The Smithsonian Collection of Classic Jazz

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1Maple Leaf Rag
recording of:
Maple Leaf Rag (piano rag)
Komponist(in):
Scott Joplin (composer and pianist) (in 1899)
Teil von:
Classic 100: Piano (2025) (Nummer: 74)
Scott Joplin3:16
A2Maple Leaf Rag
recording of:
Maple Leaf Rag (piano rag)
Komponist(in):
Scott Joplin (composer and pianist) (in 1899)
Teil von:
Classic 100: Piano (2025) (Nummer: 74)
Jelly Roll Morton2:37
A3Hellhound on My Trail
recording engineer:
Vincent Liebler
leitende(r) Produzent(in):
Art Satherly
Produzent(in):
Don Law
Gitarre:
Robert Johnson (1930s blues legend) (am 1937-06-20)
vocals:
Robert Johnson (1930s blues legend) (am 1937-06-20)
phonographisches Urheberrecht (℗) von:
Soul Jam Records (in 2015)
aufgenommen bei:
a makeshift studio located in the Brunswick Records Building (am 1937-06-20)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1983)
recording of:
Hellhound on My Trail (am 1937-06-20)
Texter und Komponist(in):
Robert Johnson (1930s blues legend)
publisher:
Cadmean Dawn
Robert Johnson42:39
A4St. Louis Blues
Kornett:
Louis Armstrong (am 1925-01-14)
Orgel:
Fred Longshaw (am 1925-01-14)
Bessie Smith3:12
A5Lost Your Head Blues
Bessie Smith2:57
A6Dippermouth Blues
Banjo:
Bill Johnson (US jazz bass/guitar/banjo/mandolin player) (am 1923-04-06) und Bud Scott (am 1923-04-06)
Klarinette:
Johnny Dodds (am 1923-04-06)
Klavier:
Lil Hardin Armstrong (am 1923-04-06)
Kornett:
Louis Armstrong (am 1923-04-06) und King Oliver (jazz cornetist) (am 1923-04-06)
Posaune:
Honoré Dutrey (am 1923-04-06)
Schlagzeug:
Warren “Baby” Dodds (am 1923-04-06)
vocals:
Bill Johnson (US jazz bass/guitar/banjo/mandolin player) (am 1923-04-06)
recording of:
Dippermouth Blues (am 1923-04-06)
Komponist(in):
Louis Armstrong und King Oliver (jazz cornetist)
King Oliver’s Creole Jazz Band2:23
A7Grandpa’s Spells
Banjo und Gitarre:
Johnny St. Cyr (am 1926-12-16)
Klarinette:
Omer Simeon (am 1926-12-16)
Klavier:
Jelly Roll Morton (am 1926-12-16)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1926-12-16)
Posaune:
Kid Ory (am 1926-12-16)
Schlagzeug:
Andrew Hilaire (am 1926-12-16)
Trompete:
George Mitchell (US jazz trumpeter and cornet player) (am 1926-12-16)
recording of:
Grandpa’s Spells (am 1926-12-16)
Komponist(in):
Jelly Roll Morton
Jelly Roll Morton’s Red Hot Peppers2:55
A8Dead Man Blues
recording of:
Wild Man Blues
Komponist(in):
Louis Armstrong und Ferdinand Joseph LaMothe
Jelly Roll Morton’s Red Hot Peppers3:00
B1Black Bottom Stomp
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-09-15)
Banjo und Gitarre:
Johnny St. Cyr (am 1926-09-15)
Bass und Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1926-09-15)
Klarinette:
Omer Simeon (am 1926-09-15)
Klavier:
Jelly Roll Morton (am 1926-09-15)
Kornett:
George Mitchell (US jazz trumpeter and cornet player) (am 1926-09-15)
membranophone und Schlagzeug:
Andrew Hilaire (am 1926-09-15)
Posaune:
Kid Ory (am 1926-09-15)
conductor:
Jelly Roll Morton (am 1926-09-15)
recording of:
Black Bottom Stomp (am 1926-09-15)
Komponist(in):
Ferdinand Morton
Jelly Roll Morton’s Red Hot Peppers53:14
B2Cake Walking Babies (From Home)
Banjo:
Buddy Christian (in 1924-12)
Klavier:
Lil Hardin Armstrong (in 1924-12)
Kornett:
Louis Armstrong (in 1924-12)
Posaune:
Charlie Irvis (in 1924-12)
Sopransaxophon:
Sidney Bechet (in 1924-12)
vocals:
Josephine Beatty (in 1924-12) und Clarence Todd (US jazz vocalist and kazoo player, 1920s) (in 1924-12)
recording of:
Cake Walking Babies from Home (in 1924-12)
Verfasser(in):
Chris Smith (Ragtime composer), Henry Troy und Clarence Williams (US jazz pianist, composer, singer and bandleader)
The Red Onion Jazz Babies3:28
B3Blue Horizon
Sidney Bechet and His Blue Note Jazzmen4:26
B4Carolina Shout
Klavier:
James P. Johnson
James P. Johnson2:47
B5Struttin’ With Some Barbeque
recorded in und engineered in:
Chicago, Illinois, Vereinigte Staaten (am 1927-12-09)
Banjo:
Johnny St. Cyr (am 1927-12-09)
Klarinette:
Johnny Dodds (am 1927-12-29)
Klavier:
Lil Hardin Armstrong (am 1927-12-09)
Kornett:
Louis Armstrong (am 1927-12-09)
Posaune:
Kid Ory (am 1927-12-09)
recording of:
Struttin’ With Some Barbecue (am 1927-12-09)
Komponist(in):
Lil Hardin Armstrong
Louis Armstrong and His Hot Five3:04
B6S.O.L. Blues (excerpt)
Louis Armstrong and His Hot Seven1:05
B7Potato Head Blues (excerpt)
Louis Armstrong and His Hot Seven1:14
B8Hotter Than That
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-12-13)
Banjo:
Johnny St. Cyr (am 1927-12-13)
Gitarre:
Lonnie Johnson (American blues and jazz musician) (am 1927-12-13)
Klarinette:
Johnny Dodds (am 1927-12-13)
Klavier:
Lil Armstrong (am 1927-12-13)
Kornett:
Louis Armstrong (am 1927-12-13)
Posaune:
Kid Ory (am 1927-12-13)
vocals:
Louis Armstrong (am 1927-12-13)
recording of:
Hotter Than That (am 1927-12-13)
Komponist(in):
Lil Hardin Armstrong
Louis Armstrong and His Hot Five3:02
B9West End Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-06-28)
Banjo:
Mancy Cara (am 1928-06-28)
Becken:
Zutty Singleton (am 1928-06-28)
Klarinette:
Jimmy Strong (am 1928-06-28)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1928-06-28)
Posaune:
Fred Robinson (American trombonist) (am 1928-06-28)
Trompete:
Louis Armstrong (am 1928-06-28)
vocals:
Louis Armstrong (am 1928-06-28)
recording of:
West End Blues (Armstrong recording) (am 1928-06-28)
Komponist(in):
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
Arrangement von:
West End Blues (original instrumental)
Louis Armstrong and His Hot Five33:17
2▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
C1Weather Bird
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-12-05)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1928-12-05)
Trompete:
Louis Armstrong (am 1928-12-05)
recording of:
Weather Bird (am 1928-12-05)
Komponist(in):
Louis Armstrong
Louis Armstrong and Earl Hines2:46
C2Sweethearts on Parade
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Klavier:
Henry Prince (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
Sweethearts on Parade (am 1930-12-23)
Texter:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
Komponist(in):
Carmen Lombardo (in 1928)
Louis Armstrong and His Sebastian New Cotton Club Orchestra3:15
C3I Gotta Right to Sing the Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-26)
alto saxophone:
Scoville Browne (am 1933-01-26) und George Oldham (am 1933-01-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-26)
Gitarre:
Big Mike McKendrick (Jazz banjo and guitar) (am 1933-01-26)
Klarinette:
Scoville Browne (am 1933-01-26), Budd Johnson (am 1933-01-26) und George Oldham (am 1933-01-26)
Klavier:
Teddy Wilson (am 1933-01-26)
Kontrabass und Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-26)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-26)
Tenorsaxophon:
Budd Johnson (am 1933-01-26)
Trompete:
Louis Armstrong (am 1933-01-26), Zilner Randolph (am 1933-01-26) und Elmer Whitlock (US trumpet player) (am 1933-01-26)
vocals:
Louis Armstrong (am 1933-01-26)
recording of:
I Gotta Right to Sing the Blues (am 1933-01-26)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
Louis Armstrong and His Orchestra2:59
C4Riverboat Shuffle
recorded in:
New York, New York, Vereinigte Staaten (am 1927-05-09)
alto saxophone:
Red Ingle (am 1927-05-09) und Doc Ryker (am 1927-05-09)
Banjo:
Howdy Quicksell (am 1927-05-09)
baritone saxophone, Klarinette, Rohrblattinstrumente und Tenorsaxophon:
Don Murray (1920s jazz clarinetist) (am 1927-05-09)
Gitarre:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1927-05-09)
Klavier:
Irving "Itzy" Riskin (am 1927-05-09)
Kornett:
Bix Beiderbecke (American jazz cornettist, pianist and composer) (am 1927-05-09)
Posaune:
Bill Rank (am 1927-05-09)
Saxophon [C-melody saxophone]:
Frankie Trumbauer (am 1927-05-09)
Schlagzeug:
Chauncey Morehouse (am 1927-05-09)
arranger:
Bill Challis
recording of:
Boneyard Shuffle (am 1927-05-09)
Verfasser(in):
Hoagy Carmichael und Irving Mills
recording of:
Riverboat Shuffle (am 1927-05-09)
Komponist(in):
Hoagy Carmichael, Irving Mills, Parish und Dick Voynow
Frankie Trumbauer and His Orchestra3:15
C5Singin’ the Blues
recording of:
Singin’ the Blues (am 1927-02-04)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Con Conrad (songwriter and producer) und J. Russel Robinson
Frankie Trumbauer and His Orchestra3:03
C6The Stampede
recorded in:
New York, New York, Vereinigte Staaten (am 1926-05-14)
alto saxophone und Oboe:
Don Redman (am 1926-05-14)
alto saxophone und Klarinette:
Buster Bailey (clarinetist) (am 1926-05-14) und Don Redman (am 1926-05-14)
Banjo:
Charlie Dixon (Jazz banjoist) (am 1926-05-14)
Klarinette:
Buster Bailey (clarinetist) (am 1926-05-14), Coleman Hawkins (am 1926-05-14) und Don Redman (am 1926-05-14)
Klarinette und Tenorsaxophon und Tenorsaxophon:
Coleman Hawkins (am 1926-05-14)
Klavier:
Fletcher Henderson (am 1926-05-14)
Kornett:
Rex Stewart (am 1926-05-14)
Posaune:
Benny Morton (am 1926-05-14)
Schlagzeug:
Kaiser Marshall (am 1926-05-14)
Trompete:
Joe Smith (American jazz trumpeter/cornetist) (am 1926-05-14) und Russell Smith (US jazz trumpeter) (am 1926-05-14)
Tuba:
Ralph Escudero (am 1926-05-14)
arranger:
Don Redman (am 1926-05-14)
recording of:
The Stampede (am 1926-05-14)
Komponist(in):
Fletcher Henderson
Fletcher Henderson and His Orchestra3:18
C7Wrappin’ It Up
alto saxophone und Klarinette:
Buster Bailey (clarinetist) (am 1934-09-12), Hilton Jefferson (am 1934-09-12) und Russell Procope (am 1934-09-12)
Gitarre:
Lawrence Lucie (am 1934-09-12)
Klavier:
Horace Henderson (am 1934-09-12)
Kontrabass:
Elmer James (am 1934-09-12)
Posaune:
Keg Johnson (jazz trombonist) (am 1934-09-12) und Claude Jones (am 1934-09-12)
Schlagzeug:
Walter Johnson (drums) (am 1934-09-12)
Tenorsaxophon:
Ben Webster (am 1934-12-09)
Trompete:
Henry “Red” Allen (jazz musician) (am 1934-09-12), Irving Randolph (am 1934-09-12) und Russell Smith (US jazz trumpeter) (am 1934-09-12)
recording of:
Wrappin' It Up (am 1934-09-12)
Komponist(in):
Fletcher Henderson
Fletcher Henderson and His Orchestra2:48
C8Moten Swing
Akustikgitarre und Gitarre:
Leroy "Buster" Berry (am 1932-12-13)
alto saxophone und baritone saxophone:
Jack Washington (am 1932-12-13)
alto saxophone und Klarinette:
Eddie Barefield (am 1932-12-13)
Gitarre und Posaune:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (am 1932-12-13)
Klavier:
Count Basie (pianist) (am 1932-12-13) und Ira E. "Buster" Moten (am 1932-12-13)
Kontrabass:
Walter Page (am 1932-12-13)
Posaune:
Dan Minor (am 1932-12-13)
Saxophon:
Eddie Barefield (am 1932-12-13), Harlan Leonard (am 1932-12-13), Buster Smith (saxophone) (am 1932-12-13) und Ben Webster (am 1932-12-13)
Schlagzeug:
Willie McWashington (am 1932-12-13)
Tenorsaxophon:
Ben Webster (am 1932-12-13)
Trompete:
Joe Keyes (am 1932-12-13), Hot Lips Page (am 1932-12-13) und Prince "Dee" Stewart (am 1932-12-13)
conductor:
Bennie Moten (jazz pianist) (am 1932-12-13)
recording of:
Moten Swing (am 1932-12-13)
Verfasser(in):
Bennie Moten (jazz pianist)
Komponist(in):
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) und Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
Benny Moten’s Kansas City Orchestra3:26
D1I Ain’t Got Nobody
Solo-Klavier:
Fats Waller (am 1937-06-11)
recording of:
I Ain’t Got Nobody (am 1937-06-11)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
Fats Waller3:09
D2Honky Tonk Train
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1937-03-07)
Solo-Klavier:
Meade Lux Lewis (am 1937-03-07)
recording of:
Honky Tonk Train Blues (am 1937-03-07)
Komponist(in):
Meade Lux Lewis
sub-publisher:
Multitone AB (in 1982)
Meade “Lux” Lewis3:01
D3Body and Soul
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1935-07-13)
Klavier:
Teddy Wilson (am 1935-07-13)
Schlagzeug:
Gene Krupa (am 1935-07-13)
instrumental recording of:
Body and Soul (am 1935-07-13)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Benny Goodman Trio3:30
D4Body and Soul
alto saxophone:
Jackie Fields (am 1939-10-11) und Eustis Moore (am 1939-10-11)
Klavier:
Gene Rodgers (am 1939-10-11)
Kontrabass:
William Oscar Smith (am 1939-10-11)
Posaune:
Earl Hardy (am 1939-10-11)
Schlagzeug:
Arthur Herbert (Jazz drummer) (am 1939-10-11)
Tenorsaxophon:
Coleman Hawkins (am 1939-10-11)
Trompete:
Joe Guy (trumpet) (am 1939-10-11) und Tommy Lindsay (am 1939-10-11)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1939-10-11)
instrumental recording of:
Body and Soul (am 1939-10-11)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Coleman Hawkins and His Orchestra3:03
D5The Man I Love
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1943-12-23)
Kontrabass:
Oscar Pettiford (am 1943-12-23)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1943-12-23)
Tenorsaxophon:
Coleman Hawkins (am 1943-12-23)
recording of:
The Man I Love (for piano solo, arr Gershwin)
Komponist(in):
George Gershwin (composer) (in 1924)
arranger:
George Gershwin (composer)
Arrangement von:
The Man I Love
Teil von:
George Gershwin’s Songbook (18 arrangements for piano solo by George Gershwin, 1932)
Coleman Hawkins Quartet5:10
D6He’s Funny That Way
Billie Holiday and Her Orchestra2:41
D7All of Me
recording of:
All of Me
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
Billie Holiday and Eddie Heywood and His Orchestra2:59
D8You’d Be So Nice to Come Home To
Klavier:
Tommy Flanagan (am 1964-07-28)
Kontrabass:
Bill Yancey (am 1964-07-28)
Schlagzeug:
Gus Johnson (drums) (am 1964-07-28)
Trompete:
Roy Eldridge (am 1964-07-28)
vocals:
Ella Fitzgerald (American jazz singer) (am 1964-07-28)
live recording of:
You’d Be So Nice to Come Home To (am 1964-07-28)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Ella Fitzgerald2:56
3▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
E1Willow Weep for Me
Art Tatum2:58
E2Too Marvelous for Words
Art Tatum2:25
E3Lunceford Special
recording of:
Lunceford Special
Verfasser(in):
Jimmie Lunceford (US jazz saxophonist and bandleader)
Jimmie Lunceford and His Orchestra2:51
E4Rockin’ Chair
alto saxophone:
Sam Listengart (am 1941-07-02), Clint Neagley (am 1941-07-02) und Musky Ruffo (Mascagni Ruffo) (am 1941-07-02)
Gitarre:
Ray Biondi (am 1941-07-02)
Klarinette:
Sam Musiker (am 1941-07-02)
Klavier:
Milt Raskin (Milton Raskin) (am 1941-07-02)
Kontrabass:
Ed Mihelich (am 1941-07-02)
Posaune:
John Grassi (am 1941-07-02), Jay Kelliher (am 1941-07-02) und Babe Wagner (am 1941-07-02)
Schlagzeug:
Gene Krupa (am 1941-07-02)
Tenorsaxophon:
Walter Bates (am 1941-07-02) und Sam Musiker (am 1941-07-02)
Trompete:
Roy Eldridge (am 1941-07-02), Torg Halten (am 1941-07-02), Norman Murphy (am 1941-07-02) und Graham Young (trumpeter) (am 1941-07-02)
phonographisches Urheberrecht (℗) von:
Proper Records Ltd. (company credits only; do NOT use as release label)
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (am 1941-07-02)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
instrumental recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (am 1941-07-02)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
Gene Krupa and His Orchestra3:02
E5I Can’t Believe That You’re in Love With Me (excerpt)
Roy Eldridge and Benny Carter3:03
E6When Lights Are Low
recording of:
When Lights Are Low
Texter:
Spencer Williams (US jazz composer, pianist & singer)
Komponist(in):
Benny Carter
publisher:
Bee Cee Music Co. und Mills Music
Lionel Hampton2:15
E7Doggin’ Around
alto saxophone:
Earle Warren (am 1938-06-06)
alto saxophone und baritone saxophone:
Jack Washington (am 1938-06-06)
Gitarre:
Freddie Green (am 1938-06-06)
Gitarre und Posaune:
Eddie Durham (American guitarist, trombonist, composer and arranger.) (am 1938-06-06)
Klarinette und Tenorsaxophon und Tenorsaxophon:
Herschel Evans (am 1938-06-06) und Lester Young (saxophonist) (am 1938-06-06)
Klavier:
Count Basie (pianist) (am 1938-06-06)
Kontrabass:
Walter Page (am 1938-06-06)
Posaune:
Dan Minor (am 1938-06-06) und Benny Morton (am 1938-06-06)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1938-06-06)
Trompete:
Buck Clayton (am 1938-06-06), Harry “Sweets” Edison (am 1938-06-06) und Ed Lewis (jazz trumpeter) (am 1938-06-06)
Teil von:
Decca (by matrix number) (Nummer: 63920-A)
recording of:
Doggin' Around (am 1938-06-06)
Komponist(in):
Herschel Evans (in 1938)
Count Basie and His Orchestra2:57
E8Taxi War Dance
recording of:
Taxi War Dance (am 1939-03-19)
Verfasser(in):
Lester Young (saxophonist)
Count Basie2:55
F1Lester Leaps In
recorded in:
New York, New York, Vereinigte Staaten (am 1939-09-05)
Produzent(in):
John Hammond (producer)
Gitarre:
Freddie Green (am 1939-09-05)
Klarinette, Klarinette und Tenorsaxophon und Tenorsaxophon:
Lester Young (saxophonist) (am 1939-09-05)
Klavier und Pianoakkordeon:
Count Basie (pianist) (am 1939-09-05)
Kontrabass und Kontrabass [string bass]:
Walter Page (am 1939-09-05)
Posaune:
Dicky Wells (am 1939-09-05)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1939-09-05)
Trompete:
Buck Clayton (am 1939-09-05)
Orchester:
Count Basie and His Orchestra (am 1939-09-05)
conductor:
Count Basie (pianist) (am 1939-09-05)
recording of:
Lester Leaps In (am 1939-09-05)
Komponist(in):
Lester Young (saxophonist) (in 1939)
Count Basie’s Kansas City Seven3:14
F2I Found a New Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1941-01-15)
Archtop-Gitarre und E-Gitarre:
Charlie Christian (am 1941-01-15)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1941-01-15)
Klavier:
Count Basie (pianist) (am 1941-01-15)
Kontrabass:
Arthur Bernstein (am 1941-01-15)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1941-01-15)
Tenorsaxophon:
Georgie Auld (am 1941-01-15)
Trompete:
Cootie Williams (am 1941-01-15)
instrumental cover recording of:
I’ve Found a New Baby (am 1941-01-15)
Verfasser(in):
Jack Palmer (Jazz pianist and composer) und Spencer Williams (US jazz composer, pianist & singer)
Benny Goodman Sextet2:57
F3Blues Sequence (From Breakfast Feud)
E-Gitarre:
Charlie Christian (am 1940-12-19, am 1941-01-15)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1940-12-19, am 1941-01-15)
Klavier:
Count Basie (pianist) (am 1940-12-19) und Ken Kersey (am 1941-01-15)
Kontrabass:
Artie Bernstein (am 1940-12-19, am 1941-01-15)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1940-12-19) und Harry Jaeger (am 1941-01-15)
Tenorsaxophon:
Georgie Auld (am 1940-12-19, am 1941-01-15)
Trompete:
Cootie Williams (am 1940-12-19, am 1941-01-15)
recording of:
Breakfast Feud (am 1940-12-19)
Komponist(in):
Benny Goodman (clarinetist and bandleader)
Benny Goodman Sextet : Charlie Christian2:24
F4East St. Louis Toodle‐Oo
recorded in:
New York, New York, Vereinigte Staaten (am 1927-12-19)
alto saxophone und baritone saxophone:
Harry Carney (am 1927-12-19) und Otto Hardwick (am 1927-12-19)
Banjo:
Fred Guy (am 1927-12-19)
Klarinette und Tenorsaxophon:
Rudy Jackson (clarinetist and saxophonist) (am 1927-12-19)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1927-12-19)
Kontrabass [bass]:
Wellman Braud (am 1927-12-19)
Posaune:
Joe Nanton (am 1927-12-19)
Schlagzeug [drums]:
Sonny Greer (am 1927-12-19)
Sopransaxophon:
Harry Carney (am 1927-12-19)
Trompete:
Louis Metcalf (am 1927-12-19) und Bubber Miley (am 1927-12-19)
recording of:
East St. Louis Toodle‐oo (am 1927-12-19)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Bubber Miley
publisher:
Mills Music, Inc.
Duke Ellington and His Orchestra3:38
F5New East St. Louis Toodle‐Oo
Duke Ellington and His Famous Orchestra3:04
F6Creole Rhapsody
Duke Ellington and His Famous Orchestra6:00
F7Harlem Air Shaft
recording of:
Harlem Air Shaft
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington and His Orchestra3:00
F8Concerto for Cootie
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1940-03-15)
alto saxophone:
Otto Hardwick (am 1940-03-15)
alto saxophone und Klarinette und Saxophon:
Johnny Hodges (am 1940-03-15)
alto saxophone, baritone saxophone und Klarinette:
Harry Carney (am 1940-03-15)
Gitarre:
Fred Guy (am 1940-03-15)
Klarinette und Tenorsaxophon:
Barney Bigard (am 1940-03-15)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1940-03-15)
Kontrabass:
Jimmy Blanton (am 1940-03-15)
Kornett:
Rex Stewart (am 1940-03-15)
Posaune:
Lawrence Brown (jazz trombonist) (am 1940-03-15) und Joe "Tricky Sam" Nanton (am 1940-03-15)
Rohrblattinstrumente:
Barney Bigard (am 1940-03-15), Harry Carney (am 1940-03-15) und Otto Hardwick (am 1940-03-15)
Schlagzeug:
Sonny Greer (am 1940-03-15)
Tenorsaxophon:
Ben Webster (am 1940-03-15)
Trompete:
Wallace Jones (am 1940-03-15) und Cootie Williams (am 1940-03-15)
Ventilposaune:
Juan Tizol (am 1940-03-15)
recording of:
Concerto for Cootie (am 1940-03-15)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington and His Orchestra3:22
4▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
G1In a Mellotone
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1940-09-05)
alto saxophone [as]:
Johnny Hodges (am 1940-09-05) und Otto Hardwicke (am 1940-09-05)
baritone saxophone [bars]:
Harry Carney (am 1940-09-05)
Gitarre [g]:
Fred Guy (am 1940-09-05)
Klarinette [cl]:
Barney Bigard (am 1940-09-05)
Klavier [p]:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1940-09-05)
Kontrabass [b]:
Jimmy Blanton (am 1940-09-05)
Kornett [c]:
Rex Stewart (am 1940-09-05)
Posaune [tb]:
Lawrence Brown (jazz trombonist) (am 1940-09-05) und Joe "Tricky Sam" Nanton (am 1940-09-05)
Schlagzeug [d]:
Sonny Greer (am 1940-09-05)
Tenorsaxophon [ts]:
Barney Bigard (am 1940-09-05) und Ben Webster (am 1940-09-05)
Trompete [t]:
Wallace Jones (am 1940-09-05) und Cootie Williams (am 1940-09-05)
Ventilposaune [vtb]:
Juan Tizol (am 1940-09-05)
recording of:
In a Mellow Tone (am 1940-09-05)
Texter:
Milt Gabler (in 1939)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Duke Ellington and His Orchestra3:19
G2Ko‐Ko
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1940-03-06)
alto saxophone und Klarinette:
Otto Hardwick (am 1940-03-06) und Johnny Hodges (am 1940-03-06)
alto saxophone, baritone saxophone und Klarinette:
Harry Carney (am 1940-03-06)
Gitarre:
Fred Guy (am 1940-03-06)
Klarinette und Tenorsaxophon:
Barney Bigard (am 1940-03-06)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1940-03-06)
Kontrabass:
Jimmy Blanton (am 1940-03-06)
Kornett:
Rex Stewart (am 1940-03-06)
Posaune:
Lawrence Brown (jazz trombonist) (am 1940-03-06) und Tricky Sam Nanton (am 1940-03-06)
Rohrblattinstrumente:
Harry Carney (am 1940-03-06) und Otto Hardwick (am 1940-03-06)
Saxophon:
Johnny Hodges (am 1940-03-06)
Schlagzeug:
Sonny Greer (am 1940-03-06)
Tenorsaxophon:
Ben Webster (am 1940-03-06)
Trompete:
Wallace Jones (am 1940-03-06) und Cootie Williams (am 1940-03-06)
Ventilposaune:
Juan Tizol (am 1940-03-06)
recording of:
Ko-Ko (am 1940-03-06)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington and His Orchestra12:42
G3Blue Serge
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-02-15)
alto saxophone:
Otto Hardwick (am 1941-02-15) und Johnny Hodges (am 1941-02-15)
alto saxophone und Klarinette:
Johnny Hodges
alto saxophone, baritone saxophone und Klarinette:
Harry Carney
baritone saxophone und baritone saxophone [bars]:
Harry Carney (am 1941-02-15)
Gitarre:
Fred Guy (am 1941-02-15)
Klarinette und Tenorsaxophon [ts]:
Barney Bigard (am 1941-02-15)
Klarinette und Tenorsaxophon:
Barney Bigard
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1941-02-15)
Kontrabass [bass]:
Jimmy Blanton (am 1941-02-15)
Kornett [c]:
Rex Stewart (am 1941-02-15)
Posaune:
Lawrence Brown (jazz trombonist) (am 1941-02-15), Joe "Tricky Sam" Nanton (am 1941-02-15) und Juan Tizol (am 1941-02-15)
Schlagzeug:
Sonny Greer (am 1940-02-15, am 1941-02-15)
Tenorsaxophon:
Ben Webster (am 1941-02-15)
Trompete:
Wallace Jones (am 1941-02-15), Rex Stewart (am 1941-02-15) und Cootie Williams (am 1941-02-15)
Trompete [t]:
Ray Nance (am 1941-02-15)
Ventilposaune [vtb]:
Juan Tizol (am 1941-02-15)
recording of:
Blue Serge (Mercer Ellington) (am 1940-02-15)
Komponist(in):
Mercer Ellington
recording of:
Blue Serge (Mercer Ellington) (am 1941-02-15)
Komponist(in):
Mercer Ellington
Duke Ellington and His Orchestra3:22
G4I Got Rhythm
Don Byas5:07
G5I Can’t Get Started
Klavier [p]:
Clyde Hart (am 1945-01-09)
Kontrabass [b]:
Oscar Pettiford (am 1945-01-09)
Posaune [tb]:
Trummy Young (am 1945-01-09)
Schlagzeug [d]:
Shelley Manne (US jazz drummer) (am 1945-01-09)
Tenorsaxophon [ts]:
Don Byas (am 1945-01-09)
Trompete [t]:
Dizzy Gillespie (am 1945-01-09)
instrumental cover recording of:
I Can’t Get Started (am 1945-06-09)
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Dizzy Gillespie Sextet3:08
G6Shaw ’Nuff
alto saxophone und alto saxophone [as]:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (am 1945-05-11)
Klavier und Klavier [p]:
Al Haig (am 1945-05-11)
Kontrabass:
Curley Russell (am 1945-05-11)
Kontrabass [b]:
Curly Russell (am 1945-05-11)
Schlagzeug:
Sid Catlett (am 1945-05-11)
Schlagzeug [d]:
Max Roach (20th century US jazz drummer & composer) (am 1945-05-11)
Trompete und Trompete [t]:
Dizzy Gillespie (am 1945-05-11)
vocals:
Dizzy Gillespie und Sarah Vaughan (am 1945-05-11)
Orchester:
Dizzy Gillespie and His All Stars (am 1945-05-11)
recording of:
Shaw 'Nuff (am 1945-05-11)
Komponist(in):
Dizzy Gillespie und Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Robbins Music Corp.
Dizzy Gillespie’s All Star Quintet2:57
G7Koko
alto saxophone [as]:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Klavier [p] und Trompete [t]:
Dizzy Gillespie
Kontrabass [b]:
Curly Russell
Schlagzeug [d]:
Max Roach (20th century US jazz drummer & composer)
recording of:
Ko Ko
Komponist(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1945)
publisher:
Atlantic Music/BMI (BMI)
Charlie Parker’s Re‐Boppers2:57
G8Embraceable You
Charlie Parker2:14
G9Embraceable You (alternate version)
Charlie Parker2:01
H1Klacktoveedsedsteen
Charlie Parker Quintet3:02
H2Little Benny
recorded in:
Paris, Île-de-France, Frankreich (in 1963-02)
Produzent(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Klavier:
Bud Powell (in 1963-02)
Kontrabass:
Gilbert Rovere (French bassist) (in 1963-02)
Schlagzeug:
Carl Donnell "Kansas" Fields (in 1963-02)
Charlie Parker Sextet3:30
H3Parker’s Mood
Charlie Parker’s All Stars3:01
H4Fantasy on “Frankie and Johnny”
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1947-06-10)
Klavier und Solo-Klavier:
Erroll Garner (am 1947-06-10)
aufgenommen bei:
C. P. MacGregor Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1947-06-10)
Erroll Garner2:55
H5Somebody Loves Me
recorded in:
New York, New York, Vereinigte Staaten (am 1947-01-10)
Klavier:
Bud Powell (am 1947-01-10)
Kontrabass:
Curley Russell (am 1947-01-10)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1947-01-10)
instrumental recording of:
Somebody Loves Me (am 1947-01-10)
Texter:
Buddy DeSylva und Ballard MacDonald
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Stephen Ballentine Music Publishing Co.
Teil von:
Broadway Rhythm (film)
Bud Powell Trio2:48
H6Dancing in the Dark
vocals:
Sarah Vaughan
cover recording of:
Dancing in the Dark
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
Sarah Vaughan2:37
H7Ain’t No Use
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1960-10-13)
Trompete:
Harry “Sweets” Edison (am 1960-10-13)
vocals:
Sarah Vaughan (am 1960-10-13)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1960-10-13)
cover recording of:
Ain’t No Use (am 1960-10-13)
Verfasser(in):
Leroy Kirkland und Sid Wyche
Sarah Vaughan3:55
H8Crosscurrent
Klavier:
Lennie Tristano (am 1949-03-04)
Lennie Tristano2:52
5▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
I1Boplicity
alto saxophone:
Lee Konitz (jazz saxophonist) (am 1949-04-22)
baritone saxophone:
Gerry Mulligan (am 1949-04-22)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1949-04-22)
Kontrabass:
Nelson Boyd (am 1949-04-22)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1949-04-22)
Schlagzeug:
Kenny Clarke (am 1949-04-22)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1949-04-22)
Tuba:
Bill Barber (Jazz tuba player) (am 1949-04-22)
Waldhorn:
Sanford J. Siegelstein (am 1949-04-22)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1949-04-22)
recording of:
Boplicity (am 1949-04-22)
Komponist(in):
Gil Evans (Canadian‐American jazz pianist and composer) und Cleo Henry
publisher:
Sophisticated Music
Miles Davis and His Orchestra43:03
I2Lady Bird
Klavier [p]:
Tadd Dameron (am 1948-09-13)
Kontrabass [b]:
Curly Russell (am 1948-09-13)
Schlagzeug [d]:
Kenny Clarke (am 1948-09-13)
Tenorsaxophon [ts]:
Allen Eager (am 1948-09-13) und Wardell Gray (am 1948-09-13)
Trompete [t]:
Theodore "Fats" Navarro (am 1948-09-13)
recording of:
Lady Bird (am 1948-09-13)
Komponist(in):
Tadd Dameron
Tadd Dameron’s Sextet2:54
I3Bikini
recording of:
Bikini
Komponist(in):
Dexter Gordon (am 1948-03-29)
Dexter Gordon Quartet3:33
I4Misterioso
Klavier:
Thelonious Monk (am 1948-07-02)
Kontrabass [bass]:
John Simmons (bassist) (am 1948-07-02)
Schlagzeug:
Shadow Wilson (am 1948-07-02)
Vibraphon:
Milt Jackson (am 1948-07-02) und Milton Jackson (deep house producer & DJ based in Glasgow, UK) (am 1948-07-02)
aufgenommen bei:
Apex Studios in New York, New York, Vereinigte Staaten (am 1948-07-02) und WOR Studios in New York, New York, Vereinigte Staaten (am 1948-07-02)
recording of:
Misterioso (am 1948-07-02)
Komponist(in):
Thelonious Monk
Thelonious Monk Quartet3:22
I5Criss Cross
alto saxophone:
Sahib Shihab (American jazz musician) (am 1951-07-23)
Klavier:
Thelonious Monk (am 1951-07-23)
Kontrabass:
Al McKibbon (double bassist) (am 1951-07-23)
Schlagzeug:
Art Blakey (am 1951-07-23)
Vibraphon:
Milt Jackson (am 1951-07-23)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1951-07-23)
recording of:
Criss‐Cross (am 1951-07-23)
Komponist(in):
Thelonious Monk
Thelonious Monk Quintet3:00
I6Evidence
recorded in:
New York, New York, Vereinigte Staaten (am 1948-07-02)
Bass und Kontrabass:
John Simmons (bassist) (am 1948-07-02)
Klavier:
Thelonious Monk (am 1948-07-02)
Schlagzeug und Schlagzeug [drums]:
Shadow Wilson (am 1948-07-02)
Vibraphon:
Milt Jackson (am 1948-07-02)
recording of:
Evidence (am 1948-07-02)
Komponist(in):
Thelonious Monk
publisher:
Thelonious Music und Thelonious Music Corporation (publisher, affiliated to BMI)
Thelonious Monk2:35
I7Smoke Gets in Your Eyes
recording of:
Smoke Gets in Your Eyes
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Thelonious Monk Quintet4:33
I8I Should Care
Thelonious Monk3:16
J1Blues Improvisation (excerpt)
Thelonious Monk2:54
J2Summertime
alto saxophone:
Cannonball Adderley (am 1958-08-18)
Bass:
Paul Chambers (US jazz bassist) (am 1958-08-18)
Bassklarinette:
Danny Bank (reeds) (am 1958-08-18)
Bassposaune:
Dick Hixson (trombonist) (am 1958-08-18)
Flügelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1958-08-18)
flute:
Romeo Penque (am 1958-08-18) und Jerome Richardson (am 1958-08-18)
Posaune:
Joe Bennett (trombonist) (am 1958-08-18), Jimmy Cleveland (US jazz trombonist) (am 1958-08-18) und Frank Rehak (US jazz trombonist) (am 1958-08-18)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-08-18)
Trompete:
Johnny Coles (US jazz trumpeter) (am 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1958-08-18), Bernie Glow (am 1958-08-18), Louis Mucci (trumpetist) (am 1958-08-18) und Ernie Royal (am 1958-08-18)
Tuba:
Bill Barber (Jazz tuba player) (am 1958-08-18)
Waldhorn:
Willie Ruff (am 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (am 1958-08-18) und Julius Watkins (am 1958-08-18)
conductor:
Gil Evans (Canadian‐American jazz pianist and composer) (am 1958-08-18)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1958-08-18)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Miles Davis with Gil Evans’ Orchestra53:22
J3Blue 7
recording engineer:
Rudy van Gelder (am 1956-06-22)
Klavier:
Tommy Flanagan (am 1956-06-22)
Kontrabass:
Doug Watkins (am 1956-06-22)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-06-22)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-06-22)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1956-06-22)
recording of:
Blue 7 (am 1956-06-22)
Komponist(in):
Sonny Rollins (American saxophonist)
Sonny Rollins Quartet411:23
J4Django
The Modern Jazz Quartet5:34
J5Hora Decubitus
recorded in:
New York, New York, Vereinigte Staaten (am 1963-09-20)
recording engineer:
Bob Simpson (US jazz engineer/producer) (vom 1963-09-20 bis heute)
Techniker(in):
Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Eric Dolphy
alto saxophone und flute:
Eric Dolphy (am 1963-09-20)
baritone saxophone und Sopransaxophon:
Jerome Richardson (am 1963-09-20)
flute:
Eric Dolphy, Dick Hafer (am 1963-09-20) und Jerome Richardson (am 1963-09-20)
Gitarre:
Jay Berliner (am 1963-09-20)
Klarinette und Oboe:
Dick Hafer (am 1963-09-20)
Klavier:
Charles Mingus und Jaki Byard (am 1963-09-20)
Kontrabass:
Charles Mingus (am 1963-09-20)
Kontrabass [bass]:
Charles Mingus
Posaune:
Britt Woodman (am 1963-09-20)
Schlagzeug:
Walter Perkins (Chicago jazz drummer) (am 1963-09-20)
Tenorsaxophon:
Booker Ervin (tenor saxophonist) (am 1963-09-20) und Dick Hafer (am 1963-09-20)
Trompete:
Eddie Preston (am 1963-09-20) und Richard Williams (Richard Gene Williams, jazz trumpeter) (am 1963-09-20)
Tuba:
Don Butterfield (am 1963-09-20)
recording of:
Hora Decubitus (am 1963-09-20)
Komponist(in):
Charles Mingus
Charles Mingus and His Orchestra4:44
6▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
K1Pent‐Up House (excerpt)
Sonny Rollins Plus Four7:32
K2Enter Evening
recording engineer:
Rudy van Gelder (am 1966-05-19)
Produzent(in):
Alfred Lion
alto saxophone:
Jimmy Lyons (saxophone player) (am 1966-05-19) und Ken McIntyre (am 1966-05-19)
Bassklarinette und Oboe:
Ken McIntyre (am 1966-05-19)
Glocken und Klavier:
Cecil Taylor (am 1966-05-19)
Kontrabass:
Henry Grimes (US free jazz bassist) (am 1966-05-19) und Alan Silva (free jazz double bassist) (am 1966-05-19)
Schlagzeug:
Andrew Cyrille (American jazz drummer) (am 1966-05-19)
Trompete:
Edward Gale Stevens, Jr. (am 1966-05-19)
phonographisches Urheberrecht (℗) von:
Manhattan (EMI Music / Universal Music; 1984–1987, relaunched 2001) (in 1987)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1966-05-19)
recording of:
Enter, Evening (Soft Line Structure) (am 1966-05-19)
Komponist(in):
Cecil Taylor
publisher:
Tane Publ. Co.
Cecil Taylor11:05
K3So What
Klavier:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (am 1964-02-12)
Kontrabass [bass]:
Ron Carter (US jazz double-bassist) (am 1964-02-12)
Schlagzeug:
Tony Williams (American jazz drummer) (am 1964-02-12)
Tenorsaxophon:
George Coleman (US jazz saxophonist) (am 1964-02-12)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1964-02-12)
recording of:
So What (am 1964-02-12)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
Miles Davis Sextet9:11
L1Lonely Woman
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-05-22)
Produzent(in):
Nesuhi Ertegun
alto saxophone:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer) (am 1959-05-22)
Kontrabass:
Charlie Haden (American jazz bassist) (am 1959-05-22)
Kornett:
Don Cherry (jazz trumpeter) (am 1959-05-22)
Schlagzeug [drums]:
Billy Higgins (US jazz drummer) (am 1959-05-22)
recording of:
Lonely Woman (instrumental) (am 1959-05-22)
Komponist(in):
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
publisher:
MJQ Music
Ornette Coleman5:03
L2Congeniality
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-05-22)
alto saxophone:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer) (am 1959-05-22)
Kontrabass:
Charlie Haden (American jazz bassist) (am 1959-05-22)
Kornett:
Don Cherry (jazz trumpeter) (am 1959-05-22)
Schlagzeug:
Billy Higgins (US jazz drummer) (am 1959-05-22)
recording of:
Congeniality (am 1959-05-22)
Komponist(in):
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
Ornette Coleman6:45
L3Free Jazz (excerpt)
Ornette Coleman10:14
L4Alabama
recording engineer:
Rudy van Gelder (am 1963-11-18)
Produzent(in):
Bob Thiele (producer & songwriter)
Klavier:
McCoy Tyner (jazz pianist) (am 1963-11-18)
Kontrabass:
Jimmy Garrison (am 1963-11-18)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1963-11-18)
Tenorsaxophon:
John Coltrane (am 1963-11-18)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1963-11-18)
recording of:
Alabama (original instrumental composition) (am 1963-11-18)
Komponist(in):
John Coltrane
John Coltrane45:07