The Ultimate Movies and Musicals Experience

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Love Changes Everything (From “Aspects of Love”)
Michael Ball & Il Divo3:44
2Bring Him Home (From “Les Misérables”)
vocals:
Alfie Boe (tenor and actor)
recording of:
Bring Him Home (Valjean)
Texter:
Alain Boublil und Herbert Kretzmer
Komponist(in):
Claude‐Michel Schönberg
publisher:
Alain Boublil Music, Alain Boublil Music Ltd., Faber Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Teil von:
Les Misérables (Claude-Michel Schönberg musical, English version)
Alfie Boe3:39
3Don’t Cry for Me Argentina (From “Evita”)
Elaine Paige5:46
4All I Ask of You (From “The Phantom of the Opera”)
assistierende(r) Techniker(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios) (in 1991-09)
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) (in 1991-09)
leitende(r) Produzent(in):
Don Reedman (producer)
Produzent(in):
Jeff Jarratt (producer) und Don Reedman (producer)
Editing:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
vocals:
Barbara Bonney (soprano) (in 1991-09) und Michael Crawford (UK actor and singer) (in 1991-09)
Orchester:
Royal Philharmonic Orchestra (in 1991-09)
conductor:
Michael Reed (UK conductor/arranger for musicals) (in 1991-09)
arranger:
David Cullen (composer, arranger, orchestrator)
concertmaster:
David Towse (in 1991-09)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1991-09)
recording of:
All I Ask of You (The Phantom of the Opera) (in 1991-09)
Texter:
Charles Hart (British lyricist)
zusätzlicher Texter:
Richard Stilgoe
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und The Really Useful Group PLC (not for release label use!) (in 1986)
sub-publisher:
Colgems-EMI Music Inc. (beendet)
Teil von:
The Phantom of the Opera (Andrew Lloyd Webber musical)
Teil von:
The Phantom of the Opera (2004 film soundtrack)
Michael Crawford & Barbara Bonney4:52
5Somewhere (From “West Side Story”)
Katherine Jenkins2:30
6Memory (From “Cats”)
vocals:
Barbara Dickson
Orchester:
The New World Philharmonic
conductor:
Jack Rothstein (violinist and conductor)
phonographisches Urheberrecht (℗) von:
Union Square Music (in 1985)
cover recording of:
Memory (Cats)
Texter:
T. S. Eliot und Trevor Nunn
zusätzliche(r) Verfasser(in):
Trevor Nunn
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Cats (Andrew Lloyd Webber musical)
Barbara Dickson4:14
7Any Dream Will Do (From “Joseph and the Amazing Technicolor Dreamcoat”)
Techniker(in):
Robin Sellars (British recording engineer)
leitende(r) Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
Produzent(in):
Nigel Wright (British producer, orchestrator and songwriter)
Sologesang:
Jason Donovan (Australian actor and singer)
vocals:
Jason Donovan (Australian actor and singer)
Musikvideos:
Any Dream Will Do von Jason Donovan (Australian actor and singer)
recording of:
Any Dream Will Do (Joseph and the Amazing Technicolor Dreamcoat) (in 1991)
Texter:
Tim Rice
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Music Co. Ltd. (not for release label use!)
Teil von:
Finale: Any Dream Will Do (Joseph and the Amazing Technicolor Dreamcoat)
Teil von:
Joseph and the Amazing Technicolor Dreamcoat (Andrew Lloyd Webber musical)
Jason Donovan43:55
8Let It Be Me (From “Dreamboats and Petticoats”)
cover recording of:
Let It Be Me
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Je t’appartiens
Michael Ball & The Overtones3:09
9Luck Be a Lady (From “Guys and Dolls”)
cover recording of:
Luck Be a Lady (from “Guys and Dolls”)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp. und MPL UK Publishing
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
Guys and Dolls (Broadway musical)
Teil von:
Guys and Dolls (1955 musical film)
Donny Osmond4:03
10Pure Imagination (From “Charlie and the Chocolate Factory”)
cover recording of:
Pure Imagination
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Downtown DMP Songs und Taradam Music, Inc.
Teil von:
Charlie and the Chocolate Factory (stage musical based on Roald Dahl’s 1964 novel)
Teil von:
Willy Wonka & the Chocolate Factory (1971 American musical fantasy film adaptation of Roald Dahl's 1964 novel)
Jamie Cullum25:11
11My Eyes Adored You (From “Jersey Boys”)
recording of:
My Eyes Adored You
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music Co., Inc., Sound of Nolan Music, Stone Diamond Music Corporation und TannyBoy Music
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Frankie Valli3:32
12All That Jazz (From “Chicago”)
recording of:
All That Jazz (Chicago)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Larry Shayne Enterprises, Inc. und Warner/Chappell North America
Teil von:
Chicago (Kander & Ebb musical)
Liza Minnelli3:06
13I Still Believe (From “Miss Saigon”)
Miss Saigon International Cast4:10
14I Don’t Know How to Love Him (From “Jesus Christ Superstar”)
cover recording of:
I Don’t Know How to Love Him
Texter:
Tim Rice
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music (MCA), Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) und Universal/MCA Music Ltd. (not for release label use!)
Teil von:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
Barbara Dickson3:58
15You’ll Never Walk Alone (From “Carousel”)
vocals:
John Barrowman
cover recording of:
You’ll Never Walk Alone (Carousel)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
John Barrowman3:37
16Summertime (From “Porgy and Bess”)
Meshell Dillon2:18
17The Circle of Life (From “The Lion King”)
phonographisches Urheberrecht (℗) von:
Union Square Music Limited (for copyright use only, holding company of Union Square Music) (in 2007)
recording of:
Circle of Life (The Lion King)
Texter:
Tim Rice
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Warner/Chappell Artemis Music Limited und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1994)
Teil von:
The 67th Academy Award for Best Original Song (Nummer: 2)
quotes lyrics from:
Nants' Ingonyama
Teil von:
The Lion King (1994 film soundtrack)
Teil von:
The Lion King (stage musical)
Teil von:
The Lion King (Live in Prague)
Teil von:
The Lion King (2019 film soundtrack)
Andrew Halliday & Carmen Cusack3:29
18Consider Yourself (From “Oliver”)
Irfan Ahmad & Dylan Harper3:55
19I Won’t Send Roses (From “Mack and Mabel”)
Michael Ball3:26
20It’s a Hard Knock Life (From “Annie”)
Sara French3:40
2▼CD
Nr.TitelKünstlerBewertungLänge
1Goldfinger (From “Goldfinger”)
Shirley Bassey2:49
2Love at First Sight (From “Totally Blonde”)
Michael Bublé3:19
3Up Where We Belong (From “An Officer and a Gentleman”)
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:46
4Out of Reach (From “Bridget Jones’s Diary”)
Gabrielle3:17
5Love Is All Around (From “Four Weddings and a Funeral”)
Koproduzent(in):
Graeme Duffin
conductor:
Fiachra Trench
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1994) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
Musikvideos:
Love Is All Around von Wet Wet Wet
cover recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:59
6When You Say Nothing at All (From “Notting Hill”)
Programmierung und Produzent(in):
Stephen Lipson
Techniker(in) und Mix:
Heff Moraes
accordion und Trillerpfeife:
James McNally
Bass:
Stephen Lipson
Gitarre:
Dominic Miller (guitarist)
Keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Schlagzeug:
Andy Duncan (UK drummer and producer)
Hintergrundgesang:
Tessa Niles und Miriam Stockley
vocals:
Ronan Keating
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) und Polygram Ireland Ltd. (in 1999)
aufgenommen bei:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich und The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Aquarium (Studio) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
When You Say Nothing at All
Verfasser(in):
Paul Overstreet (country singer and songwriter) und Don Schlitz
Ronan Keating2.754:15
7Unchained Melody (From “Ghost”)
The Righteous Brothers3:37
8Stardust (From “Sleepless in Seattle”)
Nat King Cole3:15
9Moon River (From “Breakfast at Tiffany’s”)
Andy Williams2:45
10Love on the Rocks (From “The Jazz Singer”)
Russell Watson3:50
11The Way We Were (From “The Way We Were”)
cover recording of:
The Way We Were
Texter:
Alan Bergman (American lyricist) (in 1973) und Marilyn Bergman (in 1973)
Komponist(in):
Marvin Hamlisch (in 1973)
publisher:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. und Colgems-EMI Music Inc. (in 1973)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 46th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1973 winner)
Teil von:
The Way We Were
Gladys Knight & the Pips4:34
12The Look of Love (From “Casino Royale”)
Dusty Springfield3:32
13Stand by Me (From “Stand by Me”)
Ben E. King2:59
14What the World Needs Now (From “Austin Powers”)
Dionne Warwick3:09
15We Don’t Need Another Hero (From “Mad Max 3: Beyond Thunderdome”)
assistierende(r) Techniker(in):
Mike Ging
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Saxophon:
Tim Cappello
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Musikvideos:
We Don’t Need Another Hero von Tina Turner
recording of:
We Don’t Need Another Hero
Texter und Komponist(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company), Myaxe Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.554:14
16Windmills of Your Mind (From “The Thomas Crown Affair”)
Noel Harrison2:20
17It Must Have Been Love (From “Pretty Woman”)
Roxette3:52
18Everybody’s Talkin’ (From “Midnight Cowboy”)
Nilsson2:43
19Raindrops Keep Falling on My Head (From “Butch Cassidy and the Sundance Kid”)
B.J. Thomas3:00
20It Must Be Love (From “The Tall Guy”)
cover recording of:
It Must Be Love
Texter und Komponist(in):
Labi Siffre
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Madness43:20
3▼CD
Nr.TitelKünstlerBewertungLänge
1The Power of Love (From “Back to the Future”)
recording engineer:
Jim Gaines und Robert Missbach
assistierende(r) Techniker(in):
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) und Jim “Watts” Vereecke
zusätzliche(r) Techniker(in):
Michael Christopher (engineer), Phil Kaffel und Malcolm Pollack
Produzent(in):
Bob Clearmountain, Jellybean (US producer John Benitez) und Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
Bassgitarre:
Mario Cipollina
Gitarre:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Mundharmonika:
Huey Lewis
Perkussion und Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Saxophon:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) und Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Studio D Recording in Sausalito, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
The Power of Love (full length) von Huey Lewis and the News (American pop rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 108)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Huey Lewis and the News43:55
2There’s Always Something There to Remind Me (From “Made in Dagenham”)
Sandie Shaw2:38
3Dream a Little Dream of Me (From “French Kiss”)
Mama Cass3:42
4Days (From “Sunny Afternoon”)
Kirsty MacColl2:59
5Alfie (From “Alfie”)
Cilla Black2:38
6Hallelujah (From “Shrek”)
Rufus Wainwright4:08
7Falling Slowly (From “Once”)
Michael Ball4:17
8Try a Little Tenderness (From “The Commitments”)
cover recording of:
Try a Little Tenderness
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
Michael Bolton4:45
9As Time Goes By (From “Casablanca”)
Bryan Ferry2:35
10I Will Always Love You (From “The Bodyguard”)
cover recording of:
I Will Always Love You
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. und Velvet Apple Music
Jane McDonald4:35
11Thunderball (From “Thunderball”)
Tom Jones3:02
12The Music of the Night (From “The Phantom of the Opera”)
recording engineer:
Martin Levan
Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
vocals:
Michael Crawford (UK actor and singer)
conductor:
Michael Reed (UK conductor/arranger for musicals)
Orchestrator(in):
David Cullen (composer, arranger, orchestrator) und Andrew Lloyd Webber (English composer and impresario of musical theatre)
phonographisches Urheberrecht (℗) von:
The Really Useful Group PLC (fka The Really Useful Record Company Ltd., renamed as The Really Useful Group Ltd. on 17 July 1991) (in 1987)
recording of:
The Music of the Night (The Phantom of the Opera)
Texter:
Charles Hart (British lyricist)
zusätzlicher Texter:
Richard Stilgoe
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
The Phantom of the Opera (Andrew Lloyd Webber musical)
Teil von:
The Phantom of the Opera (2004 film soundtrack)
Michael Crawford5:15
13Fight the Fight (From “From Here to Eternity”)
Michael Ball3:34
14Over the Rainbow (From “The Wizard of Oz”)
Judy Garland2:49
15Dancing Queen (From “Mamma Mia”)
Orchester:
National Symphony Orchestra (of London, predominantly in musical theatre recordings)
conductor:
Julian Kelly
phonographisches Urheberrecht (℗) von:
Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2007)
recording of:
Dancing Queen
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
Premiere bei:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-06-18)
Teil von:
Mamma Mia! (1999 musical)
Joanna Ampil3:49
16Suddenly Seymour (From “Little Shop of Horrors”)
Little Shop of Horrors, New Broadway Cast3:38
17Rule the World (From “Stardust”)
The Military Wives3:55
18A Whole New World (From “Aladdin”)
Peter Andre & Katie Price3:31
19Alone Again (Naturally) (From “Ice Age 3”)
Produzent(in):
Gordon Mills (60s/70s UK producer and songwriter)
phonographisches Urheberrecht (℗) von:
O.S.M. Inc. (in 1972)
recording of:
Alone Again (Naturally)
Texter und Komponist(in):
Gilbert O’Sullivan
publisher:
Grand Upright Music Ltd. und 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Gilbert O’Sullivan53:38
20The Power of Love (From “Cashback”)
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Saiteninstrumente arranger und zusätzlich arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:29

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