Die ultimative Chart Show: Die erfolgreichsten Pop-Hymnen aller Zeiten

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1We Are the Champions
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
assistierende(r) Produzent(in) und Koproduzent(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Queen (UK rock group)
Bassgitarre:
John Deacon
E-Gitarre und Gitarre:
Brian May (Queen guitarist)
Klavier und Sologesang:
Freddie Mercury
Schlagzeug:
Roger Taylor (Queen drummer)
Hintergrundgesang:
Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2011)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 25)
recording of:
We Are the Champions
Texter und Komponist(in):
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.953:02
2Music
Techniker(in):
Alan Parsons (of The Alan Parsons Project) (von 1975-11 bis 1975-12)
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
Bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (von 1975-11 bis 1975-12)
Gitarre, Keyboard, Synthesizer und Sologesang:
John Miles (UK singer/songwriter/guitarist/keyboardist) (von 1975-11 bis 1975-12)
Perkussion:
Barry Black (von 1975-11 bis 1975-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-11 bis 1975-12)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 10) und SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 10)
recording of:
Music (von 1975-11 bis 1975-12)
Texter und Komponist(in):
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:53
3A Song of Joy
Miguel Ríos4:23
4Wind of Change
assistierende(r) Techniker(in):
Shay Baby, Attie Bauw, Albert Boekholt und Tom Fletcher (engineer)
Techniker(in):
Erwin Musper und Keith Olsen (US producer and engineer)
Produzent(in):
Keith Olsen (US producer and engineer) und Scorpions (German rock band)
Mix:
Shay Baby, Erwin Musper und Keith Olsen (US producer and engineer)
Akustikgitarre:
Rudolf Schenker (in 1990)
Bassgitarre:
Francis Buchholz (in 1990)
E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs (in 1990) und Rudolf Schenker (in 1990)
Gast-Keyboard:
Koen van Baal (in 1990)
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany) (in 1990)
Slide-Gitarre:
Matthias Jabs (in 1990)
Hintergrundgesang:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) und Rudolf Schenker (in 1990)
Sologesang:
Klaus Meine (in 1990)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990, in 1991) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
aufgenommen bei:
Goodnight LA Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten (in 1990) und Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
Texter und Komponist(in):
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions3.45:13
5One Moment in Time
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
vocals und Interpret(in):
Whitney Houston
conductor:
Michael Gibbs
arranger:
Narada Michael Walden
vocals arranger:
Whitney Houston
recording of:
One Moment in Time
Texter:
John Bettis
Komponist(in):
Albert Hammond
Whitney Houston4.54:46
6Time to Say Goodbye
Produzent(in):
Frank Peterson
Soprangesang:
Sarah Brightman (in 1996-10)
Tenor-Gesang:
Andrea Bocelli (tenor) (in 1996-10)
conductor:
Michael Reed (UK conductor/arranger for musicals) (in 1996-10)
phonographisches Urheberrecht (℗) von:
EastWest Records GmbH (not for release label use!) (in 1996)
aufgenommen bei:
Nemo Studio (Hamburg) in Hamburg, Deutschland (in 1996-10)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 10)
recording of:
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”) (in 1996-10)
Texter:
Lucio Quarantotto
zusätzlicher Texter:
Frank Peterson
Komponist(in):
Francesco Sartori
publisher:
Sugar Music MV und Sugar S.r.l. (company credits only; do NOT use as release label)
übersetzte Version von:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
Sarah Brightman & Andrea Bocelli4.54:05
7Liberatio
recording of:
Liberatio
Texter und Komponist(in):
Chris Siemons
Krypteria44:01
8Adiemus
assistierende(r) Techniker(in) und assistierende(r) Mix:
Kirsten Cowie
Techniker(in) und Mix:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
zusätzliche(r) Techniker(in):
Gary Thomas (engineer)
Soprangesang:
Miriam Stockley (in 1995)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (in 1995)
Perkussion arranger:
Mike Ratledge
Orchestrator(in):
Karl Jenkins (Welsh composer, conductor and instrumentalist)
phonographisches Urheberrecht (℗) von:
Jenkins Ratledge Ltd. (in 1995)
aufgenommen bei und mixed at:
Angel Recording Studios in Islington, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Adiemus von Adiemus (Group founded by Karl Jenkins)
recording of:
Adiemus
Texter:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
Komponist(in):
Karl Jenkins (Welsh composer, conductor and instrumentalist) und Mike Ratledge
publisher:
FB Media in GSA
Teil von:
Adiemus I: Songs of Sanctuary
Adiemus3.253:59
9Ameno
Era3:55
10Mea Culpa
recording of:
Mea Culpa
Texter:
Curly M.C.
Komponist(in):
David Fairstein
publisher:
Data Alpha, Sweet 'n' Sour Songs Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Enigma4:32
11Freiheit
cover recording of:
Freiheit
Texter:
Michael Kurth (German rapper Michael Sebastian Kurth) und Marius Müller‐Westernhagen
Komponist(in):
Claudio Bucher (Swiss hip hop producer) und Marius Müller‐Westernhagen
publisher:
Edition Alles Real, More Musikverlag GmbH und Universal Music Publishing Group
Adoro3:25
12Nothing Else Matters
recording engineer und Mix:
Juha Heininen
Produzent(in):
Otto Donner und Hiili Hiilesmaa
Cello:
Max Lilja, Paavo Lötjönen, Antero Manninen und Eicca Toppinen
arranger:
Eicca Toppinen
phonographisches Urheberrecht (℗) von:
PolyGram Finland Oy (in 1998)
aufgenommen bei und mixed at:
Millbrook Studio in Helsinki, Uusimaa, Finnland
instrumental cover recording of:
Nothing Else Matters
Verfasser(in):
James Hetfield und Lars Ulrich
publisher:
Creeping Death Music
cover recording of:
Nothing Else Matters
Verfasser(in):
James Hetfield und Lars Ulrich
publisher:
Creeping Death Music
Apocalyptica3.84:45
13Time for Dreams
phonographisches Urheberrecht (℗) von:
Sleepingroom Musik GmbH (company credits only; do NOT use as release label) (in 2010)
Lang Lang & Schiller3:13
14Oxygene
recording of:
Oxygène
Komponist(in):
Jean‐Michel Jarre
Jean Michel Jarre3:10
15Tubular Bells
recording engineer:
Tom Newman (producer, guitarist)
Techniker(in):
Simon Heyworth (UK record engineer and producer)
Gast-Oboe:
Lindsay Cooper (English female bassoon, oboe, piano, flute player, political activist)
remixer:
Mike Oldfield
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 2009)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich (in 1973)
recording of:
Mike Oldfield's Single (Theme from Mike Oldfield's album 'Tubular Bells')
Komponist(in):
Mike Oldfield
Version von:
Tubular Bells, Part Two
Mike Oldfield43:55
16Nessun Dorma
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25) und Wandsworth School Boys’ Choir (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Luciano Pavarotti52:59
17Ode an Die Freude
Münchner Brahms-Chor3:35
18American Pie
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
Perkussion und Schlagzeug:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) und United Artists Records (for bootlegs and counterfeit) (in 1971)
teilweise recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:07
19Fields of God
recording of:
Fields of Gold
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Music Publishing Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS‐affiliated) und Steerpike Ltd. (PRS-affiliated)
Sting3:52
20Thank You for the Music
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Akustikgitarre [lead guitar] und Mandoline:
Lasse Wellander (am 1977-07-21)
Akustikgitarre und Mandoline:
Björn Ulvaeus (am 1977-07-21)
Bassgitarre:
Rutger Gunnarsson (am 1977-07-21)
Keyboard:
Benny Andersson (ABBA) (am 1977-07-21)
Schlagzeug und Tamburin:
Roger Palm (am 1977-07-21)
Sologesang:
Agnetha Fältskog (in 1977)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1977)
aufgenommen bei:
Glen Studio in Stockholms län (Stockholm county), Schweden (am 1977-07-21)
mixed at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1977-11-07)
recording of:
Thank You for the Music (am 1977-07-21)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group und Universal/Union Songs Musikförlag AB
Teil von:
Mamma Mia! (1999 musical)
Teil von:
The Girl With the Golden Hair: 3 Scenes From a Mini Musical
ABBA3.453:49
2▼CD
Nr.TitelKünstlerBewertungLänge
1The Best
Produzent(in):
Dan Hartman und Tina Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 4) und Cachitos Nochevieja 2022 (Nummer: 154)
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner45:30
2The Final Countdown
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
Musikvideo für:
The Final Countdown von Europe (Swedish band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 66) und Cachitos Nochevieja 2022 (Nummer: 155)
recording of:
The Final Countdown
Texter und Komponist(in):
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seven Doors Music
Europe4.055:08
3Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:55
4Live Is Life
E-Bass:
Niki Gruber (am 1984-09-02)
Gitarre:
Ewald Pfleger (am 1984-09-02)
Keyboard:
Kurt René Plisnier (am 1984-09-02)
Schlagzeug:
Günter Grasmuck (am 1984-09-02)
Sologesang:
Herwig Rüdisser (am 1984-09-02)
phonographisches Urheberrecht (℗) von:
OK Music (in 1984) und Deshima Music GmbH (in 2000)
aufgenommen bei:
Informstadion in Oberwart, Burgenland, Österreich (am 1984-09-02)
Musikvideos:
Live Is Life von Opus (Austrian band; track: “Live Is Life”)
live recording of:
Live Is Life (song by Opus) (am 1984-09-02)
Texter:
Ewald Pfleger
Komponist(in):
Günter Grasmuck, Peter Niklas Gruber, Ewald Pfleger, Kurt René Plisnier und Herwig Rüdisser
publisher:
Garden of Music Publishing und Opus Music (Publisher for Opus)
Opus3.54:13
5God Gave Rock and Roll to You
Techniker(in):
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette), Stan Katayama und Chris Steinmetz
Produzent(in):
Bob Ezrin
Mix:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette)
E-Bass:
Gene Simmons (KISS bassist and vocalist)
E-Gitarre [lead guitar]:
Bruce Kulick (rock music singer-songwriter and musician)
E-Gitarre [rhythm guitar]:
Paul Stanley (KISS frontman)
Schlagzeug:
Eric Singer (rock/metal drummer)
Hintergrundgesang:
Eric Carr (KISS drummer) und Bruce Kulick (rock music singer-songwriter and musician)
Sologesang:
Gene Simmons (KISS bassist and vocalist) und Paul Stanley (KISS frontman)
phonographisches Urheberrecht (℗) von:
Interscope Records, Inc. (not for release label use!) (in 1991)
engineered at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten
Remix von:
God Gave Rock and Roll to You II (soundtrack mix) von KISS (US rock band)
recording of:
God Gave Rock ’n’ Roll to You II
Texter und Komponist(in):
Russ Ballard
zusätzlicher Texter:
Bob Ezrin, Gene Simmons (KISS bassist and vocalist) und Paul Stanley (KISS frontman)
publisher:
Bocu Music Ltd., Verulam Music Co., Ltd. und Mainspring Music (vom 1991 bis ????)
sub-publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Version von:
God Gave Rock and Roll to You
KISS4.655:21
6My Oh My
recording of:
My Oh My
Verfasser(in):
James Lea und Neville Holder
publisher:
Slezak (publisher) und Whild John Music Ltd.
Slade4:11
7San Francisco
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.753:00
8Aquarius - Let the Sunshine
The 5th Dimension3:54
9Eloise
recording of:
Eloise
Texter und Komponist(in):
Paul Ryan (UK singer, songwriter & producer) (in 1968)
publisher:
Carlin Music Corporation und Hill & Range (publisher)
Barry Ryan4:35
10Life Is for Living
Barclay James Harvest4:39
11Candle in the Wind
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray (in 1973-05)
E-Gitarre:
Davey Johnstone (in 1973-05)
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
Schlagzeug:
Nigel Olsson (in 1973-05)
Hintergrundgesang:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) und Nigel Olsson (in 1973-05)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (in 1973-05)
Musikvideos:
Candle in the Wind von Elton John (English singer, songwriter, pianist, and composer)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 7) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 348)
recording of:
Candle in the Wind (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
gewidmet:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Universal–Songs of PolyGram International, Inc.
Elton John3.653:50
12The Power of Love
Programmierung:
Harry Baierl
Produzent(in):
Candy de Rouge (aka Candy de Rouge) und Gunther Mende
Keyboard:
Harry Baierl
Sologesang:
Jennifer Rush
arranger:
Candy de Rouge (aka Candy de Rouge) und Gunther Mende
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1984) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
Verfasser(in):
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende und Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (bis 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Jennifer Rush56:03
13I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:02
14What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong’s Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und Project 3 Records Inc. (in 1988)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong3.952:18
15Oh Happy Day
recording of:
Oh Happy Day (Hawkins’ 1967 gospel arrangement)
Texter:
Philip Doddridge
Komponist(in):
Edward Francis Rimbault (in 1854)
arranger:
Edwin Hawkins (in 1967)
publisher:
Edwin R Hawkins Music Co, EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Arrangement von:
Oh Happy Day
Version von:
O Happy Day, That Fixed My Choice (mid‐19th century version, with new melody and a chorus by Rimbault)
Edwin Hawkins Singers3:12
16Hand in Hand
recording of:
Hand in Hand
Texter:
Tom Whitlock
Komponist(in):
Giorgio Moroder
Teil von:
Official Songs of the Olympic Games (Nummer: 1988)
Koreana4:15
17Australia
Magic Voices3:24
18Go for Gold in Barcelona
recording of:
Go for Gold
Texter:
Timothy Touchton
Verfasser(in):
Thomas Hen und Detlef Reshöft
The Winners4:36
19Insomnia
Produzent(in):
Rollo (Rollo Armstrong of Faithless) und Sister Bliss
Sologesang [rap]:
Maxi Jazz
Bearbeitung von:
Insomnia (original Reverence album mix) von Faithless
recording of:
Insomnia
Texter:
Maxi Jazz
Verfasser(in):
Maxi Jazz, Rollo (Rollo Armstrong of Faithless) und Sister Bliss
Faithless33:36

Nennungen

Veröffentlichungsgruppe

Teil von:Die ultimative Chart Show (Nummer: 2010-01-08) (Reihenfolge: 53)