Les Trésors du jazz 1956

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD: 56 1956
Nr.TitelKünstlerBewertungLänge
1Powell’s Prance
recording of:
Powell's Prances (am 1956-01-04)
Verfasser(in):
Richie Powell
Clifford Brown - Max Roach Quintet3:29
2Fred’s Mood
Milt Jackson Quintet6:32
3Sadi’s Sad
“Fats” Sadi - Martial Solal2:21
4Tour de Force
recording of:
Tour de Force (am 1956-01-12)
Komponist(in):
Dizzy Gillespie
The Modern Jazz Sextet11:43
5Lydian M‐1
Teddy Charles4:25
6Here’s Pete
recording of:
Here's Pete (in 1956-01)
Komponist(in):
Pete Rugolo
West Coast4:45
7The King
Bud Shank - Bob Cooper6:15
8Fontessa
recording of:
Fontessa (in 1956-01)
Verfasser(in):
John Lewis (pianist, member of Modern Jazz Quartet)
Modern Jazz Quartet11:13
9Muskrat Ramble
recording of:
Muskrat Ramble (1926 original instrumental version) (in 1956-01)
Komponist(in):
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
Louis Armstrong & His All‐Stars5:41
10Coolin’ the Blues
Hampton Hawes4:16
11Mainstream
Gerry Mulligan Sextet6:45
12Just One of Those Things
instrumental recording of:
Just One of Those Things (in 1956-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Art Tatum Trio7:10
2▼CD: 57 1956
Nr.TitelKünstlerBewertungLänge
1Lights Out
Jackie McLean12:55
2Pithecanthropus Erectus
recording of:
Pithecanthropus Erectus (am 1956-01-30)
Komponist(in):
Charles Mingus
publisher:
Jazz Workshop, Inc.
Charles Mingus10:32
3Way Cross Town
Carl Perkins3:47
4Makin’ Whoopee
recording of:
Makin’ Whoopee! (in 1956)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
Art Tatum - Buddy DeFranco Quartet3:33
5Too Damn Hot
cover recording of:
Too Darn Hot (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. und T.B. Harms Co.
Teil von:
Kiss Me, Kate (musical)
Ella Fitzgerald - Buddy Bregman's Orchestra3:47
6Two Degrees East Three Degrees West
recording of:
2 Degrees East, 3 Degrees West (in 1956)
Komponist(in):
John Lewis (pianist, member of Modern Jazz Quartet)
John Lewis - Bill Perkins6:06
7Collard Geens and Black‐Eyed Peas
recording of:
Collard Greens and Black-Eyed Peas (in 1956)
Komponist(in):
Bud Powell
Shelly Manne & His Men7:54
8Intermission Riff
recording of:
Intermission Riff (in 1956)
Komponist(in):
Ray Wetzel
publisher:
Sierra Music Publications und Michael H. Goldsen Inc. (vom 1946 bis heute)
Stan Kenton and His Orchestra4:13
9Sleepy Slept There
The Chico Hamilton Quintet4:10
10Topsy
The Chico Hamilton Quintet4:46
11Time
recorded in:
New York, New York, Vereinigte Staaten (am 1956-02-17)
Produzent(in):
Bob Shad
Celesta und Klavier:
Richie Powell (am 1956-02-17)
Kontrabass:
George Morrow (am 1956-02-17)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-02-17)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-02-17)
Trompete:
Clifford Brown (trumpet) (am 1956-02-17)
aufgenommen bei:
Capital Studios (New York) in New York, New York, Vereinigte Staaten (am 1956-02-17)
recording of:
Time (am 1956-02-17)
Verfasser(in):
Richie Powell
The Clifford Brown–Max Roach Quintet5:05
12Love Is a Many Splendored Thing
recorded in:
New York, New York, Vereinigte Staaten (am 1956-02-16)
Produzent(in):
Bob Shad
Klavier:
Richie Powell (am 1956-02-16)
Kontrabass:
George Morrow (am 1956-02-16)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-02-16)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-02-16)
Trompete:
Clifford Brown (trumpet) (am 1956-02-16)
aufgenommen bei:
Capital Studios (New York) in New York, New York, Vereinigte Staaten (am 1956-02-16)
instrumental recording of:
Love Is a Many‐Splendored Thing (am 1956-02-16)
Texter:
Paul Francis Webster
Komponist(in):
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1955 winner)
The Clifford Brown–Max Roach Quintet4:15
13Midnight Sun
instrumental recording of:
Midnight Sun (am 1956-02-18)
Texter:
Johnny Mercer (in 1954)
Komponist(in):
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) und Lionel Hampton (in 1947)
Jimmy Smith4:23
14Cheek to Cheek
instrumental cover recording of:
Cheek to Cheek (from “Top Hat”) (in 1956-02)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Lou Levy3:41
3▼CD: 58 1956
Nr.TitelKünstlerBewertungLänge
1Stablemates
Klavier:
Kenny Drew (am 1956-03-02)
Kontrabass [bass]:
Paul Chambers (US jazz bassist) (am 1956-03-02)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-03-02)
Tenorsaxophon:
John Coltrane (am 1956-03-02)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-03-02)
recording of:
Stablemates (am 1956-03-02)
Komponist(in):
Benny Golson (American jazz saxophonist and composer)
Paul Chambers Quartet5:53
2Piney Brown Blues
recording of:
Piney Brown Blues (in 1956-03)
Texter:
Big Joe Turner
Komponist(in):
Pete Johnson (US boogie‐woogie pianist)
Joe Turner4:50
3Undecided
recording of:
Undecided (in 1956-03)
Texter:
Sid Robin (US lyricist & composer) (in 1938)
Komponist(in):
Charlie Shavers (in 1938)
Lucky Thompson With Dave Pochonet Et Son Orchestre4:19
4Vierd Blues
recording engineer:
Rudy van Gelder (am 1956-03-16)
Bass:
Paul Chambers (US jazz bassist) (am 1956-03-16)
Klavier:
Tommy Flanagan (am 1956-03-16)
Schlagzeug:
Art Taylor (am 1956-03-16)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-03-16)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-03-16)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1956-03-16)
recording of:
Vierd Blues (am 1956-03-16)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1956)
publisher:
Prestige Music Co. (US, affiliated with BMI)
Miles Davis Quintet46:51
5Down Home
Jimmy Giuffre5:41
6Valse Hot
recording of:
Valse Hot (am 1956-03-22)
Komponist(in):
Sonny Rollins (American saxophonist)
Sonny Rollins Plus Four8:34
7Pent Up House
recording of:
Pent-Up House (am 1956-03-22)
Komponist(in):
Sonny Rollins (American saxophonist)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Sonny Rollins Plus Four8:50
8The Champ
recording of:
The Champ (am 1956-03-27)
Komponist(in):
Dizzy Gillespie
publisher:
Skyview Music
Jimmy Smith8:33
9Jack’s Blues
George Russell Smalltet3:45
10Jambangle
recording of:
Jambangle (in 1956)
Komponist(in):
Gil Evans (Canadian‐American jazz pianist and composer)
The Hal McKusick Jazz Workshop4:04
11Just You Just Me
instrumental recording of:
Just You, Just Me (am 1956-03-17)
Texter:
Raymond Klages (in 1929)
Komponist(in):
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) und Robbins Music Corporation
Teil von:
New York, New York (1977 musical film soundtrack)
Thelonious Monk Trio7:57
12Mildew
Johnny Griffin Quartet3:54
13The Spinning Song
Produzent(in):
Alfred Lion
Klavier:
Herbie Nichols (jazz pianist and composer) (am 1956-04-19)
Kontrabass:
Teddy Kotick (am 1956-04-19)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-04-19)
Herbie Nichols4:53
4▼CD: 59 1956
Nr.TitelKünstlerBewertungLänge
1Wild Flower
Produzent(in):
Alfred Lion
Klavier:
Herbie Nichols (jazz pianist and composer) (am 1956-04-19)
Kontrabass:
Teddy Kotick (am 1956-04-19)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-04-19)
recording of:
Wildflower (am 1956-04-19)
Komponist(in):
Herbie Nichols (jazz pianist and composer)
Herbie Nichols4:02
2Nixon, Dixon and Yates Blues
Paul Chambers8:27
3Tricotism
recording of:
Tricotism (in 1956)
Komponist(in):
Oscar Pettiford
Kenny Clarke5:44
4Blues Martial
Martial Solal And The Kentonians7:42
5Ecaroh
recording of:
Ecaroh (am 1956-05-04)
Verfasser(in):
Horace Silver
Art Blakey & The Jazz Messengers6:03
6On It
recording engineer:
Rudy van Gelder (am 1956-05-07)
Produzent(in):
Bob Weinstock
Bass:
Paul Chambers (US jazz bassist) (am 1956-05-07)
Klavier:
Elmo Hope (am 1956-05-07)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-05-07)
Tenorsaxophon:
John Coltrane (am 1956-05-07) und Hank Mobley (US jazz tenor saxophonist) (am 1956-05-07)
Trompete:
Donald Byrd (American jazz trumpeter) (am 1956-05-07)
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1956-05-07)
recording of:
On It (am 1956-05-07)
Komponist(in):
Elmo Hope
Elmo Hope Sextet9:02
7Ahmad’s Blues
recording of:
Ahmad’s Blues (am 1956-05-11)
Komponist(in):
Ahmad Jamal
Red Garland7:20
8Tears by Me Out the Heart
Al Cohn4:26
9Tenor Madness
recording engineer:
Rudy van Gelder (am 1956-05-24)
Produzent(in):
Bob Weinstock
Gast-Tenorsaxophon:
John Coltrane (am 1956-05-24)
Klavier:
Red Garland (am 1956-05-24)
Kontrabass [bass]:
Paul Chambers (US jazz bassist) (am 1956-05-24)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-05-24)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-05-24)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1956-05-24)
recording of:
Tenor Madness (am 1956-05-24)
Komponist(in):
Sonny Rollins (American saxophonist)
basiert auf:
Royal Roost / Rue Chaptal
Sonny Rollins Quintet12:12
10Chuckles
Tal Farlow Quartet4:55
11Yesterdays
instrumental recording of:
Yesterdays (in 1956)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Tal Farlow Quartet5:52
5▼CD: 60 1956
Nr.TitelKünstlerBewertungLänge
1Basin Street Blues
Louis Armstrong & His All‐Stars5:36
2Love Me or Leave Me
Martial Solal2:47
3Tadd’s Delight
Techniker(in):
Ray Moore (engineer, 1957–1995)
Produzent(in):
George Avakian (US 1940–90s record producer)
Klavier:
Red Garland (am 1956-06-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-06-05)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-06-05)
Tenorsaxophon:
John Coltrane (am 1956-06-05)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-06-05)
aufgenommen bei:
Columbia 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-06-05) und Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-06-05)
cover recording of:
Tadd’s Delight (am 1956-06-05)
Komponist(in):
Tadd Dameron
Miles Davis Quintet3.754:26
4Round About Midnight
recording engineer:
Ray Moore (engineer, 1957–1995) (am 1956-09-10)
Produzent(in):
George Avakian (US 1940–90s record producer)
Klavier:
Red Garland (am 1956-09-10)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1956-09-10)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1956-09-10)
Tenorsaxophon:
John Coltrane (am 1956-09-10)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1956-09-10)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1956-09-10)
instrumental cover recording of:
’Round Midnight (am 1956-09-10)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Miles Davis Quintet3.75:54
5The Man I Love
Erroll Garner Trio8:08
6Strange Fruit
recording of:
Strange Fruit (in 1956)
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
Billie Holiday With Tony Scott's Orchestra3:01
7Strode Rode
recording engineer:
Rudy van Gelder (am 1956-06-22)
Klavier:
Tommy Flanagan (am 1956-06-22)
Kontrabass:
Doug Watkins (am 1956-06-22)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-06-22)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-06-22)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1956-06-22)
recording of:
Strode Rode (am 1956-05-22)
Komponist(in):
Sonny Rollins (American saxophonist)
recording of:
Strode Rode (am 1956-06-22)
Komponist(in):
Sonny Rollins (American saxophonist)
Sonny Rollins Quartet5:13
8St. Thomas
recording engineer:
Rudy van Gelder (am 1956-06-22)
Klavier:
Tommy Flanagan (am 1956-06-22)
Kontrabass:
Doug Watkins (am 1956-06-22)
Schlagzeug:
Max Roach (20th century US jazz drummer & composer) (am 1956-06-22)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-06-22)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1956-06-22)
recording of:
St. Thomas (am 1956-06-22)
Komponist(in):
Sonny Rollins (American saxophonist)
publisher:
Prestige Music Co. (US, affiliated with BMI)
Sonny Rollins Quartet46:45
9April in Paris
recording of:
April in Paris (in 1956)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Count Basie and Ella Fitzgerald4:41
10Every Day I Have the Blues
recording of:
Everyday I Have the Blues
Texter, Komponist(in) und überarbeitet von:
Peter Chatman
Verfasser(in):
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) und Milton Sparks (in 1935)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company und Tristan Music Ltd.
Count Basie and Ella Fitzgerald5:09
11Tension Détente
Le Jazz Groupe de Paris3:29
12Paradoxe 1
Le Jazz Groupe de Paris2:06
13Blues for the Highbrow
Al Cohn3:53
14Blues Express
recording of:
Blues Express (am 1956-07-05)
Komponist(in):
Shorty Rogers (trumpet)
Shorty Rogers and His Orchestra4:14
15Blues to Be There
live recording of:
Festival Suite: Part II. Blues to Be There (am 1956-07-07)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
Teil von:
Festival Suite
Duke Ellington & His Orchestra8:05
16Later Team
recording of:
Later Team (am 1956-07-09)
Komponist(in):
Lloyd Lunham und Pete Rugolo
Pete Rugolo3:06
6▼CD: 61 1956
Nr.TitelKünstlerBewertungLänge
1Warmeland
John Lewis4:41
2Pilgrim’s Progress
live recording of:
Pilgrim's Progress (am 1956-08-03)
Komponist(in):
Dave Brubeck und Paul Desmond
The Dave Brubeck Quartet9:12
3The Third
Donald Byrd7:37
4The Preacher
recording of:
The Preacher (am 1956-08-04)
Texter:
Babs Gonzales
Komponist(in):
Horace Silver
publisher:
Silhouette Music
Jimmy Smith11:44
5Suburban Beauty
recording of:
Suburban Beauty (am 1956-08-07)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & His Orchestra2:54
6Half the Fun
Duke Ellington & His Orchestra4:10
7How High the Moon
instrumental recording of:
How High the Moon (in 1956)
Texter:
Nancy Hamilton (in 1940)
Komponist(in):
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Oscar Peterson Trio9:01
8It’s Only a Paper Moon
recording of:
It’s Only a Paper Moon
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
Nat King Cole3:05
9How About You
recording of:
How 'Bout You (in 1956)
Verfasser(in):
Timothy D. Martin
Oscar Peterson Trio4:54
10Humoresque
Art Tatum3:31
11A Foggy Day
cover recording of:
A Foggy Day (in London Town)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
Ella Fitzgerald and Louis Armstrong4:29
12Cheek to Cheek
cover recording of:
Cheek to Cheek (from “Top Hat”) (in 1956)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Ella Fitzgerald and Louis Armstrong5:49
13A Fugue for Music Inn
recording engineer:
Tom Dowd (am 1956-08-28)
Produzent(in):
Nesuhi Ertegun (am 1956-08-28)
Gast-Klarinette und Klarinette:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-08-28)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1956-08-28)
Kontrabass [bass]:
Percy Heath (am 1956-08-28)
Schlagzeug:
Connie Kay (am 1956-08-28)
Vibraphon:
Milt Jackson (am 1956-08-28)
aufgenommen bei:
The Music Inn in Lenox, Massachusetts, Vereinigte Staaten (am 1956-08-28)
Modern Jazz Quartet4:44
14A Morning in Paris
Modern Jazz Quartet2:52
7▼CD: 62 1956
Nr.TitelKünstlerBewertungLänge
1Tenor Conclave
recording engineer:
Rudy van Gelder (am 1956-09-07)
Produzent(in):
Bob Weinstock
Klavier:
Red Garland (am 1956-09-07)
Kontrabass [bass]:
Paul Chambers (US jazz bassist) (am 1956-09-07)
Schlagzeug:
Art Taylor (am 1956-09-07)
Tenorsaxophon:
Al Cohn (am 1956-09-07), John Coltrane (am 1956-09-07), Hank Mobley (US jazz tenor saxophonist) (am 1956-09-07) und Zoot Sims (US jazz saxophonist) (am 1956-09-07)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1956-09-07)
recording of:
Bob's Boys (am 1956-09-07)
Komponist(in):
Hank Mobley (US jazz tenor saxophonist)
John Coltrane8:17
2Night and Day
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1956)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Art Tatum - Ben Webster Quartet5:27
3I Should Care
instrumental recording of:
I Should Care (in 1956)
Verfasser(in):
Sammy Cahn, Axel Stordahl und Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited und Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Bud Powell Trio3:39
4Just You Just Me
recording of:
Just You, Just Me (in 1956)
Texter:
Raymond Klages (in 1929)
Komponist(in):
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) und Robbins Music Corporation
Teil von:
New York, New York (1977 musical film soundtrack)
Nat King Cole3:01
5Azure
Cecil Taylor Trio7:27
6The Most Beautiful Girl in the World
Max Roach Quintet7:10
7Omicron
recording of:
Omicron (am 1956-09-21)
Komponist(in):
Donald Byrd (American jazz trumpeter)
Paul Chambers7:15
8I Love You
Bill Evans Trio3:52
9No Cover, No Minimum
recording of:
No Cover, No Minimum (in 1956-09)
Komponist(in):
Bill Evans (pianist)
Bill Evans Trio8:08
10Get Happy
instrumental recording of:
Get Happy (in 1956)
Texter:
Ted Koehler (in 1929)
Komponist(in):
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Summer Stock
Teil von:
The Nine‐Fifteen Revue (1930)
The Eddie Costa Trio4:12
11Blues for Bessie
recording of:
Blues for Bessie (am 1956-10-05)
Komponist(in):
Bud Powell
Bud Powell Trio5:40
12Coscrane
recording of:
Coscrane (am 1956-10-05)
Komponist(in):
Bud Powell
Bud Powell Trio3:43
13The House I Live In
Bass:
George Morrow (am 1956-10-05)
Klavier:
Wade Legge (am 1956-10-05)
membranophone:
Max Roach (20th century US jazz drummer & composer) (am 1956-10-05)
Tenorsaxophon:
Sonny Rollins (American saxophonist) (am 1956-10-05)
Trompete:
Kenny Dorham (US jazz trumpeter, singer, and composer) (am 1956-10-05)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1956-10-05)
Sonny Rollins Quintet9:21
8▶CD: 63 1956
9▶CD: 64 1956
10▶CD: 65 1956

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