The Mix Tapes

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Fashion
tecnico di registrazione e produttore:
David Bowie (English singer‐songwriter) e Tony Visconti
assistente tecnico:
Larry Alexander (producer/engineer) e Jeff Hendrickson (sound engineer)
basso elettrico :
George Murray (American bass guitarist)
batteria :
Dennis Davis (drummer)
chitarra :
Carlos Alomar e Robert Fripp
sintetizzatore :
Andy Clark (UK keyboard and synthesizer player)
tastiera e voce principale:
David Bowie (English singer‐songwriter)
voce di accompagnamento:
David Bowie (English singer‐songwriter), Lynn Maitland, Chris Porter (engineer and producer) e Tony Visconti
registrazione di:
Fashion
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Tintoretto Music
David Bowie3.554:48
2(Keep Feeling) Fascination
produttore:
Martin Rushent
remixer:
Chris Thomas (UK record producer / remixer)
video musicali:
(Keep Feeling) Fascination di The Human League
registrazione di:
(Keep Feeling) Fascination
autore:
Jo Callis e Philip Oakey
The Human League3.253:42
3The Safety Dance
produttore:
Marc Durand (Canadian producer)
diritti fonografici (℗) detenuti da:
Statik Records (nel 1982) e Marc Durand Production (nel 1983)
edit di:
The Safety Dance di Men Without Hats (Canadian new wave/synthpop group)
video musicali:
The Safety Dance di Men Without Hats (Canadian new wave/synthpop group)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 39) e Huffington Post: 100 Best Canadian Songs Ever (numero: 48)
registrazione di:
The Safety Dance (dal 1982-01 al 1982-03)
paroliere e compositore:
Ivan Doroschuk (Men Without Hats)
editore:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (nel 1982) e Wintrup Musik (nel 1982)
Men Without Hats3.82:43
4Burning Down the House (live)
assistente tecnico di missaggio:
Robin Laine, Nick Del Re, Linda Randazzo e Glenn Rosenstein
tecnico di missaggio:
E. T. Thorngren e Jerry Harrison (Talking Heads & producer)
registrata presso:
Hollywood Pantages Theatre in Hollywood, Los Angeles, California, Stati Uniti (nel 1983-12)
mixata presso:
Sigma Sound Studios (New York) in New York, New York, Stati Uniti e Soundworks (New York) in New York, New York, Stati Uniti
registrazione dal vivo di:
Burning Down the House (nel 1983-12)
paroliere:
David Byrne (Talking Heads)
compositore:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
editore:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Talking Heads54:04
5Angel Eyes
produttore:
Roxy Music
tecnico di missaggio:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1979), Virgin EG Records Ltd. (nel 1979) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1999)
registrazione di:
Angel Eyes
autore:
Bryan Ferry e Andy Mackay (of Roxy Music)
editore:
BMG Songs Ltd., E.G. Music Inc. e E.G. Music Ltd. (publisher) (nel 1979)
Roxy Music42:51
6Situation (12″ remix)
produttore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…), Daniel Miller (British music producer and founder of Mute Records) e Eric Radcliffe (UK producer / engineer / musician)
sintetizzatore e tastiera :
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
voce:
Alison Moyet
remixer:
François Kevorkian
diritti fonografici (℗) detenuti da:
Sire Records (nel 1982)
registrazione di:
Situation
autore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) e Alison Moyet
Yazoo3.355:44
7Einstein a Go‐Go
produttore:
Landscape (80s British synthpop)
diritti fonografici (℗) detenuti da:
RCA Ltd. (UK arm of RCA) (dal 1981 a oggi) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981)
registrazione di:
Einstein a Go-Go
compositore:
Richard James Burgess, Landscape (80s British synthpop) e John L. Walters
editore:
Landscape Music Ltd. e Sunbury Music Ltd.
Landscape3:01
8MoneyThe Flying Lizards4.22:31
9Happy House
produttore:
Nigel Gray (UK producer) e Siouxsie and the Banshees
registrazione di:
Happy House
paroliere:
Siouxsie Sioux (Susan Janet Ballion)
compositore:
Steven Severin e Siouxsie Sioux (Susan Janet Ballion)
editore:
Chappell e Pure Noise (Siouxsie and the Banshees publisher)
Siouxsie and the Banshees4.653:53
10A Forest
produttore:
Mike Hedges (UK producer/recording engineer) e Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
basso elettrico :
Simon Gallup
batteria :
Lol Tolhurst
chitarra elettrica e voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
tastiera :
Matthieu Hartley
video musicali:
A Forest di The Cure
parte di:
Pitchfork: The Story of Goth in 33 Songs
registrazione di:
A Forest
paroliere:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
compositore:
Simon Gallup, Matthieu Hartley, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Lol Tolhurst
editore:
APB Music Co.
The Cure45:55
11Say Hello, Wave Goodbye
tecnico:
Don Wershba (engineer)
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
registrata presso:
Camden Cell Studios
registrazione di:
Say Hello, Wave Goodbye
paroliere:
Marc Almond (English pop singer and songwriter)
compositore:
Dave Ball (UK electronic musician, part of Soft Cell)
editore:
Metropolis Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e WB Music Corp. (1929–2019)
Soft Cell55:26
12Pocket Calculator
produttore:
Ralf Hütter e Florian Schneider (founding member of Kraftwerk)
diritti fonografici (℗) detenuti da:
Ralf Hütter e Kraftwerk
registrazione di:
Pocket Calculator
paroliere e traduttore:
Ralf Hütter e Emil Schult
compositore:
Karl Bartos e Ralf Hütter
editore:
Kling Klang Music
versione tradotta di:
Taschenrechner
Kraftwerk44:58
13The Chauffeur (Blue Silver)
registrazione di:
The Chauffeur
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran5:11
14Johnny & Mary
tecnico e tecnico di missaggio:
Alex Sadkin
produttore:
Robert Palmer (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1980)
registrazione di:
Johnny and Mary
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Bungalow Music, Bungalow Music N.V., Island Music (Island Music Ltd.) e Warner/Chappell (Warner/Chappell Music, Inc.)
Robert Palmer4.44:01
15View From a Bridge
produttore:
Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
Cherry Pop (a division of Cherry Red Records Ltd.), RAK, EMI France (nel 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1996, nel 2001) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrazione di:
View From a Bridge
autore:
Marty Wilde e Ricky Wilde
Kim Wilde43:31
16Is It a Dream
registrazione di:
Is It a Dream?
paroliere e compositore:
Sal Solo
Classix Nouveaux4.53:38
17(We Don’t Need This) Fascist Groove Thang
produttore:
B.E.F.
basso, chitarra e sintetizzatore :
John Wilson (guitarist; Heaven 17)
percussione, pianoforte e sintetizzatore e voce di accompagnamento:
Martyn Ware
percussione, sassofono e sintetizzatore :
Ian Craig Marsh
voce principale:
Glenn Gregory
registrazione di:
(We Don’t Need This) Fascist Groove Thang
paroliere:
Glenn Gregory
compositore:
Glenn Gregory, Ian Craig Marsh e Martyn Ware
editore:
Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 174.54:20
18I Ran
tecnico di registrazione:
Mike Score
tecnico:
Mike Shipley (audio engineer, mixer, producer)
produttore:
Mike Howlett
batteria :
Ali Score
chitarra :
Paul Reynolds (UK guitarist, in A Flock of Seagulls) e Mike Score
chitarra basso e voce di accompagnamento:
Frank Maudsley
tastiera e voce principale:
Mike Score
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982), Zomba Productions Limited (nel 1982) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
video musicali:
I Ran di A Flock of Seagulls
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 55)
registrazione di:
I Ran
autore:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score e Mike Score
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.35:04
19Electricity
tecnico:
Paul Collister e Chester Valentino (Paul Collister)
produttore:
Orchestral Manoeuvres in the Dark e Chester Valentino (Paul Collister)
basso :
Andy McCluskey
batteria elettronica [electronic percussion] :
Paul Humphreys (Orchestral Manoeuvres in the Dark)
voce:
Paul Humphreys (Orchestral Manoeuvres in the Dark) e Andy McCluskey
registrata presso:
The Gramophone Suite in Liverpool, Merseyside, England, Regno Unito (nel 1979)
registrazione di:
Electricity
autore:
Paul Humphreys (Orchestral Manoeuvres in the Dark) e Andy McCluskey
editore:
Dinsong Music, EMI/Virgin Music Publishing Ltd. e VC II
Orchestral Manoeuvres in the Dark33:29
2▼CD
#TitoloArtistaValutazioneDurata
1The Killing Moon
tecnico di registrazione e produttore:
David Lord (British composer, engineer and producer)
tecnico di missaggio:
Echo & the Bunnymen e Gil Norton (British record producer)
arrangiatore:
Adam Peters
registrazione di:
The Killing Moon
autore:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson e Will Sergeant
Echo & the Bunnymen4.255:47
2Running Up That Hill (A Deal With God)
assistente tecnico:
Pearse Dunne
tecnico:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench e Nigel Walker (UK producer/engineer/guitarist)
produttore:
Kate Bush
tecnico di missaggio:
Brian Tench
balalaika :
Paddy Bush
basso :
Del Palmer
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra :
Alan Murphy (UK session guitarist)
voce:
Kate Bush
diritti fonografici (℗) detenuti da:
EMI America Records (holding – file NO releases here!) (nel 1985), EMI Korea (nel 1985), EMI Records (not for release label use!) (nel 1985), EMI Records Group N.A. (nel 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985), Noble & Brite Ltd. (nel 1985), Novercia Ltd. (nel 1985), Oasis (nel 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (nel 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (nel 2006), Noble and Brite (nel 2011) e Noble & Brite Ltd (nel 2018)
registrata presso:
Wickham Farm Home Studio in Welling, Bexley, London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
video musicali:
Running Up That Hill (music video) di Kate Bush
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 7), Billboard Year-End Hot 100 singles of 2022 (numero: 23), Billboard Hot 100: 2026-01-17 (numero: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 60), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 279)
registrazione di:
Running Up That Hill
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.954:57
3Opportunities (Let’s Make Lots of Money)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1986, nel 1991)
registrazione di:
Opportunities (Let’s Make Lots of Money)
paroliere, autore e compositore:
Chris Lowe (1/2 of Pet Shop Boys) e Neil Tennant
editore:
10 Music Ltd. e Cage Music Ltd.
Pet Shop Boys53:37
4True Faith
produttore:
Stephen Hague e New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1987)
registrazione di:
True Faith
autore:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
parte di:
American Psycho
New Order3.755:53
5Brilliant Mind
tecnico:
John Brough, Renny Hill (engineer) e Seb (Engineer)
produttore:
Mick Glossop (producer & engineer)
archi :
Tim Beaton e Charlie Buchannon
basso :
Sally Still
batteria e percussione :
Hamilton Lee
chitarra e voce di accompagnamento:
Tim Whelan
sassofono :
Larry Whelan (Saxophonist)
tastiera :
Maya Gilder (Keyboardist)
voce principale:
Jim Irvin
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1986)
registrata presso:
Townhouse 3 in Battersea, Wandsworth, London (Greater London), England, Regno Unito
mixata presso:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 86)
registrazione di:
Brilliant Mind
autore:
Jim Irvin, Hamilton Lee, Sally Still e Tim Whelan
editore:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Furniture3.353:41
6Duel
tecnico:
Bobby Kraushaar
produttore:
S. J. Lipson
tecnico di missaggio:
Horn e Lipson
esecutore:
Claudia Brücken, Michael Mertens (German musician & producer), Ralf Dorper e Suzanne Freytag
diritti fonografici (℗) detenuti da:
ZTT (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1985)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 6)
registrazione di:
Duel
paroliere:
Ralf Dörper
compositore:
Claudia Brücken, Ralf Dörper, Susanne Freytag e Michael Mertens (German musician & producer)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Propaganda3.654:46
7The Circus
remixer:
Flood (British producer Mark Ellis)
registrazione di:
The Circus
autore:
Andy Bell (singer / songwriter for Erasure) e Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
Erasure54:06
8Wood Beez (Pray Like Aretha Franklin)
registrazione di:
Wood Beez (Pray Like Aretha Franklin)
paroliere e compositore:
Green Gartside
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Jouissance Music e WB Music Corp. (1929–2019)
Scritti Politti3:34
9Life’s What You Make It
produttore:
Tim Friese‐Greene
batteria :
Lee Harris (drummer, member of Talk Talk and .O.Rang)
mellotron e organo :
Tim Friese‐Greene
percussione :
Martin Ditcham
pianoforte :
Mark Hollis
voce:
Mark Hollis
voce di accompagnamento:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
registrazione di:
Life’s What You Make It
autore:
Tim Friese‐Greene e Mark Hollis
Talk Talk3.754:27
10Rise
registrazione di:
Rise (nel 1985)
autore:
Bill Laswell (US bass guitarist and record producer) e John Lydon (Johnny Rotten of the Sex Pistols)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Ltd. (1996–2019)
Public Image Ltd.4:29
11Waterfront
tecnico:
Howard Gray (UK producer, engineer, and electronic musician)
produttore:
Steve Lillywhite e Peter Walsh (UK producer)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983)
registrazione di:
Waterfront
autore:
Charlie Burchill, Derek Forbes, Mel Gaynor, Jim Kerr (of Simple Minds) e Michael MacNeil
editore:
Colgems-EMI Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Publishing Ltd.
Simple Minds4.54:50
12It’s the End of the World as We Know It (and I Feel Fine) (edit)
registrazione di:
It’s the End of the World as We Know It (and I Feel Fine)
autore:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) e Michael Stipe
editore:
Night Garden Music
R.E.M.4:04
13Imagination
registrazione di:
Imagination
paroliere e compositore:
Neville Keighley
Belouis Some33:35
14It’s a Miracle / Miss Me Blind (US 12″ mix)
produttore:
Steve Levine (producer)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1984)
è stato produttore per:
Do Not Erase Productions
medley che comprende una registrazione di:
It’s a Miracle
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
medley che comprende una registrazione di:
Miss Me Blind
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
Culture Club59:11
15Cccan’t You See
produttore:
Tony Mansfield (producer & songwriter)
registrazione di:
Cccan't You See
paroliere:
Josie Warden
compositore:
Brian Moss (member of Vicious Pink)
editore:
Heath Levy Music Co. Ltd. e Warehouse Music Ltd
Vicious Pink43:28
16Close (to the Edit) (album version)
registrazione di:
Close (to the Edit)
compositore:
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik, Gary Langan e Paul Morley
Art of Noise5:27
17The Wizard
registrazione di:
The Wizard
paroliere e compositore:
Paul Hardcastle
Paul Hardcastle3:24
3▼CD
#TitoloArtistaValutazioneDurata
1Friday Night, Saturday Morning
produttore:
John Collins (producer)
registrazione di:
Friday Night, Saturday Morning
paroliere e compositore:
Terry Hall
The Specials4.253:35
2(I Can’t Get Me No) Satisfaction
tecnico:
Conny Plank (German producer and sound engineer)
produttore:
Brian Eno
registrata presso e mixata presso:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germania
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 17)
registrazione cover di:
(I Can’t Get No) Satisfaction
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. e Essex Music International
registrazione di:
(I Can’t Get No) Satisfaction
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. e Essex Music International
DEVO4.62:41
3Buffalo Gals (edit)
registrazione di:
Buffalo Gals
compositore:
Anne Dudley (English score composer), Trevor Horn e Malcolm McLaren
editore:
Buffalo Music, Ltd., By Bug House Music, Unforgettable Music, Ltd., Universal Music Publishing, Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal-Polygram International, Inc.
Malcolm McLaren4:22
4The Lone Ranger
registrazione di:
The Lone Ranger
Quantum Jump3:20
5Senses Working Overtime
tecnico:
Hugh Padgham
produttore:
Hugh Padgham e XTC (English rock band)
edit di:
Senses Working Overtime di XTC (English rock band)
registrazione di:
Senses Working Overtime
paroliere e compositore:
Andy Partridge
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC4.54:35
6Is Vic There?Department S53:05
7Memphis Tennessee
registrazione cover di:
Memphis, Tennessee
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Silicon Teens42:24
8The Strange Boutique
registrazione di:
Strange Boutique
autore:
Bid e Lester Square
The Monochrome Set53:10
9At Home He’s a Tourist
registrazione di:
At Home He’s a Tourist
autore:
Dave Allen (UK bassist for Gang of Four/Shriekback/Low Pop Suicide), Hugo Burnham (drummer), Andy Gill (guitarist and record producer) e Jon King (vocalist in Gang of Four)
editore:
Bug Music (music publishing), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Publishing Ltd.
Gang of Four3:38
10Evidently Chicken Town
produttore:
The Invisible Girls
voce parlata:
John Cooper Clarke (English poet)
registrazione di:
Evidently Chickentown
paroliere:
John Cooper Clarke (English poet)
compositore:
Steve Hopkins (The Invisible Girls, Smudeboy) e Martin Hannett
John Cooper Clarke52:22
11Waltzinblack
registrazione di:
Waltzinblack
compositore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
The Stranglers3:32
12Fade Away and Radiate
supporto a vario titolo:
Robert Fripp
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Robert Fripp, Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione di:
Fade Away and Radiate (dal 1978-06 al 1978-07)
paroliere e compositore:
Chris Stein
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, BMG RM Chrysalis Music France, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e Rare Blue Music Inc (nel 1978)
Blondie3.754:00
13Nightporter
registrazione di:
Nightporter
paroliere e compositore:
David Sylvian
Japan36:59
14Underpass
registrazione di:
Underpass
paroliere e compositore:
John Foxx
editore:
Island Music (Island Music Ltd.)
John Foxx3.53:19
15The Lunatics (Have Taken Over the Asylum)
produttore:
Fun Boy Three e Dave Jordan (UK producer/remixer)
registrazione di:
The Lunatics (Have Taken Over the Asylum)
paroliere e compositore:
Lynval Golding, Terry Hall e Neville Staple
Fun Boy Three43:14
16A Song From Under the Floorboards
registrazione di:
A Song From Under the Floorboards
paroliere:
Howard Devoto
compositore:
Magazine (70s/80s UK post-punk/new wave band)
Magazine4:08
17Track Three
batteria :
Peter Van Hooke
chitarra :
Phil Palmer (guitarist) e Ray Russell (guitar, composer, producer)
chitarra basso :
Mo Foster
tastiera :
Brian Gascoigne
tromba :
Mark Isham (American musician and score composer)
voce di accompagnamento:
Billy Ocean
registrazione di:
Track Three (dal 1983-10 al 1983-12)
paroliere e compositore:
Scott Walker (singer‐songwriter, musician and producer)
Scott Walker3:44
18Eardrum Buzz
tecnico:
Paul Kendall (British producer and engineer aka PK)
produttore e tecnico di missaggio:
John Fryer (British producer and engineer) e Paul Kendall (British producer and engineer aka PK)
registrazione di:
Eardrum Buzz
autore:
Bruce Gilbert (UK musician; guitarist in Wire), Robert Gotobed (drummer in Wire), Graham Lewis (bassist in Wire) e Colin Newman (UK vocalist / songwriter)
Wire44:13
19Lawn Chairs
registrazione di:
Lawnchairs
paroliere:
Layne Rico
autore:
Our Daughter’s Wedding
Our Daughter’s Wedding3:32
20Vienna (edit)
produttore:
Conny Plank (German producer and sound engineer) e Ultravox
basso :
Chris Cross (UK bassist for Ultravox) (nel 1980-04)
batteria :
Warren Cann (nel 1980-04)
chitarra :
Midge Ure (nel 1980-04)
tastiera e violino :
Billy Currie (nel 1980-04)
voce:
Midge Ure (nel 1980-04)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981, nel 2025)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito (nel 1980-04)
mixata presso:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (nel 1980-05)
edit di:
Vienna (original album mix) di Ultravox
video musicali:
Vienna (music video) di Ultravox e Vienna (uncut) di Ultravox
registrazione di:
Vienna (nel 1980-04)
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3.354:38
21Forbidden Colours
produttore:
坂本龍一 (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter)
tastiera :
坂本龍一 (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter) (nel 1983)
voce principale ospite:
David Sylvian (nel 1983)
registrazione di:
Forbidden Colours
paroliere:
David Sylvian
compositore:
坂本龍一 (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter)
editore:
Chadwick Nomis Ltd., KAB America, Opium (Arts) Ltd. e やのミュージック (Yano Music)
arrangiamento di:
Merry Christmas, Mr. Lawrence (Merry Christmas, Mr. Lawrence, Main Theme)
parte di:
Merry Christmas, Mr. Lawrence
David Sylvian & Ryuichi Sakamoto4.354:40

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Pubblicazione

ASIN:UK: B001EQA5TA [info]