Die besten Hits der 80er, Vol. 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Take on Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.43:47
2Love Is a Shield
recording of:
Love Is a Shield
Texter:
Peter Godwin, Oliver Kreyssig und Marcus Meyn
Komponist(in):
Heiko Maile
publisher:
Blue Box Publishing Promotion Karin Wirthmann
Camouflage3:57
3Dancing With Tears in My Eyes
Techniker(in):
Rik Walton
Produzent(in):
Ultravox
Mix:
John Hudson (producer, recording and mixing engineer) (am 1984-03-19)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1984, in 2025)
aufgenommen bei:
Musicfest Studio (recording studio, located in Chiswick, London, UK) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich (am 1983-08-08)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich (am 1984-03-19)
Musikvideos:
Dancing With Tears in My Eyes von Ultravox
recording of:
Dancing With Tears in My Eyes (am 1983-08-08)
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox44:10
4Dance Hall Days
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Geffen Records und The David Geffen Company (legal rights relating to Geffen Records) (in 1984)
recording of:
Dance Hall Days
Verfasser(in):
Darren Costin, Nick Feldman und Jack Hues
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wang Chung3.23:54
5Mad World
Programmierung:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
Bassgitarre:
Curt Smith
Gitarre:
Roland Orzabal (UK musician, songwriter and producer)
Keyboard:
Roland Orzabal (UK musician, songwriter and producer), Curt Smith und Ian Stanley
Perkussion:
Chris Hughes (producer, aka “Merrick”)
Schlagzeug:
Manny Elias
vocals:
Curt Smith
conductor:
Chris Hughes (producer, aka “Merrick”)
Interpret(in):
Ross Cullum und Phil Palmer (guitarist)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1985)
Musikvideos:
Mad World von Tears for Fears
recording of:
Mad World
Texter und Komponist(in):
Roland Orzabal (UK musician, songwriter and producer)
publisher:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing und Virgin Music Ltd.
Tears for Fears3.73:32
6Voyage, voyage
recording engineer:
Antoine Cambourakis (engineer) und Gilbert Courtois (engineer)
Produzent(in):
Jean‐Michel Rivat
Mix:
Dominique Blanc-Francard
Synthesizer:
Jean‐Michel Rivat
Hintergrundgesang:
Claudie Fritsch-Mentrop und Daniel Glikmans (guitarist, singer and songwriter)
phonographisches Urheberrecht (℗) von:
Rivat Music (production company and copyrights holder) (in 1986)
aufgenommen bei:
Studio d'Aguesseau in Boulogne, Vendée, Pays-de-la-Loire, Frankreich
mixed at:
Studio Marcadet in Saint-Denis, Seine-Saint-Denis, Île-de-France, Frankreich
recording of:
Voyage, voyage
Texter:
Jean‐Michel Rivat
Verfasser(in) und Komponist(in):
Dominique Dubois und Jean‐Michel Rivat
publisher:
Jean‐Michel Franck Rivat und Editions Rivat Music (publisher) (in 1986)
Desireless4.354:22
725 Years
recording of:
25 Years
Texter und Komponist(in):
Don Snow
publisher:
Don Snow Music, SMV Schacht Musikverlage GmbH & CO KG (GEMA-affiliated) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1983)
The Catch3:54
8Axel F
Produzent(in):
Harold Faltermeyer
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 70)
recording of:
Axel F (Beverly Hills Cop)
Komponist(in):
Harold Faltermeyer
Harold Faltermeyer4.153:01
9Somebody’s Watching Me
Produzent(in):
Curtis Anthony Nolen und Rockwell (R & B – “Somebody’s Watching Me”)
Gast vocals:
Michael Jackson (“King of Pop”)
Hintergrundgesang:
Jermaine Jackson (soul/pop singer, of Jackson 5)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 20)
recording of:
Somebody’s Watching Me
Texter und Komponist(in):
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:49
10I Engineer
Produzent(in):
Richie Zito
Bassgitarre:
Charles Ottavio
Gitarre und Keyboard:
Bill Wadhams
Keyboard:
Greg Smith (Producer/Keyboards)
membranophone und Perkussion:
Jim Blair
phonographisches Urheberrecht (℗) von:
Phonogram GmbH (in 1986) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986)
recording of:
I Engineer
Verfasser(in):
Mike Chapman (Australian producer and songwriter), Holly Knight und Bernie Taupin
publisher:
Intersong Music Ltd., Little Mole Music, The Makiki Publishing Co. Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1986)
Animotion4:05
11Square Rooms
recording of:
Square Rooms
Verfasser(in):
Al Corley, Harold Faltermeyer und Peter Wood (UK keyboardist/pianist)
publisher:
Kilauea Musikverlag und Ufaton (publisher)
Al Corley3:41
12Push It
Teil von:
Grammy Award: Best Rap Performance nominees (Nummer: 1989), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 54), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 374) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 440)
recording of:
Push It
Verfasser(in):
Hurby Azor und Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Next Plateau Music Inc. und Turn Out Brothers Publishing
Salt‐N‐Pepa3.753:29
13Steppin’ Out
Techniker(in):
Michael Ewasko
Koproduzent(in) und Ko-Mix:
Joe Jackson (English musician) und David Kershenbaum
Sologesang:
Joe Jackson (English musician)
arranger:
Joe Jackson (English musician)
aufgenommen bei:
Blue Rock Studio in New York, New York, Vereinigte Staaten (von 1982-03 bis 1982-06)
recording of:
Steppin’ Out
gewidmet:
New York, New York, Vereinigte Staaten
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Albion Music
Joe Jackson4.54:16
14Ai No Corrida
cover recording of:
Ai no corrida
Verfasser(in):
Chaz Jankel (English musician and songwriter) und Kenny Young
publisher:
Lazy Lizard Music Inc.
Quincy Jones6:25
15Crockett’s Theme
Jan Hammer3:26
16Vicious Games
recording of:
Vicious Games
Texter:
Dieter Meier (member of Yello)
Komponist(in):
Boris Blank
Yello3:37
2▼CD
Nr.TitelKünstlerBewertungLänge
1To France
Techniker(in) und Produzent(in):
Mike Oldfield und Simon Phillips (rock drummer)
Schlagzeug und Perkussion:
Simon Phillips (rock drummer)
Gast vocals:
Maggie Reilly
Interpret(in):
Mike Oldfield
recording of:
To France
Texter und Komponist(in):
Mike Oldfield
publisher:
Virgin Music Ltd., Oldfield Music Overseas Ltd. (in 1984) und Virgin Music (Publishers) Ltd. (in 1984)
Mike Oldfield & Maggie Reilly44:43
2The Riddle
assistierende(r) Techniker(in):
Dave Meegan (producer)
Techniker(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Peter Collins (producer)
Sologesang:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984, in 1985)
Musikvideos:
The Riddle von Nik Kershaw
recording of:
The Riddle
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. und Rondor Musikverlag GmbH
Nik Kershaw3.253:51
3Walk Like an Egyptian
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs, Vicki Peterson und Michael Steele (American bassist, guitarist, songwriter, and singer)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 14)
recording of:
Walk Like an Egyptian
Texter und Komponist(in):
Liam Sternberg (bis 1984-01)
publisher:
Peer International Corporation (BMI)
Teil von:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
Bangles4.23:21
4Lullaby
assistierende(r) Techniker(in):
Roy Spong und Richard Sullivan (engineer)
Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth), Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Smudger
Produzent(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth), The Cure, Chris Parry, Mark Saunders (UK record producer) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Mix:
Chris Parry, Mark Saunders (UK record producer) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Bassgitarre:
Simon Gallup (von 1988-11 bis 1989-02)
Bassgitarre [six string bass guitar]:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (von 1988-11 bis 1989-02) und Porl Thompson (von 1988-11 bis 1989-02)
Instrumente:
Lol Tolhurst (von 1988-11 bis 1989-02)
Keyboard:
Roger O’Donnell (von 1988-11 bis 1989-02) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (von 1988-11 bis 1989-02)
Schlagzeug:
Boris Williams (von 1988-11 bis 1989-02)
Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (von 1988-11 bis 1989-02)
remixer:
Chris Parry, Mark Saunders (UK record producer) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (in 2009-07)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1989) und Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1989)
aufgenommen bei:
Outside Studios (Sarm Hook End) in Checkendon, Oxfordshire, England, Vereinigtes Königreich (von 1988-11 bis 1989-02) und Wembley Arena (OVO Arena Wembley) in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1989-07)
mixed at:
RAK Studio Three in London (Greater London), England, Vereinigtes Königreich (in 1989)
Musikvideos:
Lullaby von The Cure
recording of:
Lullaby (von 1988-11 bis 1989-02)
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Roger O’Donnell, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst und Boris Williams
publisher:
APB Music Co. und Fiction Songs Ltd. (in 1989)
live recording of:
Lullaby (in 1989-07)
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Roger O’Donnell, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst und Boris Williams
publisher:
APB Music Co. und Fiction Songs Ltd. (in 1989)
The Cure3.954:09
5Sunglasses at Night
alto saxophone und Tenorsaxophon:
Andy Hamilton (British saxophonist, composer and producer)
Bass:
Gary Tibbs
Gitarre [lead guitar]:
Andy Barnett
Gitarre [rhythm guitar]:
Andy Mac und Jon Astley
Keyboard:
Phil Chapman (engineer), Ritchie Close (keyboardist, composer) und Corey Hart
Perkussion und Schlagzeug:
Paul Burgess (UK rock drummer)
Musikvideos:
Sunglasses at Night von Corey Hart
recording of:
Sunglasses at Night (in 1983)
Texter und Komponist(in):
Corey Hart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Edition Meridian
Corey Hart3:56
6Matador
Produzent(in):
Roy Cicala
zusätzliche(r) Produzent(in):
Garland Jeffreys (Sologesang)
recording of:
Matador
Verfasser(in):
Garland Jeffreys
Garland Jeffreys4:44
7Luka
Sound-Engineering:
Robin Danar
Techniker(in):
Steve Addabbo und Rod O’Brien
Produzent(in):
Steve Addabbo und Lenny Kaye
Mix:
Shelly Yakus
Solo-Gitarre:
Jon Gordon (guitarist, music director, producer, composer)
Hintergrundgesang:
Shawn Colvin
vocals:
Suzanne Vega (American singer-songwriter)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1987)
aufgenommen bei:
duo Music Exchange in Dōgenzaka, Shibuya (Shibuya-ku), Tokyo, Japan
recording of:
Luka
Texter und Komponist(in):
Suzanne Vega (American singer-songwriter)
publisher:
WB Music Corp. (1929–2019)
Suzanne Vega4.353:52
8Lean on Me
cover recording of:
Lean on Me
Texter und Komponist(in):
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Club Nouveau5:51
9High on Emotion
phonographisches Urheberrecht (℗) von:
Rondor Music (London) Ltd. (in 1984) und A&M Records, Ltd. (in 1985)
recording of:
High on Emotion
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Hornall Brothers Music Ltd. (limited company) und Irving Music (BMI)
Chris de Burgh4.254:23
10Drop the Pilot
assistierende(r) Techniker(in):
Niko Bolas
Techniker(in) und Produzent(in):
Val Garay
Bass:
Bryan Garofalo
Gitarre:
Joan Armatrading, Craig Hull und Tim Pierce (US session guitarist)
Keyboard:
Steve Goldstein
Perkussion:
M. L. Benoit
Schlagzeug:
Craig Krampf
vocals:
Joan Armatrading
phonographisches Urheberrecht (℗) von:
A&M Records (in 1983) und A&M Records, Ltd. (in 1983)
recording of:
Drop the Pilot
Komponist(in):
Joan Armatrading
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. und Polygram Music
Joan Armatrading43:30
11Stop
vocals:
Sam Brown (UK singer/songwriter)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1988)
recording of:
Stop
Verfasser(in):
Bruce Brody, Sam Brown (UK singer/songwriter) und Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) und WayBlue Ltd. (publisher)
Sam Brown4.54:58
12Under the Boardwalk
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1987)
cover recording of:
Under the Boardwalk
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. und Trio Music Company
Bruce Willis2.353:04
13Everything’s Coming Up Roses
Produzent(in):
Dave Dix (Dave Dix)
Mix:
Dave Dix (Dave Dix) und Bill Price (UK producer/engineer)
recording of:
Everything’s Coming Up Roses
Texter und Komponist(in):
Colin Vearncombe
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation) und Copyright Control Shares (not for release label use! this is only for copyrights and publishing relationships)
Black4.54:08
14Hand in Hand
recording of:
Hand in Hand
Texter:
Tom Whitlock
Komponist(in):
Giorgio Moroder
Teil von:
Official Songs of the Olympic Games (Nummer: 1988)
Koreana4:14
15Cry
Produzent(in):
Godley & Creme und Trevor Horn
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1985) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1985)
recorded by:
Polydor Ltd. (London) (not for release label use; fka Polydor Records Ltd.)
recording of:
Cry
Verfasser(in):
Lol Creme und Kevin Godley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und St. Anne’s Music Ltd. (in 1985)
Godley & Creme43:57
16Life Is for Living
Barclay James Harvest3:41
3▼CD
Nr.TitelKünstlerBewertungLänge
1Eyes Without a Face
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Sal Cuevas (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Keyboard:
Judi Dozier (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Hintergrundgesang:
Perri Lister (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) und Chrysalis Records, Inc. (not for release label use!) (in 1984)
Bearbeitung von:
Eyes Without a Face von Billy Idol (English rock singer‐songwriter)
recording of:
Eyes Without a Face (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol34:12
2Kayleigh
recording engineer:
Thomas Stiehler (von 1985-03 bis 1985-05)
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985)
Remix von:
Kayleigh (alternative mix) von Marillion (British progressive rock band)
Bearbeitung von:
Kayleigh von Marillion (British progressive rock band)
recording of:
Kayleigh (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. und Marillion Music
Marillion4.353:34
3Suicide Blonde
Programmierung:
Jon und Kirk
assistierende(r) Techniker(in):
Brendan Morley und Andy Strange
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Editing:
Tim Young (mastering engineer)
Bass und E-Bass [bass]:
Garry Gary Beers
E-Gitarre [guitar] und Gitarre:
Andrew Farriss (in band INXS), Tim Farriss und Kirk Pengilly
Keyboard [keyboards]:
Andrew Farriss (in band INXS) und Jon Farris
Saxophon und Hintergrundgesang [vocals]:
Kirk Pengilly
Schlagzeug [drums]:
Jon Farris
Schlagzeug und Keyboard [keyboards]:
Jon Farriss
Sologesang [vocals]:
Michael Hutchence
vocals:
Michael Hutchence und Kirk Pengilly
phonographisches Urheberrecht (℗) von:
INXS (in 1990)
phonographisches Urheberrecht (℗) von:
INXS (label and copyrights holder for INXS) (in 1990)
aufgenommen bei:
Rhinoceros Studio 2 in Sydney, New South Wales, Australien und Rhinoceros Studio 2 in Sydney, New South Wales, Australien
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Suicide Blonde
Texter:
Michael Hutchence
Komponist(in):
Andrew Farriss (in band INXS)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Tol Muziek (in 1990)
INXS4.13:52
4You Keep Me Hangin’ On
recorded in:
England, Vereinigtes Königreich
Techniker(in):
Peter Wade Schwier (producer, mixing and recording engineer)
Produzent(in):
Ricky Wilde
Gitarre:
Steve Byrd
Keyboard:
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
aufgenommen bei und mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten, Select Sound Studios in Knebworth, Hertfordshire, England, Vereinigtes Königreich und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Cachitos Nochevieja 2022 (Nummer: 108)
cover recording of:
You Keep Me Hangin’ On
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Kim Wilde3.454:12
5I Want Your Love
recording of:
I Want Your Love
Texter und Komponist(in):
Nick Christian Sayer
publisher:
Notting Hill Music (UK) Ltd.
sub-publisher:
Kobalt Music Publishing France
Transvision Vamp3:31
6Real Wild Child
drum machine [Linn drum]-Programmierung:
David Richards (Swiss-based producer and engineer) (von 1986-04 bis 1986-05)
Techniker(in):
David Richards (Swiss-based producer and engineer)
Produzent(in) und Mix:
David Bowie (English singer‐songwriter) und David Richards (Swiss-based producer and engineer)
Bass, Schlagzeug, Orgel, Sampler [Akai S900], Synthesizer [Yamaha DX7] und Geige / Violine:
Erdal Kızılçay (von 1986-04 bis 1986-05)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05) und Steve Jones (Sex Pistols member) (von 1986-04 bis 1986-05)
Hintergrundgesang:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05), David Bowie (English singer‐songwriter) (von 1986-04 bis 1986-05) und Erdal Kızılçay (von 1986-04 bis 1986-05)
Sologesang:
Iggy Pop (von 1986-04 bis 1986-05)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1986)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1986-04 bis 1986-05)
cover recording of:
Wild One (Real Wild Child) (von 1986-04 bis 1986-05)
Verfasser(in):
Johnny Greenan, Johnny O’Keefe und Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Southern Music (publisher)
Iggy Pop3.853:39
7In the Army Now
recording engineer:
Tim "Ted" Summerhayes
assistierende(r) Techniker(in):
Kevin Whyte
Techniker(in):
Simon Sullivan und Tim "Ted" Summerhaynes
Produzent(in):
Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1986) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1986)
produced for:
Handle Artists
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
In the Army Now
Verfasser(in):
Ferdi Bolland und Rob Bolland
publisher:
Beadle Music Ltd., Bolland Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dayglow Music NV, Dayglow Muziekuitgeverij N.V., Island Music Ltd., Nada Music (Dutch publisher), Nada Music International, Nada Music International CV und The International Music Network
Status Quo3.54:41
8Live Is Life
E-Bass:
Niki Gruber (am 1984-09-02)
Gitarre:
Ewald Pfleger (am 1984-09-02)
Keyboard:
Kurt René Plisnier (am 1984-09-02)
Schlagzeug:
Günter Grasmuck (am 1984-09-02)
Sologesang:
Herwig Rüdisser (am 1984-09-02)
phonographisches Urheberrecht (℗) von:
OK Music (in 1984) und Deshima Music GmbH (in 2000)
aufgenommen bei:
Informstadion in Oberwart, Burgenland, Österreich (am 1984-09-02)
Musikvideos:
Live Is Life von Opus (Austrian band; track: “Live Is Life”)
live recording of:
Live Is Life (song by Opus) (am 1984-09-02)
Texter:
Ewald Pfleger
Komponist(in):
Günter Grasmuck, Peter Niklas Gruber, Ewald Pfleger, Kurt René Plisnier und Herwig Rüdisser
publisher:
Garden of Music Publishing und Opus Music (Publisher for Opus)
Opus3.54:11
9Word Up
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
Musikvideos:
Word Up! von Cameo (American soul-influenced funk group)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 70) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 81)
recording of:
Word Up!
Verfasser(in):
Larry Blackmon und Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:19
10Shout to the Top
Produzent(in):
Paul Weller (English singer‐songwriter and musician) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1984)
recording of:
Shout to the Top
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council34:15
11Lessons in Love
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
Gast-Saxophon:
Gary Barnacle
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1986) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
Texter:
Boon Gould
Verfasser(in):
Wally Badarou und Mark King (bass guitarist and vocalist)
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Level 423.64:00
12Upside Down
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980) und Motown Records (not for label use; use “Motown” instead) (in 1980)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 89)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:05
13Hot Stuff
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
phonographisches Urheberrecht (℗) von:
UMG Recordings Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 2003, in 2013) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2003)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 103)
recording of:
Hot Stuff
Verfasser(in):
Pete Bellotte (English lyricist and producer), Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer4.45:16
14Celebration
Hintergrundgesang:
Kelly Barretto, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dee Dee Bryant, Gwen Hester, Cynthia Huggins, Joan Motley, Meekaeel Muhammad, Robert Bell, Robert Mickens, Elaine Sims, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Cedric Toon und Earl Toon, Jr.
Sologesang:
James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Interpret(in):
Kool & the Gang
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980, in 2020)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 298)
recording of:
Celebration
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) und Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) und WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.45:01
15Wot
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982)
recording of:
Wot!
Texter und Komponist(in):
Raymond Ian Burns
publisher:
Rock Music Co., Ltd.
Captain Sensible35:36
16Puttin’ on the Ritz
tap dance:
Taco (Dutch singer)
Musikvideos:
Puttin’ On the Ritz von Taco (Dutch singer)
cover recording of:
Puttin’ On the Ritz
Texter und Komponist(in):
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
Idiot’s Delight (film)
Taco44:36

Nennungen

Veröffentlichungsgruppe

Teil von:Die besten Hits der 80er (Nummer: 2) (Reihenfolge: 2)