Classic Rock ’n’ Roll

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1(We’re Gonna) Rock Around the Clock
E-Gitarre [lead guitar]:
Danny Cedrone (am 1954-04-12)
E-Gitarre [rhythm guitar] und Sologesang:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
phonographisches Urheberrecht (℗) von:
Sonet Music AB (in 1954) und MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:10
2Johnny B. Goode
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-01-06)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-01-06)
Kontrabass:
Willie Dixon (am 1958-01-06)
Schlagzeug:
Jasper Thomas (am 1958-01-06)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-01-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (am 1958-01-06)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry4.252:39
3Great Balls of Fire
recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis1:51
4I Get Around
recording of:
I Get Around
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
sub-publisher:
ビクターミュージックアーツ株式会社, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys2:11
5La Bamba
recording engineer:
Larry Levine und Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Bob Keane
phonographisches Urheberrecht (℗) von:
Del-Fi Records Inc. (in 1958)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 142) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (am 1958-11-17)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Ritchie Valens4.752:07
6That’ll Be the Day
The Crickets2:16
7Bye Bye Love
recording of:
Bye Bye Love
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers2:20
8Bo Diddley
Gitarre:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Maracas / Rumba-Rasseln:
Jerome Green (am 1955-03-02)
Schlagzeug:
Clifton James (am 1955-03-02)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1955-03-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 62), Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2017) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 277)
recording of:
Bo Diddley (am 1955-03-02)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
Bo Diddley2.452:43
9Splish Splash
Produzent(in):
Herb Abramson und Ahmet Ertegun (US songwriter/producer)
Teil von:
Billboard Hot 100: 1958-08-04 (Nummer: 3)
recording of:
Splish Splash
Verfasser(in):
Bobby Darin und Jean Murray
publisher:
Alley Music Corp., EMI Unart Catalog Inc., Good Music Ltd. und Oirt Music Inc.
Bobby Darin32:11
10Be‐Bop‐A‐Lula
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (am 1956-05-04)
Gitarre [rhythm guitar]:
Willie Williams (50s rock guitarist) (am 1956-05-04)
Kontrabass [upright bass]:
Jack Neal (am 1956-05-04)
Schlagzeug [drums]:
Dickie Harrell (am 1956-05-04)
vocals:
Gene Vincent (am 1956-05-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 1956 bis heute)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-05-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 9) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 102)
recording of:
Be‐Bop‐a‐Lula (am 1956-05-04)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:35
11Stupid Cupid
recording of:
Stupid Cupid
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
Connie Francis2:14
12Got My Mojo Working
recording of:
Got My Mojo Working (Muddy Waters arrangement)
zusätzliche(r) Verfasser(in):
Morgan Field (blues musician)
arranger:
Muddy Waters (blues musician)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Dare Music Co.
Version von:
Got My Mojo Working (original version)
Muddy Waters2:50
13Blueberry Hill
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Blueberry Hill (Imperial) von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
cover recording of:
Blueberry Hill (am 1956-06-27)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.652:20
14Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Teenagers4.52:17
15Under the Boardwalk
recording of:
Under the Boardwalk
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. und Trio Music Company
The Drifters2:41
16Speedoo
The Cadillacs2:20
17Shake, Rattle and Roll
Joe Turner2:59
18Do You Wanna Dance
recorded in:
Vereinigte Staaten
Produzent(in):
Morty Palitz
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 39)
recording of:
Do You Want to Dance
Texter und Komponist(in):
Bobby Freeman
publisher:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp. und Sherwin Music (publisher)
sub-publisher:
ミュージカル・ライツ・東京株式会社 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
recording of:
Do You Want to Dance?
Komponist(in):
Jerry Cohen, Gene McFadden und John Whitehead
Bobby Freeman3.52:36
19Suzie Q
Bass:
Sonny Trammell (in 1957)
Gitarre:
James Burton (guitarist) (in 1957) und Dale Hawkins (in 1957)
Schlagzeug:
Ronnie Lewis (drummer) (in 1957)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1957)
vocals:
Dale Hawkins (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 24) und Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 73)
recording of:
Susie Q (in 1957)
Texter und Komponist(in):
Dale Hawkins
zusätzliche(r) Komponist(in):
Eleanor Broadwater und Stanley Lewis (well known 60s/70s US producer/songwriter)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und PeerMusic AB
Dale Hawkins32:18
20Tweedle Dee
recorded in:
New York, New York, Vereinigte Staaten (am 1954-10-20)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
andere Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Schlagzeug und Schlagzeug [drums]:
Connie Kay (am 1954-10-20)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-10-20)
Hintergrundgesang:
The Gliders (UK rock trio) (am 1954-10-20)
Sologesang:
LaVern Baker (US rhythm & blues singer) (am 1954-10-20)
vocals:
LaVern Baker (US rhythm & blues singer) (am 1954-10-20)
recording of:
Tweedlee Dee (am 1954-10-20)
Texter und Komponist(in):
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) und Unichappell Music
cover recording of:
Tweedlee Dee (am 1954-10-20)
Texter und Komponist(in):
Winfield Scott (in 1954)
publisher:
Hill & Range Songs, Inc. (publisher) und Unichappell Music
LaVern Baker3:05
21Jailhouse RockFrankie Lymon3.52:15
22Shakin’ All Over
recording of:
Shakin’ All Over
Texter und Komponist(in):
Frederick Heath und Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd & the Pirates2:18
2▼CD
Nr.TitelKünstlerBewertungLänge
1Mess Around
recording of:
Mess Around
Verfasser(in):
Ahmet Ertegun (US songwriter/producer)
publisher:
Progressive Music (publisher), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles2:40
2Cry to Me
recorded in:
New York, New York, Vereinigte Staaten (am 1961-12-06)
alto saxophone:
Leon Cohen (woodwind player) (am 1961-12-06)
Bass:
Art Davis (US jazz double bassist) (am 1961-12-06)
Gitarre:
Don Arnone (am 1961-12-06), Everett Barksdale (am 1961-12-06), Al Caiola (am 1961-12-06) und Bucky Pizzarelli (am 1961-12-06)
Klavier:
Hank Jones (piano) (am 1961-12-06)
Orgel:
Bob Mosley (organ) (am 1961-12-06)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1961-12-06) und Ted Sommer (am 1961-12-06)
Tenorsaxophon:
Jesse Powell (US jazz saxophonist) (am 1961-12-06)
Vibraphon:
Phil Kraus (am 1961-12-06)
Hintergrundgesang:
William Eaton (vocals) (am 1961-12-06), Noah Hopkins (am 1961-12-06), Richard Kraus (vocals) (am 1961-12-06), Howard Roberts (background vocals) (am 1961-12-06), Earl Rogers (American tenor) (am 1961-12-06), Sherman Sneed (am 1961-12-06) und David Vogel (am 1961-12-06)
vocals:
Solomon Burke (am 1961-12-06)
conductor:
Claus Ogerman (am 1961-12-06)
remixer:
DJ Minnesotah und MASATO (KANDYTOWN)
arranger:
Claus Ogerman
recording of:
Cry to Me (am 1961-12-06)
Texter und Komponist(in):
Bert Russell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sloopy II Music, Sony/ATV Songs LLC und Unichappell Music, Inc.
Solomon Burke2:32
3Ain’t That a Shame
phonographisches Urheberrecht (℗) von:
Liberty (a division of UMG Recordings, Inc.) (in 1958)
recording of:
Ain’t That a Shame
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
Fats Domino2:26
4Just You and Me, Darling
recording of:
Just You and Me, Darling
Verfasser(in):
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Inc. und Lark Music Ltd.
James Brown & The Famous Flames2:45
5Down in Mexico
recording of:
Down in Mexico
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
The Coasters3:12
6Dust My Broom
recording of:
Dust My Broom
Texter und Komponist(in):
Elmore James
zusätzlicher Texter und zusätzliche(r) Komponist(in):
Robert Johnson (1930s blues legend)
publisher:
ARC Music (world and ethnic music label), Flair Publishing und MPCA King of Spades
Version von:
I Believe I’ll Dust My Broom
Elmore James3:00
7Smokestack Lightning
recording of:
Smokestack Lightning
Texter und Komponist(in):
Chester Arthur Burnett
publisher:
Arc Music (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Howlin’ Wolf3:05
8My Babe
Little Walter2:39
9The Great Pretender
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
Sologesang:
Tony Williams (lead singer for The Platters)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 352)
recording of:
The Great Pretender (in 1955-09)
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters52:39
10Let’s Have a Party
recording of:
Let’s Have a Party
Texter und Komponist(in):
Jessie Mae Robinson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gladys Music Inc., IQ Music Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Wanda Jackson2:09
11Earth Angel (Will You Be Mine)
recording of:
Earth Angel (Will You Be Mine)
Verfasser(in):
Jesse Belvin, Gaynel Hodge (doo-wop singer and songwriter), Curtis Williams (1950s doo-wop singer, member of The Penguins) und Dootsie Williams (band leader, record producer and record label owne)
publisher:
Dootsie Williams Music (publisher) (in 1986)
Teil von:
Back to the Future: the Musical
The Penguins2:48
12Chantilly Lace
The Big Bopper2:20
13Ain’t Got No Home
recording of:
Ain’t Got No Home
Texter und Komponist(in):
Clarence “Frogman” Henry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Clarence “Frogman” Henry2:21
14Let the Good Times Roll
recording of:
Let the Good Times Roll
Verfasser(in):
Shirley Goodman und Leonard Lee (rhythm & blues and doo wop singer and songwriter)
publisher:
Atlantic Music Corp. (BMI), Pixley Music (publisher), Travis Music Co. und Unart Music Corp.
Shirley & Lee2:22
15I Remember You
cover recording of:
I Remember You
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation und Sony/ATV Music Publishing Australia Pty Ltd.
Frank Ifield2:03
16Witch Doctor
cover recording of:
Witch Doctor
Texter und Komponist(in):
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks)
publisher:
Armen Bagdasarian und Bourne Music Ltd.
Don Lang2:27
17Little Darlin’
cover recording of:
Little Darlin’
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. und Excellorec Music
The Diamonds2:07
18Rocket 88
baritone saxophone:
Jackie Brenston (am 1951-03-03)
Bassgitarre:
Jesse Knight (am 1951-03-03)
Gitarre:
Willie Kizart (am 1951-03-03)
Klavier:
Ike Turner (am 1951-03-03)
Schlagzeug:
Willie Sims (am 1951-03-03)
Tenorsaxophon:
Raymond Hill (am 1951-03-03)
vocals:
Jackie Brenston (am 1951-03-03)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1991)
recording of:
Rocket “88” (am 1951-03-05)
Texter und Komponist(in):
Jackie Brenston (bis 1951-03-03)
Verfasser(in):
Ike Turner
Jackie Brenston & His Delta Cats42:48
19Brand New Cadillac
recording of:
Brand New Cadillac (in 1959)
Texter und Komponist(in):
Vince Taylor (rock and roll singer; The Playboys)
publisher:
Carlin Music Corporation
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Vince Taylor and His Playboys2:36
20Wipe Out
Produzent(in):
Charles Bud Dant
Bassgitarre:
Pat Connolly
Gitarre [lead guitar]:
Jim Fuller (surf rock guitarist)
Gitarre [rhythm guitar]:
Bob Berryhill
Schlagzeug [drums]:
Ron Wilson (drummer of The Surfaris)
Sprecher:
Dale Smallin
aufgenommen bei:
Pal Recording Studio in Rancho Cucamonga, California (Kalifornien), Vereinigte Staaten
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 38)
recording of:
Wipe Out
Komponist(in):
Bob Berryhill, Patrick Connolly, Jim Fuller (surf rock guitarist) und Ron Wilson (drummer of The Surfaris)
publisher:
Miraleste Music und Robin Hood Music Co.
The Surfaris42:35
21Walk, Don’t Run
Techniker(in):
Joe Boles
Produzent(in):
Bob Reisdorff
E-Bass [bass]:
Nokie Edwards
E-Gitarre [lead guitar]:
Bob Bogle
E-Gitarre [rhythm guitar]:
Don Wilson (US guitarist, member or The Ventures)
Schlagzeug:
Skip Moore
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 39)
cover recording of:
Walk, Don’t Run
Komponist(in):
Johnny Smith (jazz guitarist)
publisher:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) und Windswept Pacific Music Ltd.
recording of:
Walk, Don’t Run
Komponist(in):
Johnny Smith (jazz guitarist)
publisher:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) und Windswept Pacific Music Ltd.
The Ventures4.252:04
22Roll Over Beethoven
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1956-04-19)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1956-04-19)
Kontrabass:
Willie Dixon (am 1956-04-19)
Schlagzeug:
Melvin Billups (am 1956-04-19)
Tenorsaxophon:
Leroy C. Davis (am 1956-04-19)
Trompete:
Vincent Pitts (am 1956-04-19)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1956)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1956-04-19)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 97)
recording of:
Roll Over Beethoven (am 1956-04-19)
Texter und Komponist(in):
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. und Rock ’n’ Roll Music
Chuck Berry4.152:23
3▼CD
Nr.TitelKünstlerBewertungLänge
1Summertime Blues
Eddie Cochran1:57
2You Never Can Tell
Produzent(in):
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess und Willie Dixon
E-Bass:
Louis Satterfield (von 1964-01-07 bis 1964-01-09)
Gitarre:
Chuck Berry (von 1964-01-07 bis 1964-01-09)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1964-01-07 bis 1964-01-09)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (von 1964-01-07 bis 1964-01-09)
Tenorsaxophon:
Rubin Cooper (von 1964-01-07 bis 1964-01-09) und George Patterson (von 1964-01-07 bis 1964-01-09)
vocals:
Chuck Berry (von 1964-01-07 bis 1964-01-09)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (von 1964-01-07 bis 1964-01-09)
recording of:
You Never Can Tell (von 1964-01-07 bis 1964-01-09)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. und Isalee Music (in 1994)
Chuck Berry4.252:41
3Big Girls Don’t Cry
Techniker(in):
Gordon Clark (recording engineer)
Produzent(in):
Bob Crewe
Bassgitarre:
Nick Massi
Gitarre:
Tommy DeVito
Keyboard und Klavier:
Bob Gaudio
vocals:
Bob Gaudio, Tommy DeVito, Nick Massi und Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
conductor:
Charles Calello
Interpret(in):
The Four Seasons (aka Frankie Valli and the Four Seasons)
vocals arranger:
Nick Massi
Orchestrator(in):
Charles Calello
video copyrighted (©) by:
Claridge Music Company (ASCAP) (publisher) (in 1962)
engineered at:
Stea-Phillips in New York, New York, Vereinigte Staaten
recording of:
Big Girls Don’t Cry
Verfasser(in):
Crewe und Gaudio
publisher:
BoBoB Music Corp., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Reservoir 416 und Claridge Music (publisher) (in 1962)
The Four Seasons42:25
4Everyday
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter)
recording of:
Everyday
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Peer International Corporation (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly2:08
5I Only Have Eyes for You (Dames)
The Flamingos3:18
6At the Hop
recording of:
At the Hop
Verfasser(in):
John L. Medora, Artie Singer (US songwriter, producer and bandleader) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music und Tristan Music Ltd.
Danny & the Juniors2:31
7Come Go With Me
The Del‐Vikings2:41
8Sh‐Boom
The Crew-Cuts2:46
9Yakety Yak
recording of:
Yakety Yak
Texter:
Jerry Leiber
Verfasser(in):
Jerry Leiber und Mike Stoller
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
Teil von:
Twins (1988)
The Coasters1:51
10Saturday Night at the MoviesThe Drifters2:29
11Rhythm of the Rain
recording of:
Rhythm of the Rain
Texter und Komponist(in):
John Gummoe
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Cascades2:33
12Road Runner
recording of:
Road Runner
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer)
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Bo Diddley2:46
13The Train Kept A Rollin’
Johnny Burnette & the Rock ’n’ Roll Trio2:15
14I Fought the Law
phonographisches Urheberrecht (℗) von:
Chess (US label) (in 1957)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 175)
cover recording of:
I Fought the Law
Texter und Komponist(in):
Sonny Curtis
publisher:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Bobby Fuller Four4.352:18
15The Loco‐Motion
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Little Eva22:23
16Such a NightClyde McPhatter & The Drifters2:27
17Lollipop
The Mudlarks1:58
18Barbara Ann
The Regents2:22
19See See Rider
LaVern Baker2:29
20Blue Moon
The Marcels2:15
21What I’d Say (Part I)
recording of:
What’d I Say
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles3:10
22Wake Up Little Susie
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 21) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 311)
recording of:
Wake Up Little Susie (in 1957)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:01

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