Rock Chicks

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:34
2I Touch Myself
assistierende(r) Techniker(in):
Chris Albert (US engineer) und Vince Caro (engineer, music editor, producer)
Produzent(in):
Divinyls (Australian rock band), Howard Shore (Canadian score composer) und David Tickle
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) und Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
aufgenommen bei:
BMG Recording Studios in Theater District, New York, New York, Vereinigte Staaten
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 54) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 326)
recording of:
I Touch Myself
Texter und Komponist(in):
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) und William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:49
3Whats Up
recording engineer:
David Tickle (in 1992) und Mark Hensley (in 1992)
zusätzliche(r) Techniker(in):
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy und Paul Dieter (American sound engineer and producer.)
Produzent(in) und Mix:
David Tickle
Akustikgitarre und E-Gitarre:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
Bass und Hintergrundgesang:
Christa Hillhouse (in 1992)
Gitarre:
Louis Metoyer (in 1992) und Roger Rocha (in 1992)
Klavier:
Laurent Tardy (in 1992)
Schlagzeug:
Dawn Richardson (in 1992)
Sologesang:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
aufgenommen bei:
Groove Masters in Santa Monica, California (Kalifornien), Vereinigte Staaten (in 1992), The Bunker (in 1992) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1992)
mixed at:
The Bunker
Musikvideos:
What’s Up? von 4 Non Blondes
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 46), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 486)
recording of:
What’s Up? (in 1992)
Texter und Komponist(in):
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat und Stuck in the Throat Music
4 Non Blondes3.854:58
4Joey
Produzent(in):
Concrete Blonde und Chris Tsangarides
Bass:
James Mankey und Johnette Napolitano
Gitarre:
James Mankey
Schlagzeug:
Paul Thompson (Roxy Music drummer)
vocals:
Johnette Napolitano
phonographisches Urheberrecht (℗) von:
International Record Syndicate, Inc. (in 1990)
produced at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
recording of:
Joey
Texter und Komponist(in):
Johnette Napolitano
publisher:
International Velvet Music
Concrete Blonde4.254:08
5Zombie
assistierende(r) Techniker(in) und assistierende(r) Produzent(in):
Julie Gardiner (engineer)
Techniker(in) und Produzent(in):
Stephen Street (famous producer, songwriter)
Akustikgitarre und E-Gitarre:
Noel Hogan und Dolores O’Riordan
Bassgitarre:
Mike Hogan (bassist for The Cranberries)
Keyboard und Sologesang:
Dolores O’Riordan
Perkussion und Schlagzeug:
Fergal Lawler
Hintergrundgesang:
Noel Hogan
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label), Island Records, Inc. (US, Island holding) (in 1994), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2002)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich (von 1993-11 bis 1994-08) und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1993-11 bis 1994-08)
mixed at:
The Manor in Oxfordshire, England, Vereinigtes Königreich und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1994) und Indie 88: Top 500 Indie Rock Songs (Nummer: 234)
recording of:
Zombie
Texter und Komponist(in):
Dolores O’Riordan
publisher:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) und Universal–Songs of PolyGram International, Inc.
The Cranberries4.355:09
6Hit Me With Your Best Shot
Techniker(in):
Chris Minto (engineer) und Keith Olsen (US producer and engineer)
Produzent(in):
Keith Olsen (US producer and engineer)
Bass:
Roger Capps
Gitarre:
Scott St. Clair Sheets
Gitarre und Keyboard:
Neil Giraldo (multi-instrumentalist, songwriter, producer)
Schlagzeug:
Myron Grombacher
Hintergrundgesang:
Roger Capps und Neil Giraldo (multi-instrumentalist, songwriter, producer)
Hintergrundgesang und Sologesang:
Pat Benatar
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1980, in 2002), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1981)
recording of:
Hit Me With Your Best Shot
Texter und Komponist(in):
Eddie Schwartz
publisher:
ATV Music Publishing of Canada Ltd., Round Hill Songs und Sony Music Publishing (Germany) GmbH
Pat Benatar4.152:52
7U + Ur Hand
recording of:
U + Ur Hand
Texter und Komponist(in):
Alecia Moore (American singer/songwriter), Łukasz Gottwald, Martin Sandberg (Swedish record producer) und Rami Yacoub (Swedish record producer and songwriter)
publisher:
EMI Blackwood Music Inc., Kasz Money Publishing (ASCAP affiliated), Kobalt Songs Music Publishing (USA, ASCAP affiliated) und P!nk Inside Publishing
P!nk3:36
8We’re Coming Home
Rogue Traders3:24
9Since U Been Gone
Techniker(in):
Johan Brorsson
zusätzliche(r) Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: pro-tools engineer)
Produzent(in):
Łukasz Gottwald und Max Martin (Swedish record producer)
Mix:
Serban Ghenea
zusätzliche(r) Mix:
Tim Roberts (engineer)
Schlagzeug:
Olle Dahlstedt
Interpret(in):
Łukasz Gottwald und Max Martin (Swedish record producer)
phonographisches Urheberrecht (℗) von:
19 Recordings Ltd. (not for release label use! record company founded by Simon Fuller) (in 2004)
Musikvideos:
Since U Been Gone von Kelly Clarkson
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 5) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 93)
recording of:
Since U Been Gone
Verfasser(in):
Łukasz Gottwald und Martin Karl Sandberg (Swedish record producer)
Kelly Clarkson3.73:11
10Malibu
recording of:
Malibu
Verfasser(in):
Billy Corgan, Eric Erlandson und Courtney Love (US rock vocalist, widow to Kurt Cobain)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Hole3:52
11Bitch
Techniker(in) und Produzent(in):
Geza X
Mix:
Jim Ebert
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recording of:
Bitch
Verfasser(in):
Meredith Brooks (US singer/songwriter and guitarist) und Shelly Peiken
publisher:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music und Warner–Tamerlane Music Corp.
Meredith Brooks44:01
12If It Makes You Happy
Assistent recording engineer:
Ron Black, S. “Husky” Höskulds, Cappy Japngie und John Paterno
recording engineer:
Tchad Blake, Blair Lamb, Bob Salcedo und Trina Shoemaker
Produzent(in):
Sheryl Crow (American singer-songwriter and musician)
Mix:
Tchad Blake
E-Bass [bass]:
Dan Rothchild
Gitarre [guitars]:
Jeff Trott
Keyboard:
Sheryl Crow (American singer-songwriter and musician)
Schlagzeug:
Michael Urbano
vocals:
Sheryl Crow (American singer-songwriter and musician)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1996)
recording of:
If It Makes You Happy
Verfasser(in):
Sheryl Crow (American singer-songwriter and musician) und Jeff Trott
publisher:
Ole Media Management LP II, Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (in 1996), Trottsky Music (in 1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1996)
live recording of:
If It Makes You Happy
Verfasser(in):
Sheryl Crow (American singer-songwriter and musician) und Jeff Trott
publisher:
Ole Media Management LP II, Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (in 1996), Trottsky Music (in 1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1996)
Sheryl Crow4.15:26
13Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
Pretenders4.43:08
14Total Control
recording of:
Total Control
Verfasser(in):
Martha Davis (of The Motels) und Jeff Jourard
publisher:
Bug Music (music publishing), Clean Sheets Music (in 1979) und Frettssongs (in 1979)
The Motels3:52
15Because the Night
recording of:
Because the Night
publisher:
Bruce Springsteen und Bruce Springsteen (in 1975)
Texter:
Patti Smith (in 1977) und Bruce Springsteen (in 1977)
Komponist(in):
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group3:25
16Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.13:26
17The Warrior
recording of:
The Warrior
Verfasser(in):
Nick Gilder und Holly Knight
publisher:
712 Stone Avenue Music, All Nations Music, Chrysalis Songs, Hebbes Music Group Pty. Ltd., Kobalt Music Publishing Ltd. (UK), Mike Chapman Publishing Enterprises, Music & Media International, Inc. und Red Admiral Music Inc. (publisher)
Scandal3:57
18Devil Gate Drive
recording of:
Devil Gate Drive
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. und Universal Music Publishing MGB Australia
Suzi Quatro3:48
19River Deep Mountain High
recording of:
River Deep – Mountain High
Verfasser(in):
Jeff Barry (in 1966), Ellie Greenwich (in 1966) und Phil Spector (in 1966)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music (publisher), Trio Music Co., Inc., Trio Music Company, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日本アブコ音楽出版 (ABKCO Japan Publishing)
Ike & Tina Turner4:04
20Black Velvet
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4:06