The Wurst of P.D.Q. Bach

~ Uitgave van P.D.Q. Bach, Professor Peter Schickele (Bekijk alle versies van deze uitgave, 6 beschikbaar)

Nummerlijst

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1▼cd
#TitelWaarderingDuur
1Concerto for Horn and Hardart, S. 27
producent:
Stephen Schmidt (engineer)
solo-hoorn:
Ralph Froelich (op 1965-04-24)
solo-percussie-idiofoon [hardart]:
Peter Schickele (American composer) (op 1965-04-24)
orkest:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (op 1965-04-24)
was dirigent:
Jorge Mester (conductor) (op 1965-04-24)
opgenomen bij:
The Town Hall in Theater District, New York, New York, Verenigde Staten (op 1965-04-24)
compilatie van:
Introduction van Peter Schickele (American composer), Concerto for Horn and Hardart, S. 27: Allegro van Ralph Froelich, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor), Concerto for Horn and Hardart, S. 27: Tema con variazione van Ralph Froelich, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor) en Concerto for Horn and Hardart, S. 27: Menuetto con panna e zucchero van Ralph Froelich, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor)
is een live-opname van:
Concerto for Horn and Hardart, S. 27 (op 1965-04-24)
componist:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
uitgever:
Theodore Presser Co.
deel van:
Schickele ("S." numbers for compositions of P.D.Q. Bach) (nummer: 27)
15:43
2Cantata, Iphigenia in Brooklyn, S. 53162
producent:
Stephen Schmidt (engineer)
solo-jug [wine bottle]:
Peter Schickele (American composer) (op 1965-04-24)
solo-klavecimbel:
Leonid Hambro (pianist) (op 1965-04-24)
solo-trompet [trumpet mouthpiece]:
Seymour Platt (op 1965-04-24)
solocontratenorvocalen [bargain counter‐tenor]:
John Ferrante (tenor) (op 1965-04-24)
orkest:
Chamber Orchestra (An Evening with P.D.Q. Bach, 1965) (op 1965-04-24)
was dirigent:
Jorge Mester (conductor) (op 1965-04-24)
opgenomen bij:
The Town Hall in Theater District, New York, New York, Verenigde Staten (op 1965-04-24)
compilatie van:
Introduction van Peter Schickele (American composer), Cantata: Iphigenia in Brooklyn, S. 53162: Aria van John Ferrante (tenor), Leonid Hambro (pianist), Seymour Platt, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor), Cantata: Iphigenia in Brooklyn, S. 53162: Recitative van John Ferrante (tenor), Leonid Hambro (pianist), Seymour Platt, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor), Cantata: Iphigenia in Brooklyn, S. 53162: Ground van John Ferrante (tenor), Leonid Hambro (pianist), Seymour Platt, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor), Cantata: Iphigenia in Brooklyn, S. 53162: Recitative van John Ferrante (tenor), Leonid Hambro (pianist), Seymour Platt, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor) en Cantata: Iphigenia in Brooklyn, S. 53162: Aria van John Ferrante (tenor), Leonid Hambro (pianist), Seymour Platt, Professor Schickele (American composer), Chamber Orchestra (An Evening with P.D.Q. Bach, 1965), Jorge Mester (conductor)
is een live-opname van:
Cantata: Iphigenia in Brooklyn (op 1965-04-24)
tekstschrijver en componist:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
uitgever:
Theodore Presser Co.
deel van:
Schickele ("S." numbers for compositions of P.D.Q. Bach) (nummer: 53162)
10:27
3New Horizons in Music Appreciation: Beethoven’s Fifth Symphony
gesproken vocalen [commentator]:
Robert Dennis en Peter Schickele (American composer)
8:47
4Schleptet in E‐flat major, S. 0
orkest:
I Virtuosi di Hoople
was dirigent:
Peter Schickele (American composer)
is een opname van:
Schleptet in E‐flat major, S. 0
componist:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
uitgever:
Theodore Presser Co.
deel van:
Schickele ("S." numbers for compositions of P.D.Q. Bach) (nummer: 0)
8:33
5What’s My Melodic Line?
orkest:
I Virtuosi di Hoople
was dirigent:
Peter Schickele (American composer)
5:05
6Madrigal, “My bonnie lass she smelleth” from “The Triumphs of Thusnelda” S. 1601
koor:
Amateur Musica Antiqua of Hoople (choral ensemble, name is fictitious)
is een opname van:
Two Madrigals from The Triumphs of Thusnelda, S. 1601: 2. “My bonnie lass she smelleth”
tekstschrijver en componist:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parodieversie van:
Balletts to Five Voices: My bonnie lass she smileth
deel van:
Two Madrigals from The Triumphs of Thusnelda, S. 1601
2:36
2▼cd
#TitelWaarderingDuur
1“Unbegun” Symphony: Ⅳ. Andante – Allegro
aanvullend orkest:
The Royal P.D.Q. Bach Festival Orchestra
was dirigent:
Jorge Mester (conductor)
is een opname van:
“Unbegun” Symphony: Andante—Allegro
componist:
Peter Schickele (American composer)
medley van:
Sinfonie Nr. 2 D-Dur, op. 73: I. Allegro non troppo
medley van:
Beautiful Dreamer
medley van:
Ta-Ra-Ra-Boom-De-Ay (original English version)
medley van:
Guillaume Tell : Ouverture (William Tell: Overture)
medley van:
Camptown Races
medley van:
Irish Suite: III. The Rakes of Mallow
medley van:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
medley van:
Le nozze di Figaro, K. 492: Sinfonia
medley van:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro
medley van:
Onward, Christian Soldiers
medley van:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture)
medley van:
Joy to the World (Christmas carol)
medley van:
Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo
medley van:
Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace
medley van:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
medley van:
Anchors Aweigh
medley van:
Symphony no. 6 in B minor, op. 74 “Pathétique”
medley van:
You Are My Sunshine
medley van:
The Year 1812, Festival Overture in E-flat major, op. 49
medley van:
Sinfonie Nr. 1 c-Moll, op. 68: IV. Adagio – Allegro non troppo, ma con brio
medley van:
Lohengrin, WWV 75
medley van:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
medley van:
Marche slave in B-flat minor, op. 31
medley van:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 “From the New World”: IV. Allegro con fuoco)
medley van:
Боже, Царя храни! (God Save the Tsar!)
medley van:
Study no. 2 in C major: Allegro moderato
medley van:
The Mikado: Act II, no. 16 “Miya sama” (Chorus)
deel van:
“Unbegun” Symphony
7:04
2Half‐Act Opera “The Stoned Guest” (highlights)
basvocalen [Il Commendatoreador, basso blotto]:
Prof. Schickele (American composer)
contratenorvocalen [Don Octave, bargain counter tenor]:
John Ferrante (tenor)
gesproken vocalen [Milton Host]:
Will Jordan (character actor and comedian)
gesproken vocalen [Paul Henry Lung]:
Bill Macy
mezzo-sopraanvocalen [Donna Ribalda, mezzanine soprano]:
Marlene Kleinman (aka Marlena Kleinman Malas)
sopraanvocalen [Carmen Ghia, off‐coloratura]:
Lorna Haywood (soprano)
orkest:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach)
was dirigent:
John Nelson (American conductor)
compilatie van:
Introduction van Will Jordan (character actor and comedian), The Stoned Guest, Part 1: Overture van The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Aria: “Now is the season” van Lorna Haywood (soprano), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Trio: “I’m sure I’d be” van Lorna Haywood (soprano), Marlene Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), Intermission Feature: Opera Whiz van Peter Schickele (American composer), Plot Synopsis van Will Jordan (character actor and comedian) en The Stoned Guest, Part 2: Finale: “O saviour” van Marlene Kleinman (aka Marlena Kleinman Malas), Lorna Haywood (soprano), John Ferrante (tenor), Bernice (fictional Bernese Mountain Dog cast in P.D.Q. Bach’s “The Stoned Guest”), Prof. Peter Schickele (American composer), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor)
is een gedeeltelijke opname van:
The Stoned Guest
tekstschrijver en componist:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
uitgever:
Theodore Presser Co.
deel van:
Schickele ("S." numbers for compositions of P.D.Q. Bach) (nummer: 86 proof)
20:23
3Fugue in C minor (Fuga vulgaris) for Calliope Four Hands, from the Toot Suite, S. 3.14
stoomorgel:
Robert Dennis en Peter Schickele (American composer)
2:46
4Oratorio “The Seasonings”, S. ½ tsp.
koor:
The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings) (in 1966-12)
soloaltvocalen:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1966-12)
solobasvocalen:
William Woolf (in 1966-12)
solosopraanvocalen:
Lorna Haywood (soprano) (in 1966-12)
solotenorvocalen:
John Ferrante (tenor) (in 1966-12)
orkest:
The Royal P.D.Q. Bach Festival Orchestra (in 1966-12)
was dirigent:
Jorge Mester (conductor) (in 1966-12)
was koorleider:
John Nelson (American conductor) (in 1966-12)
opgenomen bij:
Carnegie Hall in Midtown Manhattan, New York, New York, Verenigde Staten (in 1966-12)
compilatie van:
Introduction van Peter Schickele (American composer), Oratorio: “The Seasonings”, S. ½ tsp.: Chorus: “Tarragon of virtue is full” van The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings), John Nelson (American conductor), The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “And there were in the same country” van John Ferrante (tenor), William Woolf, The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Bide thy thyme” van Lorna Haywood (soprano), Marlena Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then asked he” van Lorna Haywood (soprano), Marlena Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), William Woolf, The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Chorale: “By the leeks of Babylon / There we sat down, yea, we wept” van The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings), John Nelson (American conductor), The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “Then she gave in” van John Ferrante (tenor), The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Aria: “Open sesame seeds” van William Woolf, The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Recitative: “So saying” van Lorna Haywood (soprano), Marlena Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), William Woolf, The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor), Oratorio: “The Seasonings”, S. ½ tsp.: Duet: “Summer is a cumin seed” van Lorna Haywood (soprano), Marlena Kleinman (aka Marlena Kleinman Malas), The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor) en Oratorio: “The Seasonings”, S. ½ tsp.: Chorus with Soloists: “To curry favor, favor curry” van The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings), John Nelson (American conductor), The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor)
edit van:
Oratorio: The Seasonings (S. ½ tsp.) van Lorna Haywood (soprano), Marlena Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), William Woolf, The Okay Chorale (probably fictitious, associated with P.D.Q. Bach/Peter Schickele recordings), John Nelson (American conductor), The Royal P.D.Q. Bach Festival Orchestra, Jorge Mester (conductor)
is een live-gedeeltelijke opname van:
Oratorio: “The Seasonings” (in 1966-12)
tekstschrijver en componist:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
uitgever:
Theodore Presser Co.
deel van:
Schickele ("S." numbers for compositions of P.D.Q. Bach) (nummer: ½ tsp.)
22:16