I’ve Got You Under My Skin

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
2:42
2I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
4:01
3Too Darn Hot
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-07) und Bud Shank (am 1956-02-07)
baritone saxophone:
Chuck Gentry (am 1956-02-07)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Posaune:
Milt Bernhart (am 1956-02-07), Joe Howard (american trombone player) (am 1956-02-07) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-07) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Trompete:
Pete Candoli (am 1956-02-07), Harry “Sweets” Edison (am 1956-02-07), Maynard Ferguson (am 1956-02-07) und Conrad Gozzo (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
conductor:
Buddy Bregman (am 1956-02-07)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Too Darn Hot (from Kiss Me, Kate) (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. und T.B. Harms Co.
Teil von:
Kiss Me, Kate (musical)
3.653:50
4With a Song in My Heart
cover recording of:
With a Song in My Heart
Texter:
Lorenz Hart (in 1929)
Komponist(in):
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:44
5Lover
cover recording of:
Lover
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:18
6I Didn’t Know What Time It Was
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (am 1956-08-29)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-29)
cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (am 1956-08-29)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
3:48
7It’s All Right With Me
cover recording of:
It’s All Right with Me (Can‐Can musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
3:09
8Love for Sale
cover recording of:
Love for Sale
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
5:59
9Where or When
cover recording of:
Where or When (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
2:45
10Let’s Do It (Let’s Fall in Love)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
3:30
11Easy to Love
cover recording of:
Easy to Love
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
3:27
12You Took Advantage of Me
cover recording of:
You Took Advantage of Me
Texter:
Lorenz Hart (in 1928)
Komponist(in):
Richard Rodgers (composer) (in 1928)
publisher:
Chappell’s • Sydney
3:27
13You Do Something to Me
Techniker(in):
Val Valentin (am 1956-02-08)
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-08)
conductor:
Buddy Bregman (am 1956-02-08)
arranger:
Buddy Bregman
concertmaster:
Mischa Russell (violinist) (am 1956-02-08)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Fifty Million Frenchmen
22:23
14I Love Paris
cover recording of:
I Love Paris (Can-Can [Pistache, Company])
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
4:58
15What Is This Thing Called Love
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
2:04
16Just One of Those Things
cover recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
3:33

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Veröffentlichung

Discogs:https://www.discogs.com/release/950623 [Info]