-01)
Texter und Komponist(in):
Leo Price
Verfasser(in):
Little Richard
publisher:
ATV Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Venice Music
42:28
18Shake a Hand (master undubbed)
recording of:
Shake a Hand
Texter und Komponist(in):
Joe Morris (US jazz trumpeter)
publisher:
Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
3:36
19All Around the World (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-07-31)
Bassgitarre:
Frank Fields (am 1956-07-31)
Gitarre:
Roy Montrell (am 1956-07-31)
Klavier und Sologesang:
Little Richard (am 1956-07-31)
Schlagzeug:
Earl Palmer (am 1956-07-31)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-07-31)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-07-31)
recording of:
All Around the World (am 1956-07-31)
Verfasser(in):
Robert “Bumps” Blackwell und McKinley James Millet
2:27
20She’s Got It (master)
baritone saxophone:
Jewell Grant (US saxophonist) (am 1956-09-06)
Bassgitarre:
Olsie Robinson (am 1956-09-06)
Gitarre:
Nathaniel Douglas (am 1956-09-06)
Klavier und Sologesang:
Little Richard (am 1956-09-06)
Schlagzeug:
Charles Connor (am 1956-09-06)
Tenorsaxophon:
Clifford Burks (am 1956-09-06), Grady Gaines (R & B sax player / bandleader) (am 1956-09-06) und Wilbert Smith (am 1956-09-06)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-09-06)
recording of:
She’s Got It (am 1956-09-06)
Verfasser(in):
John Marascalco (in 1956-09) und Richard Wayne Penniman (in 1956-09)
publisher:
Robin Hood Music Co. und Sony/ATV Songs LLC
2:27
21Hound Dog (rehearsal)
Bassgitarre:
Olsie Robinson (am 1956-09-06)
Gitarre:
Nathaniel Douglas (am 1956-09-06)
Klavier und Sologesang:
Little Richard (am 1956-09-06)
Schlagzeug:
Charles Connor (am 1956-09-06)
cover recording of:
Hound Dog (am 1956-09-06)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
2:00
3▼CD
Nr.TitelBewertungLänge
1Jenny, Jenny (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-10-15)
Bassgitarre:
Frank Fields (am 1956-10-15)
Gitarre:
Roy Montrell (am 1956-10-15)
Klavier und Sologesang:
Little Richard (am 1956-10-15)
Schlagzeug:
Earl Palmer (am 1956-10-15)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-10-15)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-10-15)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 20)
recording of:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song) (am 1956-10-15)
Verfasser(in):
Enotris Johnson (bis 1956-10-15) und Richard Wayne Penniman (bis 1956-10-15)
publisher:
Sony/ATV Songs LLC
4.52:04
2Good Golly, Miss Molly (master, take 9)
recording of:
Good Golly Miss Molly
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
2:51
3Baby Face (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-10-16)
Bassgitarre:
Frank Fields (am 1956-10-16)
Gitarre:
Roy Montrell (am 1956-10-16)
Klavier und Sologesang:
Little Richard (am 1956-10-16)
Schlagzeug:
Earl Palmer (am 1956-10-16)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-10-16)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-10-16)
cover recording of:
Baby Face (am 1956-10-16)
Texter:
Benny Davis (US vaudeville performer and songwriter) (in 1926)
Komponist(in):
Harry Akst (in 1926)
publisher:
B & G Akst Publishing Co. und Benny Davis Music
recording of:
Baby Face
Texter:
Benny Davis (US vaudeville performer and songwriter) (in 1926)
Komponist(in):
Harry Akst (in 1926)
publisher:
B & G Akst Publishing Co. und Benny Davis Music
2:15
4The Girl Can’t Help It (movie master version, take 9)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-10-16)
Bassgitarre:
Frank Fields (am 1956-10-16)
Gitarre:
Roy Montrell (am 1956-10-16)
Klavier und Sologesang:
Little Richard (am 1956-10-16)
Schlagzeug:
Earl Palmer (am 1956-10-16)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-10-16)
Hintergrundgesang:
Junior Gordon (am 1956-10-16), Art Neville (am 1956-10-16), Adolph Smith (1950s vocalist, guitarist & songwriter) (am 1956-10-16) und William Tircuit (1950s vocalist) (am 1956-10-16)
recording of:
The Girl Can’t Help It (am 1956-10-16)
Texter und Komponist(in):
Bobby Troup
publisher:
Robbins Music Corp. und Twentieth Century Music Corp. (in 1956)
2:32
5The Girl Can’t Help It (take 10 & master take 12)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-10-16)
Bassgitarre:
Frank Fields (am 1956-10-16)
Gitarre:
Roy Montrell (am 1956-10-16)
Klavier und Sologesang:
Little Richard (am 1956-10-16)
Schlagzeug:
Earl Palmer (am 1956-10-16)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-10-16)
Hintergrundgesang:
Junior Gordon (am 1956-10-16), Art Neville (am 1956-10-16), Adolph Smith (1950s vocalist, guitarist & songwriter) (am 1956-10-16) und William Tircuit (1950s vocalist) (am 1956-10-16)
Kompilation von:
The Girl Can't Help It (false start & take 11) von Little Richard und The Girl Can’t Help It (master) von Little Richard
recording of:
The Girl Can’t Help It (am 1956-10-16)
Texter und Komponist(in):
Bobby Troup
publisher:
Robbins Music Corp. und Twentieth Century Music Corp. (in 1956)
2:50
6By the Light of the Silvery Moon (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-10-16)
Bassgitarre:
Frank Fields (am 1956-10-16)
Gitarre:
Roy Montrell (am 1956-10-16)
Klavier und Sologesang:
Little Richard (am 1956-10-16)
Schlagzeug:
Earl Palmer (am 1956-10-16)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-10-16)
cover recording of:
By the Light of the Silvery Moon (am 1956-10-16)
Texter:
Edward Madden (in 1909)
Komponist(in):
Gus Edwards (in 1909)
publisher:
Remick Music
Teil von:
Two Weeks With Love (1950 film)
2:06
7Send Me Some Lovin’ (master)
recording of:
Send Me Some Lovin’
Texter:
Leo Price
Komponist(in):
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. und Sony/ATV Songs LLC
2:45
8Gene Nobles’ ‘Royal Crown Hairdressing’ commercials
Sprecher:
Little Richard (am 1956-10-16)
1:05
9Ooh! My Soul (master)
recording of:
Ooh! My Soul
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Publishing (UK) Ltd.
1:49
10Keep a Knockin’ (take 4)
recording of:
Keep a Knockin’ (Little Richard’s version)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
Version von:
Keep a‐Knockin’ an You Can’t Get In
2:10
11Keep a Knockin’ (master)
baritone saxophone:
Samuel Parker Jr. (US saxophonist) (am 1957-01-16)
Bassgitarre:
Olsie Robinson (am 1957-01-16)
Gitarre:
Nathaniel Douglas (am 1957-01-16)
Klavier und Sologesang:
Little Richard (am 1957-01-16)
Schlagzeug:
Charles Connor (am 1957-01-16)
Tenorsaxophon:
Clifford Burks (am 1957-01-16), Grady Gaines (R & B sax player / bandleader) (am 1957-01-16) und Wilbert Smith (am 1957-01-16)
Bearbeitung von:
Keep a Knockin' (slate & take 2) von Little Richard
recording of:
Keep a Knockin’ (Little Richard’s version) (am 1957-01-16)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
Version von:
Keep a‐Knockin’ an You Can’t Get In
2:20
12I’ll Never Let You Go (Boo Hoo Hoo Hoo) (take 6, fast version)
Bassgitarre:
Olsie Robinson (am 1957-10-18)
Gitarre:
Nathaniel Douglas (am 1957-10-18)
Klavier und Sologesang:
Little Richard (am 1957-10-18)
Schlagzeug:
Charles Connor (am 1957-10-18)
Tenorsaxophon:
Clifford Burks (am 1957-10-18), Grady Gaines (R & B sax player / bandleader) (am 1957-10-18) und Wilbert Smith (am 1957-10-18)
recording of:
Boo Hoo Hoo Hoo (I'll Never Let You Go) (am 1957-10-18)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-10)
2:34
13I’ll Never Let You Go (Boo Hoo Hoo Hoo) (master)
Bassgitarre:
Olsie Robinson (am 1957-10-18)
Gitarre:
Nathaniel Douglas (am 1957-10-18)
Klavier und Sologesang:
Little Richard (am 1957-10-18)
Schlagzeug:
Charles Connor (am 1957-10-18)
Tenorsaxophon:
Clifford Burks (am 1957-10-18), Grady Gaines (R & B sax player / bandleader) (am 1957-10-18) und Wilbert Smith (am 1957-10-18)
recording of:
Boo Hoo Hoo Hoo (I'll Never Let You Go) (am 1957-10-18)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-10)
recording of:
Boo Hoo Hoo Hoo (I'll Never Let You Go)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-10)
2:21
14Good Morning Little Schoolgirl (takes 1 & 3)
Bassgitarre:
Olsie Robinson (am 1957-10-18)
Gitarre:
Nathaniel Douglas (am 1957-10-18)
Klavier und Sologesang:
Little Richard (am 1957-10-18)
Schlagzeug:
Charles Connor (am 1957-10-18)
Tenorsaxophon:
Clifford Burks (am 1957-10-18), Grady Gaines (R & B sax player / bandleader) (am 1957-10-18) und Wilbert Smith (am 1957-10-18)
Kompilation von:
Good Morning Little School Girl (false start 1) von Little Richard, Good Morning Little School Girl (false start 3) von Little Richard und Good Morning Little School Girl (false start 4) von Little Richard
teilweise cover recording of:
Good Morning, School Girl (am 1957-10-18)
Texter:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948)
Komponist(in):
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948) (in 1937)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Georgia Music Corp. und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2:59
15Ooh! My Soul (take 8)
recording of:
Ooh! My Soul
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Publishing (UK) Ltd.
1:46
16Ooh! My Soul (take 9)
recording of:
Ooh! My Soul
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Publishing (UK) Ltd.
2:10
17Early One Morning (master)
Bassgitarre:
Olsie Robinson (am 1957-10-18)
Gitarre:
Nathaniel Douglas (am 1957-10-18)
Klavier und Sologesang:
Little Richard (am 1957-10-18)
Schlagzeug:
Charles Connor (am 1957-10-18)
Tenorsaxophon:
Clifford Burks (am 1957-10-18), Grady Gaines (R & B sax player / bandleader) (am 1957-10-18) und Wilbert Smith (am 1957-10-18)
recording of:
Early One Morning (Blues) (am 1957-10-18)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-10)
basiert auf:
Wee Baby Blues
2:16
18She Knows How to Rock (false starts 1, 2 & 3)
4:19
19She Knows How to Rock (master)
Bassgitarre:
Olsie Robinson (am 1957-10-18)
Gitarre:
Nathaniel Douglas (am 1957-10-18)
Klavier und Sologesang:
Little Richard (am 1957-10-18)
Schlagzeug:
Charles Connor (am 1957-10-18)
Tenorsaxophon:
Clifford Burks (am 1957-10-18), Grady Gaines (R & B sax player / bandleader) (am 1957-10-18) und Wilbert Smith (am 1957-10-18)
cover recording of:
Rockin' With Red (She Knows How to Rock) (am 1957-10-18)
Texter und Komponist(in):
William Lee Perryman (in 1950-07)
publisher:
Unichappell Music, Inc.
2:03
20Whole Lotta Shakin’ Goin’ On (rehearsal & master)
Kompilation von:
Whole Lotta Shaking Going On (Specialty alternate take with chatter & false start) von Little Richard und Whole Lotta Shaking Going On (Specialty master with piano chords) von Little Richard
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
2:38
21Bama Lama Bama Loo (take 10)
Kompilation von:
Bama Lama Bama Loo (chat, slate, take 7) von Little Richard und Bama Lama Bama Loo (announcement & master - take 10) von Little Richard
recording of:
Bama Lama Bama Loo
Texter und Komponist(in):
Richard Wayne Penniman (in 1964)
publisher:
Venice Music und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2:45
22Poor Boy Paul (false start & master)
Bassgitarre:
Don “Sugarcane” Harris (am 1964-05-01)
Gitarre:
Dewey Terry (rock & roll, blues, US) (am 1964-05-01) und Glen Willings (am 1964-05-01)
Klavier und Sologesang:
Little Richard (am 1964-05-01)
Schlagzeug:
Earl Palmer (am 1964-05-01)
recording of:
Poor Boy Paul (am 1964-05-01)
Texter und Komponist(in):
Don Weise
2:24
23Annie Is Back (false start & take 3)
recording of:
Annie Is Back
Texter und Komponist(in):
John Anderson (writer of 'Annie Is Back')
2:57
24Annie Is Back (45 mono master, take 7)
recording of:
Annie Is Back
Texter und Komponist(in):
John Anderson (writer of 'Annie Is Back')
1:59
25Miss Ann (false start & take 6)
recording of:
Miss Ann
Verfasser(in):
Enotris Johnson (in 1955-11) und Richard Wayne Penniman (in 1955-11)
3:20
26Well Alright! (false starts 1 & 2, take 3)
recording of:
Well Alright
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
3:59

Nennungen

Veröffentlichung

liner notes:Rick Coleman (in 1989)
Ray Topping (in 1989)
Rob Finnis (in 1989-07)
Discogs:https://www.discogs.com/release/5394071 [Info]
ASIN:US: B000000QOG [Info]

Veröffentlichungsgruppe

enthalten in:The Specialty Sessions (Ace version)
Discogs:https://www.discogs.com/master/698993 [Info]