Pop Music: The Modern Era 1976–1999 (BMG Direct)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Anmerkung

Fatboy jewel case with 64 page booklet.

Introduction (paraphrased): Soundtrack For A Century, twenty‐six discs ... a staggering number of new forms of popular musical expression, as well as a seemingly infinite number of variations on those forms.

© 1999 Sony Music Entertainment Inc./℗ 1999 Sony Music Entertainment Inc.

1–1 Rec. New York, 1973
1–2 Rec. Cleveland, January 1976
1–3 Rec. Los Angeles, September 1975‐January 1976
1–4 Rec. London 1976
1–5 Rec. Los Angeles, March 1977
1–6 Rec. New York, June 1977
1–7 Rec. Los Angeles, May 12, 1978
1–8 Rec. Los Angeles, August 1978
1–9 Rec. Munich, Germany, 1979
1–10 Rec. New York, 1979
1–11 Rec. Los Angeles, March 10, 1980
1–12 Rec. Los Angeles, September 3, 1980
1–13 Rec. Los Angeles, 1981
1–14 Rec. 1981
1–15 Rec. Los Angeles, 1981
1–16 Rec. 1982
1–17 Rec. Los Angeles, 1982
1–18 Rec. Los Angeles, May 1, 1983
1–19 Rec. November 1983
1–20 Rec. Los Angeles, 1982

1–1 Produced for Frank Connelly & Contemporary Communications Corp.
1–4 Produced for Indigo
1–13 Produced for Mike Stone Enterprises and for Elson Music Vision
1–14 “Ebony & Ivory” courtesy Capitol Records under license from EMI Music Special Markets

2–1 Rec. London, 1984
2–2 Rec. Los Angeles, 1983
2–3 Rec. 1984
2–4 Rec. London, 1987
2–5 Rec. Jan. 10, 1988
2–6 Rec. Los Angeles, 1987
2–7 Rec. New York, August 1989
2–8 Rec. Los Angeles, 1989
2–9 Rec. 1990
2–10 Rec. Los Angeles, 1990
2–11 Rec. 1994
2–12 Rec. 1994
2–13 Rec. New York, Austin and Los Angeles, 1996
2–14 Rec. London, July 1996
2–15 Rec. New York and Los Angeles, June‐November 1997
2–16 Rec. Los Angeles, 1996
2–17 Rec. New York, October 1997
2–18 Rec. Kingston, Jamaica and New York, 1998

2–3 Credits: Trumpet: Stuart Matthewman but key release Sade – Diamond Life reports Trumpet: Gordon Matthewman
2–4 Credits: Produced and Mixed By Uncredited: per Columbia 38–07675 (mx ZSS 176482)
2–10 Slash appears courtesy of Geffen Records
2–17 “Gettin’ Jiggy Wit It” contains a sample of “He’s The Greatest Dancer” (B. Edwards/N. Rodgers), ...
2–17 Also contains a sample of “Sang And Dance” (D. Porter), ...
2–17 Also contains a replay of “Love Rap” (J. Robinson), ...

Barcode and Other Identifiers

Barcode: (Code 39)
Other (Disc 1 Catalog Number): JK 65795
Other (Disc 2 Catalog Number): JK 65796
Other (Disc 1 Sony Disc Manufacturing Code disc face): DIDP 098762
Other (Disc 2 Sony Disc Manufacturing Code disc face): DIDP 098763
Matrix / Runout (Disc 1): DIDP-098762 G4 1A 08
Mastering SID Code (Disc 1): IFPI L424
Mould SID Code (Disc 1): IFPI 7205
Matrix / Runout (Disc 2): DIDP-098763 G4 1A 10
Mastering SID Code (Disc 2): IFPI L424
Mould SID Code (Disc 2): IFPI 7280

Anmerkung zuletzt geändert am 2024-02-14 23:35 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Dream On
Produzent(in):
Adrian Barber (producer/engineer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recording of:
Dream On
Texter und Komponist(in):
Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Frank Connelly Music, Music of Stage Three Aerosmith Account, Song and Dance Music, Vindaloo Productions, Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Aerosmith53:27
2Play That Funky Music
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
Bearbeitung von:
Play That Funky Music von Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
Texter und Komponist(in):
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. und Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:12
3Lowdown
recording of:
Lowdown
Texter:
Boz Scaggs
Komponist(in):
David Paich und Boz Scaggs
publisher:
BMG Songs, Inc., Hudmar Publishing Co. Inc. und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs3:18
4Boogie Nights
Produzent(in):
Barry Blue (singer, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
GTO Records (in 1976) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1976)
Bearbeitung von:
Boogie Nights von Heatwave (70s/80s R&B/funk band)
recording of:
Boogie Nights (in 1976)
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.653:38
5Your Smiling Face
recording engineer und Mix:
Val Garay
Produzent(in):
Peter Asher
Akustikgitarre, Hintergrundgesang und Sologesang:
James Taylor (singer-songwriter and guitarist)
Bassgitarre:
Leland Sklar (bassist, session musician)
Gitarre [guitars]:
Danny Kortchmar (Danny Kootch)
Keyboard:
Dr. Clarence McDonald
Perkussion und Schlagzeug:
Russell Kunkel (session drummer)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) und CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
aufgenommen bei und mixed at:
The Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1977-03-15 bis 1977-04-24)
recording of:
Your Smiling Face
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
James Taylor4.652:45
6Just the Way You Are
Techniker(in):
Jim Boyer (producer/engineer) und Phil Ramone
Produzent(in):
Phil Ramone
Akustikgitarre:
Steve Burgh, Steve Khan und Hugh McCracken
alto saxophone:
Phil Woods (US jazz woodwind player)
Bass:
Doug Stegmeyer (bass player, aka Slug Douglas)
E-Gitarre:
Hiram Bullock und Steve Khan
flute, Klarinette, Orgel, Sopransaxophon und Tenorsaxophon:
Richie Cannata
Gitarre [High String Guitar] und zwölfsaitige Gitarre:
Steve Khan
Keyboard, Klavier, Synthesizer und Sologesang:
Billy Joel (American singer‐songwriter and pianist)
Perkussion:
Ralph MacDonald
Schlagzeug:
Liberty DeVitto (US drummer)
Orchestrator(in):
Patrick Williams (composer, arranger)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Bearbeitung von:
Just the Way You Are von Billy Joel (American singer‐songwriter and pianist)
recording of:
Just the Way You Are
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Joelsongs (vom 1977 bis heute), CBS Songs Ltd. (in 1977) und Impulsive Music (in 1977)
sub-publisher:
Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Billy Joel4.353:31
7Two Tickets to Paradise
recording engineer:
Andy Johns (in 1977-06)
assistierende(r) Techniker(in):
Mike Clink (Aufgabe: assistant), Roy Segal (Aufgabe: assistant), Steven D. Smith (US recording engineer, mainly rock & game scores) (Aufgabe: assistant) und Tom Lubin (Aufgabe: assistant)
Techniker(in):
Andy Johns (Aufgabe: recording & mixing)
Produzent(in):
Bruce Botnick
Mix:
Andy Johns
alto saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Bass:
Lonnie Turner
Bassgitarre:
Lonnie Turner
Gitarre:
Jimmy Lyon (rock guitarist, worked with Eddie Money)
Keyboard:
Freddy Webb, Eddie Money, Alan Pasqua, Randy Nichols und Freddie Webb (keyboardist)
Mundharmonika, Saxophon und Sologesang:
Eddie Money
Perkussion:
Kevin Calhoun (percussionist), Gary Mallaber und Kevin Calhoun (composer)
Schlagzeug:
Gary Mallaber
Tenorsaxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Hintergrundgesang:
Randy Nichols
vocals:
Eddie Money
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978)
aufgenommen bei:
CBS Studios (San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1977-06) und Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1977-06)
recording of:
Two Tickets to Paradise (in 1977-06)
Texter und Komponist(in):
Eddie Money
publisher:
Cashola Music, Three Wise Boys Music LLC und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.153:59
8Shake Your Body (Down to the Ground)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Gitarre:
Tito Jackson (in 1978-08)
Keyboard und Synthesizer:
Mike Boddicker (in 1978-08) und Greg Phillinganes (in 1978-08)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1978-08)
Schlagzeug:
Ed Green (US violinist/percussionist) (in 1978-08)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5) (in 1978-08), Marlon Jackson (in 1978-08), Randy Jackson (brother of Michael and Janet) (in 1978-08) und Tito Jackson (in 1978-08)
Sologesang:
Michael Jackson (“King of Pop”) (in 1978-08)
recording of:
Shake Your Body (Down to the Ground) (in 1978-08)
Texter und Komponist(in):
Michael Jackson (“King of Pop”) und Randy Jackson (brother of Michael and Janet)
publisher:
Mijac Music, Peacock Music Publishing Company, Ranjack Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jacksons4.253:46
9Don’t Bring Me Down
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bassgitarre:
Kelly Groucutt (von 1979-03 bis 1979-04)
E-Gitarre und Sologesang:
Jeff Lynne (von 1979-03 bis 1979-04)
Hybrid-Piano und Klarinette:
Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Klavier und Synthesizer:
Jeff Lynne (von 1979-03 bis 1979-04) und Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (von 1979-03 bis 1979-04)
Chorgesang:
Kelly Groucutt (von 1979-03 bis 1979-04) und Jeff Lynne (von 1979-03 bis 1979-04)
conductor:
Louis Clark (von 1979-03 bis 1979-04)
Saiteninstrumente arranger und Chorgesang arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Inc. (in 1979), Jet Records (in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2005)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-03 bis 1979-04)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 215)
recording of:
Don’t Bring Me Down (von 1979-03 bis 1979-04)
Texter und Komponist(in):
Jeff Lynne
publisher:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.54:04
10Hungry Heart
recording engineer:
Neil Dorfsman (von 1979-06-14 bis 1980-04-10)
assistierende(r) Techniker(in):
James A. Farber (sound engineer), Jeff Hendrickson (sound engineer), Garry Rindfuss und Raymond Willard (sound engineer)
Produzent(in):
Jon Landau, Little Steven und Bruce Springsteen
Mix:
Bob Clearmountain (am 1979-09-05)
Akustikgitarre und E-Gitarre:
Little Steven (von 1979-06-14 bis 1980-04-10)
Bassgitarre:
Garry Tallent (von 1979-06-14 bis 1980-04-10)
Gitarre:
Little Steven (von 1979-06-14 bis 1980-04-10) und Bruce Springsteen (von 1979-06-14 bis 1980-04-10)
Klavier:
Roy Bittan (von 1979-06-14 bis 1980-04-10)
Orgel:
Danny Federici (von 1979-06-14 bis 1980-04-10)
Perkussion und Saxophon und Saxophon:
Clarence Clemons (von 1979-06-14 bis 1980-04-10)
Schlagzeug:
Max Weinberg (von 1979-06-14 bis 1980-04-10)
zwölfsaitige Gitarre, E-Gitarre und Mundharmonika:
Bruce Springsteen (von 1979-06-14 bis 1980-04-10)
Hintergrundgesang:
Roy Bittan (von 1979-06-14 bis 1980-04-10), Clarence Clemons (von 1979-06-14 bis 1980-04-10), Flo & Eddie (von 1979-06-14 bis 1980-04-10) und Little Steven (von 1979-06-14 bis 1980-04-10)
vocals:
Bruce Springsteen (von 1979-06-14 bis 1980-04-10)
phonographisches Urheberrecht (℗) von:
Bruce Springsteen (in 1980)
phonographisches Urheberrecht (℗) von:
CBS Dischi (Italian record company) (in 1980)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-06-14 bis 1980-04-10)
recording of:
Hungry Heart (von 1979-06-14 bis 1980-04-10)
publisher:
Bruce Springsteen (in 1979)
Texter und Komponist(in):
Bruce Springsteen (in 1979)
publisher:
Bruce Springsteen Music, Intersong Music Ltd. und Zomba Music Publishing Ltd.
Bruce Springsteen43:21
11Guilty
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Akustikgitarre und Hintergrundgesang:
Barry Gibb
Bassgitarre [bass]:
Harold Cowart
cabasa [kabassa] und shakers [shaker]:
Joe Lala
Flügel [elephant grand]:
George Bitzer
Gitarre:
Cornell Dupree und George Terry (guitar player with Clapton in 70's)
Hybrid-Piano:
George Bitzer und Richard Tee
Schlagzeug:
Steve Gadd (drummer)
vocals:
Barry Gibb (in 1980) und Barbra Streisand (in 1980)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1980) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
recording of:
Guilty (in 1980)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Careers–BMG Music Publishing, Inc. (beendet), Crompton Songs und Gibb Brothers Music
Barbra Streisand & Barry Gibb34:23
12Keep On Loving You
assistierende(r) Techniker(in):
Tom Cummings (engineer) und Jeff Eccles
Techniker(in):
Kevin Beamish
Koproduzent(in):
Alan Gratzer (drummer)
Produzent(in):
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) und Gary Richrath (guitarist and songwriter)
Akustikgitarre:
Kevin Cronin (guitarist, singer and songwriter)
Bass:
Bruce Hall (US bassist for REO Speedwagon)
Gitarre:
Gary Richrath (guitarist and songwriter)
Hammond-Orgel:
Neal Doughty (keyboards)
Schlagzeug:
Alan Gratzer (drummer)
Hintergrundgesang:
Kevin Cronin (guitarist, singer and songwriter), Tom Kelly (songwriter) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin (guitarist, singer and songwriter)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980, in 1981) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 67)
recording of:
Keep On Loving You (am 1980-09-03)
Texter und Komponist(in):
Kevin Cronin (guitarist, singer and songwriter)
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Taiyō Music
REO Speedwagon3.553:23
13Open Arms
recording of:
Open Arms
Verfasser(in):
Jonathan Cain und Steve Perry (former lead singer of Journey)
publisher:
Lacey Boulevard Music und Weed High Nightmare Publishing
Journey2.753:21
14Ebony and Ivory
Assistent recording engineer:
Mike Stavrou (producer/engineer) (von 1981-02-28 bis 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (von 1981-02-28 bis 1981-10)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistierende(r) Mix:
Jon Jacobs (UK producer/engineer) (am 1982-01-19)
Mix:
Geoff Emerick (British recording engineer) (am 1982-01-19)
E-Bass, Gitarre, Klavier und Vocoder:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10)
Hybrid-Piano und Schlagzeug:
Stevie Wonder (von 1981-02-28 bis 1981-10)
Perkussion, Synthesizer und Hintergrundgesang und Sologesang:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10) und Stevie Wonder (von 1981-02-28 bis 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1981-03-30) und Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1982-01-19)
recording of:
Ebony and Ivory (von 1981-02-28 bis 1981-10)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Parodieversion von:
Curdled Milk and Boot Polish
Paul McCartney & Stevie Wonder3.23:43
15Rosanna
Produzent(in):
Toto (US rock group)
Bass:
David Hungate
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich und Steve Porcaro
Perkussion und Schlagzeug:
Jeff Procaro
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
arranger:
David Paich und Jerry Hey
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
Rosanna
Texter und Komponist(in):
D. Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. und Spirit Two Music
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto3.84:03
16Who Can It Be Now?
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Colin Hay und Ron Strykert
Saxophon:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
recording of:
Who Can It Be Now?
Texter und Komponist(in):
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Men at Work4.43:23
17Heartlight
Techniker(in):
Humberto Gatica, Mick Guzauski, John Arias (engineer) und Allen Sides
Produzent(in):
Burt Bacharach, Carole Bayer Sager und Neil Diamond
Bass:
Neil Stubenhaus
Gitarre:
Marty Walsh
Klavier:
David Foster (Canadian music producer, arranger and composer)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug [drums]:
Jim Keltner
Synthesizer:
Craig Hundley (American jazz/classical pianist, producer and former child-actor, b. 1954)
conductor:
Burt Bacharach
arranger:
Burt Bacharach
recording of:
Heartlight (in 1982)
Verfasser(in):
Burt Bacharach (in 1982), Carole Bayer Sager (in 1982) und Neil Diamond (in 1982)
publisher:
Carole Bayer Sager Music, New Hidden Valley Music und Stonebridge Music (publisher)
Neil Diamond2.54:25
18Rockit
Produzent(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
recording of:
Rockit
Verfasser(in):
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Bill Laswell (US bass guitarist and record producer)
publisher:
Ensign Music Corporation
Herbie Hancock3:57
19Girls Just Want to Have Fun
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Bass:
Eric Bazilian
E-Gitarre:
Rick DiFonzo
elektronisches Schlagzeug / E-Drums:
Anton Fig
Keyboard [keyboards] und Synthesizer [synthesizers]:
Rob Hyman
Hintergrundgesang:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson (vocals)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Girls Just Want to Have Fun von Cyndi Lauper
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 63)
recording of:
Girls Just Want to Have Fun
Texter und Komponist(in):
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:56
20Billie Jean
recording engineer und Mix:
Bruce Swedien
Synthesizer-Programmierung:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
Koproduzent(in):
Michael Jackson (“King of Pop”)
Produzent(in):
Quincy Jones
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Gitarre:
David Williams (session guitarist and songwriter)
Rhodes Piano und Synthesizer:
Greg Phillinganes
Schlagzeug:
Leon Ndugu Chancler
Synthesizer:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
Sologesang:
Michael Jackson (“King of Pop”)
conductor:
Jeremy Lubbock
Perkussion und Synthesizer arranger und Synthesizer arranger:
Michael Jackson (“King of Pop”)
Saiteninstrumente arranger:
Jerry Hey
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1982)
Bearbeitung von:
Billie Jean (long version) von Michael Jackson (“King of Pop”)
Musikvideos:
Billie Jean von Michael Jackson (“King of Pop”)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 7), Billboard Hot 100: 2026-05-23 (Nummer: 15), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard Hot 100: 2026-05-16 (Nummer: 17), Billboard Hot 100: 2026-06-20 (Nummer: 18), Billboard Hot 100: 2026-06-06 (Nummer: 19), Billboard Hot 100: 2026-06-13 (Nummer: 19), Billboard Hot 100: 2026-05-30 (Nummer: 32), Billboard Hot 100: 2026-05-09 (Nummer: 38), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 58) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 95)
recording of:
Billie Jean
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
MJ: The Musical
Michael Jackson4.14:54
2▼CD
Nr.TitelKünstlerBewertungLänge
1Careless Whisper
Produzent(in):
George Michael
Bass:
Deon Estus (in 1984)
Gitarre:
Hugh Burns (in 1984)
Keyboard:
Chris Parren (in 1984)
Perkussion:
Danny Cummings (British drummer and percussionist) (in 1984)
Schlagzeug:
Trevor Murrell (in 1984)
vocals:
George Michael (in 1984)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1984), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Careless Whisper (in 1984)
Verfasser(in):
George Michael und Andrew Ridgeley
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Limited (2019–present) und Wham! Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Wham! featuring George Michael4.355:05
2To All the Girls I’ve Loved BeforeWillie Nelson & Julio Iglesias3:34
3Smooth Operator
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1994)
recording of:
Smooth Operator
Texter und Komponist(in):
Sade Adu und Raymond St. John
publisher:
Angel Music Ltd., Peer Music, Peermusic (UK) Limited, Peermusic Ltd. (BMI), SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Sade4.654:17
4Wishing Well
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
baritone saxophone, Keyboard und Perkussion und Hintergrundgesang und Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Bass:
Phil Spalding
Gitarre:
Pete Glenister
Hi-Hat [Wicked Hi-Hat]:
Clive Mngaza
Schlagzeug:
Preston Heyman
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment), CBS Records (2006–2021) (in 1987) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987)
recording of:
Wishing Well
Texter:
Terence Trent D’Arby (now known as Sananda Maitreya)
Komponist(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Sean Oliver
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music Publishers Ltd. und Young Terence Music (Publisher)
Terence Trent D’Arby3.153:33
5Anything for You
recording of:
Anything for You
Texter und Komponist(in):
Gloria M. Estefan
Gloria Estefan and Miami Sound Machine3:46
6Eternal Flame
recording engineer:
John Beverly Jones
zusätzliche(r) Techniker(in):
Ken Felton
Produzent(in):
Davitt Sigerson
Mix:
Frank Filipetti
E-Bass [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre [lead guitar]:
Vicki Peterson
Gitarre [rhythm guitar]:
Susanna Hoffs
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
phonographisches Urheberrecht (℗) von:
The Bangles (in 1988)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Eternal Flame von Bangles
recording of:
Eternal Flame
Verfasser(in):
Susanna Hoffs, Tom Kelly (songwriter) und Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.753:56
7We Didn’t Start the Fire
Keyboard-Programmierung:
Kevin Jones (keyboard & synth) (in 1989)
assistierende(r) Techniker(in):
Dana Becker, Tim Crish, David Dorn, Suzanne Hollander, Joe Pirerra und Gary Solomon
Techniker(in):
Jay Healy
Produzent(in):
Billy Joel (American singer‐songwriter and pianist) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
Mix:
Tom Lord‐Alge
andere Instrumente [sound effects]:
Doug Kleeger (in 1989)
Clavinet und Sologesang:
Billy Joel (American singer‐songwriter and pianist) (in 1989)
E-Bass:
Schuyler Deale (in 1989)
Gitarre:
David Brown (guitarist for Billy Joel) (in 1989) und Joey Hunting (in 1989)
Keyboard:
John Mahoney (R&B/jazz keyboardist) (in 1989)
Perkussion:
Liberty DeVitto (US drummer) (in 1989), Billy Joel (American singer‐songwriter and pianist) (in 1989) und Crystal Taliefero (American multi‐instrumentalist and vocalist) (in 1989)
Perkussion [electronic percussion]:
Sammy Merendino (in 1989)
Schlagzeug:
Liberty DeVitto (US drummer) (in 1989)
Synthesizer:
Jeff Jacobs (in 1989)
Hintergrundgesang:
Crystal Taliefero (American multi‐instrumentalist and vocalist) (in 1989)
arranger:
Doug Kleeger
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
We Didn’t Start the Fire von Billy Joel (American singer‐songwriter and pianist)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 55)
recording of:
We Didn’t Start the Fire (in 1989)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
EMI Songs Ltd., Impulsive Music, Universal Music Ltd. (UK sound recording / publishing company) und Joelsongs (in 1989)
Arrangement von:
We Didn’t Start the Slop Stream
Billy Joel4.34:50
8How Am I Supposed to Live Without You
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989)
recording of:
How Am I Supposed to Live Without You
Verfasser(in):
Michael Bolton und Doug James (Songwriter / Composer / Keyboards)
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd. und Is Hot Music Ltd.
sub-publisher:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Michael Bolton44:16
9Step by Step
Koproduzent(in):
Michael Jonzun und New Kids on the Block
Produzent(in):
Maurice Starr
Sologesang:
Jordan Knight
arranger:
Maurice Starr
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
produced for:
Big Step Productions
cover recording of:
Step by Step (von 1989-09 bis 1990-04)
Texter und Komponist(in):
Maurice Starr
publisher:
Big Step Production
New Kids on the Block2.94:28
10Black or White
Produzent(in):
Michael Jackson (“King of Pop”) und R. Kelly
Gitarre:
Slash (Guns N’ Roses guitarist)
Sologesang:
Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1991)
recording of:
Black or White (in 1991)
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
zusätzlicher Texter:
Bill Bottrell
Teil von:
MJ: The Musical
Michael Jackson3.753:23
11You Gotta Be
drum machine-Programmierung:
Kevin Clarke (in 1999)
Koproduzent(in):
Des’ree und Ashley Ingram
Mix:
Mark “Spike” Stent (producer, engineer)
Bass und Keyboard:
Ashley Ingram (in 1999)
Saiteninstrumente arranger:
Ashley Ingram
recording of:
You Gotta Be (in 1999)
Verfasser(in):
Des’ree und Ashley Ingram
Des’ree2.94:04
12Because You Loved Me
recording engineer:
Humberto Gatica (Sologesang)
Synclavier-Programmierung:
Simon Franglen (English score composer)
assistierende(r) Techniker(in):
Mark Agostino und Peter Doell
Techniker(in):
Felipe Elgueta
leitende(r) Produzent(in):
Jon Avnet (American director, writer and producer)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Kyle Bess, Paul Boutin und Chris Brooke
Mix:
Humberto Gatica
Gitarre:
Michael Thompson (session guitarist)
Keyboard:
David Foster (Canadian music producer, arranger and composer)
Hintergrundgesang:
Terry Bradford (1990 Star Search male vocalist champion), Alex Brown (US soul vocalist, member of Raelets), Bridgette Bryant (American session backing vocalist), Alanna Capps, Carl Carwell, Sue Ann Carwell, Philip Ingram, Kofi, Maxann Lewis und Will Wheaton
Sologesang:
Céline Dion
arranger:
David Foster (Canadian music producer, arranger and composer)
Hintergrundgesang arranger:
Carl Carwell, Sue Ann Carwell und David Foster (Canadian music producer, arranger and composer)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Chartmarker Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Because You Loved Me
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs, Touchstone Pictures Music and Songs Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 69th Academy Award for Best Original Song (Nummer: 2)
Céline Dion3.054:35
13Sunny Came Home
recording of:
Sunny Came Home
Verfasser(in):
Shawn Colvin und John Leventhal
Shawn Colvin3:51
14Virtual Insanity
Koproduzent(in):
Jay Kay (English singer, Jamiroquai) und Al Stone (UK engineer)
conductor:
Simon Hale
Saiteninstrumente arranger:
Simon Hale
arranger:
Jay Kay (English singer, Jamiroquai)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Virtual Insanity
Verfasser(in):
Jay Kay (English singer, Jamiroquai) und Toby Smith
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Jamiroquai3.53:48
15My All
Programmierung:
Walter Afanasieff und Dan Shea
assistierende(r) Techniker(in):
Ian Dalsemer
Techniker(in):
Dana Jon Chappelle und Mike Scott (Production music composer/engineer a.k.a. “The Wizard”)
Produzent(in):
Walter Afanasieff und Mariah Carey
Mix:
Mick Guzauski
Keyboard und Synthesizer:
Walter Afanasieff
zusätzlich Schlagzeug und Keyboard:
Dan Shea
Sologesang:
Mariah Carey
arranger:
Walter Afanasieff und Mariah Carey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1997)
aufgenommen bei:
Crave Studios in New York, Vereinigte Staaten, The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und Wallyworld in San Rafael, California (Kalifornien), Vereinigte Staaten
mixed at:
Crave Studios in New York, Vereinigte Staaten
recording of:
My All
Texter:
Mariah Carey
Komponist(in):
Walter Afanasieff und Mariah Carey
publisher:
Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP) und Wallyworld Music
Mariah Carey3.33:52
16Criminal
recording engineer und Mix:
Mark Endert
Produzent(in):
Andrew Slater
assistierende(r) Mix:
Tom Banghart
Bass:
Dan Rothchild
Chamberlin [chamberlain]:
Jon Brion
Gitarre:
Rob Laufer
Klavier:
Patrick Warren
Schlagzeug:
Matt Chamberlain (American drummer)
vocals:
Fiona Apple (singer-songwriter and pianist)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
mixed at:
Brooklyn Recording Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 2) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 423)
recording of:
Criminal
Texter und Komponist(in):
Fiona Apple (singer-songwriter and pianist)
publisher:
FHW Publishing (in 1996)
Fiona Apple4.155:43
17Gettin’ Jiggy Wit It
recording engineer:
Ken "DURO" Ifill (engineer and producer Ken Ifill)
Koproduzent(in):
L.E.S. (QB hip hop producer)
Produzent(in):
Poke and Tone
assistierende(r) Mix:
Chris Ribando
Mix:
Rich Travali (Engineer)
Bassgitarre:
Lanar "Kern" Brantley (US bassist)
Gitarre [lead guitar]:
David Foreman
Keyboard [keyboards]:
Timothy "Tyme" Riley (US drummer Timothy Riley)
turntable [scratches]:
DJ Jazzy Jeff (DJ/turntablist)
aufgenommen bei:
Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Samples:
He’s the Greatest Dancer von Sister Sledge und Sang and Dance von The Bar-Kays
recording of:
Gettin’ Jiggy Wit It
Verfasser(in):
Samuel Barnes (US rapper & hip‐hop producer, aka Tone), Bernard Edwards & Nile Rodgers, Bernard Edwards (American bassist and record producer), David Porter (US soul musician, producer & songwriter), Joey Robinson, Jr. (US Electro funk/hip hop producer, songwriter & engineer), Nile Rodgers und Will Smith (US actor aka The Fresh Prince)
publisher:
Irving Music, Inc., Jelly’s Jams, LLC, Sony/ATV Tunes LLC (ASCAP), Treball Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Will Smith3.853:49
18Doo Wop (That Thing)
Bearbeitung von:
Doo Wop (That Thing) von Lauryn Hill
recording of:
Doo Wop (That Thing)
Texter und Komponist(in):
Ms. Lauryn Hill
Lauryn Hill3.354:01

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Veröffentlichungsgruppe

enthalten in:Sony Music 100 Years: Soundtrack for a Century