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~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD: Disc One
#TitoloArtistaValutazioneDurata
1I'm Your Man
produttore:
George Michael
arrangiatore:
George Michael
video musicali:
I’m Your Man di Wham! (British pop-duo) e I’m Your Man di Wham! (British pop-duo)
parte di:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (numero: 8)
registrazione di:
I'm Your Man
paroliere e compositore:
George Michael
Wham!44:08
2Prince Charming
produttore:
Chris Hughes (producer, aka “Merrick”)
armonica (a bocca) e voce principale:
Adam Ant (English new wave singer and actor)
batteria :
Chris Hughes (producer, aka “Merrick”), Merrick (ex Adam & The Ants) e Terry Lee Miall
chitarra :
Merrick (ex Adam & The Ants) e Marco Pirroni (British musician and producer)
chitarra basso :
Adam Ant (English new wave singer and actor) e Gary Tibbs
voce:
Adam Ant (English new wave singer and actor)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1981)
video musicali:
Prince Charming di Adam and the Ants (English new wave band) e Prince Charming (alt) di Adam and the Ants (English new wave band)
parte di:
The Downloader’s Music Source Book (numero: 144)
registrazione di:
Prince Charming
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:20
3(Keep Feeling) Fascination
produttore:
Martin Rushent
remixer:
Chris Thomas (UK record producer / remixer)
video musicali:
(Keep Feeling) Fascination di The Human League
registrazione di:
(Keep Feeling) Fascination
autore:
Jo Callis e Philip Oakey
The Human League3.253:45
4Hold Me Now
tecnico di registrazione, tecnico e tecnico di missaggio:
Phil Thornalley
programmazione degli strumenti:
Tom Bailey (Thompson Twins)
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
armonica (a bocca) , chitarra , contrabbasso [contrabass] , pianoforte e sintetizzatore :
Tom Bailey (Thompson Twins)
batteria , marimba , percussione e xilofono :
Alannah Currie
congas e sintetizzatore [Prophet V] :
Joe Leeway
voce:
Tom Bailey (Thompson Twins)
voce di accompagnamento:
Alannah Currie e Joe Leeway
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1983), BMG Arista Records Ltd. (nel 1983), BMG Eurodisc Ltd. (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983), Arista Records Ltd. (not for release label use!) (nel 1984) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Hold Me Now di Thompson Twins
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) e Point Music Ltd.
Thompson Twins4.54:49
5I Owe You Nothing
tecnico di registrazione:
John Brand (engineer), Simon Humphrey e Robin Sellers
assistente tecnico:
Richard Edwards (sound engineer) e Alex Osman
tecnico:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
produttore e tecnico di missaggio:
Nicky Graham
produttore aggiunto:
Ric Wake
remixer:
Bob Cadway e Ric Wake
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1988)
registrata presso:
Hot Nights Studio in London (Greater London), England, Regno Unito
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
I Owe You Nothing
autore:
Nicky Graham e Thomas Watkins
editore:
Alderzone Ltd., BMG Gold Songs, EMI Virgin Music Ltd. (do not use this as a release label!), Maximum Music Limited, Graham Music Publishers Ltd. (nel 1988), Intersong Music Ltd. (nel 1988) e Virgin Music (Publishers) Ltd. (nel 1988)
Bros3:44
6Frankie
registrazione di:
Frankie
paroliere e compositore:
Denise Rich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge3.353:56
7Never Gonna Give You Up
programmazione degli strumenti:
Ian Curnow (nel 1986-10)
assistente tecnico:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman e Waterman
tecnico di missaggio:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (il 1987-01-01)
batteria [drums] :
A Linn (Linn 9000) (nel 1986-10)
chitarra [guitars] :
Matt Aitken (nel 1986-10)
tastiera [keyboards] :
Matt Aitken (nel 1986-10) e Mike Stock (of Stock Aitken Waterman) (nel 1986-10)
voce di accompagnamento [backing vocals]:
Dee Lewis (nel 1986-10), Shirley Lewis (nel 1986-10), Mae McKenna (vocalist) (nel 1986-10) e Suzanne Rhatigan (nel 1986-10)
voce principale:
Rick (English singer, songwriter and radio personality) (nel 1986-10)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
BMG Records (UK) Ltd. (1987–1996) (dal 1987 a oggi), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1987), Pete Waterman Ltd. (copyrights holder) (nel 1987) e PWL (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1986-10), PWL Studio 2 (nel 1986-10) e PWL Studios (London) in London (Greater London), England, Regno Unito (nel 1986-10)
mixata presso:
PWL Studio 1 (il 1987-01-01) e PWL Studio 2 (il 1987-01-01)
video musicali:
Never Gonna Give You Up di Rick Astley (English singer, songwriter and radio personality)
parte di:
Cachitos Nochevieja 2022 (numero: 48) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 244)
registrazione di:
Never Gonna Give You Up (nel 1986-10)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Terrace Music (nel 1987)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.43:33
8The Sun Always Shines on TV
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 11) e The Downloader’s Music Source Book (numero: 283)
registrazione di:
The Sun Always Shines on T.V.
paroliere e compositore:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e Sony ATV Publishing
a‐ha3.95:08
9If You Let Me Stay
tecnico di registrazione e tecnico di missaggio:
Phil Legg
tecnico aggiunto:
Michael Brauer (engineer)
produttore:
Howard Gray (UK producer, engineer, and electronic musician)
basso :
Sean Oliver
batteria :
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
chitarra :
Pete Glenister
percussione :
Terence Trent D’Arby (now known as Sananda Maitreya) e Frank Ricotti (percussionist)
tastiera :
Nick Plytas
voce di accompagnamento:
Lance Ellington (Strictly Come Dancing) e Tony Jackson (British funk / soul musician, singer / songwriter, producer and arranger)
voce di accompagnamento e voce principale:
Terence Trent D’Arby (now known as Sananda Maitreya)
remixer:
Michael Brauer (engineer)
arrangiatore:
Terence Trent D’Arby (now known as Sananda Maitreya)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1987)
registrazione di:
If You Let Me Stay
paroliere e compositore:
Terence Trent D’Arby (now known as Sananda Maitreya)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music (Publishers) Ltd. e Young Terence Music (Publisher)
Terence Trent D’Arby3.153:17
10Love Plus One
produttore:
Bob Sargeant
batteria :
Blair Cunningham
chitarra :
Graham Jones (Haircut 100)
percussione :
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
sassofono :
Phil Smith (Saxophonist)
strumenti:
Leslie Nemes
voce:
Nick Heyward
diritti fonografici (℗) detenuti da:
BMG Eurodisc Ltd. (nel 1982) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 90)
registrazione di:
Love Plus One
paroliere e compositore:
Nick Heyward
editore:
Bryan Morrison Music Ltd.
Haircut One Hundred43:37
11You Spin Me Round (Like a Record)
produttore:
Pete Waterman
esecutore:
Dead or Alive (UK new wave band) (nel 1984)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
video musicali:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) di Dead or Alive (UK new wave band)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 52)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive4.153:18
12Love & Pride
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984)
registrazione di:
Love & Pride
autore:
Paul King (British-Irish singer/musician/VJ) e Mick Roberts
editore:
EMI Songs Ltd. e King Songs
King43:24
13Venus
registrazione cover di:
Venus (Shocking Blue (I’m Your Venus))
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Bananarama33:43
14Manic Monday
produttore:
David Kahne
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra :
Susanna Hoffs e Vicki Peterson
chitarra basso :
Michael Steele (American bassist, guitarist, songwriter, and singer)
voce principale:
Susanna Hoffs
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 208)
registrazione di:
Manic Monday
paroliere e compositore:
Christopher (Prince, “The Artist Formerly Known as…”)
editore:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e WB Music Corp. (1929–2019)
Bangles43:07
15Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 21) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work4.053:45
16Don't Leave Me This Way
produttore:
Mike Thorne (UK producer & keyboardist)
voce:
Sarah Jane Morris
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:36
17Best Years of Our Lives
registrazione di:
Best Years of Our Lives
paroliere aggiunto:
Rick Carey e Marvin Prosper
autore:
Geoff Deane e David Jaymes
editore:
Business Art Prod Ltd, Chrysalis Music Ltd. (music publisher, affiliated with PRS), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Modern Romance2:39
18Don't Go
tecnico:
John Fryer (British producer and engineer) e Eric Radcliffe (UK producer / engineer / musician)
produttore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) e Daniel Miller (British music producer and founder of Mute Records)
voce:
Alison Moyet
diritti fonografici (℗) detenuti da:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 1982)
registrazione di:
Don’t Go
paroliere e compositore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Mega Music Ltd., Musical Moments Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing Scandinavia KB
Yazoo4.62:52
19Mad World
programmazione:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
produttore:
Ross Cullum e Chris Hughes (producer, aka “Merrick”)
batteria :
Manny Elias
chitarra :
Roland Orzabal (UK musician, songwriter and producer)
chitarra basso :
Curt Smith
percussione :
Chris Hughes (producer, aka “Merrick”)
tastiera :
Roland Orzabal (UK musician, songwriter and producer), Curt Smith e Ian Stanley
voce:
Curt Smith
direttore d'orchestra:
Chris Hughes (producer, aka “Merrick”)
esecutore:
Ross Cullum e Phil Palmer (guitarist)
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1985)
video musicali:
Mad World di Tears for Fears
registrazione di:
Mad World
paroliere e compositore:
Roland Orzabal (UK musician, songwriter and producer)
editore:
BMG Blue, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Publishing e Virgin Music Ltd.
Tears for Fears3.73:33
20Vienna
produttore:
Conny Plank (German producer and sound engineer) e Ultravox
basso :
Chris Cross (UK bassist for Ultravox) (nel 1980-04)
batteria :
Warren Cann (nel 1980-04)
chitarra :
Midge Ure (nel 1980-04)
tastiera e violino :
Billy Currie (nel 1980-04)
voce:
Midge Ure (nel 1980-04)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981, nel 2025)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito (nel 1980-04)
mixata presso:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (nel 1980-05)
edit di:
Vienna (original album mix) di Ultravox
video musicali:
Vienna (music video) di Ultravox e Vienna (uncut) di Ultravox
registrazione di:
Vienna (nel 1980-04)
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3.354:39
2▼CD: Disc Two
#TitoloArtistaValutazioneDurata
1Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
esecutore:
Duran Duran (English rock band) (nel 1982)
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (nel 1982) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 398)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran3.353:26
2Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
3Town Called Malice
produttore:
The Jam (late 70s/early 80s UK punk/mod revival band) e Peter Wilson (UK Producer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1982)
registrata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1981-12)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 151)
registrazione di:
Town Called Malice
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. e Universal Music Publishing MGB Australia
The Jam4.82:55
4Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:39
5Do You Really Want to Hurt Me?
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:24
6Faith
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
basso :
Deon Estus
chitarra :
Hugh Burns
organo [Cathedral Organ] :
Chris Cameron (British pianist, singer-songwriter, arranger and producer)
voce:
George Michael
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1987, nel 2010)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 74) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 104)
registrazione di:
Faith
paroliere e compositore:
George Michael
George Michael3.453:12
7Through the Barricades
assistente tecnico:
Stephen Wissnet
tecnico:
Gary Langan
produttore:
Gary Langan e Spandau Ballet
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet)
batteria :
John Keeble
chitarra :
Gary Kemp
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet)
tastiera :
Toby Chapman
voce di accompagnamento:
Ruby James (L.A-based singer/songwriter), Shirley Lewis e Helena Springs
voce principale:
Tony Hadley
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1986) e Sony BMG Music Entertainment (UK) Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso e mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania e Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Francia
registrazione di:
Through the Barricades
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet35:58
8Total Eclipse of the Heart
voce:
Bonnie Tyler (nel 1983)
esecutore:
Rory Dodd (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1983) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione di:
Total Eclipse of the Heart (nel 1983)
paroliere e compositore:
Jim Steinman
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) e Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:31
999 Red Balloons
produttore:
Jay Faires, Tricia Holloway, Reinhold Heil (dal 1982 al 1983) e Manne Praeker (dal 1982 al 1983)
voce principale:
Nena (the person, performing solo since 1987) (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (nel 1983) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1983)
registrata presso:
Spliff Studio in Berlin, Germania (dal 1982 al 1983)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 64)
registrazione di:
99 Red Balloons (dal 1982 al 1983)
paroliere:
Carlo Karges (nel 1982)
compositore:
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
traduttore:
Kevin McAlea (nel 1983)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Songs Ltd.
versione tradotta di:
99 Luftballons
Nena3.83:52
10Japanese Boy
produttore:
Neil Ross (UK based Music Engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 26)
registrazione di:
Japanese Boy
paroliere e compositore:
Bobby Heatlie (songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1981)
Aneka33:56
11Hand on Your Heart
tecnico:
Karen Hewitt e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico di missaggio:
Phil Harding (engineer, producer and remixer)
voce:
Kylie Minogue
diritti fonografici (℗) detenuti da:
Mushroom Records (nel 1989)
registrazione di:
Hand on Your Heart
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys USA Music (nel 1989)
Kylie Minogue33:52
12Can You Feel It
produttore:
The Jacksons (formerly “The Jackson 5”)
basso :
Nathan Watts
batteria :
Ollie E. Brown (US drummer, session musician & record producer)
chitarra :
Tito Jackson e David Williams (session guitarist and songwriter)
tastiera :
Ronnie Foster, Greg Phillinganes e Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibrafono [vibes] :
Gary L. Coleman (US percussionist)
cori:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade e Gregory Wright
voce principale:
Michael Jackson (“King of Pop”) e Randy Jackson (brother of Michael and Janet)
arrangiatore archi :
Tom Tom 84
arrangiatore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980)
registrazione di:
Can You Feel It
autore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
MJ: The Musical
The Jacksons4.353:51
13We Close Our Eyes
produttore:
Gary Stevenson
remixer:
Tom Lord‐Alge
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1985)
video musicali:
We Close Our Eyes di Go West
registrazione di:
We Close Our Eyes
autore:
Peter Cox (Artist and songwriter) e Richard Drummie
editore:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Go West3.23:42
14Wherever I Lay My Hat (That's My Home)
produttore:
Laurie Latham
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (nel 2002)
registrazione cover di:
Wherever I Lay My Hat (That’s My Home)
autore:
Marvin Gaye, Barrett Strong e Norman Whitfield
editore:
Jobete Music (UK) Ltd.
versione parodia di:
Wherever I Lay
Paul Young54:12
15See the Day
batteria :
Paul Waller
chitarra basso :
Randy Hope-Taylor
famiglia delle chitarre :
Steve Sherin
sassofono :
Ian Ritchie
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1986)
registrazione di:
See the Day
paroliere e compositore:
Dee C. Lee
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dee C. Lee4:38
16Wonderful Life
produttore:
Dave Dix (Dave Dix)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1987)
video musicali:
Wonderful Life di Black (UK indie pop musician Colin Vearncombe)
registrazione di:
Wonderful Life
paroliere e compositore:
Colin Vearncombe
editore:
Rondor Music Ltd. (publisher)
Black4.354:49
17What Is Love
tecnico:
Stephen W. Tayler (UK engineer)
produttore:
Rupert Hine
voce principale:
Howard Jones (English singer, songwriter)
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1983) e Warner Music UK Ltd. (not for release label use!) (nel 1984)
registrazione di:
What Is Love?
paroliere:
William Bryant (UK lyricist, writer and speaker) e Howard Jones (English singer, songwriter)
compositore:
Howard Jones (English singer, songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group e Warner Chappell Publishing
Howard Jones4.53:40
18Happy Birthday
produttore:
Martin Rushent
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981)
prodotta presso:
Genetic Sound in West Berkshire, England, Regno Unito
registrazione di:
Happy Birthday
autore:
Tich Anderson, Clare Grogan, Tony McDaid e Johnny McElhone
editore:
Beam Down Ltd. (publisher), Notting Hill Music (UK) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Altered Images33:00
19Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:03
20The Final Countdown
produttore:
Kevin Elson
diritti fonografici (℗) detenuti da:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (nel 1986), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
The Final Countdown
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe4.054:01

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Pubblicazione

ASIN:UK: B000285L4K [info]