Kuschelrock 23

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Say It Right
recording engineer und Mix:
Demacio "Demo" Castellon
zusätzlich recording engineer:
Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer)
Techniker(in):
Vadim Chislov, Demacio "Demo" Castellon, Ben Jost (engineer), James Roach (engineer) und Kobla Tetey
Produzent(in):
Jim Beanz (Sologesang), Danja (US producer Nate Hills) und Timbaland
Gitarre:
Kevin Rudolf
Keyboard [keyboards]:
Danja (US producer Nate Hills)
Schlagzeug [drums]:
Timbaland
Hintergrundgesang:
Jim Beanz, Nelly Furtado und Timbaland
phonographisches Urheberrecht (℗) von:
Mosley Music Group LLC (Do not use as a release company, use Mosley Music Group instead) und Geffen Records (in 2006)
gemixt für:
Storm Circle Entertainment
produced for:
Danja Handz Productions, Pettaway Music, Sunset Entertainment und Timbaland Productions
aufgenommen bei und mixed at:
The Hit Factory Miami in Miami, Florida, Vereinigte Staaten
Musikvideos:
Say It Right von Nelly Furtado
Teil von:
Amazon – Best Songs of 2007: Editor Picks (Nummer: 56)
recording of:
Say It Right
Texter:
Nelly Furtado
Komponist(in):
Nelly Furtado, Nate Hills (US producer Nate Hills) und Timothy Mosley
Nelly Furtado3.83:44
2If a Song Could Get Me You
recording engineer:
Michael Scott Hartung und Kåre Christoffer Vestrheim
Produzent(in):
Kåre Christoffer Vestrheim
Mix:
Michael Scott Hartung
Klavier und Sologesang:
Marit Larsen (singer‐songwriter)
arranger:
Marit Larsen (singer‐songwriter) und Kåre Christoffer Vestrheim
recording of:
If a Song Could Get Me You
Texter:
Marit Larsen (singer‐songwriter)
Komponist(in):
Marit Larsen (singer‐songwriter) und Kåre Christoffer Vestrheim
Marit Larsen53:26
3Please Don’t Leave Me
Assistent recording engineer:
Tommy Andersson (Swedish engineer) und Lasse Mortén (producer, mixer and engineer)
recording engineer:
Michael Ilbert und Max Martin (Swedish record producer)
assistierende(r) Techniker(in):
Tim Roberts (engineer) (Aufgabe: engineered for mix)
Techniker(in):
John Hanes (audio engineer, mixer) (Aufgabe: engineered for mix)
Produzent(in):
Max Martin (Swedish record producer)
Mix:
Serban Ghenea
Bass, Gitarre, Keyboard [keys], Omnichord und Schlagzeug [drums]:
Shellback
Hintergrundgesang:
Kinnda Hamid
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label), Arista Records LLC (holding company - file NO releases here!) (in 2008) und LaFace Records LLC (in 2008)
produced for:
Maratone Productions
aufgenommen bei:
Decibel Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Maratone Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Please Don’t Leave Me (music video) von P!nk (American singer/songwriter)
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 52)
recording of:
Please Don’t Leave Me (in 2008)
Verfasser(in):
Alecia Moore (American singer/songwriter) und Max Martin (Swedish record producer)
publisher:
EMI Blackwood Music Inc., Kobalt Music (publisher), Maratone AB und P!nk Inside Publishing
P!nk3.653:52
4Already Gone
Assistent recording engineer:
Daniel Piscina und Jared Newcomb
recording engineer:
Ryan Tedder (American singer, songwriter, and producer) und Joe Zook (engineer)
Programmierung und Produzent(in):
Ryan Tedder (American singer, songwriter, and producer)
Mix:
Serban Ghenea
Gitarre:
Brian Ray
Instrumente:
Ryan Tedder (American singer, songwriter, and producer)
arranger:
Ryan Tedder (American singer, songwriter, and producer)
phonographisches Urheberrecht (℗) von:
19 Recordings Ltd. (not for release label use! record company founded by Simon Fuller) (vom 2009 bis heute)
aufgenommen bei:
4014 Mixing Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Chalice Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 74) und Billboard Year-End Hot 100 singles of 2009 (Nummer: 95)
recording of:
Already Gone
Texter:
Kelly Clarkson und Ryan Tedder (American singer, songwriter, and producer)
Komponist(in):
Ryan Tedder (American singer, songwriter, and producer)
Kelly Clarkson4.654:41
5Primavera in Anticipo (It Is My Song)
Laura Pausini feat. James Blunt3:29
6Through the Eyes of a Child
assistierende(r) Techniker(in):
Nikolas Mühe
Techniker(in):
Sebastian Deperey-cabe
Produzent(in) und Mix:
Julio Reyes Copello
zusätzliche(r) assistierende(r) Mix:
Simon Beizal
zusätzliche(r) Mix:
Black Pete
aufgenommen bei:
Trixx Studios in Berlin, Deutschland
additionally mixed at:
Ballsaal-Studios in Berlin, Deutschland
Reamonn3:41
7Something
recording engineer:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette) und Kevin Killen
Programmierung:
Felipe Alvarez, Pete Davis (UK engineer, programmer, keyboards) und Luis Fernando Ochoa
Koproduzent(in):
Luis Fernando Ochoa
Produzent(in):
Shakira (Colombian singer-songwriter)
Mix:
Rob Jacobs (mixer/recorder for a.o. U2 and Alanis Morissette)
E-Bass:
Paul Bushnell (session bassist, producer and music director)
Gitarre:
Luis Fernando Ochoa
Keyboard:
Pete Davis (UK engineer, programmer, keyboards)
Schlagzeug:
Victor Indrizzo
Hintergrundgesang:
Shakira (Colombian singer-songwriter)
recording of:
Something
Texter:
Shakira (Colombian singer-songwriter)
Komponist(in):
Luis Fernando Ochoa und Shakira (Colombian singer-songwriter)
übersetzte Version von:
En tus pupilas
Shakira44:22
8Wann
Xavier Naidoo feat. Cassandra Steen4:39
9Gewinner
live recording of:
Gewinner
Texter:
Baris Aladag und Clueso
Komponist(in):
Clueso und Ralf Christian Mayer
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition 10 vor 10 (publisher; do NOT use as release label) und Universal Music Publishing Group
Clueso3:40
10All This Time (Pick Me Up Song)
vocals:
Maria Mena
recording of:
All This Time (Pick‐Me‐Up Song)
Texter:
Maria Mena
Komponist(in):
Maria Mena und Martin Sjølie (Norwegian songwriter & producer)
Maria Mena43:11
11Don’t Believe in Love
recording engineer und Mix:
Greg Koller
Programmierung und Editing:
Eric Caudieux
Produzent(in):
Jon Brion
Bass, Gitarre und Keyboard:
Jon Brion
Perkussion:
Lenny Castro
Schlagzeug:
Matt Chamberlain (American drummer)
zusätzlich Keyboard und Sologesang:
Dido (English singer‐songwriter)
Saiteninstrumente arranger:
Jon Brion
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 2008)
recording of:
Don’t Believe in Love
Verfasser(in):
Jon Brion, Dido Armstrong (English singer‐songwriter) und Rollo Armstrong (Rollo Armstrong of Faithless)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019) und You Can't Take It With You Music
Dido4.53:54
12Chasing Pavements
zusätzlich recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger) (in 2007-06)
Produzent(in):
Eg White
assistierende(r) Mix:
Dan Parry (British mix/recording engineer) (in 2007-10)
Mix:
Tom Elmhirst (mixing engineer)
Instrumente:
Eg White (in 2007-06)
Saiteninstrumente:
Perry Montague‐Mason (violinist) (in 2007-06) und The London Studio Orchestra (in 2007-06)
Sologesang:
Adele Laurie Blue Adkins (UK soul/jazz singer) (in 2007-06)
Saiteninstrumente arranger:
Eg White
phonographisches Urheberrecht (℗) von:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 2008)
aufgenommen bei:
Angel Studios in Islington, London (Greater London), England, Vereinigtes Königreich (in 2007-06)
mixed at:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich (in 2007-10)
recording of:
Chasing Pavements (in 2007-06)
Texter:
Adele Adkins (UK soul/jazz singer)
Komponist(in):
Eg White
zusätzliche(r) Komponist(in):
Adele Adkins (UK soul/jazz singer)
publisher:
Universal–Songs of PolyGram International, Inc.
Adele3.53:30
13Just So
recording of:
Just So
Texter und Komponist(in):
Agnes Obel (Danish singer)
Obél3:34
14Speechless
recording engineer, Produzent(in) und Mix:
Toby Gad (German songwriter, producer, pianist)
recording of:
Speechless
Verfasser(in):
Toby Gad (German songwriter, producer, pianist), Jessie Veronica und Lisa Veronica
The Veronicas3:58
15Bruises
Bass:
Mike Dos Santos
phonographisches Urheberrecht (℗) von:
Kanine Records (in 2008, in 2009)
recording of:
Bruises
Verfasser(in):
Chairlift (American synth-pop band)
Chairlift4.354:03
16The Show
recording engineer:
Stuart Brawley und Joe Corcoran
Programmierung und Mix:
Joe Corcoran
assistierende(r) Techniker(in):
Fiona Brawley
Produzent(in):
Stuart Brawley
Bass:
Sean Hurley (American bassist and songwriter)
Gitarre:
Joe Corcoran
Glocken [bells], Orgel und Vibraphon [vibes]:
Stuart Brawley
Klavier:
Stuart Brawley und Lenka (Australian singer/actress Lenka Kripac)
Posaune und Trompete:
Danny Levin (US multi-instrumentalist, fiddle/keyboards/etc.)
Schlagzeug:
Lester Nuby
Chorgesang [drunken choir]:
Stuart Brawley, Danny Levin (brass player), James Gulliver Hancock, Missy Higgins, Dave Kostiner, Lenka (Australian singer/actress Lenka Kripac) und Jason Reeves (American folk songwriter)
vocals:
Lenka (Australian singer/actress Lenka Kripac)
Horn arranger:
Stuart Brawley
produced at:
The Backyard Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
The Show (new version) von Lenka (Australian singer/actress Lenka Kripac)
recording of:
The Show
Texter und Komponist(in):
Lenka Kripac (Australian singer/actress Lenka Kripac) und Jason Reeves (American folk songwriter)
publisher:
Dancing Squirrel Music, Inafi Music, Skipalong Music, Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Lenka4.653:57
17Lucky
recording engineer:
Dyre Gormsen
Techniker(in):
Iain Hill (UK engineer) und Jason Mraz
Produzent(in):
Martin Terefe
Mix:
Tony Maserati (engineer / mixer)
Bass und Klavier:
Martin Terefe
Gitarre:
Jason Mraz
Schlagzeug:
Kristoffer Sonne
vocals:
Colbie Caillat und Jason Mraz
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2008), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2008) und Universal Republic Records (2006–2012) (in 2009)
mixed at:
Canaan Road Studios in New York, New York, Vereinigte Staaten und Looking Glass Studios in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Lucky
Verfasser(in):
Colbie Caillat, Timothy Fagan und Jason Mraz
Jason Mraz feat. Colbie Caillat43:10
18Parla Con Me
Eros Ramazzotti3:59
19Wiyathul (radio edit)
Geoffrey Gurrumul Yunupingu4:01
2▼CD
Nr.TitelKünstlerBewertungLänge
1Wake Me Up When September Ends
assistierende(r) Techniker(in):
Joe Brown (engineer), Greg Burns (engineer), Jimmy Hoyson und Brian Vibberts
Techniker(in):
Doug McKean
zusätzliche(r) Techniker(in):
Chris Dugan und Reto Peter
Produzent(in):
Rob Cavallo und Green Day
assistierende(r) Mix:
Dmitar Krnjaic
Mix:
Chris Lord‐Alge
Bassgitarre und Hintergrundgesang:
Mike Dirnt
Gitarre und Sologesang:
Billie Joe Armstrong
Schlagzeug:
Tré Cool
phonographisches Urheberrecht (℗) von:
Reprise Records (in 2004) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
mixed at:
Image Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 359)
recording of:
Wake Me Up When September Ends
Texter:
Billie Joe Armstrong
Komponist(in):
Billie Joe Armstrong, Frank Wright III und Michael Pritchard
Green Day4.24:45
21973
assistierende(r) Techniker(in):
Sam Holland (sound engineer)
Techniker(in):
Mike Tarantino
Produzent(in) und Mix:
Tom Rothrock (American musician, composer and record producer)
Editing:
R. Walt Vincent (producer/engineer/composer/multi-instrumentalist)
Bassgitarre [bass]:
Malcolm Moore (bassist)
E-Gitarre:
Ben Castle
E-Gitarre [Buckingham electric guitar], Harmonium [pump organ] und Klavier:
James Blunt
Hammond-Orgel [Hammond] und Wurlitzer Electric Piano [Wurlitzer]:
Paul Beard (keyboard player)
Schlagzeug [drums]:
Karl Brazil (UK drummer/songwriter)
vocals:
Paul Beard (keyboard player), James Blunt, Ben Castle und Malcolm Moore (bassist)
recording of:
1973
Verfasser(in):
Mark Batson (American producer, songwriter, composer, arranger, and musician) und James Blunt
James Blunt4.44:39
3Daysleeper
recording of:
Daysleeper
Verfasser(in):
Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Temporary Music
R.E.M.3:37
4I’d Come for You
Musikvideos:
I’d Come for You von Nickelback
Nickelback3.84:23
5Show Me What I’m Looking For
recording of:
Show Me What I’m Looking For
Verfasser(in):
Tobias Karlsson (songwriter / producer) und Chad Wolf
publisher:
Maratone AB und Monza Music Publishing AB
Carolina Liar4:01
6Sweet Sixteen
Techniker(in):
Dave Concors, Neil Dorfsman und Dave Wittman
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
assistierende(r) Mix:
Craig Vogel
Mix:
Gary Langan
Bass:
Marcus Miller (jazz musician) (in 1986)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1986) und Steve Stevens (US guitarist and songwriter) (in 1986)
Keyboard und Schlagzeug:
Keith Forsey (drummer, producer and songwriter) (in 1986)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1986)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986), BMG Ariola München GmbH (in 1987) und Chrysalis Records, Inc. (not for release label use!) (in 1987)
aufgenommen bei:
Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten (in 1986)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Musikvideo für:
Sweet Sixteen von Billy Idol (English rock singer‐songwriter)
recording of:
Sweet Sixteen (in 1986)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music und Rare Blue Music Inc
Billy Idol3.84:15
7Ohne Dich
recording of:
Ohne dich
Verfasser(in):
Stephan Eggert, Christian Neander, Malte Neumann, Jan Plewka und Lenhardt Schmidthals
Selig4:00
8The Man Who Can’t Be Moved
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2008)
Musikvideos:
The Man Who Can’t Be Moved von The Script
recording of:
The Man Who Can’t Be Moved
Verfasser(in):
Andrew Frampton, Steve Kipner, Danny O’Donoghue und Mark Sheehan
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Imagem Music und Stage Three Music Publishing Limited
The Script3.64:01
9Walk Away
Aloha From Hell3:45
10Zurück zu Dir
sonstige Unterstützung:
Xavier Naidoo
Programmierung:
Michael Herberger (songwriter, producer and keyboardist) und Xavier Naidoo
recording of:
Zurück zu Dir
Texter:
Xavier Naidoo
Komponist(in):
Michael Herberger (songwriter, producer and keyboardist) und Xavier Naidoo
Söhne Mannheims5:07
11Superwoman
Schlagzeug-Programmierung:
Kerry Brothers
Techniker(in):
Ann Mincieli
zusätzliche(r) Techniker(in):
Zach Hancock, Seth Waldmann und Stuart White
Mix:
Manny Marroquin
Bass:
Steve Mostyn
Hybrid-Piano:
Alicia Keys
Schlagzeug:
Trevor Lawrence, Jr. (R&B/hip hop drummer/musician)
recording of:
Superwoman
Verfasser(in):
Alicia Keys, Linda Perry (rock singer‐songwriter & producer) und Steve Mostyn
Alicia Keys3.354:33
12Last Request
zusätzliche Programmierung:
Matt Benbrook
assistierende(r) Techniker(in):
Darren Simpson (engineer)
Techniker(in):
Mark Phythian
zusätzliche(r) Techniker(in):
Richard Wilkinson (production music)
Produzent(in):
Matt Benbrook (Saiteninstrumente) und Ken Nelson (UK record producer)
Mix:
Tom Elmhirst (mixing engineer)
Akustikgitarre und Hintergrundgesang:
Donny Little (guitar player)
Bassgitarre:
Mike Hunter (UK producer & engineer)
Gitarre:
Eddie Harrison, Donny Little (guitar player) und Ken Nelson (UK record producer)
Keyboard, Perkussion und Schlagzeug:
Jim Duguid
Saiteninstrumente:
Matt Benbrook
Sologesang:
Paolo Nutini
recording of:
Last Request
Verfasser(in):
Matt Benbrook, Jim Duguid und Paolo Nutini
Paolo Nutini3.353:40
13Sealed With a Kiss
cover recording of:
Sealed With a Kiss
Verfasser(in):
Gary Geld und Peter Udell
uraufgeführt von:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) und Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Bobby Vinton52:49
14Sailing
assistierende(r) Techniker(in):
Stuart Gitlin
Techniker(in) und Mix:
Chet Himes
Produzent(in):
Michael Omartian
Akustikgitarre, E-Gitarre, Hintergrundgesang und Sologesang:
Christopher Cross (US singer‐songwriter)
Bassgitarre:
Andy Salmon
Hybrid-Piano und Synthesizer:
Rob Meurer
Klavier:
Michael Omartian
Perkussion:
Victor Feldman (jazz musician)
Schlagzeug:
Tommy Taylor (US drummer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979, in 1981, in 2001)
produced for:
Free Flow Productions
aufgenommen bei:
Pecan Street Studios in Austin, Texas, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sailing
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music–MGB Songs
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.14:17
15I Love You Always Forever
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 408)
recording of:
I Love You Always Forever
Texter und Komponist(in):
Donna Lewis
publisher:
donna lewis ltd und Warner/Chappell Music, Inc.
Donna Lewis3.93:59
16Early Morning
recording engineer und Mix:
Nick Davis (producer, engineer)
Produzent(in):
Ian Stanley
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1990)
recording of:
Early Morning
Verfasser(in):
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
Swinglong Ltd. (holding company - do not use as release label!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
a‐ha52:58
17A Whiter Shade of Pale
cover recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Annie Lennox4:55
18Suzanne
Produzent(in):
John Simon (US producer, arranger, composer, songwriter and musician)
Sologesang:
Leonard Cohen (Canadian singer‐songwriter and poet)
conductor:
John Simon (US producer, arranger, composer, songwriter and musician)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 284)
recording of:
Suzanne (English original song by Leonard Cohen) (in 1967)
Texter:
Leonard Cohen (Canadian singer‐songwriter and poet) (in 1966)
Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. und Writers Workshop Ltd.
Leonard Cohen4.153:48
19One Moment in Time
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
vocals und Interpret(in):
Whitney Houston
conductor:
Michael Gibbs
arranger:
Narada Michael Walden
vocals arranger:
Whitney Houston
recording of:
One Moment in Time
Texter:
John Bettis
Komponist(in):
Albert Hammond
Whitney Houston4.54:44

Nennungen

Veröffentlichungsgruppe

Teil von:Kuschelrock (Nummer: 23) (Reihenfolge: 49)
Allmusic:https://www.allmusic.com/album/mw0001366801 [Info]