Media Markt Collection: Party Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1It’s Raining Men
recording of:
It’s Raining Men
Verfasser(in):
Paul Jabara und Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls45:26
2I Will Survive
Partner-Produzent(in):
Freddie Perren
Produzent(in):
Dino Fekaris
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
Bearbeitung von:
I Will Survive (12″ single version) von Gloria Gaynor
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 489)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:16
3Let the Music Play
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
Bearbeitung von:
Let the Music Play (LP version) von Barry White
recording of:
Let the Music Play
Texter und Komponist(in):
Barry White
Barry White43:27
4Good Vibrations
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.63:37
5Gloryland
The Lords3:06
6Que sera sera
Doris Day2:01
7The Tide Is High
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) und Frank Infante (in 1980)
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1980)
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie4.453:52
8No Doubt About It
recording of:
No Doubt About It
Verfasser(in):
Mike Burns (songwriter Michael Gerard Burns), Steve Glen und David Most
publisher:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.54:28
9Urgent
phonographisches Urheberrecht (℗) von:
Atlantic (Warner Music imprint) (in 1982)
Bearbeitung von:
Urgent von Foreigner (British/American rock band)
recording of:
Urgent
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Intersong Music Ltd., Somerset Songs Publishing Inc., Fuji Pacific Music inc. (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.253:57
10Die da!?!
Musikvideos:
Die da!?! von Die Fantastischen Vier
recording of:
Die da!?! (in 1992)
Texter und Komponist(in):
Michael B. Schmidt, Michael DJ Beck (hip hop), Andreas Rieke und Thomas Dürr (German singer, rapper and musican)
Die Fantastischen Vier3:38
11Zehn nackte Friseusen
recording of:
10 nackte Friseusen
Texter:
Lou Richter
Komponist(in):
Lou Richter und Clemens Winterhalter (German composer)
Mickie Krause3:40
12Über den Wolken
cover recording of:
Über den Wolken
Texter und Komponist(in):
Reinhard Mey
publisher:
Chanson-Edition Reinhard Mey
Dieter Thomas Kuhn3:05
13Viva la noche ’97 (radio mix)
Cordalis3:42
14You Can Leave Your Hat On
Techniker(in):
Brian Reeves
Produzent(in):
Richie Zito
Mix:
Rik Pekkonen
Bass und Synthesizer:
Arthur Barrow
Gitarre:
Richie Zito
Horn:
Dick Hyde, Steve Madaio und Joel Peskin
membranophone:
Michael Baird
Hintergrundgesang:
Maxine Sharp, Julia Waters und Maxine Waters
Sologesang:
Joe Cocker
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) und WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:12
15Black Velvet
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 6)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4.54:49
16Supergirl (radio edit)
Produzent(in):
Steve Lyon (audio recording engineer and record producer)
Mix:
O.l.a.f. Opal
phonographisches Urheberrecht (℗) von:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former German division of Virgin Records Ltd.) (in 2000)
recording of:
Supergirl
Verfasser(in):
Uwe Bossert, Rea Garvey, Mike Gommeringer, Sebastian Padotzke und Philipp Rauenbusch
publisher:
Arabella Musikverlag GmbH (ARABELLA MUSIC EDITION MUENCHEN) und B612 Publishing
Reamonn4.43:51
2▼CD
Nr.TitelKünstlerBewertungLänge
199 Luftballons
Techniker(in):
Imre Sereg (in 1982)
Produzent(in):
Reinhold Heil (in 1982) und Manfred Praeker (in 1982)
Mix:
Udo Arndt (in 1982)
E-Bass:
Jürgen Dehmel (in 1982)
E-Gitarre:
Carlo Karges (in 1982)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Schlagzeug:
Rolf Brendel (in 1982)
Sologesang:
Nena Kerner (the person, performing solo since 1987) (in 1982)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983) und Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1983)
aufgenommen bei:
Spliff in Berlin, Deutschland (in 1982)
mixed at:
Audio-Studio in Berlin, Deutschland (in 1982)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 73) und Cachitos Nochevieja 2022 (Nummer: 105)
recording of:
99 Luftballons (in 1982)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Uwe Fahrenkrog-Petersen (in 1982)
publisher:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Musikverlag GmbH
sub-publisher:
EMI Songs France (27, rue de Berri)
Nena4.13:49
21000 und 1 Nacht (Zoom!)
Techniker(in):
Rolf Hanekamp
Koproduzent(in):
Rolf Hanekamp und Klaus Lage
Produzent(in):
Wolf Maahn
Bassgitarre:
Martin Engelien (in 1984)
Becken [Paiste] und Schlagzeug [Sonor]:
Wolf Simon (in 1984)
Gitarre:
Klaus Lage (in 1984) und Rolf (Rocco) Klein (in 1984)
Keyboard:
Göran Walger (in 1984)
vocals:
Klaus Lage (in 1984), Rolf (Rocco) Klein (in 1984) und Göran Walger (in 1984)
arranger:
Klaus Lage Band und Wolf Maahn
aufgenommen bei und mixed at:
EMI-Studio 2 in Köln, Nordrhein-Westfalen, Deutschland (in 1984)
recording of:
1000 und 1 Nacht (Zoom!) (in 1984-07)
Texter:
N. Heirell
Komponist(in):
Göran Walger
publisher:
Edition Musikant Musikverlag GmbH
Klaus Lage Band3:22
3Sexcrime (1984)
Techniker(in):
Eric Thorngren
zusätzliche(r) Techniker(in):
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Mix:
Dave Stewart (UK guitarist/singer for Eurythmics) und Eric Thorngren
Interpret(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Sexcrime (Nineteen Eighty-Four)
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
RCA Music Ltd. (publisher) und Universal Music Careers
Eurythmics2.43:54
4Celebrate Youth
recording of:
Celebrate Youth
Texter und Komponist(in):
Rick Springfield
publisher:
Super Ron Music
Rick Springfield3:51
5Take Me Home Tonight
Techniker(in):
Michael Frondelli, Phil Kaffel und Dave Leonard
Produzent(in):
Eddie Money und Richie Zito
Mix:
Scott Litt (producer and engineer), Eddie Money und Richie Zito
Sologesang:
Eddie Money (von 1985-11 bis 1986-05)
zusätzlich Gast vocals:
Ronnie Spector (von 1985-11 bis 1986-05)
Interpret(in):
Ronnie Spector (von 1985-11 bis 1986-05)
arranger:
Eddie Money und Richie Zito
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1985-11 bis 1986-05), Oasis Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985-11 bis 1986-05) und R.O. Studios in Concord, California (Kalifornien), Vereinigte Staaten (von 1985-11 bis 1986-05)
medley including a recording of:
Be My Baby (von 1985-11 bis 1986-05)
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. und Trio Music Co., Inc. (in 1963)
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Fujipacific Music inc. (bis 2014-12-31), EMI Music Publishing Japan C.F. division (bis 2021-06-30), Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1963), Fujipacific Music, Inc. (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
medley including a recording of:
Take Me Home Tonight (von 1985-11 bis 1986-05)
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
recording of:
Take Me Home Tonight
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
Eddie Money4.353:25
6I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:37
7Aber bitte mit Sahne
Guildo Horn & Die Orthopädischen Strümpfe4:52
8Wahnsinn (… Hölle, Hölle, Hölle)
Remix von:
Wahnsinn (...Hölle, Hölle, Hölle) (Radio Version) von Lollies (Partyband aus Reutlingen)
cover recording of:
Wahnsinn (in 1997)
Texter:
Karin van Haaren und Kim Merz
Komponist(in):
Tony Hendrik
publisher:
À La Carte Music (in 1983)
Lollies3:39
9Eine neue Liebe ist wie ein neues Leben
recording of:
Eine neue Liebe ist wie ein neues Leben (in 1972)
Texter:
Fred Jay
Komponist(in):
Jack White (German producer Horst Nußbaum)
publisher:
Edition Young Musikverlag (Jack White)
übersetzte Version von:
Lady Lolita
Jürgen Marcus3:43
10Two Princes
Techniker(in):
Frank Aversa und Spin Doctors
Produzent(in):
Frank Aversa, Peter Denenberg, Frankie LaRocka und Spin Doctors
Mix:
Peter Denenberg, Frankie LaRocka und Spin Doctors
Bassgitarre:
Mark White (Spin Doctors)
Gitarre:
Eric Schenkman
Hammond-Orgel, Schlagzeug und Perkussion:
Aaron Comess
Gast Hintergrundgesang:
John Popper
vocals:
Chris Barron
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes (original version)
Verfasser(in):
Chris Barron, Aaron Comess, Eric Schenkman und Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. und Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:17
11Entre dos tierras
phonographisches Urheberrecht (℗) von:
EMI‐Odeon, S.A. (not for release label use! subsidiary of EMI Music Spain, S.A.) (in 1991)
recording of:
Entre dos tierras
Texter:
Rodrigo Rosado
Verfasser(in):
Pedro Andreu, Joaquín Cardiel, Enrique Bunbury und Juan Valdivia
publisher:
EMI‐Odeon, S.A. (not for release label use! subsidiary of EMI Music Spain, S.A.)
Héroes del Silencio3:58
12Come as You Are
The King3:48
13Flesh for Fantasy
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Steve Stevens (US guitarist and songwriter) (in 1983)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Keyboard:
Judi Dozier (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1983)
Bearbeitung von:
Flesh for Fantasy von Billy Idol (English rock singer‐songwriter)
recording of:
Flesh for Fantasy (in 1983)
Verfasser(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music und Sitting Pretty Music
übersetzte Version von:
F.F.F. (Flesh for Fantasy) (German Version)
Billy Idol43:47
14Road to Nowhere
recording engineer und Mix:
Eric “E.T.” Thorngren
assistierende(r) Techniker(in):
Melanie West (engineer) (Aufgabe: second engineer)
Produzent(in):
Talking Heads
Bass-Synthesizer [synth bass]:
Tina Weymouth
Gast-accordion:
Jimmy MacDonell
Gast-Bongos, Gast-Conga und Gast-Tamburin:
Steve Scales
Gast-Saxophon:
Lenny Pickett (saxophone)
Gast-washboard:
Andrew Cader
Gitarre:
David Byrne (Talking Heads) und Jerry Harrison (Talking Heads & producer)
Gitarre und Keyboard und Keyboard:
Jerry Harrison (Talking Heads & producer)
Schlagzeug:
Chris Frantz
Gast Hintergrundgesang:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves und Kurt Yahijian
Hintergrundgesang:
Jerry Harrison (Talking Heads & producer) und Tina Weymouth
Sologesang:
David Byrne (Talking Heads)
vocals:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Sire Records Company (not for release label use!) (in 1985) und Talking Heads Tours Inc. (in 1985)
aufgenommen bei und mixed at:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten
Musikvideos:
Road to Nowhere (music video) von Talking Heads
recording of:
Road to Nowhere
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. und Warner Bros. Music Corp.
Talking Heads4.24:18
15Just a Gigolo / I Ain’t Got Nobody (medley)
Techniker(in):
Jeff Hendrickson (sound engineer)
Produzent(in):
Ted Templeman
Bassgitarre:
Willie Weeks (US bass player)
Gitarre:
Eddie Martinez (guitar) und Sid McGinnis (American musician and guitarist)
Keyboard, Saxophon und Hintergrundgesang:
Edgar Winter
Perkussion:
Sammy Figueroa
Schlagzeug:
John “JR” Robinson (session drummer)
Synthesizer:
Brian Mann (keyboardist, accordionist, composer)
Sologesang:
David Lee Roth
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
cover recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley)
Texter:
Julius Brammer und Roger Graham
Komponist(in):
Leonello Casucci und Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
Übersetzer:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America und Wiener Bohème Verlag GmbH
Medley von:
Just a Gigolo (English version)
Medley von:
I Ain’t Got Nobody
David Lee Roth3.34:39
16Auf der Reeperbahn nachts um halb eins
vocals:
Hans Albers
conductor:
Werner Schmidt-Boelcke (composer, chorusmaster and conductor)
recording of:
Auf der Reeperbahn nachts um halb eins (am 1936-04-01)
Texter und Komponist(in):
Ralph Arthur Roberts (in 1912)
Hans Albers3:04
3▼CD
Nr.TitelKünstlerBewertungLänge
1I Can Do It
recording of:
I Can Do It
Verfasser(in):
Wayne Bickerton und Tony Waddington
The Rubettes3:18
2Do Wah Diddy Diddy
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und HMV Records Ltd. (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 35)
cover recording of:
Do Wah Diddy Diddy
Verfasser(in):
Jeff Barry und Ellie Greenwich
publisher:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:22
3Shake Your Booty
Produzent(in):
Harry Wayne Casey und Richard Finch
phonographisches Urheberrecht (℗) von:
T.K. Records (Miami‐based disco label) (vom 1976 bis heute) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976)
recording of:
(Shake, Shake, Shake) Shake Your Booty
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, Harrick Music, Inc. (BMI) und Longitude Music Co.
KC and the Sunshine Band4.653:06
4Alles klar auf der Andrea Doria
Sound-Engineering:
Thomas Kukuck (in 1973-07)
Produzent(in):
Thomas Kukuck und Udo Lindenberg
vocals:
Udo Lindenberg (in 1973-07)
phonographisches Urheberrecht (℗) von:
Warner Music Group Germany Holding GmbH (not for release label use! DE subsidiary of WMG) (in 2021)
aufgenommen bei:
Teldec-Studio (Hamburg) in Hamburg, Deutschland (in 1973-07)
recording of:
Alles klar auf der Andrea Doria (in 1973-07)
Texter und Komponist(in):
Udo Lindenberg
publisher:
Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
Udo Lindenberg3:45
5Flieger, grüss mir die Sonne
cover recording of:
Flieger, grüß’ mir die Sonne (von 1980-06 bis 1980-07)
Texter:
Walter Reisch
Komponist(in):
Allan Gray
Extrabreit2:53
6Einmal nur mit Erika… (dieser Welt entfliehn)
Produzent(in):
Theo Werdin (Producer) und Claus Zundel
recording of:
Einmal nur mit Erika… (dieser Welt entfliehn) (in 1983)
Texter:
Claus Zundel
Komponist(in):
Hubert Kemmler (singer, songwriter, producer)
publisher:
Krokodil Records (in 1983)
Hubert Kah3:09
7Maniac
Produzent(in):
Phil Ramone und Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
Verfasser(in):
Dennis Matkosky und Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
Michael Sembello4.154:02
8Ritmo de la noche (single edit)
recording of:
Ritmo de la noche
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Adrienne Anderson, Harry Castioni, Alex Christensen (German techno DJ/producer), Bela Lagonda und Jeff Wycombe
publisher:
Pink Music und Warner Chappell (Warner/Chappell Music, Inc.)
Chocolate3:34
9I’m Walking
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
J&M/Cosimo Recording Studios (New Orleans, circa 1956-1968) in New Orleans, Louisiana, Vereinigte Staaten (am 1957-01-03)
recording of:
I’m Walkin’ (am 1957-01-03)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Verfasser(in):
A. Domino/D. Bartholomew (duo)
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. und Rolf Budde Musikverlag (aka Budde Music)
Fats Domino42:13
10Swing the Mood
recording of:
Swing the Mood
Verfasser(in):
Jive Bunny (Jive Bunny)
Medley von:
Let’s Twist Again
Medley von:
In the Mood
Medley von:
Rock Around the Clock (Bill Haley’s version)
Medley von:
Rock‐a‐Beatin’ Boogie
Medley von:
Tutti Frutti
Medley von:
Wake Up Little Susie
Medley von:
C’mon Everybody
Medley von:
Hound Dog
Medley von:
Shake, Rattle and Roll
Medley von:
All Shook Up
Medley von:
Jailhouse Rock
Medley von:
At the Hop
Jive Bunny & the Mastermixers3.54:04
11La Bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:54
12Love Shack
assistierende(r) Techniker(in):
Martin Kunitz
Techniker(in):
Dave Cook (US engineer and producer)
Produzent(in):
Don Was
Mix:
Tom Durack
Gast-Bassgitarre:
Sara Lee (UK bassist, singer & songwriter)
Gast-Horn:
Uptown Horns (US horn section, formed in 1980)
Gast-Schlagzeug:
Charley Drayton
Gitarre:
Keith Strickland
Keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) und Cindy Wilson
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1989)
aufgenommen bei:
Dreamland Studios in Hurley, New York, Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
additionally produced at:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten
Musikvideos:
Love Shack von The B‐52’s
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 243)
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52’s4.25:21
13Bad Case of Loving You (Doctor, Doctor)
recording engineer und Mix:
Karl Pitterson
Produzent(in):
Robert Palmer (English singer‐songwriter)
assistierende(r) Mix:
Benjamin Armbrister und Kendal Stubbs
E-Bass:
Pierre Brock
Gitarre:
Eddie Martinez (guitar) und Kenny Mazur
Keyboard:
Steve Robbins (US keyboardist) und Jack Waldman
Schlagzeug:
Dony Wynn
vocals:
Robert Palmer (English singer‐songwriter)
remixer:
Eric Thorngren
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
cover recording of:
Bad Case of Lovin’ You
Texter und Komponist(in):
Moon Martin
publisher:
Bug Music Ltd. und Sony/ATV Songs LLC
Robert Palmer4.653:10
14The Passenger
Techniker(in):
Eduard Meyer und Colin Thurston
Produzent(in):
Bewlay Bros.
Bassgitarre:
Tony Sales (von 1977-06-04 bis 1977-06-18)
cowbell, Schlagzeug, shakers und Tamburin:
Hunt Sales (von 1977-06-04 bis 1977-06-18)
Gitarre:
Carlos Alomar (von 1977-06-04 bis 1977-06-18) und Ricky Gardiner (von 1977-06-04 bis 1977-06-18)
Klavier:
David Bowie (English singer‐songwriter) (von 1977-06-04 bis 1977-06-18)
Hintergrundgesang:
David Bowie (English singer‐songwriter) (von 1977-06-04 bis 1977-06-18), Hunt Sales (von 1977-06-04 bis 1977-06-18) und Tony Sales (von 1977-06-04 bis 1977-06-18)
Sologesang:
Iggy Pop (von 1977-06-04 bis 1977-06-18)
phonographisches Urheberrecht (℗) von:
Thousand Mile, Inc. (in 1977) und Virgin America (Virgin sublabel for EUROPEAN releases of artists signed by Virgin Records America, Inc.) (in 1990)
aufgenommen bei:
Hansa Studio III in Berlin, Deutschland (von 1977-06-04 bis 1977-06-18)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 179)
recording of:
The Passenger (von 1977-06-04 bis 1977-06-18)
Texter:
Iggy Pop
Komponist(in):
Ricky Gardiner
publisher:
Ricky Gardiner Songs und Virgin Music (Publishers) Ltd.
Iggy Pop4.64:40
15The Power of Love
recording engineer:
Jim Gaines und Robert Missbach
assistierende(r) Techniker(in):
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) und Jim “Watts” Vereecke
zusätzliche(r) Techniker(in):
Michael Christopher (engineer), Phil Kaffel und Malcolm Pollack
Produzent(in):
Bob Clearmountain, Jellybean (US producer John Benitez) und Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
Bassgitarre:
Mario Cipollina
Gitarre:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Mundharmonika:
Huey Lewis
Perkussion und Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Saxophon:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) und Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Studio D Recording in Sausalito, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
The Power of Love (full length) von Huey Lewis and the News (American pop rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 108)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Huey Lewis & the News43:59
16Don't Worry, Be Happy
Techniker(in):
Chris Tergesen
Produzent(in):
Linda Goldstein
Körper-Perkussion:
Bobby McFerrin
vocals:
Bobby McFerrin
phonographisches Urheberrecht (℗) von:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (in 1988), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1988) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Worry, Be Happy
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin4.44:48

Nennungen

Veröffentlichung

Verwertungsgesellschaft:bel (Bureau Européen des Licences)
BIEM (international rights organization representing member societies from 58 countries)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:EMI Catalogue Marketing (in 2002)
vermarkted von:Media Markt (German electronics retailer)
Discogs:https://www.discogs.com/release/1999273 [Info]
ASIN:DE: B002VCV3EW [Info]
andere Datenbanken:https://www.musik-sammler.de/media/171202/ [Info]

Veröffentlichungsgruppe

Teil von:Media Markt Collection (Reihenfolge: 19)
andere Datenbanken:https://www.musik-sammler.de/album/163212/ [Info]